By Freya Parr

Published: Friday, 22 April 2022 at 12:00 am


t’s with very great pleasure that we welcome you to this year’s summer festival guide! The last two seasons have been particularly challenging for live music making, due to the Covid-19 pandemic, and many festivals have been forced to downgrade activities or cancel performances altogether.

It’s hugely gratifying, then, to see most events back up and running at full capacity in 2022, in what promises to be a summer of top-notch musical activity. We’re greatly looking forward to what this festival season has to offer – and please do get in touch to share your own experiences over these next exciting months. Charlotte Smith Editor

April

The Bridge Festival

Glasgow, 21-24 April

Web: www.bridgestrings.eu

The cancellation of last year’s debut edition was a blow. But the waiting is over as string ensembles representing Scotland, Germany, Norway and Estonia build bridges across Glasgow’s cafes, warehouses and pavements! The Scottish Ensemble, Trondheim Soloists, Ensemble Resonanz and PLMF Music Trust join forces on opening night for a pan-European celebration in the Barrowland Ballroom, with composers ranging  from Hildegard of Bingen to Jonny Greenwood. There are world premieres, too, of works by Erkki-Sven Tüür and Mica Levi.

Leeds Lieder Festival

Leeds, 28 April – 1 May

Tel. +44 (0)113 234 6956

Web: www.leedslieder.org.uk

‘Song Illuminated’ is the strapline under which Leeds Lieder returns to the handsomely refurbished Howard Assembly Room. It takes the broad view. There are new works by Jonathan Dove and Deborah Pritchard, ‘SongPath’ walking trails and protest songs by the likes of Joni Mitchell to ring the changes on more mainstream fare such as Mahler from soprano Dorothea Röschmann and Schubert’s Schwanengesang performed by tenor Ian Bostridge with Imogen Cooper.

May

Brighton Festival

Brighton, 7-29 May
Tel: +44 (0)1273 709709
Web: www.brightonfestival.org

Sculptor Anish Kapoor was the first guest director of the festival back in 2009, and successors have included Laurie Anderson and Ali Smith. This year the mantle falls on writer-architect Marwa Al-Sabouni and site-specific theatre artist Tristan Sharps – their theme, ‘Rebuilding’. Brighton certainly rebuilds with a vengeance. Over 150 events muster some 10 commissions, plus five world and UK premieres. Stravinsky’s Rite of Spring gets the Big Top treatment from Circa; the Marian Consort pairs Schütz’s Musikalische Exequien with a new work by David Fennessy; and under Ilan Volkov the Festival Chorus and Philharmonia Orchestra weigh anchor on Vaughan Williams’s A Sea Symphony and Kaija Saariaho’s Oltra mar.

Chipping Campden Festival

Chipping Campden, 7-21 May

Tel. +44 (0)1386 849018

Web: www.campdenmusicfestival.co.uk

For two decades the festival has provided the soundtrack to a Cotswold Spring, and for anniversary year, medieval St James’ Church welcomes returning friends such as Florilegium, cellist Steven Isserlis and festival president Paul Lewis. There are distinguished newcomers too: Quatuor Modigliani prefaces transcendental Schubert with the UK premiere of Mark-Anthony Turnage’s Split Apart; the Julian Bliss Wind Soloists cut Beethoven down to size; and pianist Mitsuko Uchida accompanies tenor Mark Padmore.

Newbury Spring Festival

Newbury, 7-21 May

Tel. +44 (0)845 5218 218

Web: www.newburyspringfestival.org.uk

From stately homes to ancient churches, Victorian Corn Exchange to Sheepdrove Eco Centre, there’s no shortage of distinctive venues as Newbury springs into festive life. The BBC Symphony Orchestra’s Vaughan Williams symphony cycle unleashes the protean No. 4, and Voces8 flank Monteverdi’s Lagrime d’Amante al Sepolcro dell’Amata with Britten and Dove.

London Festival of Baroque Music

St John’s Smith Square, London, 13-21 May
Tel. +44 (0)20 7222 1061
Web: www.lfbm.org.uk

La Serenissima casts its spell over the festival’s 38th edition which, an excursion to Westminster Abbey for the Monteverdi Vespers aside, calls St John’s Smith Square ‘home’. It ends with a ‘seasoning’ of Vivaldi courtesy of Rachel Podger and Brecon Baroque, but there’s plenty of room for the less well-known. Siglo de Oro explores Lassus’s links to Venice, while the Gesualdo Six traces Josquin’s legacy through Willaert and Zarlino. And, following in the footsteps of the Venetian merchants, the Illyria and Marian Consorts join forces for a trip down the Adriatic Coast.

Bath Festival

Bath, 13-21 May
Tel: +44 (0)1225 463362
Web: www.bathfestivals.org.uk

With everyone invited, opening night ‘Party in the City’ can only mean one thing: Bath Festival is returning to revelry. And with the music and literature festivals conjoined, there’s overlap as the Carducci Quartet portrays Shostakovich in words and music, pianist Jeremy Denk interleaves Book I of Bach’s Well-Tempered Clavier with excerpts from his new book, and novelist James Runcie reflects on the creation of the St Matthew Passion. Poulenc’s La voix humaine despatches soprano Claire Booth to assorted secret locations; the Roman Baths inspire orchestral water music by Takemitsu and Grace Williams; and in the Abbey, Steve Reich and Palestrina detain Colin Currie and The Tallis Scholars respectively.

Norfolk and Norwich Festival

Norwich, 13-29 May
Tel: +44 (0)1603 531800
Web: www.nnfestival.org.uk

Elgar, Britten and Vaughan Williams are all stitched into the 250-year-old fabric of a festival that grew out of a 1772 charity fundraiser. And as the birthday cake is cut, two of them are back. Vaughan Williams’s Five Tudor Portraits was commissioned for the 1936 Festival and partners his Norfolk Rhapsody No. 1. Soprano Hanna Husáhr recalls the visits of the ‘Swedish Nightingale’ Jenny Lind; Heinrich Biber’s complete Mystery Sonatas are performed across three concerts; Arun Ghosh’s Canticle of the Sun sets words by St Francis of Assisi; and in the opening weekend, pop-up premieres sound 250 Fanfares.

Perth Arts Festival

Perth, 18-29 May
Tel. +44 (0)1738 621031
Web: www.perthfestival.co.uk

Originally a festival for classical music and opera, Perth has since expanded to cover all the arts. But as it celebrates its half-century, the human voice is front and centre. A gala night with Scottish Opera raises the curtain and Opera Bohemia makes its Festival debut with a chamber reworking of Puccini’s Madam Butterfly. Crack vocal ensemble Tenebrae sings Marian settings by Parsons, Bruckner and Grieg, while Judith Weir’s The Voice of Desire lends its title to mezzo Rowan Hellier’s song recital of Clara Schumann, Brahms and Kate Whitley.

Glyndebourne

Lewes, East Sussex, 21 May – 28 August
Tel: +44 (0)1273 815000
Web: www.glyndebourne.com

After last year’s Tristan und Isolde, Glyndebourne renews its Cornish credentials, but with a real rarity: an opera written in French, premiered in German, admired by Mahler and sharing with Britten’s Peter Grimes the simmering tensions of village life played out against the elemental churn of the sea. Ethel Smyth’s The Wreckers makes its festival debut in the French original version directed by Melly Still and conducted by Robin Ticciati. Ticciati also presides over summer’s finale: a Poulenc double bill juxtaposing La voix humaine with the risqué delights of Les mamelles de Tirésias. Between the bookends are Michael Grandage’s 2012 update of Mozart’s The Marriage of Figaro to Franco’s Spain; Glyndebourne’s first new production in two decades of Puccini’s La bohème; and a revival of Donizetti’s Don Pasquale. Casting a Baroque spell is Handel’s Alcina, conducted by Jonathan Cohen with Jane Archibald as the sorceress.

English Music Festival

Dorchester-on-Thames, 27-29 May
Tel. +44 (0)7808 473 889
Web: www.englishmusicfestival.org.uk

Little surprise that Vaughan Williams 150 has set English Music Festival’s heart a-flutter. And in keeping with its penchant for rehabilitating the less frequently performed, the ballet Old King Cole crowns a concert given by the BBC Concert Orchestra. Ivor Gurney’s Violin Sonata in D is another ‘first’; baritone Gareth Brynmor John champions Havergal Brian; and Noël Coward bags the last word.

St Davids Cathedral Festival

Wales, 27 May-5 June
Tel. +44 (0) 1437 722002
Web : www.stdavidscathedralfestival.org.uk

St Davids Cathedral Festival runs over the summer half-term from 27th May – 5th June in the stunning Cathedral by the sea in Wales, with a packed programme of concerts and events for all ages. The full programme can be found on their website , but includes Alis Huws (official Harpist to HRH The Prince of Wales), Jess Gillam and Ensemble and Morriston Orpheus Choir.

 

Swaledale Festival

North Yorkshire, 28 May-11 June

Tel. +44 (0)1748 880018

Web: www.swalefest.org

With the wildflower hay meadows in full bloom, Swaledale’s Guided Walks are as colourful as its 50th-anniversary programme, which cries ‘Hallelujah’ with a gala performance of Handel’s Messiah in Ripon Cathedral. Evelyn Glennie heads a line-up including the Chelys Consort of Viols for Jill Jarman’s new work The Language of Bells; and in stately St Andrew’s Grinton, violinist Rachel Podger and Voces8 collaborate on works ancient and modern. Wrapping things up are The Versatile Serenaders, but not before Brett Dean has introduced his specially commissioned new work.

Longborough Festival Opera

Moreton-in-Marsh, Gloucestershire,
30 May – 2 August

Tel: +44 (0)1451 830292

Web: www.lfo.org.uk

Aiming to forge a complete Ring cycle by 2024, Longborough passes the halfway stage with resident Wagnerian maestro Anthony Negus conducting Amy Lane’s production of Siegfried. There’s more ripe Germanic Romanticism as Korngold’s anniversary prompts a semi-staged Die tote Stadt. Composers Freya Waley-Cohen and Francesca Caccini go head-to-head in a double bill, while Bizet’s Carmen turns Cotswold heads.

Opera Holland Park

London, 31 May – 13 August

Tel: +44 (0)300 999 1000
Web: www.operahollandpark.com

Hunkering down beneath its state-of-the-art canopy, Opera Holland Park brings a taste of country house opera to the capital. New productions of Tchaikovsky’s Eugene Onegin and Bizet’s Carmen launch the season, while the adventurous will relish Sian Edwards conducting the UK premiere of Mark Adamo’s adaptation of Louisa May Alcott’s Little Women, and Martin Lloyd-Evans directing an eye-catching double-bill of Delius’s Margot la Rouge and the young Puccini’s stage debut, Le Villi. Six song recitals, meanwhile, widen the perspective to encompass an alternative composite portrait of Carmen, and all three Schubert Lieder cycles, including Errollyn Wallen’s newly composed response to Schwanengesang.

June

Garsington Opera

Wormsley Estate, Buckinghamshire, 1 June – 31 July

Tel: +44 (0)1865 361636
Web: www.garsingtonopera.org

From its 18th-century walled garden to historic in-house cricket pitch, Wormsley has its attractions; in summer, opera has pride of place in the airy, purpose-built Pavilion. New for 2022 is Monteverdi’s L’Orfeo: Laurence Cummings conducts the English Concert, whose instrumentalists also underpin Mozart’s Così fan tutte. Dvořák’s Rusalka is another festival debutant alongside Britten’s The Turn of the Screw and a specially commissioned community opera by Roxanna Panufnik and Jessica Duchen.