By David Olusoga

Published: Thursday, 14 October 2021 at 12:00 am


The history of black people in Britain during the 18th century is a series of unknowns. We don’t know the size of the black “community”, or even if black Georgians formed discrete communities. We only have fleeting glimpses as to how they interacted with one another and are unsure what proportion of them were free and what proportion lived in forms of unfreedom. While some were clearly servants, others were undoubtedly enslaved. Instead of detail, we have passing references which hint at lives that can never be better understood.

What makes this all the more frustrating is that black Georgians themselves, despite these gaps in the historical record, are literally visible to us. They appear in hundreds of portraits, as servants, footmen, maids and stable-boys. Usually pushed up against the picture frames, they were painted not as individuals but as fashionable accessories, the exotic property of the main sitters, their masters and mistresses. Only a handful of black Georgians were the subjects of their own portraits.

Yet despite this mountain of unknowns and frustrations, there are a tiny number of black Georgians who emerge from the historical record, not as fleeting apparitions, but fully formed characters. Those few were men and women who left behind their own words, in the form of letters, memoirs and biographies. The most significant of those rare texts was written by the most famous black person to appear in Britain of the late 18th century – Olaudah Equiano.

Escaping enslavement

Although the exact circumstances of his birth are the subject of a historical controversy, which will be discussed in more detail later in the feature, what is certain is that Equiano experienced slavery and was able to escape from it. In 1789, having been a freeman for 23 years he published his autobiography, The Interesting Narrative of the Life of Olaudah Equiano, Gustavus Vassa, the African. Written by Himself.

In the early chapters Equiano describes his childhood in Africa and how it was brought to a sudden end when he and his sister were abducted by African slave traders. Marched to the coast they were separated, which devastated Equiano: “It was in vain that we besought them not to part us; she was torn from me, and immediately carried away, while I was left in a state of distraction not to be described. I cried and grieved continually; and for several days I did not eat any thing but what they forced into my mouth.” He was then shipped across the Atlantic on a British slave ship to Barbados. From there he went to Virginia and was sold to a tobacco planter, who in turn sold him on to Michael Pascal, a British naval captain.

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A portrait of Olaudah Equiano from his autobiography, 1789. Equiano was a huge asset to the abolition movement, speaking against slavery “with the authority of a man who had escaped its clutches and witnessed its horrors”. (Image by Getty Images)

Although the legal property of Michael Pascal, Equiano experienced slavery in a form very different to that of most enslaved Africans. Escaping the brutal life of sugar fields he instead was employed on board ships, working for Pascal while travelling across the British empire of the mid-18th century. These travels took him to England and into battle, serving in the Royal Navy, under Pascal, during the Seven Years’ War.

In 1762 Equiano was sold again, and by 1763 he was the property of Robert King, a Quaker merchant with interests in Monserrat. Again Equiano was employed at sea. In this stage of his life he was however permitted a life-changing liberty. Equiano was allowed to trade whatever goods he was able to acquire and keep the profits.

Over the next three years he slowly accumulated a growing stash that he carefully used to buy goods in one part of the empire that could be sold at a profit in another. Astonishingly, and despite various moments in which he was swindled, robbed and short-changed, he was able to gather together the sum of £40, the price Robert King had set for the purchase of his freedom.

In 1766 King was persuaded to allow Equiano to buy his manumission from slavery. Describing the moment he secured his freedom, Equiano said: “I who had been a slave in the morning, trembling at the will of another, was become my own master, and completely free. I thought this was the happiest day I had ever experienced.”

As a freeman Equiano continued to work as a sailor and by 1767 had settled in London, returning to sea when financial circumstances dictated. By the early 1770s he was well established in London, becoming a leading black figure in the city, able to use his connections to campaign for the rights of other black Londoners. This was at a time when the legality of slavery in England and Scotland was being contested, and men and women brought to Britain as human property were being kidnapped on the streets of London and other cities and forcibly shipped back to the plantations.

In 1783 Equiano began a campaign to draw attention to the Zong Massacre of 1781 – the murder of around 130 Africans who had been thrown overboard the slave ship Zong so as to enable a claim for their loss to be registered against the ship’s insurance policy.

He was also a key figure in a bizarre and disastrous scheme to create a new colony – dubbed the “Province of Freedom” – on the shores of Sierra Leone. There Britain settled the so-called “Black Poor”, destitute former slaves who had served with British forces during the American Revolution. Brought to Britain they were then largely abandoned by the authorities. When the scheme to resettle them in Africa descended into a spiral of corruption, Equiano became a whistle blower. Although his letters condemning the scheme did not prevent it from going ahead, they did make Equiano moderately famous, and that fame became the springboard that led to him writing the Interesting Narrative.

Other black Georgians had already written and published their memoirs and letters (Ignatius Sancho posthumously in 1782, and Ottobah Cugoano in 1787, with the help of Equiano), and others such as Mary Prince did so later. But Equiano’s narrative was to be the most significant of them all, in part because of the skill and lucidity with which it was written, but also because of the timing of its publication.

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Ignatius Sancho (shown in 1768) had his writing published. However, Equiano’s Interesting Narrative was to prove more influential. (Photo by: Universal History Archive/Universal Images Group via Getty Images)

The book was released in the spring of 1789, two years after the Society For Effecting the Abolition of the Slave Trade had been founded, and during a year in which abolitionists – led in parliament by William Wilberforce – launched their first parliamentary bid to bring about the abolition of the slave trade. The Interesting Narrative, the biography of a man who had himself been enslaved, was a key element in that great surge of abolitionist activity of that year. Equiano was keenly aware of his position, writing that the text was “the production of an unlettered African, who is actuated by the hope of becoming an instrument towards the relief of his suffering countrymen”.

The biography of a man who had himself been enslaved became a key element in the great surge of abolitionist activity

Yet while the book had a profound impact upon those who read it, 1789 was not to be the year in which the slave trade was abolished. The revolution in France so horrified the British elite that any form of radical political or commercial change was dismissed as dangerous and destabilising.


Listen: Padraic X Scanlan discusses how slavery fuelled the British empire and explores the complicated motivations of abolitionists, on this episode of the HistoryExtra podcast: