By Elinor Evans

Published: Tuesday, 04 October 2022 at 12:00 am


Tourists in Italy may be too busy seeking a Michelangelo or a Botticelli, or a (real) espresso to notice. But the streetscape of every Italian town teaches a history lesson. It is a rare site that does not have a piazza or street named after Garibaldi, the hero of heroes in the making of Italy, often supplemented by his colleagues, Cavour, Mazzini and Victor Emmanuel II.

The anti-Fascist public nature of the Italian Republic, 1946–90, and (until 2022) in most senses since, means that Antonio Gramsci (the communist), Giacomo Matteotti (the socialist), and Giovanni Amendola (the liberal democrat) are almost as likely to be recalled in such naming. But Fascists, whether Benito Mussolini or his ministers and officials, who dominated the country through the ventennio (20 years of dictatorship) 1922–45 are absent. Italy has now acquired in Giorgia Meloni a Prime Minister who, until very recently, was a convinced admirer of Mussolini and Fascism (Italian-style). As a teenager she stated that “Mussolini was a good politician, in that everything he did, he did for Italy”. Will that situation now change as we see what such flirtation now means?

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Giorgia Meloni is a Prime Minister who, until very recently, was a convinced admirer of Benito Mussolini (above) and Fascism. (Image by Getty Images)

We shall have to see. What the rise does make plain is the strange way a dictator, who sent a million men, women, and children early to their graves, has retained a positive memory image in many sectors of Italian society, particularly among those with less formal education, some of whom will enter the parliament as deputies among the Fratelli d’Italia (Brothers of Italy). Two Mussolini granddaughters (Alessandra and Rachele) and a great-grandson (Caio Giulio Cesare) are FdI activists. How can this be?

The memory of Mussolini

As historian Paul Corner has authoritatively shown in Mussolini in Myth and Memory (OUP, 2022), the actual history of the Italian dictatorship was based on violence, corruption, and calamitous inadequacy in fighting Italy’s Second World War (as the “ignoble second” of Adolf Hitler and his Nazis). During the ventennio, the national economy stuttered. Fascism did offer a welfare state of a kind (for the obedient and those with contacts) but it was corrupt, bureaucratised and inefficient. The regime promised a militarisation of everyone into ‘new’ men and women, ready to ‘believe, fight and obey’ for Italy and Fascism, these two meant to have become identical in meaning. The message was reinforced by ubiquitous propaganda, often purveyed with originality and panache, where the key slogan became Il Duce ha sempre ragione (the Duce is always right). Even if it was easy to see that Fascist bosses brimmed over with self, not public, interest, Italians were told that their leader’s charisma covered all and he was as infallible, as blessed and as able to bless the people as (or more than) was the Pope across the Tiber.

In 1945 Italy stood defeated and humiliated. Ever since the Risorgimento [the 19th-century unification of Italy], its leaders had proclaimed that it was a ‘Great Power’ (even if the least of these). Its destiny, like that of Britain or France (or Germany), was to be imperial; in Rome, it was impossible not to recall the First Roman Empire. But, in abject defeat, it had surrendered every title to greatness. Its empire, however, ‘tatterdemalion’, was stripped away. In 1947, its anti-Fascist, Christian Democrat Prime Minister, Alcide De Gasperi, suggested that many citizens, locked in seeming permanent miseria (desperate poverty) notably in the country’s south, should “learn a language and go abroad”. So, for the next decade and a half, they did, whether, as before 1914, to the wider world or to such rapidly prospering European countries as Germany and Belgium.


On the podcast | Richard Bosworth answers listener questions on the authoritarian ideology that emerged in Italy a century ago: