{"id":18982,"date":"2022-10-18T11:25:13","date_gmt":"2022-10-18T09:25:13","guid":{"rendered":"https:\/\/www.historyextra.com\/?p=217753"},"modified":"2022-10-18T11:41:11","modified_gmt":"2022-10-18T09:41:11","slug":"politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbchistory\/rss_feed\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc\/","title":{"rendered":"Politics and public broadcasting: 1950s friction between government and the BBC"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Elinor Evans\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 18 October 2022 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>In November 1956, a 14-minute televised address to the nation by the British prime minister Anthony Eden triggered possibly the single biggest <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/cold-war-facts-ideologies-who-won-hot-spy-nuclear\/&quot;\">Cold War-era<\/a> clash between government and the BBC. It stripped bare the intimate, if awkward, relationship between professional broadcasters and the worlds of Westminster and Whitehall. But behind the row lurked another battle between sharply different views on the proper role of television in reporting politics.<\/p>\n<p>The broadcast, on the evening of Saturday 3 November, represented Eden\u2019s hurried attempt to justify a botched and ill-judged military adventure of his own making. In the wake of Egypt\u2019s recent nationalisation of the Suez Canal, Israeli forces had invaded the Sinai Peninsula at the end of October. Israel\u2019s action had been secretly planned in collaboration with Britain and France, in order to justify a subsequent occupation of the Canal Zone by British and French paratroopers.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<ul><li><strong>Read more about\u00a0<a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/suez-crisis-explained-suez-canal-crisis-gamal-abdel-nasser\/&quot;\">the Suez Crisis<\/a><\/strong><\/li>\n<\/ul><p>Eden\u2019s collusion had initially been a secret known only to a handful of close ministers and advisors. Yet there was disquiet about Britain\u2019s whole response to Egypt\u2019s nationalisation. Even before the first British paratroopers had landed, Eden felt compelled to go before the BBC\u2019s cameras to explain what was happening. In his broadcast, he spoke of Britain\u2019s military intervention as a form of \u201cpolice action\u201d and claimed that he had acted \u201crightly and wisely\u201d. His words weren\u2019t enough to assuage the UN, which condemned the use of force, nor the US, which pressed for an almost immediate ceasefire. Before long, British and French troops had been forced into a humiliating withdrawal.<\/p>\n<p>The problem for the BBC was that the crisis had already divided public and political opinion. The Labour party, in particular, was vehemently opposed to Eden\u2019s policy. Oliver Whitley, the assistant controller of<span class=\"&quot;Apple-converted-space&quot;\">\u00a0\u00a0<\/span>the BBC\u2019s Overseas Services, later explained the dilemma facing senior staff at the time.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <h4>Explore the history of the BBC<\/h4>\n<p>This is part nine in a 13-part series by David Hendy that charts how the BBC shaped the nation. Read more about the <a href=\"&quot;https:\/\/www.historyextra.com\/topic\/bbc-british-broadcasting-corporation-history\/&quot;\">history of the BBC<\/a>:<\/p>\n<p><strong>Part 1 | <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-british-broadcasting-coroporation-history-beginning-when\/&quot;\">The BBC begins: how a group of radio pioneers launched one of Britain\u2019s most famous institutions<\/a><\/strong><\/p>\n<p><strong>Part 2 | <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/broadcasting-house-bbc-national-institution-world-service-general-strike-1926\/&quot;\">Broadcasting House: a new home for the BBC<\/a><\/strong><\/p>\n<p><strong>Part 3 | <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-childrens-programming-history-blue-peter\/&quot;\">Andy Pandy to Blue Peter: how the BBC captivated little citizens<\/a><\/strong><\/p>\n<p><strong>Part 4 | <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-black-history-britain-multiculturalism-windrush-caribbean-voices\/&quot;\">From \u201cexotic\u201d attractions to changing racial attitudes: the BBC\u2019s slow progress to mirror multicultural Britain<\/a><\/strong><\/p>\n<p><strong>Part 5 |<\/strong>\u00a0<strong><a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-history-radio-1-pop-music-john-peel-pirate-radio-caroline\/&quot;\">The BBC changes its tune to play the sounds of the sixties<\/a><\/strong><\/p>\n<p><strong>Part 6 |<\/strong>\u00a0<a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-history-third-programme-classical-music-bach-vaughan-williams-benjamin-britten-virgil-aeneid-knossos\/&quot;\"><strong>The BBC\u2019s Third Programme troubled championing of \u201chigh culture\u201d<\/strong><\/a><\/p>\n<p><b>Part 7 | <a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-natural-history-television-david-attenborough\/&quot;\">The BBC goes into the wild: the rise of natural history television and David Attenborough<\/a><\/b><\/p>\n<p><b>Part 8 |\u00a0<a href=\"&quot;https:\/\/www.historyextra.com\/period\/20th-century\/bbc-ratings-battle-eastenders-history\/&quot;\">The battle for ratings: how EastEnders saved the BBC<\/a><\/b><\/p>\n<p> <\/p><\/div> <\/section><p>\u201cWe had all got used to the fact that there wasn\u2019t a great deal of difference in foreign policy between the two main political parties,\u201d he said, \u201cand here suddenly the nation was split right down the middle,<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span>pro and against Suez, and the BBC felt it its duty to reflect accurately, as accurately as it could, the situation.\u201d It meant news coverage both at home and abroad had to feature at least some commentary opposed to Eden. It also meant that, with Eden having defended himself on primetime TV, the Labour leader Hugh Gaitskell demanded \u2013 and expected \u2013 the same treatment. The BBC thought this reasonable; the government did not.<\/p>\n<p>Throughout this unfolding drama, the director general, Ian Jacob, had been in Australia. In his absence, Norman Bottomley, the BBC\u2019s director of administration, and Harman Grisewood, the director general\u2019s chief assistant, were the two senior corporation officials summoned to Whitehall for a dressing down. Grisewood recalled \u201ca lot of soldiers and some Air Force people\u201d telling them that full wartime conditions applied \u2013 conditions that obliged the BBC to support the government of the day just as it had done during the Second World War.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?webp=true&amp;quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-217782\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-514975232webready-4275d9c.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> British troops in Port Said, northern Egypt, November 1956. The invasion of the region by UK, French and Israeli forces split public opinion, requiring the BBC to air views on both sides of the debate. (Image by Getty Images)<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>Grisewood and Bottomley refused to accept these terms, and were warned privately that Eden had ordered a legal instrument to be drawn up allowing his government to take over the BBC. It was in the fractious aftermath of this ominous development that the BBC\u2019s board of governors agreed to grant Gaitskell his request. On 4 November, just a day after Eden\u2019s address, the Labour leader used his own broadcast to launch a blistering attack on the PM, describing the attack on Egypt as \u201ca criminal folly\u201d and calling on Eden to resign \u2013 which, not long after, he did.<\/p>\n<h3>Under the media spotlight<\/h3>\n<p>The government was reluctant to let the corporation go entirely unpunished over its impartial approach. In an attempt to exert greater control, the Foreign Office insisted on the appointment of a \u201cliaison officer\u201d in the Overseas Service, hoping the government line would thereby be given more prominence. It had the opposite effect. Oliver Whitley watched a succession of \u201cusually rather young Foreign Office men\u201d turn up at Bush House only to become \u201cfirm friends and often very useful advocates of the whole BBC External Broadcasting operation\u201d.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>On the domestic front, the BBC\u2019s willingness to grant Gaitskell his turn before the cameras has often been seen as emblematic of a corporation proudly asserting its independence from government. The reality was more complex. In his memoirs, Grisewood suggested that the row arose not because the BBC had taken sides but because \u201cEden\u2019s aim was secrecy and the BBC\u2019s was enlightenment\u201d.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<div class=\"&quot;row&quot;\"> <div class=\"&quot;col-10\" offset-1=\"\"> <div class=\"&quot;embed&quot;\"> <div class=\"&quot;template-article__pullquote\" mt-md=\"\" mb-md=\"\"> <blockquote class=\"&quot;pullquote\" heading-4=\"\"> <span class=\"&quot;pullquote__icon\" pullquote__icon--left=\"\" icon-pullquote=\"\" data-grunticon-embed=\"\"\/> Executives were warned privately that Anthony Eden had ordered a legal instrument to be drawn up allowing his government to take over the BBC <span class=\"&quot;pullquote__icon\" pullquote__icon--right=\"\" icon-pullquote=\"\" data-grunticon-embed=\"\"\/> <\/blockquote> <\/div> <\/div> <\/div>\n<\/div> <p>Yet in the 1950s, when TV was still finding its feet, broadcasters and politicians alike saw that the medium might not always be the ideal forum for hosting important debates. For a start, there seemed an element of artifice that was absent in radio. Among the BBC team responsible for organising Eden\u2019s Suez broadcast was the young, freshly recruited producer David Attenborough, who recalled a bizarre scene unfolding inside <a href=\"&quot;https:\/\/www.historyextra.com\/period\/modern\/10-downing-street-history-facts-mouser-prime-minister-residence\/&quot;\">Downing Street<\/a>: the prime minister in bed, \u201clooking dreadful, in his pyjamas\u201d, pill bottles lined up next to him and his wife frantically dabbing mascara on to his moustache.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>In the aftermath of his 1945 election defeat, Churchill had set out in no uncertain terms why he believed \u201cthe BBC must do no political broadcasting of any kind\u201d when it came to television: \u201cI\u2019ve spent 50 years on my feet having to watch the effect of what I was saying as I was saying it,\u201d he told the director general. \u201cIf I\u2019d also had to worry about how I was looking, politics would have become intolerable.\u201d<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>Some in the BBC might have agreed, at least in private. Grace Wyndham Goldie, who ran the BBC\u2019s television current affairs, claimed afterwards that Eden\u2019s appearances on screen \u201cnever did him justice\u201d.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>Nervousness, she said, drove him to adopt \u201ca kind of self-conscious charm which\u2026 to my mind conveyed a kind of meretriciousness and an intention to deceive\u201d. Goldie was among the fiercest advocates for television\u2019s right to cover contemporary affairs \u2013 yet even she could recognise its distorting lens.<\/p>\n<h3>The decline of deference<\/h3>\n<p>Whatever the doubts, television could hardly be kept away from politics forever. Since no broadcasting from parliament was allowed, younger politicians in particular were ready to embrace the TV studio as a place from which they could reach their electorate directly. They saw, too, the necessity of not just looking the part, but also being quick on their feet.<\/p>\n<p>By the end of the 1950s, not only was television overtaking radio in popularity, the launch of commercial broadcasting had also prompted a step-change in the way politicians were treated on air. ITN\u2019s star interviewer, Robin Day, set the tone through his famously combative interviews. It was therefore a significant moment in the history of British TV journalism when he jumped to the BBC in 1959, and, during the 1960s, the corporation was nudged into an altogether less deferential approach by its new director general, Hugh Carleton Greene.<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?webp=true&amp;quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-217779\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/43996-7f5f79d.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Robin Day, whose move to the BBC in 1959 \u2013 and combative interviewing style \u2013 marked a new era in the way in which television covered politics. (Image by Getty Images)<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>The cockpit of national debate was shifting: from the precincts of Westminster to Broadcasting House, Television Centre, and Lime Grove \u2013 the shabby but energetic base for the BBC\u2019s ambitious and rapidly expanding TV current affairs team. A decade after Suez, viewers were able to watch politicians having to account for their actions on heavyweight series such as Panorama. Listeners to the Home Service could catch William Hardcastle\u2019s quick-fire but authoritative probing of MPs on The World at One. A little over four years later, Day would host BBC radio\u2019s first regular phone-in, It\u2019s Your Line, in which politicians ranging from Enoch Powell to Barbara Castle would answer questions put to them directly by voters.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>Politicians\u2019 increasing willingness to enter the gladiatorial arena of the studio came at a cost. There had always been friction between government and the BBC. But the rise to prominence of current affairs in the 1950s and 1960s \u2013 and the abandonment of an older, deferential approach among programme-makers \u2013 raised the stakes.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<p>The more fascinated the BBC became with politics, the more that politicians were going to take a close interest in the BBC. <span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <h4>Grace Wyndham Goldie: the\u00a0executive who set the agenda for the BBC\u2019s political programmes<\/h4>\n<p>Grace Wyndham Goldie has been described as sharp-witted and practical as well as quixotic and something\u00a0of a bully. She was also profoundly influential in shaping BBC Television\u2019s approach to the reporting of politics.<\/p>\n<p>Her BBC career had begun in 1935,\u00a0as a critic for <em>The Listener<\/em> magazine.\u00a0But it was her wartime career as a civil servant that fired an interest in the worlds of Westminster and Whitehall. She had worked at the Board of Trade, organising food supplies to bomb-shattered cities. There, she had come to appreciate the \u201csevere responsibilities\u201d carried by politicians and civil servants.\u00a0<\/p>\n<p>When she later became head of\u00a0BBC television\u2019s Current Affairs Group, that appreciation forged a culture in which programmes under her control tended to view topical events almost entirely from the rarefied summit of the British political establishment. Panellists on a series such as In the News \u2013 the Labour MP Michael Foot and Tory MP Bob Boothby became regulars \u2013 were relied on to provide the wit and common sense she saw as vital programme ingredients. As for achieving \u201cbalance\u201d, she trusted in her producers\u2019 editorial sensibility, believing they would instinctively know what was right without having to be constantly monitored.<\/p>\n<p>There had long been a natural affinity between senior BBC staff and those who controlled the levers of state: a shared faith in applying rational solutions to the problems of society. But under Grace Wyndham Goldie the relationship was more intimate than ever. Her prot\u00e9g\u00e9s\u00a0in the Current Affairs Group \u2013 insiders called them Grace\u2019s \u201cboys\u201d \u2013 included not just bright young graduates but\u00a0a cluster of ex- or future MPs: highly ambitious young men such as John Freeman, Christopher Mayhew, Michael Peacock, Alasdair Milne and Donald Baverstock. Their supreme self-confidence would eventually bring a heavyweight \u2013 and distinctly undeferential \u2013 energy to some of the BBC\u2019s most successful TV series of the 1950s\u00a0and \u201960s, including <em>Panorama, Tonight<\/em>, and <em>That Was the Week That Was.<\/em><\/p>\n<p> <\/p><\/div> <\/section><div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=354%2C236&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=404%2C269&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=554%2C369&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=407%2C271&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?webp=true&amp;quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=555%2C370&quot;\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-217781\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2022\/10\/GettyImages-147999981webready-f6af103.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Grace Wyndham Goldie in the 1950s. During the producer\u2019s tenure the BBC grew ever closer to the political elite. (Photo by George Konig\/Hulton Archive\/Getty Images)<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p><strong>David Hendy is emeritus professor at the University of Sussex. His latest book is <em>The BBC: A People\u2019s History<\/em> (Profile, 2022)<\/strong><\/p>\n<p><em><strong>This article was first published in the September 2022 issue of <\/strong><\/em><a href=\"&quot;\/bbc-history-magazine&quot;\"><em><strong>BBC History Magazine<\/strong><\/em><\/a><\/p><\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Elinor Evans Published: Tuesday, 18 October 2022 at 12:00 am In November 1956, a 14-minute televised address to the nation by the British prime minister Anthony Eden triggered possibly the single biggest Cold War-era clash between government and the BBC. It stripped bare the intimate, if awkward, relationship between professional broadcasters and the worlds [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":18983,"template":"","categories":[1],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc.jpg",620,413,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc.jpg",620,413,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc.jpg",620,413,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc.jpg",620,413,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2022\/10\/politics-and-public-broadcasting-1950s-friction-between-government-and-the-bbc.jpg",620,413,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbchistory\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Elinor Evans Published: Tuesday, 18 October 2022 at 12:00 am In November 1956, a 14-minute televised address to the nation by the British prime minister Anthony Eden triggered possibly the single biggest Cold War-era clash between government and the BBC. It stripped bare the intimate, if awkward, relationship between professional broadcasters and the worlds&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed\/18982"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media\/18983"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media?parent=18982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/categories?post=18982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}