{"id":29799,"date":"2023-08-24T12:23:37","date_gmt":"2023-08-24T10:23:37","guid":{"rendered":"https:\/\/c01.purpledshub.com\/bbccountryfile\/?post_type=purple_issue&#038;p=29799"},"modified":"2023-08-24T12:23:37","modified_gmt":"2023-08-24T10:23:37","slug":"bird-of-prayer","status":"publish","type":"post","link":"https:\/\/c01.purpledshub.com\/bbccountryfile\/2023\/08\/24\/bird-of-prayer\/","title":{"rendered":"Bird of prayer"},"content":{"rendered":"\n<h2 class=\"has-text-align-center\">Bird of prayer<\/h2>\n\n<p class=\"has-text-align-center sans-serif intro\">This September, Christopher Eccleston narrates <em>A Kestrel for a Knave <\/em>for BBC Four\u2019s <em>The Read. <\/em><strong>Stephen James-Yeoman <\/strong><span>discusses the enduring power of this classic countryside book<\/span><\/p>\n\n<figure class=\"no-tts wp-block-image article-in-image photo\"><img loading=\"lazy\" width=\"1471\" height=\"956\" src=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/51936c8d-b00a-4db8-afc6-c523d5141c8e.jpg\" alt=\"\" class=\"no-tts wp-image-29795\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/51936c8d-b00a-4db8-afc6-c523d5141c8e.jpg 1471w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/51936c8d-b00a-4db8-afc6-c523d5141c8e-300x195.jpg 300w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/51936c8d-b00a-4db8-afc6-c523d5141c8e-1024x665.jpg 1024w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/51936c8d-b00a-4db8-afc6-c523d5141c8e-768x499.jpg 768w\" sizes=\"(max-width: 1471px) 100vw, 1471px\" \/><figcaption>Christopher Eccleston gives voice to Barry Hines\u2019 novel <em>A Kestrel for a Knave<\/em> in BBC Four\u2019s <em>The Read<\/em>  <\/figcaption><\/figure>\n\n<p><\/p>\n\n<p class=\"has-drop-cap article-full-body sans-serif dropcap\"><span style=\"\"><strong><span class=\"has-inline-color has-ccp-black-color\">F<\/span><\/strong><\/span><strong><span style=\"\">or<\/span><\/strong> <strong>more than 30 years from the mid-1960s, BBC storytelling programme <em>Jackanory <\/em>featured the stars of the day, from Kenneth Williams to Bernard Cribbins, reading stories aloud \u2013 with the counterintuitive aim of encouraging young viewers to actually stop watching those square TVs and pick up a book instead. <\/strong><\/p>\n\n<p class=\"article-full-body sans-serif\">Now, almost 30 years later, the spirit of the series lives on in BBC Four\u2019s <em>The <\/em><em>Read, <\/em>this time reimagined to introduce adults to iconic British novels. Sam Selvon\u2019s <em>The <\/em><em>Lonely <\/em><em>Londoners, <\/em>Bruce Chatwin\u2019s <em>On <\/em><em>The <\/em><em>Black <\/em><em>Hill <\/em>and Louise Levine\u2019s <em>A <\/em><em>Vision <\/em><em>of <\/em><em>Loveliness <\/em>have all been given this fresh treatment and now it\u2019s the turn of Barry Hines\u2019 seminal work <em>A <\/em><em>Kestrel <\/em><em>for <\/em><em>a <\/em><em>Knave. <\/em><\/p>\n\n<p class=\"article-full-body sans-serif\">Filmed at Oldham Colliseum Theatre, Christopher Eccleston is the narrator and he himself acknowledges the impact Hines\u2019 coming-of-age novel has had on him. <\/p>\n\n<p class=\"article-full-body sans-serif\">\u201cIf I hadn\u2019t met Barry Hines\u2019 Billy Casper from the extraordinarily beautiful novel <em>A <\/em><em>Kestrel <\/em><em>For <\/em><em>a <\/em><em>Knave, <\/em>I would have cared less about other people and I would not be an actor,\u201d he said. <\/p>\n\n<p class=\"article-full-body sans-serif\">It\u2019s easy to see why this book, first published in 1968, has such a profound effect on those who encounter it. Billy Casper\u2019s life in a South Yorkshire mining village is bleak; he is ridiculed and bullied at home and at school. The calming open fields of a nearby farm represent the blessed relief from his life\u2019s difficulties and the freedom Billy feels when connecting with his beloved kestrel, Kes. <\/p>\n\n<p class=\"article-full-body sans-serif\"><em>A Kestrel for a Knave <\/em>is known as much as a staple school text as for Ken Loach\u2019s devastating 1969 film, <em>Kes. <\/em>In <em>The <\/em><em>Read, <\/em>Eccleston brilliantly guides the viewer through the heart-breaking cadence of Billy\u2019s life as he grapples with his harsh day-to-day existence. As narrator, the actor gives voice to Billy, to his overpowering brother Jed, their world-weary Mum and caring but frustrated teacher Mr Farthing, skilfully painting the claustrophobic world the teenager occupies. <\/p>\n\n<p class=\"article-full-body sans-serif\">It\u2019s the freedom that Billy finds training his newly found kestrel that underpins Hines\u2019 narrative. The passion of falconry is palpable when the schoolboy demonstrates his newfound skills to his teacher in the farm\u2019s fields. The confidence he has in his own ability and the connection to the young kestrel gives the reader hope that our protagonist can escape his reality. <\/p>\n\n<h5 class=\"sans-serif article-subhead has-ccp-black-color has-text-color\"><strong>FLIGHT OF FREEDOM <\/strong><\/h5>\n\n<p class=\"article-full-body sans-serif\">When Billy flies Kes, he is completely happy in nature and in control of it. Hines uses the swooping outstretched wings of the bird to represent freedom, in juxtaposition to the daily trudge of his young master. But this story is more than just an exploration of hope and innocence. In Ecclestone\u2019s narration, the viewer understands the hopelessness of the system Billy finds himself in; and the lack of opportunity and encouragement acts as the schoolboy\u2019s own restricted birdcage. <\/p>\n\n<blockquote class=\"wp-block-quote has-text-align-center is-style-large\"><p><span class=\"has-inline-color has-ccp-black-color\"><strong>\u201cWhen Billy flies Kes, he is completely happy in nature\u201d <\/strong><\/span><\/p><\/blockquote>\n\n<p><\/p>\n\n<p class=\"article-full-body sans-serif\">Spoiler alert: although there can be few people who aren\u2019t aware of the tragic consequences following his brother Jed\u2019s intervention with Billy\u2019s kestrel, the death of the hawk is, of course, a turning point in the book, as it is in <em>The Read\u2019s <\/em>adaptation. It sums up that crush of a dream. Everything seemed to be going so well. Although, of course, in reality for Billy it wasn\u2019t. His cherished hobby may have lifted his spirits, but Hines argues it did nothing to elevate his circumstances or long-term prospects.<\/p>\n\n<div class=\"no-tts wp-block-image is-style-default\"><figure class=\"no-tts aligncenter size-large\"><img loading=\"lazy\" width=\"1024\" height=\"726\" src=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-1024x726.jpg\" alt=\"\" class=\"no-tts wp-image-30103\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-1024x726.jpg 1024w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-300x213.jpg 300w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-768x545.jpg 768w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-1536x1090.jpg 1536w, https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/F6ERNR_preview-2048x1453.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>David Bradley as Billy in Kes, Ken Loach\u2019s 1969 film adaptation of <em>A Kestrel for a Knave<\/em><\/figcaption><\/figure><\/div>\n\n<p><\/p>\n\n<h5 class=\"sans-serif article-subhead has-ccp-black-color has-text-color\"><strong>WILD COMFORT <\/strong><\/h5>\n\n<p class=\"article-full-body sans-serif\">Author Hines was born in 1939 in South Yorkshire near Barnsley, where he recognised the importance of the countryside as a rich contrast to the narrowness of the industrial life of the mining community. It\u2019s no accident that the pastoral breath of fresh air in <em>A <\/em><em>Kestrel <\/em><em>for <\/em><em>a <\/em><em>Knave <\/em>serves as balance to the trials of Billy\u2019s life. <\/p>\n\n<p class=\"article-full-body sans-serif\">Having a story read to you is incredibly personal and this series continues that tradition of the narrator holding the gaze of the listener and viewer while the narrative unfolds. Why wouldn\u2019t you believe every word that\u2019s being told in such an impactful way? Imaginatively visualised by emerging directors working closely with executive producer Grant Black from <span>Hereford-based Rural Studios, the stories featured in <\/span><em>The <\/em><em>Read <\/em><span>are chosen carefully. Of course, they have a beginning, middle and end but they also have compelling characters and a narrative structure to draw the audience in.<\/span><\/p>\n\n<p class=\"article-full-body sans-serif\"><em>A Kestrel for a Knave <\/em>ends on a sad note, but despite being devoid of hope, the reader is left with a willing for Billy to move on from his circumstances and succeed. Having found his passion for the natural world in Kes, the hope is that other joys lie ahead. I hope that the stories of <em>The Read <\/em>will have a similar effect, encouraging viewers not only to explore the other featured novels in the series but also to search out fantastic reads themselves.<\/p>\n\n<p><\/p>\n\n<hr class=\"no-tts wp-block-separator is-style-wide\"\/>\n\n<h4 class=\"has-text-align-center sans-serif article-subhead\"><em><strong>Don\u2019t miss<\/strong><\/em><\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif has-ccp-black-color has-text-color\"><strong>Other episodes of BBC Four\u2019s <em>The Read, <\/em>including Louise Levine\u2019s <em>A Vision of Loveliness <\/em><span>and Sid Chaplin\u2019s <\/span><em>The Day of the Sardine, <\/em><span>are currently available on BBC iPlayer.<\/span><\/strong><\/p>\n\n<p><\/p>\n\n<hr class=\"no-tts wp-block-separator is-style-wide\"\/>\n\n<div class=\"no-tts wp-block-image article-in-image photo\"><figure class=\"no-tts alignleft is-resized\"><img loading=\"lazy\" src=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/45\/2023\/08\/72c7dd3f-c57a-4249-9b8c-c282fc31d98d.jpg\" alt=\"\" class=\"no-tts wp-image-29798\" width=\"128\" height=\"168\"\/><\/figure><\/div>\n\n<p><\/p>\n\n<p>Stephen James-Yeoman is commissioning editor of <em>The Read<\/em> as well as other BBC Arts and Classical Music programmes, such as the BBC Proms.<br><br><br><\/p>\n\n<p class=\"footer\">Photos: BBC\/Dan Ollerhead, Alamy<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This September, Christopher Eccleston narrates A Kestrel for a Knave for BBC Four\u2019s The 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September, Christopher Eccleston narrates A Kestrel for a Knave for BBC Four\u2019s The 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