By Lauren Good

Published: Friday, 02 December 2022 at 12:00 am


Welsh poet and writer Dylan Thomas’s A Child’s Christmas in Wales (a piece of prose first recorded in 1952) paints a rich picture of the country’s festive traditions. In Thomas’s famous work, based on his own childhood memories and presenting a largely romanticised view of Welsh festivities in the 1920s, mistletoe is “hung from the gas brackets in all the front parlours”, below which people enjoy “sherry and walnuts and bottled beer and crackers by the dessertspoons”.

Whilst these practices might seem rather familiar, with echoes of the Christmas traditions that endure in Welsh homes today, there are plenty more traditions in Wales’s history that are not quite so predictable.

So, what would you experience if you travelled back at various moments to a real Christmas in Wales? Perhaps a prick of the ears as carols sound at 3am from the local chapel, or widened eyes at a group hunting down a wren to parade around the village on Twelfth Night. And, when you’ve retreated behind closed doors, a horse skull draped in sheets might come a-knocking…

Christmas Eve – Noswyl Nadolig

Toffee Evening ­– Noson Gyflaith

""
1940s – group of young people making taffy (Photo by H. Armstrong Roberts/ClassicStock/Getty Images)

In a tradition that’s believed to date from the late 18th century, as Christmas Eve rolled into the night, many Welsh families would gather to make toffee. Ingredients were boiled in pans on the fire, and then pulled repeatedly into long strands whilst still warm.

Once the toffee had reached a golden yellow colour, the strands were cut into small pieces and dropped into iced water to cool. Upon this, the sweet treats curled into shapes – any that resembled letters were thought to foresee the future loves of unbetrothed family members.

Along with making toffee, Christmas Eve was also celebrated with storytelling, playing games, and decorating the house with holly and mistletoe.

Though this custom was mainly found in North Wales, toffee-making was also practised in the south of the country, particularly in coal-mining communities. However, in these regions it was not associated with Christmas; housewives would sell it either from their homes or on market stalls.

Additionally, the word ‘toffee’ would not have been used until the 19th century, and the sweet treat would have instead been named ‘cyflaith’, ‘ffanni’ and, more commonly, ‘taffy’.

You can make your own with this recipe.

Christmas Day ­– Dydd Nadolig

""
A group of men inspecting turkeys, some on crates with others hanging from racks in the background, ahead of the Christmas rush at a market in Cardiff, Wales, 20th December 1937. (Photo by Fox Photos/Hulton Archive/Getty Images)

Daybreak – Plygain

For many families, late-night toffee making on Christmas Eve would follow directly into another significant Welsh Christmas tradition. Plygain was a service that began early on Christmas Day in the 17th century – 3 o’clock in the morning, to be precise.

Plygain – which has a translated meaning that’s close to ‘cockcrow’, indicating the early hour – included a torch-led procession that made its way to the service, with cow-horns sounding loudly to announce the event. Once the party had reached the church, unaccompanied song would begin, with harmonies filling the church walls.

Evidence of services across Wales during this period can be found in the history books, with one in Dolgellau in northwest Wales described by William Payne, an English painter born in the mid 18th century.

“Now the church is in a blaze, now crammed, body, aisles, gallery,” Payne wrote, describing how local people would “descend” from the galleries to sing “without artificial aid of pitch pipe, the long, long carol and old favourite describing the Worship of Kings and of the Wise Men.”

Songs would often continue until 6am, when the service gave way to the merriment of Christmas Day.

“Prayers over,” adds Payne of the Dolgellau service, “the singers begin again more carols, new singers, old carols in solos, duets, trios, choruses, then silence in the audience, broken at appropriate pauses by the suppressed hum, of delight and approval, till between eight and nine, hunger telling on the singers, the Plygain is over and the Bells strike out a round peal.”