{"id":6704,"date":"2021-11-25T12:07:53","date_gmt":"2021-11-25T11:07:53","guid":{"rendered":"https:\/\/www.historyextra.com\/?p=192802"},"modified":"2021-11-25T12:18:11","modified_gmt":"2021-11-25T11:18:11","slug":"william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbchistory\/rss_feed\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible\/","title":{"rendered":"William Hogarth: the satirical artist inspired by the teachings of the Bible"},"content":{"rendered":"

<\/p>

By jonathanwilkes\n \t\t<\/p>

Published: Thursday, 25 November 2021 at 12:00 am<\/p>

\n\n

For a truly unvarnished view of early 18th\u2010century England \u2013 its hypocrisies, vices and vast inequalities \u2013 look no further than the graphic satires of William Hogarth: from the temptation, decline and fall of a wealthy merchant\u2019s son in A Rake\u2019s Progress<\/em> (1735), through to the human degradation of Gin Lane<\/em> (1751).<\/p>\n

Hogarth is famed as a contrarian and iconoclast \u2013 traits (you might think) that would naturally put him at odds with organised religion. Certainly his attitude to the Church of England was ambivalent \u2013 a relationship summed up by the occasion when he is said to have urinated in a church porch. Yet, when it comes to Hogarth and religion, all is not what it seems.<\/p>\n

Hogarth was born in 1697 in Bartholomew Close, West Smithfield, a short distance from the ancient church of St Bartholomew the Great. Here the infant William was baptised \u2013 the very font, dating from 1405, is still in situ. Yet his arrival would be recorded in the nonconformist register, indicating that Hogarth\u2019s father, Richard, came from a Protestant dissenting tradition.<\/p>\n

Listen: Jacqueline Riding discusses her new biography of William Hogarth, which charts the life and work of the famed artist and satirist, on this episode of the HistoryExtra<\/em> podcast<\/a>:<\/strong><\/p>\n\n<hr\/><p>A scholar, teacher and author, Richard\u2019s profound influence on his son is revealed through his publications, which teem with ethical statements and strident attitudes that chime perfectly with William\u2019s \u201cmodern moral subjects\u201d, as the artist himself defined them. In his <em>Introduction to English, Latin and Greek<\/em> (1689), Richard counselled \u201cyoung people\u201d, at whom the book is aimed, to \u201cuse not your self to women or wine\u201d.<\/p>\n<p>Unfortunately, Tom Rakewell ignores this advice with disastrous consequences in the eight engravings that make up <em>A Rake\u2019s Progress<\/em>. And further on Richard observes: \u201cSo prevalent is custom, That if you set your self resolutely to that which is good, or that which is evil, you shall not easily relinquish the one or the other\u201d, the basis of the dramatically diverging journeys of the two apprentices in his son\u2019s <em>Industry and Idleness<\/em> (1747).<\/p>\n<div class=\""row"\"> <div class=\""col-10\" offset-1=\"\"> <div class=\""embed"\"> <div class=\""template-article__pullquote\" mt-md=\"\" mb-md=\"\"> <blockquote class=\""pullquote\" heading-4=\"\"> <span class=\""pullquote__icon\" pullquote__icon--left=\"\" icon-pullquote=\"\" data-grunticon-embed=\"\"\/>Throughout his life Hogarth demonstrated a charitable and moral bent that aligns with the teachings of the Bible<span class=\""pullquote__icon\" pullquote__icon--right=\"\" icon-pullquote=\"\" data-grunticon-embed=\"\"\/> <\/blockquote> <\/div> <\/div> <\/div>\n<\/div> <p>The exhortation to \u201cLove Thy Neighbour\u201d may not sit easily with the social decay of <em>Gin Lane<\/em>. But throughout his life Hogarth demonstrated a charitable and moral bent that aligns with the teachings of the Bible. This is epitomised by his close association with St Bartholomew\u2019s and Foundling Hospitals. Both examples combined pragmatism \u2013 the desire to give practical aid to those in need \u2013 with an appreciation for Jesus\u2019s teachings and example as set out in the New Testament.<\/p>\n<p>Even Hogarth\u2019s more robust moral narratives have a self\u2010conscious parabolic quality, and his close friendships with clergymen suggest he was far from hostile to the Anglican church. The Reverend John Hoadly, for example, supplied the accompanying verses for <em>A Rake\u2019s Progress<\/em>.<\/p>\n<p>Hogarth\u2019s use of the term \u201cprogress\u201d immediately conjures up John Bunyan\u2019s nonconformist epic, <em>The Pilgrim\u2019s Progress<\/em>. And the Puritan John Milton, through his <em>Paradise Lost<\/em>, joins Jonathan Swift and <a href=\""https:\/\/www.historyextra.com\/period\/elizabethan\/william-shakespeare-kenneth-branagh-facts-life-plays-playwright-writer-bard\/"\">William Shakespeare<\/a> as the literary and spiritual foundations on which Hogarth quite literally rests in his celebrated <em>Self-Portrait with Pug <\/em>of 1745.<\/p>\n<p>So, far from being an enemy of the church and organised religion, Hogarth\u2019s view was instead more nuanced. As these works of art reveal, at the heart of Hogarth\u2019s morality lies a religious core that we cannot ignore\u2026<\/p>\n<hr\/><div class=\""listicle"\"> <span class=\""listicle__count"\">1<\/span> <h3 class=\""listicle__title\" heading-3=\"\"><em>The Sleeping Congregation<\/em>, 1736<\/h3>\n<\/div> <p>Hogarth\u2019s antagonism for organised religion has undoubtedly been overplayed. But there\u2019s no denying that he was prepared to take the occasional swipe at the Church of England. <em>The Sleeping Congregation<\/em> (republished in 1762) satirises the sheer tedium of a service delivered in an ancient rural church where a preacher preaches on, regardless of whether his flock are listening.<\/p>\n<p>His sermon has sent the entire congregation into slumber, lending ironic meaning to Christ\u2019s words of hope for the body and soul, visible on the right-hand page of the cleric\u2019s book: \u201cCome unto me all ye who labour and are heavy laden & I will give you rest.\u201d<\/p>\n<p>Below the preacher, a grumpy curate glances sideways at a pretty young woman. With her prayer book open at the section \u201cOf matrimony\u201d, it would appear that her dreams are of romantic rather than spiritual love.<\/p>\n<div class=\""image-handler__container\" image-handler__container--aspect=\"\" style=\""padding-bottom:\" calc=\"\"> <picture><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=154%2C199,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=154%2C199,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=183%2C236"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=183%2C236"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=209%2C269"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=209%2C269"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=286%2C369"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=286%2C369"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=320%2C413"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=320%2C413"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=210%2C271"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=210%2C271"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?webp=true&quality=90&resize=287%2C370"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=287%2C370"\" type=\""image\/jpeg"\"><img class=\""wp-image-192807\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220090729_cmyk-646e00e-e1637684422359.jpg?quality=90&resize=320%2C413"\" width=\""620"\" height=\""413"\" alt=\""The\" sleeping=\"\" congregation=\"\" by=\"\" heritage=\"\" art=\"\" images=\"\" via=\"\" getty=\"\" title=\""The\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\""caption-hold"\"><figcaption class=\""wp-caption-text"\"><span class=\""caption-copy"\"><i class=\""icon-arrow\" icon-camera-circle=\"\"\/> The Sleeping Congregation, 1762 (Photo by Heritage Art\/Heritage Images via Getty Images)<\/span><\/figcaption><span class=\""im-image-caption"\"\/><\/div>\n<div class=\""listicle"\"> <span class=\""listicle__count"\">2<\/span> <h3 class=\""listicle__title\" heading-3=\"\"><em>The Pool of Bethesda<\/em>, 1736<\/h3>\n<\/div> <p>Born and raised near St Bartholomew\u2019s Hospital, Hogarth was determined to win the commission to paint the magnificent staircase in James Gibbs\u2019s new administration wing: so determined, in fact, that he offered to make them a donation and provide his time free of charge, becoming a governor (or trustee) in the process.<\/p>\n<p>The two monumental scenes, covering the north and east walls, depict <em>The Good Samaritan<\/em>, Christ\u2019s parable of fellow-feeling, kindness and practical help, and <em>The Pool of Bethesda<\/em>, the scene of a miracle where the lame man rises to his feet and walks.<\/p>\n<p>The central figures in this vast painting are surrounded by individuals with recognisable medical conditions. To the immediate right of Christ\u2019s extended hand, a mother with her sick baby (who is suffering from rickets) is being blocked by a guard. This detail may offer an indication of where Hogarth\u2019s charitable instincts will next be focussed\u2026<br\/><\/p><div class=\""listicle"\"> <span class=\""listicle__count"\">3<\/span> <h3 class=\""listicle__title\" heading-3=\"\"><em>The Foundlings<\/em>, c1739<\/h3>\n<\/div> <p>In 1739, Hogarth became a founding governor of a refuge for newborns at risk of abandonment or murder, known as the Foundling Hospital. Hogarth produced <em>The Foundlings<\/em> for the headpiece of the subscription roll, a fundraising document for the new institution. At the centre is the hospital\u2019s founder, Captain Thomas Coram, who looks towards a kneeling woman, a dagger lying on the ground in front of her, implying that she has been foiled in an attempt to murder her child. The infant is held by the beadle, the officer in charge of security.<\/p>\n<p>The design presents two realities: on one side is despair, featuring scenes of peril and abandonment. On the other is hope, characterised by the rescued children in their neat uniforms (by tradition, designed by Hogarth) holding items representing their training and future professions.<\/p>\n<p>The distant parish church, on whose charity the poor are traditionally expected to rely, is balanced by (and perhaps found wanting in comparison to) the more prominent hospital building in the foreground. The hospital\u2019s window bars form a cross \u2013 a sign of where true Christian charity can be found.<br\/><\/p><div class=\""listicle"\"> <span class=\""listicle__count"\">4<\/span> <h3 class=\""listicle__title\" heading-3=\"\">Two scenes from <em>Industry and Idleness<\/em>, 1747<\/h3>\n<\/div> <div class=\""image-handler__container\" image-handler__container--aspect=\"\" style=\""padding-bottom:\" calc=\"\"> <picture><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=262%2C199,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=262%2C199,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=311%2C236,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=311%2C236,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=354%2C269,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=354%2C269,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=486%2C369,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=486%2C369,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=544%2C413,\" https:=\"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=544%2C413,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=357%2C271,\" https:=\"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=357%2C271,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?webp=true&quality=90&resize=487%2C370,\" https:=\"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=487%2C370,\" https:=\"\" type=\""image\/jpeg"\"><img class=\""wp-image-192820\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091398_cmyk-985709e.jpg?quality=90&resize=544%2C413"\" width=\""620"\" height=\""413"\" alt=\""A\" london=\"\" apprentice=\"\" named=\"\" francis=\"\" attends=\"\" a=\"\" church=\"\" service=\"\" and=\"\" shares=\"\" his=\"\" hymn=\"\" books=\"\" with=\"\" young=\"\" girl=\"\" from=\"\" william=\"\" hogarth=\"\" title=\""The\" industrious=\"\" performing=\"\" the=\"\" duty=\"\" of=\"\" christian=\"\" industry=\"\" idleness=\"\" by=\"\" heritage=\"\" art=\"\" images=\"\" via=\"\" getty=\"\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\""caption-hold"\"><figcaption class=\""wp-caption-text"\"><span class=\""caption-copy"\"><i class=\""icon-arrow\" icon-camera-circle=\"\"\/> The Industrious \u2018Prentice Performing the Duty of a Christian, from Industry and Idleness, 1747 (Photo by Heritage Art\/Heritage Images via Getty Images)<\/span><\/figcaption><span class=\""im-image-caption"\"\/><\/div>\n<p>Churches play a prominent role in a number of Hogarth\u2019s most famous artworks. There\u2019s St Giles-in-the- Fields in <em>Gin Lane<\/em> and St Martin-in- the-Fields in 1751\u2019s <em>Beer Street<\/em> (neighbouring parishes yet, in all other respects, worlds apart). And there\u2019s the unidentified City of London church that forms the backdrop to two scenes in <em>Industry and Idleness<\/em>, a series of 12 engravings that Hogarth produced in 1747.<\/p>\n<div class=\""image-handler__container\" image-handler__container--aspect=\"\" style=\""padding-bottom:\" calc=\"\"> <picture><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=259%2C199,\" https:=\"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=259%2C199,\" https:=\"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=307%2C236"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=307%2C236"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=350%2C269"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=350%2C269"\" type=\""image\/jpeg"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=481%2C369"\" type=\""image\/webp"\"><source media=\""(max-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=481%2C369"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=538%2C413"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=538%2C413"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=353%2C271"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=353%2C271"\" type=\""image\/jpeg"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?webp=true&quality=90&resize=482%2C370"\" type=\""image\/webp"\"><source media=\""(min-width:\" data-srcset=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=482%2C370"\" type=\""image\/jpeg"\"><img class=\""wp-image-192821\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/7\/2021\/11\/GettyImages-1220091837_cmyk-77d63e8-e1637684927586.jpg?quality=90&resize=538%2C413"\" width=\""620"\" height=\""413"\" alt=\""A\" london=\"\" apprentice=\"\" named=\"\" tom=\"\" gambles=\"\" with=\"\" his=\"\" life=\"\" and=\"\" soul=\"\" in=\"\" william=\"\" hogarth=\"\" industry=\"\" idleness=\"\" title=\""The\" idle=\"\" at=\"\" play=\"\" the=\"\" church=\"\" yard=\"\" from=\"\" by=\"\" heritage=\"\" art=\"\" images=\"\" via=\"\" getty=\"\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\""caption-hold"\"><figcaption class=\""wp-caption-text"\"><span class=\""caption-copy"\"><i class=\""icon-arrow\" icon-camera-circle=\"\"\/> The Idle \u2018Prentice at Play in the Church Yard, from Industry and Idleness, 1747 (Photo by Heritage Art\/Heritage Images via Getty Images)<\/span><\/figcaption><span class=\""im-image-caption"\"\/><\/div>\n<p>The series is centred around the contrasting fortunes of two London apprentices, Francis Goodchild and Tom Idle. The first engraving shows Francis and Tom together at their weaving looms. But by the next paired scenes (seen above), Hogarth establishes that the two are already on very different trajectories. Through these examples of industry and virtue in opposition to idleness and vice, Hogarth is, as he put it: \u201cShewing the advantages attending the former, and the miserable effects of the latter.\u201d<\/p>\n<p>In one scene, Francis joins a divine service, sharing his hymn book with his master\u2019s daughter (and his own future wife). Meanwhile, outside, Tom gambles with his life and soul which, as the skull-and-bone omens littering the ground make clear, will take him all the way to the gallows.<\/p>\n<p>No such fate awaits Francis who continues his steady progress towards the lord mayoralty of London \u2013 his reward for being a dutiful Christian.<\/p>\n<p><strong>Dr Jacqueline Riding is an art historian, historical consultant and author. Her new book is <em>Hogarth: Life in Progress<\/em> (Profile Books, 2021)<\/strong><\/p>\n<section class=\""template-article__editor-content\" editor-content=\"\" ev-meter-content=\"\"><div class=\""editor-content__locked\" js-piano-locked-content=\"\">\n<p><strong><em>This article was first published in the\u00a0<\/em><em><a href=\""https:\/\/www.historyextra.com\/magazine-issue\/july-2021\/"\">July 2021 issue of BBC History Magazine<\/a>\u00a0<\/em><\/strong><\/p>\n<\/div>\n<\/section><\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By jonathanwilkes Published: Thursday, 25 November 2021 at 12:00 am For a truly unvarnished view of early 18th\u2010century England \u2013 its hypocrisies, vices and vast inequalities \u2013 look no further than the graphic satires of William Hogarth: from the temptation, decline and fall of a wealthy merchant\u2019s son in A Rake\u2019s Progress (1735), through to […]<\/p>\n","protected":false},"author":24,"featured_media":6705,"template":"","categories":[1],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible.jpg",620,471,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible-300x228.jpg",300,228,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible.jpg",620,471,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible.jpg",620,471,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible.jpg",620,471,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/46\/2021\/11\/william-hogarth-the-satirical-artist-inspired-by-the-teachings-of-the-bible.jpg",620,471,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbchistory\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By jonathanwilkes Published: Thursday, 25 November 2021 at 12:00 am For a truly unvarnished view of early 18th\u2010century England \u2013 its hypocrisies, vices and vast inequalities \u2013 look no further than the graphic satires of William Hogarth: from the temptation, decline and fall of a wealthy merchant\u2019s son in A Rake\u2019s Progress (1735), through to…","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed\/6704"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media\/6705"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/media?parent=6704"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbchistory\/wp-json\/wp\/v2\/categories?post=6704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}