{"id":29964,"date":"2023-10-29T18:02:00","date_gmt":"2023-10-29T17:02:00","guid":{"rendered":"https:\/\/www.historyextra.com\/?p=247605"},"modified":"2023-10-29T20:11:53","modified_gmt":"2023-10-29T19:11:53","slug":"the-war-of-the-operas-new-money-vs-old-in-the-gilded-age","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbchistory\/rss_feed\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age\/","title":{"rendered":"The War of the Operas: new money vs old in The Gilded Age"},"content":{"rendered":"<p class=\"rssexcerpt\"> In 1883, war was waged between two opera houses in New York Society. Why were the theatres pitted against one another, and what did the battle mean for the upper echelons of the East Coast? <\/p><p class=\"rssauthor\">By Elinor Evans\n                \t\t<\/p><p class=\"rssbyline\">Published: Sunday, 29 October 2023 at 17:02 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>The War of the Operas of 1883 is a society battle dramatised in series two of Julian Fellowes\u2019 historical drama, The Gilded Age.<\/p>\n<p>The action sees the fictional Bertha Russell, a newly-wealthy wife of railroad and steel tycoon George Russell, take on established society figures including <a href=\"\/period\/victorian\/mrs-astor-who-four-hundred-new-york-society-list-ward-mcallister-gilded-age\/\">Mrs Astor<\/a> (a real historical figure) and other \u2018old money\u2019 rivals.<\/p>\n<p>In season one of <a href=\"\/period\/victorian\/gilded-age-preview-history-screen-accuracy-creation\/\"><em>The Gilded Age<\/em><\/a>, the Russells struggled for acceptance in this world of rigid social hierarchy, connections, and ritual \u2013 as was the case in reality for many nouveau riche families.<\/p>\n<p>Many of the Knickerbockers of New York \u2013 descendants of the Anglo-Dutch families who had settled in what was then New Amsterdam in the 17th and 18th centuries \u2013 were determined that these interlopers were not to make it into \u2018real society\u2019.<\/p>\n<p>Newly-minted families included the Vanderbilts, the Carnegies and the Rockefellers, many of them businessmen who were labelled \u2018<a href=\"\/period\/victorian\/rise-of-the-robber-barons\/\">robber barons<\/a>\u2019 \u2013 shorthand for the handful of men who dominated industry in late 19th century America.<\/p>\n<p>\u201cThey forged their path in the business world at a time when new technologies \u2013 steel, oil refining, railroads and steam-powered factory technology \u2013 were remaking the material basis of the western world,\u201d writes Adam IP Smith. \u201cThey were the exploiters, not the inventors: men who took small-scale operations and scaled them up, and then up again.\u201d<\/p>\n<p>Though the families of these tycoons bought up or built grand houses on New York\u2019s prestigious Fifth Avenue, summered and played lawn tennis in the fashionable coastal town of Newport, and employed etiquette guides to help them navigate the vagaries of polite society, they struggled to break into the city\u2019s most elite circles.<\/p>\n<iframe title=\"The Gilded Age Season 2 | Official Trailer | HBO\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/AVroO38fl4k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<h2>What was the War of the Operas?<\/h2>\n<p>In 1882\u201383, this war between \u2018old money\u2019 and the upstart \u2018new\u2019 coalesced over two New York opera houses.<\/p>\n<p>The Academy of Music, established in 1854, was a New York City Opera House based on the East side of Manhattan.<\/p>\n<p>The dedicated opera venue held seating for 4,000 people, and the boxes in the opera house were owned by the oldest and most prominent families in the city. Elite families flocked to the opera, eager to show off their refined tastes for the European artistic export, and in the latter half of the 19th century, the performances became a lynchpin of the social season.<\/p>\n<p>As New York society expanded, the new-moneyed families were eager to attend this operatic ritual. But the Academy\u2019s 18 prestigious boxes were already owned by the \u2018old people\u2019, and social arbiters like Mrs Caroline Astor and <a href=\"\/period\/victorian\/real-ward-mcallister\/\">Ward McAllister<\/a> determined who was \u2018in\u2019 \u2013 and who was \u2018out\u2019.<\/p>\n<p>Many, including Alva Vanderbilt, the wife of William Kissam Vanderbilt (and widely regarded as Fellowes\u2019 inspiration for Bertha Russell in The Gilded Age), felt snubbed by the Academy.<\/p>\n<p>In this new age, there was clearly an opportunity for a changing of the guard.<\/p>\n<h2>The Metropolitan Opera<\/h2>\n<p>The new, rival opera house was sponsored by a group of industrialists who had received snubs from the Academy. Supporters including three generations of Vanderbilts \u2013 a family which had made a fortune in its shipping and railroad empire \u00ac\u2013 the investment banker JP Morgan, and James Alfred Roosevelt (uncle to Theodore, who in 1901 would become the 26th president of the United States).<\/p>\n<p>These businessmen were bolstered by other patrons of the Academy who had become dissatisfied with the exclusive opera house\u2019s location \u2013 by 1882, many unionists and anarchists socialised and organised in the area.<\/p>\n<p>Seventy shareholders provided the $1.7 million required to buy the land and build the opera house, and once built it occupied the entire western side of the block between West 39th Street and West 40th Street. Positioned from the off as a clear rival to the fusty academy, the Met was also much closer to the fashionable residences of Fifth Avenue.<\/p>\n<p>The design by JC Cady was derided by some, and it quickly gained a nickname \u201cThe Yellow Brick Brewery\u201d for its industrial looking exterior. But most importantly, it would offer 122 opera boxes.<\/p>\n<p>When August Belmont, president of the Academy, learned of the project, he reportedly offered to supplement the 18 boxes with 26 more. But the placement offered to the additional boxes would have remained below the original 18 \u2013 another visible snub in the eyes of many who had previously wished to be admitted to the exclusive academy.<\/p>\n<p>Industrialists continued to raise support by encouraging members of society to take a box at the new theatre. Meanwhile, \u2018old\u2019 families insisted they would never patronise a new opera house over the Academy of Music.<\/p>\n<p>The battle came to a head when the new Met named its opening night as 22 October 1883. Society waited to see who would come out on top.<\/p>\n<h2>What was the first performance at the Met?<\/h2>\n<p>The first performance at the Metropolitan Opera in 1883 was French composer Charles Gounod\u2019s 1859 Faust, starring premier Swedish soprano Christine Nilsson. It was a coup for the new theatre to secure such a performer in Nilsson, and word had quickly spread.<\/p>\n<p>On opening night, in a performance that lasted five hours, Nilsson\u2019s rendition of \u2018The Jewel Song\u2019 elicited the first ovation of the theatre, and when the curtain fell, the night was deemed a great success by the theatre\u2019s owners.<\/p>\n<p>According to New York City newspaper <em>The Sun<\/em>: \u201cThe night on which the Metropolitan Opera House threw open its doors to the world is one that none who were present will be likely ever to forget.\u201d<\/p>\n<p>The reporter added that \u201cIt will be all the more a matter of pride to many to be able to look back over the vista of time and to say, \u2018I was present when the first note of music was heard in public at the opera house.\u2019\u201d<\/p>\n<p>The architecture was also received with some warmth; one critic for the <em>New York Tribune<\/em> reported that the theatre had \u201ca lightness and airiness about it that seems to lift one\u2019s spirit and make one forget anything like business or care\u201d, adding that the arena was \u201ccalculated to show off beautiful dresses and fair faces to advantage\u201d.<\/p>\n<p>The new, open theatre allowed opera attendees to showcase their opulent jewels and lavish clothes, on show to the entire audience. Because of this view, the balconies soon earned a nickname: the \u2018golden horseshoe\u2019.<\/p>\n<p>However, the <em>New York Times<\/em> found the new theatre disappointing, noting that \u201cin the upper rows of the boxes and in the balcony only the high voices were distinctly heard.\u201d<\/p>\n<p>The Met eventually succeeded in converting some fans in the \u2018old money\u2019 families: Mrs Caroline Astor would later decree it obligatory to attend the Met on Monday nights \u2013 but never before 9pm.<\/p>\n<h2>What happened to the Academy of Music?<\/h2>\n<p>Following the successful opening seasons of the Met, and the transference of much of New York society to the raft of available boxes, the Academy of Music began to fail.<\/p>\n<p>Its opera season was cancelled in 1886 and never reinstated. In 1888 it began to offer vaudeville, a far cry from its lofty and exclusive position in the social battle between Manhattan\u2019s old guard and nouveau riche.<\/p>\n<h2>What happened to the Metropolitan Opera House?<\/h2>\n<p>In August 1892, a fire destroyed much of the interior of the opera house, forcing it to close until November of the following year.<\/p>\n<p>It was rebuilt the following year and its predecessor became known as the \u2018Old Met\u2019. The new theatre reopened in 1893, functioning as an opera house for the next 73 years.<\/p>\n<p>For anyone searching for the Met today, it no longer exists; it was razed to the ground in 1967 and was replaced by an office block.<\/p>\n<section class=\"highlight \"> <div class=\"highlight__content editor-content\"> <p><strong>Read more about the real history the show draws upon:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.historyextra.com\/period\/victorian\/mrs-astor-who-four-hundred-new-york-society-list-ward-mcallister-gilded-age\/\">Mrs Astor and the Four Hundred<\/a><\/li>\n<li><a href=\"https:\/\/www.historyextra.com\/period\/victorian\/rise-of-the-robber-barons\/\">Who were the tycoons of the Gilded Age? Meet the ruthless \u2018robber barons\u2019 who made millions<\/a><\/li>\n<li><a href=\"..\/period\/victorian\/real-ward-mcallister\/\">Who is Ward McAllister in the Gilded Age?<\/a><\/li>\n<\/ul>\n<p> <\/p><\/div> <\/section> <p><strong>Series 2 of <em>The Gilded Age<\/em> is streaming on HBO in the US from 29 October 2023, and in the UK will be broadcast on Sky Atlantic and available to stream on NOW<\/strong><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> In 1883, war was waged between two opera houses in New York Society. Why were the theatres pitted against one another, and what did the battle mean for the upper echelons of the East Coast? <\/p>\n","protected":false},"author":24,"featured_media":29965,"template":"","categories":[1],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2023\/10\/the-war-of-the-operas-new-money-vs-old-in-the-gilded-age-2048x1365.jpg",2048,1365,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbchistory\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"In 1883, war was waged between two opera houses in New York Society. Why were the theatres pitted against one another, and what did the battle mean for the upper echelons of the East Coast?","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed\/29964"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media\/29965"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media?parent=29964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/categories?post=29964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}