By jonathanwilkes

Published: Thursday, 20 October 2022 at 12:00 am


Judging by most film and TV depictions of Europe in the Middle Ages, one peasant looked much like another. A face, probably grubby, peeks out from beneath a hood; below, the body is clad in a tunic and woollen hose. Shoes – if feet are shod at all – are spattered with mud, from the farmyard or the quagmire of a road along which they’re tramping.

Such was the lot of the ordinary man or woman. Whether in Britain or Brittany, Essex or Aachen, a common assumption is that the everyday lives of ordinary medieval people were fairly homogeneous – that their status, wealth, health, diet and, yes, clothing was largely the same across much of the continent. Yet even a brief look at records and chronicles from that period – which, of course, covers a vast timespan – gives the lie to that idea.

Take the denizens of Ruislip, now a district in west London. In 1246, it was a small farming community in Middlesex. Here lived Roise, the miller’s wife; Nicholas Brakespear, a freeholder who flouted the local authorities’ orders; and Hugh Tree, whose flock kept getting into the lord’s garden. If you wandered through 13th-century Ruislip, you might also meet brewers such as Alice, the widow of Salvage; or Agnotta, the amica (“friend”, or mistress) of the shepherd.

Some locals were richer than others. One, Roger Hamo, was sufficiently wealthy that he could afford to pay 20 shillings for a jury of 12 local men to investigate his rights to a plot of land claimed by another man, Gilbert Bisuthe. The authorities’ specification that some peasants, such as Nicholas Brakespear, were freeholders implies that others were tenants or serfs. Some people got along, but others got caught up in disputes – take William Slipper and the Widow Druet, for example, who argued over a hedge boundary between their properties.

We know about the lives of these people because they were mentioned in the court records of Bec Abbey in Normandy, which was the lord of Ruislip’s manor. A document prepared by officials records information about justice administered to inhabitants of the manor on “Tuesday after Ascension Day [22 May]” 1246, including Roise, Nicholas, Agnotta and the others.

Today they would all be lumped together as “peasants” – though this snapshot of one community at one moment in time reveals that generic label encompassed a range of people with quite different statuses and life experiences. Apart from the fascinating stories of its various inhabitants, then, Ruislip’s records tell us something important about medieval peasants: that their lives could be surprisingly varied.

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A detail from the c1225–50 Lewis Psalter showing peasants brewing ale. (Photo by Free Library of Philadelphia)

Two visualisations of medieval peasants

All this should warn us against generalising about medieval peasants – yet, unfortunately, this is a warning that we, in the modern world, have failed to heed. In fact, so strong has been this urge to package our ancestors into stereotypes that we have fallen into the trap of visualising medieval peasant life in two ways.

There is the “negative” vision, that peasants in medieval Europe (our stereotypes tend to derive from the Latin Christian west) lived short, miserable lives. In this depiction, they were not only afflicted by the widespread disease and lack of hygiene that we associate with all pre-modern people, but were also violently oppressed by a greedy clergy and nobility.

Other modern imaginations have drawn a different picture: of a utopian conception of contented medieval peasants liberated from the constraints of constant regimented work, with autonomy for them selves and their communities.

Such views are based largely on depictions of ordinary people on television and film. Most films set in the Middle Ages treat peasants as mere window dressing: a powerless, servile mass. Extras with dirt on their faces pose in crowd scenes while the real protagonists – royals, nobles and clergy – drive the plot forward. Where peasants have a role, it is often because they have joined a noble, military milieu: Milla Jovovich’s titular character in The Messenger: The Story of Joan of Arc (1999), for example, or Heath Ledger’s fictional peasant turned-jouster in A Knight’s Tale (2001).

Even more commonly, peasants are nameless and incompetent, reinforcing their inferiority to high-ranking main characters. Thus in Kingdom of Heaven (2005), the crusading nobleman Balian of Ibelin, played by Orlando Bloom, teaches starving Levantine peasants how to irrigate their lands – in reality, that technology had already existed in the Middle East for thousands of years.

Where peasants have a role, it is often because they have joined a noble, military milieu… more commonly, they are nameless and incompetent, reinforcing their inferiority to high-ranking main characters

A few films have, by contrast, portrayed peasants as heroic freedom fighters in a good-versus-evil struggle with corrupt overlords. Take Robin Hood: Prince of Thieves (1991), or Braveheart (1995), which depicts the main protagonist, William Wallace (Mel Gibson), as a “commoner” and a man of the people; in fact, he was a member of the lower nobility. There is little room for nuance in such narratives: they are binary affairs pitting the masses against the aristocracy without intermediate social gradations.

In Braveheart, for instance, even the Scottish nobles ostensibly on Wallace’s side betray him, whereas the common folk rally around his cause. Such stories really reflect an abiding modern concern – inequalities between distant, dishonest elites and down-to-earth “ordinary people” – but also contribute to the romanticisation of medieval peasants.

Comedies have perhaps come closest to reflecting on the place of peasants in medieval society itself. Consider the 1975 classic film Monty Python and the Holy Grail, specifically the exchange between King Arthur (Graham Chapman) and two peasants (Michael Palin, seen below, and Terry Jones). The peasants’ assertion that they are “an anarcho-syndicalist commune” is partly a satire of modern leftist organisations. However, the reaction of Palin’s character when Arthur seizes him and tries to silence him – “Now we see the violence inherent in the system!” – is the most trenchant summary of lord-peasant relations in modern cinema.

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Michael Palin plays a peasant in Monty Python and the Holy Grail. (1975)

Peasants as violent, superstitious, backward and servile

Like most stereotypes, modern views of peasant life are not entirely baseless. However, they tell us more about ourselves as modern inhabitants of an industrial civilisation than they do about the Middle Ages. Since the Enlightenment, people in the “west” have tended to view themselves as superior to all who came before.

In that respect, the “medieval” functions as the antithesis of all that we flatter ourselves as being. We regard ourselves as civilised, rational, technologically advanced, free and egalitarian. By contrast, “medieval people” – above all, peasants – must have been violent, superstitious, backward and servile.

The opposite fantasy – that medieval peasants lived idyllic lives – is rooted in the alienation many modern people have felt since the Industrial Revolution. To such people, the Middle Ages represent a romantic alternative to the corruption of modernity: it was a time when people lived more authentic lives, were more in touch with nature, and enjoyed stronger communities, undisrupted by the frenetic demands of modern capitalism.

These two narratives, being products of modern preoccupations, are of limited use in illuminating the lives of people who lived in what we now term the Middle Ages – roughly, the early sixth to 16th centuries. The length of that timespan – a millennium – should provide one clue about the limits of any generalisations made about it.

Even if we focus only on Europe, we’re dealing with a panoply of different geographies, climates and regimes of lordship that evolved over 10 centuries, resulting in an array of peasant experiences. And finally, as Ruislip shows, even in one specific location the people we group together under the label “peasants” could be diverse in terms of gender, wealth, free or unfree status, and so on.

In light of this, can we say anything specific and meaningful about medieval European “peasant” experiences?

We can certainly point to some shared patterns in the Latin Christian heartlands during key phases of the Middle Ages. In the early medieval period, the political structures of the Roman empire crumbled in western Europe, but its successor states under the Frankish kings and their neighbours perpetuated some Roman ideas and practices. One was the distinction between free individuals and slaves or serfs (servi or mancipia), with the latter experiencing various restrictions on their personal, judicial and economic rights. Precise forms of unfreedom changed over time, but important differences in legal status remained in most places in medieval Europe.


On the podcast | Chris Dyer answers the key questions about life in the Middle Ages, including bodily hygiene, sleep patterns, love and marriage, policing and retirement