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Published: Friday, 06 September 2024 at 08:42 AM


It’s 36 years since Tim Burton’s Beetlejuice first lit up cinema screens, swiftly becoming a cult classic thanks to its madcap mix of comedy and horror. 

So it must be some sort of record, then, that the director has waited this long to deliver a sequel, Beetlejuice Beetlejuice, which features returning cast members Michael Keaton, Catherine O’Hara and Wynona Rider, not to mention composer Danny Elfman.

What is Danny Elfman’s music for the original Beetlejuice like?

Elfman’s second feature film score for Tim Burton was really unlike anything heard before it. His first , for Burton’s Pee-Wee’s Big Adventure, tipped its hat to two of Elfman’s favourite composers, Nino Rota and Bernard Herrmann

Beetlejuice has some of the rhythmic energy of Rota, but it’s a sound all Elfman’s own. The original score features a relatively small orchestral ensemble of brass, strings, harp and percussion, originally conducted by William Ross. 

The ‘Main Titles’ begin with a hint of Harry Belafonte’s classic song, ‘Day-O’ (which makes a full and very memorable appearance later in the film) and turn into a wild romp, a musical cavalcade if you will.

There’s wholesome, perky string music for the Maitlands (Alec Baldwin and Geena Davis), the couple who find themselves ‘recently deceased’ and quirky music for the afterlife featuring solo violin and hand percussion. From there it’s aheady mix of comical, lightly horrific scoring for the ensemble with blasts of pipe organ, flaring brass and the return of Elfman’s romping main quasi-quick march theme, all as the newly-dead Maitlands attempt to rid their house of its new living occupants, the Deetz family.

What music is in Beetlejuice Beetlejuice?

The new film has far more songs in it, with Jimmy Webb’s ‘MacArthur Park’ significantly used in two versions by Richard Harris and Donna Summer. ‘Tragedy’ by the Bee Gees makes an appearance, as do tracks by Richard Marx (‘Right Here Waiting’) and Sigur Rós (Svefn-g-englar). Horror fans will be amused by the use of Pino Donaggio’s main theme from the film Carrie, too.

Harry Belafonte’s ‘Day-O’ makes a return appearance, but in the guise of an a cappella children’s choir with lead solo vocal from Alfie Davis. The young singer is joined by the Sylvia Young Theatre School Choir for the performance, which is amusingly ‘plummy’ (aka rather British).