{"id":21303,"date":"2022-11-04T12:00:00","date_gmt":"2022-11-04T11:00:00","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=5457"},"modified":"2022-11-04T13:49:13","modified_gmt":"2022-11-04T12:49:13","slug":"the-best-classical-music-for-remembrance-sunday","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-best-classical-music-for-remembrance-sunday\/","title":{"rendered":"The best classical music for Remembrance Sunday"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By BBC Music Magazine\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 04 November 2022 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>On 11 November 1919, King George V presided over the inaugural Remembrance Day, a year after the end of <a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-was-impact-world-war-one-music\/&quot;\">World War I<\/a>. That initial ceremony of remembrance centred on a two-minute silence at 11am.<\/strong><\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> \n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/composers\/14-composers-who-died-in-the-first-world-war\/&quot;\">14 composers who died in the First World War<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/the-best-hymns-for-remembrance-sunday\/&quot;\">The best hymns for Remembrance Sunday<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-are-the-lyrics-to-the-poem-for-the-fallen-we-will-remember-them\/&quot;\">What are the lyrics to the poem \u2018For The Fallen\u2019 (\u2018We Will Remember Them\u2019)?<\/a>\u00a0<\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><p>\u2018The first stroke of eleven produced a magical effect,\u2019 reported <em>The<\/em> <em>Manchester Guardian<\/em> that day. \u2018The tram cars glided into stillness, motors ceased to cough and fume\u2026 and the mighty-limbed dray horses hunched back upon their loads and stopped also, seeming to do it of their own volition.\u2019<\/p>\n<p>Silence remains an important part of today\u2019s Remembrance Day, marked by the lengthy musical programme of the day, which has remained unchanged since 1930. From Elgar\u2019s evocative <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/a-guide-to-nimrod-from-elgars-enigma-variations\/&quot;\"><em>Nimrod<\/em><\/a><\/strong>, to the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/god-save-the-queen-lyrics\/&quot;\">British National Anthem \u2018God Save The King<\/a><\/strong>\u2018, we present a guide to the music of remembrance.<\/p>\n<h2>Best Remembrance Sunday music<\/h2>\n<h3><strong>Rule, Britannia!<\/strong><strong>\u00a0\u2013\u00a0<\/strong><strong>Thomas Arne<\/strong><\/h3>\n<p>One of the fixtures of the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/everything-you-need-to-know-about-the-last-night-of-the-proms\/&quot;\">Last Night<\/a><\/strong> of the <a href=\"&quot;https:\/\/www.bbc.co.uk\/proms&quot;\"><strong>Proms<\/strong><\/a>, <em>Rule, Britannia!<\/em> is also performed at the Remembrance Day service. First heard in 1745, <a href=\"&quot;https:\/\/www.britannica.com\/biography\/Thomas-Arne&quot;\"><strong>Thomas Arne<\/strong><\/a>\u2019s patriotic piece sprang from the era of empire and naval might.<\/p>\n<p>The Britannia of James Thomson and David Mallett\u2019s poem originally referred to the Roman name for England and Wales. With its rousing chorus, it has remained popular and has popped in music by <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven&quot;\"><strong>Beethoven<\/strong><\/a>, <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/richard-wagner&quot;\"><strong>Wagner<\/strong><\/a> and Sullivan.<\/p>\n<p>\u00a0<\/p>\n<ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/parrys-songs-farewell-text\/&quot;\">Parry\u2019s Songs of Farewell: The text<\/a><\/strong><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Heart of Oak<\/strong><strong>\u00a0\u2013\u00a0<\/strong><strong>William Boyce<\/strong><\/h3>\n<p>\u2018Heart of oak are our ships, heart of oak are our men,\u2019 begins the refrain of William Boyce\u2019s <em>Heart of Oak<\/em>, the official march of the UK <a href=\"&quot;https:\/\/www.royalnavy.mod.uk\/&quot;\"><strong>Royal Navy<\/strong><\/a>. With music by Boyce (not Arne, as once thought), its text is by David Garrick, one of the renowned British actors of the 18th century.<\/p>\n<p>It\u2019s a jaunty, uplifting number, written in 1759 for Garrick\u2019s pantomime Harlequin\u2019s Invasion celebrating British <strong><a href=\"&quot;https:\/\/www.independent.co.uk\/news\/world\/europe\/france-and-england-1000-years-of-cross-channel-rivalry-5345808.html&quot;\">victories against the French<\/a><\/strong>.<\/p>\n<p>\u00a0<\/p>\n<iframe title=\"&quot;Royal\" navy=\"\" heart=\"\" of=\"\" oak=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/4NXFCDgyanA?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3><strong>The Minstrel Boy \u2013 Thomas Moore<\/strong><\/h3>\n<p>Poet Thomas Moore wrote this song in remembrance of his friends who fought and were killed in the <a href=\"&quot;https:\/\/www.theirishstory.com\/2017\/10\/28\/the-1798-rebellion-a-brief-overview\/&quot;\"><strong>Irish Rebellion<\/strong><\/a> of 1798. Set to the melody of an old Irish air called <em>The Moreen<\/em>, <em>The Minstrel Boy<\/em> became a popular song among the Irish soldiers who fought in the <a href=\"&quot;https:\/\/www.battlefields.org\/learn\/articles\/brief-overview-american-civil-war&quot;\"><strong>American Civil War<\/strong><\/a> and, later, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-was-impact-world-war-one-music\/&quot;\">World War I<\/a><\/strong>.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/irish-classical-music-how-it-originated-and-developed-and-irelands-best-composers\/&quot;\">Irish classical music: how it originated and developed and Ireland\u2019s best composers<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;http:\/\/www.classical-music.com\/article\/what-was-war-romantics&quot;\">What was the war of the romantics?<\/a><\/strong><\/li>\n<\/ul><iframe title=\"&quot;&quot;The\" minstrel=\"\" boy=\"\" moore=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/FnNjJlBd4FU?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>12<\/p>\n<h3><strong>Men of Harlech\u00a0<\/strong><\/h3>\n<p>Traditionally attributed to the seven-year siege of Harlech Castle in the 1460s \u2013 the longest in British history \u2013\u00a0<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/men-of-harlech-lyrics\/&quot;\"><em>Men of Harlech<\/em><\/a><\/strong>\u00a0remains a patriotic Welsh anthem. The rousing tune is often played at memorial services of British Army regiments associated with Wales.<\/p>\n<p>It\u2019s used as a slow march by the <strong><a href=\"&quot;https:\/\/www.army.mod.uk\/who-we-are\/corps-regiments-and-units\/infantry\/welsh-guards\/&quot;\">Welsh Guards<\/a>\u00a0<\/strong>and is taken at a quicker tempo by the <a href=\"&quot;https:\/\/www.army.mod.uk\/who-we-are\/corps-regiments-and-units\/infantry\/royal-welsh\/&quot;\"><strong>Royal Regiment of Wales<\/strong><\/a>.<\/p>\n<iframe title=\"&quot;Men\" of=\"\" harlech=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/DRtnWVvDX6k?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3><strong>Skye Boat Song<\/strong><\/h3>\n<p>A slightly unlikely choice for the Remembrance Day ceremony, given that the figure whom it celebrates was once public enemy number one (if, that is, you were English and Protestant\u2026).<\/p>\n<p>The \u2018<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/skye-boat-song-lyrics\/&quot;\">Skye Boat Song\u2019 lyrics,<\/a><\/strong> which were written by Sir Harold Boulton in the 1880s, tell of the escape of <a href=\"&quot;http:\/\/www.englishmonarchs.co.uk\/stuart_11.htm&quot;\"><strong>Charles Edward Stuart<\/strong><\/a> (Bonnie Prince Charlie) to the island of <a href=\"&quot;https:\/\/www.isleofskye.com\/&quot;\"><strong>Skye<\/strong><\/a> after the failure of the Jacobite rebellion in 1745. The tune, meanwhile, is an old Scottish air.<\/p>\n<p>We named the \u2018Sky Boat Song\u2019 one of the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/scottish-songs\/&quot;\">best Scottish songs ever<\/a><\/strong><\/p>\n<iframe title=\"&quot;The\" corries=\"\" the=\"\" skye=\"\" boat=\"\" song=\"\" with=\"\" lyrics=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/n1CTxa-FuKc?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><strong><a href=\"&quot;http:\/\/www.classical-music.com\/article\/10-impossible-classical-masterpieces&quot;\">10 impossible classical masterpieces<\/a><\/strong><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Isle of Beauty \u2013\u00a0<\/strong><strong>Thomas Haynes Bayly<\/strong><\/h3>\n<p>This song, by English poet Thomas Haynes Bayly (1797-1839), is often credited with being the source for the now common expression: \u2018Absence makes the heart grow fonder,\u2019 a line which appears mid-way through the song.<\/p>\n<iframe title=\"&quot;Isle\" of=\"\" beauty=\"\" the=\"\" white=\"\" rock.oft=\"\" in=\"\" stilly=\"\" night.=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/REpKfQtm3js?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best-20th-century-british-choral-works&quot;\"><strong>Six of the best 20th-century British choral works<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Dafydd y Garreg Wen (David of the White Rock) \u2013 David Owen<\/strong><\/h3>\n<p>Legend has it that the composer David Owen wrote this haunting song while on his deathbed, at the age of just 29. The words are autobiographical, telling the tale of the dying composer from White Rock (the name of the farm where Owen lived).<\/p>\n<p>In 1923 <em>Dafydd y Garreg Wen <\/em>became the first ever Welsh language song to be played on the BBC.<\/p>\n<iframe title=\"&quot;Dafydd\" y=\"\" garreg=\"\" wen=\"\" of=\"\" the=\"\" white=\"\" rock=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/8lemqAXxFXE?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/st-georges-day&quot;\"><strong>The best classical music for St George\u2019s Day<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Oft in the Stilly Night \u2013 John Andrew Stevenson<\/strong><\/h3>\n<p>A former chorister of <a href=\"&quot;https:\/\/christchurchcathedral.ie\/&quot;\"><strong>Christ Church Cathedral<\/strong><\/a>, Dublin and vicar-choral of St Patrick\u2019s, Irish composer Sir John Andrew Stevenson (1761-1833) wrote a considerable amount of choral music, songs, glees and catches.<\/p>\n<p>He also published dozens of \u2018symphonies and accompaniments\u2019 to poet Thomas Moore\u2019s collection of Irish melodies, of which his simple and affecting piano accompaniment to \u2018Oft in the Stilly Night\u2019 is but one.<\/p>\n<iframe title=\"&quot;Oft\" in=\"\" the=\"\" stilly=\"\" night=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/ea2Sgqvk-6o?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/nine-best-works-independence-day\/&quot;\"><strong>Nine of the best\u2026 pieces of music for Independence Day<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Flowers of the Forest \u2013<\/strong><strong>\u00a0Traditional<\/strong><\/h3>\n<p>This Scottish folk tune commemorates the defeat of James IV\u2019s army at the <a href=\"&quot;https:\/\/www.historic-uk.com\/HistoryUK\/HistoryofScotland\/The-Battle-of-Flodden\/&quot;\"><strong>Battle of Flodden<\/strong><\/a> in 1513. The original words are lost, but the melody was recorded in 1615. Today, the most commonly used words for \u2018<a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/flowers-of-the-forest-lyrics-tune-history\/&quot;\"><strong>Flowers of the Forest\u2019 <\/strong><\/a>are those by Jean Eliot (b1727), who originally published her text anonymously.<\/p>\n<p>Her poem was believed to be the original, but <a href=\"&quot;http:\/\/www.robertburns.org\/&quot;\"><strong>Robert Burns<\/strong><\/a> and others suspected it was an imitation and tracked down the author along with Sir Walter Scott and <a href=\"&quot;https:\/\/www.tate.org.uk\/art\/artists\/allan-ramsay-438&quot;\"><strong>Allan Ramsey<\/strong><\/a>. Many pipers today refuse to perform this song except at <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/best-funerals-music\/&quot;\">funerals<\/a><\/strong> and memorial services, due to the reverence in which it is held.<\/p>\n<iframe title=\"&quot;????FLOWER\" of=\"\" the=\"\" forest=\"\" guards=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/rfsasAlICo8?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><strong><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-recordings-elgars-enigma-variations&quot;\">The best recordings of the Enigma Variations<\/a><\/strong><\/li>\n<\/ul><p>\u00a0<\/p>\n<h2><strong>Nimrod \u2013 Edward Elgar<\/strong><\/h2>\n<p>The most famous of <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/edward-elgar&quot;\"><strong>Elgar<\/strong><\/a>\u2019s <em>Enigma Variations<\/em>, written in 1899, \u2018<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/a-guide-to-nimrod-from-elgars-enigma-variations\/&quot;\">Nimrod\u2019<\/a><\/strong> is a musical depiction of the composer\u2019s friend Augustus Jaeger. \u2018Jaeger\u2019 in German means \u2018Hunter\u2019, and Nimrod in the Bible is described as \u2018the mighty hunter\u2019 \u2013\u00a0hence the name.<\/p>\n<p>Jaeger, who worked for the music publisher <a href=\"&quot;https:\/\/www.wisemusicclassical.com\/publishers\/novello\/&quot;\"><strong>Novello<\/strong><\/a>, was a close friend of Elgar\u2019s and a constant source of encouragement and kind words. The warmth of their friendship is reflected in this calm, reflective variation in E flat major, which (intentionally) also has a hint of the second movement of Beethoven\u2019s <em>Path\u00e9tique<\/em> Sonata to it.<\/p>\n<iframe title=\"&quot;Nimrod\" enigma=\"\" variations=\"\" elgar=\"\" remembrance=\"\" sunday=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/O5sX99HODzg?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-pieces-about-time\/&quot;\"><strong>Six of the best pieces about time<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Dido\u2019s Lament \u2013 Henry Purcell<\/strong><\/h3>\n<p>While the \u2018Skye Boat Song\u2019 (see earlier) celebrates the swift journey of a boat towards its destination, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/didos-lament-lyrics\/&quot;\">Dido\u2019s Lament<\/a><\/strong> is a heartbroken response to the sight of a ship disappearing away over the horizon.<\/p>\n<p>The ship in question belongs to Aeneas who, after a brief fling with Dido in Carthage, is reminded to pursue his destiny and head on his way. She, left behind and utterly grief stricken, avows to kill herself. Heard at the end of 1689 opera <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/guide-purcell-dido-and-aeneas-best-recordings\/&quot;\"><em>Dido and Aeneas<\/em><\/a><\/strong>, the Lament, whose words begin \u2018When I am laid in earth\u2019 is arguably the most famous, and sublime, music <strong><a href=\"&quot;http:\/\/www.classical-music.com\/topic\/henry-purcell&quot;\">Purcell<\/a>\u00a0<\/strong>ever wrote.<\/p>\n<p>We named Dido\u2019s Lament one of the the<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/what-are-the-saddest-pieces-of-classical-music\/&quot;\"> saddest pieces of classical music<\/a><\/strong><\/p>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-bagpipe-tunes\/&quot;\"><strong>Six of the best bagpipe tunes<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Solemn Melody \u2013 Sir Henry Walford Davies<\/strong><\/h3>\n<p>Best known for the hymn tune \u2018God be in my head\u2019, composer, lecturer and educator Sir Henry Walford studied composition with both Parry and Stanford at the <strong><a href=\"&quot;https:\/\/www.rcm.ac.uk\/&quot;\">Royal College of Music<\/a><\/strong> and was organist at London\u2019s <a href=\"&quot;http:\/\/www.templechurch.com\/&quot;\"><strong>Temple Church<\/strong><\/a> for 21 years.<\/p>\n<p>String quartets, a couple of cantatas and a 74-minute oratorio are among works now largely forgotten, although his touching <em>Solemn Melody<\/em>, scored originally for organ and strings, has endured.<\/p>\n<p>He was made Master of the King\u2019s Musick after Elgar\u2019s death in 1934, by which time he was well-known as the presenter of the popular radio series \u2018Music and the Ordinary Listener\u2019, first aired in 1926.<\/p>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best-lesser-known-pieces-soviet-composers&quot;\"><strong>Six of the best lesser-known works by Soviet composers<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>O Valiant Hearts \u2013 Charles Harris<\/strong><\/h3>\n<p>Charles Harris (1865-1936) earned a doctorate from Oxford and served as vicar of Colwall, a small town in Herefordshire. His only lasting contribution to music was the rousing hymn tune \u2018The Supreme Sacrifice\u2019, setting the words \u2018O Valiant Hearts\u2019 by poet Sir John Stanhope Arkwright. We named it as one of the <a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/the-best-hymns-for-remembrance-sunday\/&quot;\">\u00a0<strong>best hymns for Remembrance Sunday<\/strong><\/a><\/p>\n<p>The tune\u2019s name is taken from the book <em>The Supreme Sacrifice and other Poems in Time of War <\/em>which features Arkwright\u2019s verse.<\/p>\n<iframe title=\"&quot;O\" valiant=\"\" hearts=\"\" hymn=\"\" tune=\"\" the=\"\" supreme=\"\" sacrifice=\"\" remembrance=\"\" day=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/eSKUf2RxDUk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-facts-about-royal-albert-hall-organ\/&quot;\"><strong>Five facts about the Royal Albert Hall organ<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>The Last Post<\/strong><\/h3>\n<p>One of the most universally recognisable tunes of Remembrance Day is <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/the-last-post-what-are-its-origins-and-when-is-it-played\/&quot;\"><em>The Last Post<\/em>,<\/a><\/strong> a bugle call played at services across the UK and the <a href=\"&quot;https:\/\/thecommonwealth.org\/&quot;\"><strong>Commonwealth<\/strong><\/a>, with its distinctive lingering second note.<\/p>\n<p>It originally marked the end of a sentry inspection at the close of the day and its use as an act of remembrance appears to have begun in the mid 19th century.<\/p>\n<p>The piece is now longer than it once was, extended from 45 seconds to 75. It is integral to the Remembrance service at the <a href=\"&quot;https:\/\/www.iwm.org.uk\/history\/what-is-the-cenotaph&quot;\"><strong>Whitehall Cenotaph<\/strong><\/a>.<\/p>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-classical-music-inspired-autumn&quot;\"><strong>The best classical music inspired by autumn<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Beethoven\u2019s Funeral March No. 1 \u2013 Johann Heinrich Walch <\/strong><\/h3>\n<p>The majestic, elegiac tone of this brass band march has earned its place at many a state funeral, including that of King Edward VII. There\u2019s a gentler major-key trio at the heart of an otherwise sombre, succinctly written work.<\/p>\n<p>For many years misattributed to<strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/ludwig-van-beethoven\/&quot;\"> Beethoven<\/a><\/strong>, it\u2019s now believed to be the handiwork of Johann <a href=\"&quot;https:\/\/en.wikipedia.org\/wiki\/Johann_Heinrich_Walch&quot;\"><strong>Heinrich Walch<\/strong><\/a> (1776-1855). He was a German musician well known for his marches, which also include the <em>Pariser Einzugsmarsch<\/em>.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/best-funeral-marches-for-state-funerals\/&quot;\">Best funeral marches<\/a><\/strong><\/li>\n<\/ul><h3><strong>O God, Our Help in Ages Past\u00a0\u2013<\/strong><strong>\u00a0words by\u00a0<\/strong><strong>Isaac Watts<\/strong><strong>, music by\u00a0<\/strong><strong>William Croft<\/strong><\/h3>\n<p>William Croft wrote his \u2018St Anne\u2019 tune while he was organist at the <a href=\"&quot;https:\/\/stannes-soho.org.uk\/&quot;\"><strong>Church of St Anne<\/strong><\/a>, Soho, but the <a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/o-god-our-help-in-ages-past-lyrics\/&quot;\"><strong>lyrics to \u2018O God, Our Help in Ages Past\u2019 <\/strong><\/a>we know today wasn\u2019t added until 1719.<\/p>\n<p>The tune has been incorporated into works by <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/george-frideric-handel&quot;\"><strong>Handel<\/strong><\/a>, Arthur Sullivan, and <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/ralph-vaughan-williams&quot;\"><strong>Vaughan Williams<\/strong><\/a>, and is still one of the best-known hymns ever written.<\/p>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-recordings-holsts-planets&quot;\"><strong>The best recordings of Holst\u2019s The Planets<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>Reveille<\/strong><\/h3>\n<p>Another bugle call, the <em>Reveille<\/em> often follows <em>The Last Post<\/em>. While the latter reflects on the fallen, evoking sunset and the end of the earthly life, the \u2018Reveille\u2019 symbolises sunrise and resurrection.<\/p>\n<p>It was traditionally used to wake military forces and its name comes from <em>r\u00e9veiller<\/em>, the French word for \u2018wake up\u2019.<\/p>\n<iframe title=\"&quot;REVEILLE&quot;\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/_peXjzFQ2_c?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<ul><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-great-contemporary-operas&quot;\"><strong>Six great contemporary operas<\/strong><\/a><\/li>\n<\/ul><p>\u00a0<\/p>\n<h3><strong>God Save the Queen<\/strong><\/h3>\n<p>The national anthem of the UK takes a key role in Remembrance Day activities across the Commonwealth.<\/p>\n<p>Although <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/god-save-the-queen-lyrics\/&quot;\">God Save The Queen<\/a><\/strong> has obscure origins \u2013 sometimes attributed to composer John Bull, c1619, or even Purcell \u2013 the first published recognisable version dates from 1744.<\/p>\n<p>The anthem, when played in the presence of the Queen at the <a href=\"&quot;https:\/\/www.royalalberthall.com\/&quot;\"><strong>Royal Albert Hall<\/strong><\/a>\u2019s Festival of Remembrance, is enriched by the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-facts-about-royal-albert-hall-organ\/&quot;\">Royal Albert Hall\u2019s grand organ<\/a><\/strong>.<\/p>\n<iframe title=\"&quot;National\" anthem:=\"\" united=\"\" kingdom=\"\" god=\"\" save=\"\" the=\"\" queen=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Xm7CZvvsC64?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By BBC Music Magazine Published: Friday, 04 November 2022 at 12:00 am On 11 November 1919, King George V presided over the inaugural Remembrance Day, a year after the end of World War I. That initial ceremony of remembrance centred on a two-minute silence at 11am. 14 composers who died in the First World War [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":21304,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday.jpg",625,350,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday-300x168.jpg",300,168,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday.jpg",625,350,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday.jpg",625,350,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday.jpg",625,350,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/11\/the-best-classical-music-for-remembrance-sunday.jpg",625,350,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By BBC Music Magazine Published: Friday, 04 November 2022 at 12:00 am On 11 November 1919, King George V presided over the inaugural Remembrance Day, a year after the end of World War I. That initial ceremony of remembrance centred on a two-minute silence at 11am. 14 composers who died in the First World War&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/21303"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/21304"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=21303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=21303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}