{"id":22330,"date":"2022-12-08T18:55:01","date_gmt":"2022-12-08T17:55:01","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=177086"},"modified":"2022-12-08T20:10:46","modified_gmt":"2022-12-08T19:10:46","slug":"leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment\/","title":{"rendered":"Leokadiya Kashperova: a forgotten female composer gets her moment"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Steve Wright\n                \t\t<\/p><p class=\"rssbyline\">Published: Thursday, 08 December 2022 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p style=\"&quot;font-weight:\">From 12 to 16 December, BBC Radio 3\u2019s <a href=\"&quot;https:\/\/www.bbc.co.uk\/programmes\/b006tnxf&quot;\"><strong>Composer of the Week<\/strong><\/a> is dedicated to a Russian composer who is still relatively little known \u2013 and unjustly so.<\/p>\n<p style=\"&quot;font-weight:\">The focus of this week\u2019s programmes is the composer <a href=\"&quot;https:\/\/en.wikipedia.org\/wiki\/Leokadiya_Kashperova&quot;\"><strong>Leokadiya Kashperova<\/strong><\/a> (1872-1940), and the series marks the 150th anniversary of her birth. Exceptionally, the series will feature a number of UK premieres. Plus \u2013 for the first time in the history of Composer of the Week \u2013 the entire week will be made up of specially recorded works.<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=198%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=198%2C199,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=235%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=235%2C236,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=268%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=268%2C269,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=367%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=367%2C369,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=411%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=411%2C413&quot;\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=270%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=270%2C271,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?webp=true&amp;quality=90&amp;resize=368%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=368%2C370,\" https:=\"\" type=\"&quot;image\/png&quot;\"><img class=\"&quot;wp-image-177097\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.48.07-9f447d2.png?quality=90&amp;resize=411%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Leokadiya Kashperova: the composer and pianist worked with Stravinsky, Rubinstein and others<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>For many decades, Leokadiya Kashperova was best known, if at all, as piano teacher to one <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/igor-stravinsky\/&quot;\"><strong>Igor Stravinsky<\/strong><\/a>. Her full story as a musician and composer has finally now been unearthed, through the researches of Dr Graham Griffiths, supported by Radio 3\u2019s <a href=\"&quot;https:\/\/www.bbc.co.uk\/programmes\/articles\/1Tg6t6YxdxyYmKykSfWp9cs\/the-women-erased-from-musical-history&quot;\"><strong>Forgotten Women Composers<\/strong><\/a> project.<\/p>\n<iframe title=\"&quot;Forgotten\" female=\"\" composers:=\"\" leokadiya=\"\" kashperova=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/OY1YjGxrAYQ?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p>During her lifetime, Kashperova was described as \u2018a most welcome phenomenon of St Petersburg\u2019s musical life\u2019. She studied composition with Nikolay Solovyov and piano with <a href=\"&quot;https:\/\/www.britannica.com\/biography\/Anton-Rubinstein&quot;\"><strong>Anton Rubinstein<\/strong><\/a>, who predicted that she would eclipse all the men at the St Petersburg Conservatory. The contemporary Russian composers <a href=\"&quot;https:\/\/www.britannica.com\/biography\/Aleksandr-Glazunov&quot;\"><strong>Alexander Glazunov<\/strong><\/a> and Mily Balakirev favoured Kashperova in the interpretation of their music and she travelled internationally as a soloist, performing her own compositions and others.<\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/best-russian-composers\/&quot;\">Top 10 Russian composers<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/six-best-russian-orchestral-works\/&quot;\">Six of the best Russian orchestral works<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><p>Before 1917 most of Kashperova\u2019s works were published and heard, but the arrival of the Russian Revolution caused her voice to be silenced. Public performances of Kashperova\u2019s music stopped altogether because of her connections with the gentry. Private performances were rare. She continued to compose \u2013 but now without any hope of hearing it played.<\/p>\n<ul><li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/news\/new-record-label-devoted-to-forgotten-women-composers-launches-this-autumn\/&quot;\"><strong>New record label devoted to forgotten women composers<\/strong><\/a><\/li>\n<\/ul><p>Here, some of the performers involved in the Composer of the Week series \u2013 including soprano <a href=\"&quot;http:\/\/claire-booth.com\/&quot;\"><strong>Claire Booth<\/strong><\/a>, cellist <a href=\"&quot;https:\/\/www.kobekina.info\/&quot;\"><strong>Anastasia Kobekina<\/strong><\/a> and conductor <a href=\"&quot;https:\/\/www.jane-glover.com\/&quot;\"><strong>Jane Glover<\/strong><\/a> \u2013 discuss their favourite piece by Kashperova.<\/p>\n<h3><strong>Claire Booth, soprano<\/strong><\/h3>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=300%2C180,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=300%2C180,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=355%2C214,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=355%2C214,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=405%2C244,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=405%2C244,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=554%2C333,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=554%2C333,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=620%2C373,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=620%2C373,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=408%2C245,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=408%2C245,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?webp=true&amp;quality=90&amp;resize=556%2C335,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=556%2C335,\" https:=\"\" type=\"&quot;image\/png&quot;\"><img class=\"&quot;wp-image-177096\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.46.06-1d19bcb.png?quality=90&amp;resize=620%2C373&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Soprano Claire Booth<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018Kashperova\u2019s vocal repertoire has been an absolute revelation. Her<em> Songs of Love<\/em>, and indeed all the songs I was fortunate enough to record, show such a natural affinity for the voice \u2013 soaring vocal lines, and\u00a0brilliantly paced.<\/p>\n<p>\u2018Just when you feel you understand the harmony, she takes you off in another direction. Take <em>Gebet<\/em> for example \u2013 initially the song evokes a hymn-like simplicity, but then it passes through all manner of modulations in the piano. The vocal line manages to maintain a sense of reverence, even as it rises to a gorgeous climax, underpinned by the most beautiful harmonies.<\/p>\n<ul><li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/news\/forgotten-female-composers-be-given-new-life\/&quot;\"><strong>Forgotten female composers to be given new life<\/strong><\/a><\/li>\n<\/ul><p>\u2018This mix of German Classicism and Russian Romanticism is a heady brew indeed, and these songs are absolutely ripe for rediscovery. Having performed <a href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/schumanns-frauenliebe-und-leben-best-recordings\/&quot;\"><strong>Schumann\u2019s <em>Frauenliebe und Leben<\/em><\/strong><\/a> as a solo performance (accompanying myself in recital), I\u2019m particularly pleased to note that Leokadiya envisaged her <em>Songs of Love<\/em> to be self-accompanied\u2026 and I look forward to honing my piano technique!\u2019<\/p>\n<h3><strong>Jane Glover, conductor<\/strong><\/h3>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=300%2C168,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=300%2C168,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=355%2C199&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=355%2C199&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=405%2C227&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=405%2C227&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=554%2C311&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=554%2C311&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=620%2C348&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=620%2C348&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=408%2C229&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=408%2C229&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?webp=true&amp;quality=90&amp;resize=556%2C312&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=556%2C312&quot;\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-135675\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2020\/12\/Jane-Glover-MOB-e1542647948785-377a565.jpg?quality=90&amp;resize=620%2C348&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> \u2018Her orchestration is remarkably sure-footed, robust and inventive; her lyrical qualities are passionate and gloriously affecting\u2019: Jane Glover on conducting Leokadiya Kashperova\u2019s B minor Symphony<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018I was thrilled to be asked to include the B minor Symphony by Leokadiya Kashperova in a programme of music by forgotten female composers.<\/p>\n<p>\u2018I knew little about Kashperova beyond the fact that she had taught the piano to Stravinsky, and was a considerable pianist herself. So discovering the incredible qualities of her own composition through this hugely impressive symphony was a wonderful experience.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/news\/conductor-jane-glover-awarded-damehood-in-2021-new-years-honours\/&quot;\">Conductor Jane Glover awarded damehood in 2021 New Year\u2019s Honours<\/a><\/strong><\/li>\n<\/ul><p>\u2018Without question, Kashperova was formidably equipped: her orchestration is remarkably sure-footed, robust and inventive; her lyrical qualities are passionate and gloriously affecting; she has a great sense of structure, even drama; and, above all, her music is completely Russian.<\/p>\n<iframe title=\"&quot;Jane\" glover=\"\" conducts=\"\" leokadiya=\"\" kashperova=\"\" symphony=\"\" in=\"\" b=\"\" minor=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/TT1Ff9d791s?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u2018She includes two Russian themes in the course of the symphony, one in the second movement and another in the finale, and beyond these her whole palette of colour and gesture is steeped in the world of her great Russian symphonic forebears.<\/p>\n<p>\u2018This lovely work deserves to be heard a great deal, and I felt so honoured and privileged to be part of its reawakening.\u2019<\/p>\n<h3><strong>Hiroaki Takenouchi, piano<\/strong><\/h3>\n<p>\u2018I\u2019m one of the few people this week who were asked to look at the compositions by Leokadiya\u2019s cousin, Elizaveta Kashperova. I went through some of Leokadiya\u2019s piano works as well, and it was pretty clear that they were two very different composers.<\/p>\n<p>\u2018At once, Elizaveta is more inward-looking, and her piano writing is in the grand tradition of the golden era of Russian Romantic pianism. From the small number of pieces I saw by Leokadiya, by contrast, it seemed that she favoured much clearer textures and lighter expressions.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/composers\/most-famous-female-composers\/&quot;\">The best female composers of all time<\/a><\/strong><\/li>\n<\/ul><p>\u2018The interesting works by Elizaveta I recorded for this programme were both written as the accompaniment for poem recitation. The febrile symbolist poems of Konstantin Balmont are provided with a vivid musical-commentary in both works. They are so eloquent that they work perfectly as solo piano pieces.<\/p>\n<p>\u2018I\u2019m happy that Leokadiya is finally getting this well-deserved recognition, and I hope it will be one day extended to her wonderful cousin Elizaveta!\u2019<\/p>\n<h3><strong>The Gould Piano Trio<\/strong><\/h3>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=298%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=298%2C199,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=353%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=353%2C236,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=402%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=402%2C269,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=552%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=552%2C369,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=618%2C413,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=618%2C413,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=405%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=405%2C271,\" https:=\"\" type=\"&quot;image\/png&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?webp=true&amp;quality=90&amp;resize=553%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=553%2C370,\" https:=\"\" type=\"&quot;image\/png&quot;\"><img class=\"&quot;wp-image-177095\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/Screenshot-2022-12-08-at-17.40.56-7766b24.png?quality=90&amp;resize=618%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> The Gould Piano Trio<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018Kashperova\u2019s Piano Trio is a large-scale work in the traditional form, with four contrasting movements. There is a great undercurrent of energy driving the first movement: this is followed by an innocent, childlike slow movement, a crystalline scherzo with a particularly Russian central section, and an almost Germanic last movement.<\/p>\n<p>\u2018It was exciting to discover Kashperova\u2019s unique harmonic language. This seems to have both feet in the 19th century, but sometimes it\u2019s taken to a place of discomfort, looking for the resolutions the ear craves.\u2019<\/p>\n<h3><strong>Anastasia Kobekina, cello<\/strong><\/h3>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=300%2C375,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=300%2C375,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=355%2C444,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=355%2C444,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=405%2C506,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=405%2C506,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=554%2C693,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=554%2C693,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=620%2C775,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=620%2C775,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=408%2C510,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=408%2C510,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?webp=true&amp;quality=90&amp;resize=556%2C695,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=556%2C695,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-177094\" align=\"\" size-full=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2022\/12\/IMG4366-31cd3b2.jpg?quality=90&amp;resize=620%2C775&quot;\" width=\"&quot;2400&quot;\" height=\"&quot;3000&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Cellist Anastasia Kobekina: Pic: Julia Altukhova<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018I remember when Graham Griffiths, a researcher with a passion for Kashperova\u2019s music, approached me with the idea of recording a piece by this incredible composer.<\/p>\n<p>\u2018I began looking for a courageous pianist with whom to record Kashperova\u2019s fantastic Second Cello Sonata. Courageous, because Kashperova seemed to be an incredibly virtuosic pianist herself (her piano writing is almost unplayable). I was lucky to collaborate on this project with an amazing musician: London-based Georgian pianist Luka Okros. Together we dived into this undiscovered world of Kashperova\u2019s music.<\/p>\n<iframe title=\"&quot;Leokadiya\" kashperova=\"\" sonata=\"\" for=\"\" cello=\"\" and=\"\" piano=\"\" no.1=\"\" movement=\"\" allegro=\"\" moderato=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/3RScIdosB5M?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u2018It is incredible how mature her works are, considering her age. Both Cello Sonatas were composed when she was only 23, and a new graduate of St. Petersburg\u2019s Conservatory.<\/p>\n<p>\u2018The Second Cello Sonata is full of different facets. It has gorgeous tunes in all four movements, that you find yourself singing for days after hearing them. Her writing is also very lyrical, with dreamlike, almost fairytale themes.<\/p>\n<ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/six-most-inspiring-women-music\/&quot;\">Six of the most inspiring women in classical music<\/a><\/strong><\/li>\n<\/ul><p>\u2018However, you can sense a strong will and a passionate personality, right from the piece\u2019s opening. The second movement is like a miniature pastoral, with simple folk-like melodies: time seems to slow down after the stormy first movement, and the Trio is a very charming waltz.<\/p>\n<p>\u2018Making the first recording of this sonata more than 120 years after it was written is very symbolic. I hope her music will become known to a broader audience, inspiring a new generation to create more beautiful music.\u2019<\/p>\n<p><em><strong>For more info on the Composer of the Week series on Leokadiya Kashperova, visit the BBC\u2019s <a href=\"&quot;https:\/\/www.bbc.co.uk\/programmes\/m001fwzn&quot;\">Composer of the Week<\/a>.\u00a0<\/strong><\/em><\/p>\n<p><em>Top pic courtesy of The Russian National Museum of Music, Moscow, with thanks to Mikhail Bryzgalov and Olga Kuzina.<\/em><\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/forgotten-samuel-coleridge-taylor-work-revived-at-three-choirs-festival\/&quot;\">Forgotten Samuel Coleridge-Taylor work revived at Three Choirs Festival<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/female-pianists\/&quot;\">5 pioneering women pianists<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/ten-great-women-violinists-by-coco-tomita\/&quot;\">Ten Great Women Violinists\u2026 by Coco Tomita<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Steve Wright Published: Thursday, 08 December 2022 at 12:00 am From 12 to 16 December, BBC Radio 3\u2019s Composer of the Week is dedicated to a Russian composer who is still relatively little known \u2013 and unjustly so. The focus of this week\u2019s programmes is the composer Leokadiya Kashperova (1872-1940), and the series marks [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":22331,"template":"","categories":[1],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment.png",1116,818,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment-150x150.png",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment-300x220.png",300,220,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment-768x563.png",768,563,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment-1024x751.png",800,587,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment.png",1116,818,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2022\/12\/leokadiya-kashperova-a-forgotten-female-composer-gets-her-moment.png",1116,818,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Steve Wright Published: Thursday, 08 December 2022 at 12:00 am From 12 to 16 December, BBC Radio 3\u2019s Composer of the Week is dedicated to a Russian composer who is still relatively little known \u2013 and unjustly so. The focus of this week\u2019s programmes is the composer Leokadiya Kashperova (1872-1940), and the series marks&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/22330"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/22331"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=22330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=22330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}