{"id":23274,"date":"2023-01-09T18:14:00","date_gmt":"2023-01-09T17:14:00","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=177980"},"modified":"2023-01-09T19:33:52","modified_gmt":"2023-01-09T18:33:52","slug":"tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama\/","title":{"rendered":"T\u00e1r: Cate Blanchett on portraying a conductor in new psychodrama"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Michael Beek\n                \t\t<\/p><p class=\"rssbyline\">Published: Monday, 09 January 2023 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p><strong>Lydia T\u00e1r is the first woman conductor to take the reins of a major German orchestra. But you won\u2019t have heard of this particular conductor, composer and ethnomusicologist, because she is an entirely fictional character. Created by writer\/director Todd Field, T\u00e1r is brought thrillingly to life by Academy Award-winning actor Cate Blanchett in a film that shocks with its depiction of a spectacular fall from grace, and dazzles with with its intricate musical detail.<\/strong><\/p>\n<h2>What is Cate Blanchett\u2019s new film <em>T\u00e1r<\/em> about?<\/h2>\n<p>That detail was the result of a deep dive into the world of classical music by Todd Field, whose starting point in 2020 was John Mauceri\u2019s book <em>For the Love of Music<\/em>. He told me finishing the book \u2018electrified\u2019 him and sealed the deal in terms of him wanting to take his idea for the film forward, but he needed further help and couldn\u2019t believe where it came from, as he went on to tell me.<\/p>\n<p>\u2018I was talking to Universal Music and I said, \u201cI\u2019m about ready to start this thing, do you have anyone that you think would be smart for me to talk to who would be willing to speak with me?\u201d and they said, \u201cwell yeah there\u2019s this legendary guy named John Mauceri.\u201d I said, \u201cyou\u2019ve got to be kidding me, I just finished his book!\u201d<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/tv-and-film-music\/what-is-the-film-tar-about-and-when-is-it-released\/&quot;\">What is the film <em>T\u00c1R<\/em> about and when is it released?<\/a><\/strong><\/li>\n<\/ul><p>Mauceri, a one-time pupil and proteg\u00e9 of Leonard Bernstein, is today one of the most highly esteemed conductors and musical minds in the US. As the film\u2019s official music advisor he would become integral to the director\u2019s navigation of the classical world.<\/p>\n<p>\u2018John said to me, \u201clook, before we get to talking read my other book, <em>Maestros and their Music<\/em>, and before that you might want to do this\u2026\u201d So he kind of gave me this course to take, before I got into masterclasses with him. And that was absolutely fantastic, it felt like a thrilling privilege and such a highly rarefied opportunity.\u2019<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=269%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=269%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=319%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=319%2C236,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=364%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=364%2C269,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=499%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=499%2C369,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=559%2C413,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=559%2C413,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=367%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=367%2C271,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?webp=true&amp;quality=90&amp;resize=500%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=500%2C370,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-177998\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/GettyImages525423082cmyk-6f93091-e1673274162356.jpg?quality=90&amp;resize=559%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Condcutor and musicologist John Mauceri, a one-time pupil and proteg\u00e9 of Leonard Bernstein, served as the film\u2019s official music advisor. Pic: Getty Images<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>We were fortunate enough to be joined by Mauceri in our conversation, and the maestro was quick to share that, \u2018you have to be very careful when you talk to Todd, because he actually remembers what you say!\u2019 Such recall served him (and the audience) well, for the film is littered with observations, blink-and-you\u2019ll-miss-them references and familiar names classical music fans will recognise.<\/p>\n<p>\u2018It had a giant impact on how the script was written,\u2019 Field continues, \u2018because essentially I had a character who is clearly an accomplished musician, however she\u2019s also perhaps a bit overly concerned with legacy.\u2019<\/p>\n<h3>Who does Cate Blanchett play in the film <strong><em>T\u00e1r<\/em>?<\/strong><\/h3>\n<p><em>T\u00e1r<\/em> is a film about the very nature of the creation of music from pencil to podium, told via a character who (like any number of notable men before her) would stop at nothing in order to stake a claim on and ensure her place in its story. So it\u2019s as much a film about power as it is music, Lydia T\u00e1r seemingly indestructible as she holds court over one of the greatest orchestras, the musical world at her feet. But in an age when the actions of those in positions of power are under ever-closer scrutiny, it\u2019s T\u00e1r\u2019s blinding sense of indestructibility that is ultimately her undoing.<\/p>\n<iframe title=\"&quot;T\u00c1R\" official=\"\" trailer=\"\" in=\"\" select=\"\" theaters=\"\" october=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Na6gA1RehsU?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>For Cate Blanchett, the key to getting under the skin of the character was authenticity and truly understanding a composer\/conductor\u2019s environment.<\/p>\n<p>\u2018In order for people to buy into the reality of the stakes of the drama and the character\u2019s predicament,\u2019 she tells me, \u2018it was absolutely essential that I steep myself in the practical day-to-day realities of someone who is working at that level of skill in the classical music world, and that her skill and her, dare I say, right to be there is unassailable.\u2019<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/10-best-films-made-about-composers\/&quot;\">10 of the best (and worst) films about composers<\/a><\/strong><\/li>\n<\/ul><p>Such practicalities had to include learning about conducting, but with the pandemic in full swing, Blanchett would have to fend for herself and call in favours from friends, as she explained to me.<\/p>\n<p>\u2018Conducting is all about presence, power, charisma, that mercurial thing that passes between a human being on the podium and the orchestra, and I couldn\u2019t sit with anyone! So I started off by panicking and then, thank god for the internet, I went to the masterclasses of Ilya Musin. So I started with that and I knew conductor Natalie Murray Beale so I said, \u201clook, I\u2019m desperate, is there any way? You\u2019re probably busy!\u201d but she was just so generous with her time and her insight.\u2019<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=265%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=265%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=315%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=315%2C236,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=359%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=359%2C269,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=492%2C369&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=492%2C369&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=551%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=551%2C413&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=361%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=361%2C271,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?webp=true&amp;quality=90&amp;resize=493%2C370&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=493%2C370&quot;\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-178000\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/NMBNatalieMurrayBealecmyk-3163886.jpg?quality=90&amp;resize=551%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Conductor Natalie Murray Beale advised Cate Blanchett on the particulars of the conductor\u2019s work<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<h3>How did Cate Blanchett get into the role of a conductor for <em>T\u00e1r<\/em>?<\/h3>\n<p>Murray Beale guided Blanchett through the technical aspects of conducting, topped up by her own reading of John Mauceri\u2019s writings on the subject \u2013 \u2018his insights into the art of conducting, both practical and ephemeral, were really useful to me,\u2019 she said. As for coming up with the character\u2019s baton style, the actor did hours of watching and listening to draw on a number of figures, as she explains.<\/p>\n<p>\u2018I did a deep dive into everybody\u2019s conducting style, a bit like a Bowerbird, to pick and choose. So there are people who\u2019ve fallen from grace, there\u2019s obviously people that I naturally gravitated towards, like we all do. I love Bernard Haitink, Nathalie Stutzmann and Simone Young; but this is not a character who is based on anyone.\u2019<\/p>\n<p>It wasn\u2019t just the musical insights she needed, for Lydia T\u00e1r is someone of questionable conscience and motivation in her pursuit of glory, as Blanchett reveals.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/the-trailblazing-genius-of-film-documentary-maker-christopher-nupen\/&quot;\">The trailblazing genius of film documentary maker Christopher Nupen<\/a><\/strong><\/li>\n<\/ul><p>\u2018I thought about power as much as I thought about any particular musician; so I looked a lot at Gergiev, actually \u2013 talk about someone who has fallen out of favour, simply because he\u2019s got his fingers in so many pies, politically and institutionally, and has kind of a flagrant disregard for power and yet is steeped in it. So I found that very interesting.\u2019<\/p>\n<h3>Did Cate Blanchett actually conduct a full orchestra for <em>T\u00e1r<\/em>?<\/h3>\n<p>Blanchett would have the challenge of actually conducting the Dresden Philharmonic during two weeks of shooting of rehearsal scenes at the city\u2019s Kulturpalast. I asked her what it was like to stand on the podium there for the first time.<\/p>\n<p>\u2018Oh it was terrifying, because they can sniff inauthenticity at a hundred paces,\u2019 she shared. \u2018I suppose what worked in my favour was they hadn\u2019t been playing big orchestral works because of the pandemic, and they had not been in the room together. So when I gave the downbeat they were slightly out of sync and we all laughed. Also they were out of their comfort zone, because they had to act.<\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/guide-jonny-greenwood-film\/&quot;\">Jonny Greenwood: how the Radiohead guitarist became one of the world\u2019s best film composers<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/6-of-the-best-classical-music-themed-films-on-netflix\/&quot;\">Six of the best classical music-themed films on Netflix<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/best-film-soundtracks-our-top-picks\/&quot;\">The best film soundtracks: Our top picks<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><p>\u2018When I got up I thanked them for their patience, in my school-girl German, and said that we needed to rehearse together, that they had to act and I had to conduct, and together somehow we would find our way. I think they sensed genuine humility, or my plea for help!\u2019<\/p>\n<h3>What role does British cellist Sophie Kauer play in the film?<\/h3>\n<p>Having real musicians play their parts, quite literally, is a boon for the film\u2019s musical authenticity, which was taken a step further with the casting of British cellist Sophie Kauer as Olga Metkina. Aside from delivering a fine dramatic performance as the young Russian cellist, new orchestra member and object of T\u00e1r\u2019s obsession, she also performs Elgar\u2019s Cello Concerto. Todd Field was hugely impressed by Kauer\u2019s contribution.<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=300%2C184,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=300%2C184,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=355%2C218,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=355%2C218,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=405%2C248,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=405%2C248,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=554%2C340,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=554%2C340,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=620%2C380,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=620%2C380,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=408%2C250,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=408%2C250,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?webp=true&amp;quality=90&amp;resize=556%2C341,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=556%2C341,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-178001\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/CastGiuliaParmigianicmyk-b993bf5.jpg?quality=90&amp;resize=620%2C380&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Sophie Kauer (second left) xx. Writer\/director Todd Field is pictured right. Pic: Giulia Parmigiani<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018Sophie had so much confidence, composure and poise,\u2019 he told me. \u2018To be sitting with an orchestra of the calibre of the LSO for the first time would be terrifying enough, but to be playing scenes with Cate Blanchett would be equally frightening for many people. She really had a level of maturity; she was 19 when she was cast and really showed up and just did the most remarkable work.\u2019<\/p>\n<h3>What music is played in the film <em>T\u00e1r?<\/em><\/h3>\n<p>The London Symphony Orchestra appears on the soundtrack with Kauer, conducted by Natalie Murray Beale, performing the Elgar Cello Concerto. It\u2019s just one part of the complex musicscape of this film; indeed some 26 minutes of the music in the film is actually played on screen, in real time. Aside from the Elgar, Mahler\u2019s Fifth (performed by the Dresden Philharmonic under Cate Blanchett) makes a notable appearance, and then there\u2019s Bach\u2019s <em>Well-Tempered Clavier<\/em>, performed by Blanchett herself. Taking to the keyboard required further commitment from the actor who found teachers in Budapest and London while working on other projects \u2013 \u2018I don\u2019t know when she slept,\u2019 quips Field. For Blanchett, though, it was something she relished, having originally learned to play as a child.<\/p>\n<p>\u2018It was wonderful,\u2019 she tells me. \u2018With every pregnancy I\u2019ve said \u201cI\u2019m going to go back and pick the piano up,\u201d but then life happens \u2013 it\u2019s a terrible indictment on me as a human being that I don\u2019t pick anything up unless it\u2019s for work. So that was an absolute joy, and it\u2019s something that I vow I\u2019ll continue, not because I\u2019m a musician by any stretch of the imagination, but certainly for pleasure.\u2019<\/p>\n<p>The unfolding drama is further aided by composer <a href=\"&quot;https:\/\/www.classical-music.com\/news\/hildur-gu-nad-ttir-sets-record-highest-number-awards-ever-received-female-film-composer-single\/&quot;\"><strong>Hildur Gu\u00f0nod\u00f3ttir<\/strong><\/a>, whose own scintillating original music lives within and without the film, as she provides both the music Lydia composes at the piano and the film\u2019s traditional underscore. Though there would be nothing traditional about her music or how it would be used, as Todd Field explains.<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=300%2C186,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=300%2C186,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=355%2C220,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=355%2C220,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=405%2C251,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=405%2C251,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=554%2C344,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=554%2C344,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=620%2C384,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=620%2C384,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=408%2C253,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=408%2C253,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?webp=true&amp;quality=90&amp;resize=556%2C345,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=556%2C345,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-178007\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/01\/hildurAntjeTaigaJandrigcmykjpg-2dfea4d.jpg?quality=90&amp;resize=620%2C384&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Composer Hildur Gu\u00f0nod\u00f3ttir provides both the music Lydia composes at the piano and the film\u2019s traditional underscore. Pic: Antje Taiga Jandrig<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>\u2018There needed to be some kind of propulsion in places for this character, because she feels like there\u2019s something on her back. And so that needed to be represented with some kind of score, and the hope was that it was something you\u2019d only really notice in its absence, as opposed to it ever announcing itself. I\u2019ve admired Hildur\u2019s music for a very long time. She works in a very intent, sonic space and there\u2019s nothing arbitrary about what she does; there\u2019s a real philosophy behind her choices, even if you can\u2019t see them.\u2019<\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/film-composers-feature-prs-100-women-changing-music-list\/&quot;\">Film composers feature in PRS 100 Women Changing Music list<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/new-film-about-female-conductors-coming-sky-arts\/&quot;\">A new film about female conductors is coming to Sky Arts<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><p>He continues, \u2018She asked very interesting questions like \u201cwhat kind of gait does this character have, how does she walk?\u201d And we landed on 120 beats, and so she scored pieces at 120 beats that Cate would then wear in her ear. So if you look at the way she moves, she\u2019s almost always moving at the same rate. She designed a whole slew of things which she recorded with the London Contemporary Orchestra before we ever shot, just to be played in the actors\u2019 ears.\u2019<\/p>\n<p>It becomes clear that <em>T\u00e1r<\/em> is almost, in its way, a musical, so tied up is it in ideas of flow, rhythm and sonic intent. There\u2019s even something operatic about it, the audience watching in horror as Lydia\u2019s carefully constructed world frays at the seams, then tears to shreds.<\/p>\n<p>John Mauceri hails <em>T\u00e1r<\/em> as \u2018an amazing achievement\u2019. I\u2019m inclined to agree.<\/p>\n<p><em><strong>T\u00e1r<\/strong> is released in UK cinemas on 13 January<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Michael Beek Published: Monday, 09 January 2023 at 12:00 am Lydia T\u00e1r is the first woman conductor to take the reins of a major German orchestra. But you won\u2019t have heard of this particular conductor, composer and ethnomusicologist, because she is an entirely fictional character. Created by writer\/director Todd Field, T\u00e1r is brought thrillingly [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":23275,"template":"","categories":[1],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-scaled.jpg",2560,1767,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-300x207.jpg",300,207,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-768x530.jpg",768,530,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-1024x707.jpg",800,552,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-1536x1060.jpg",1536,1060,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/01\/tar-cate-blanchett-on-portraying-a-conductor-in-new-psychodrama-2048x1414.jpg",2048,1414,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Michael Beek Published: Monday, 09 January 2023 at 12:00 am Lydia T\u00e1r is the first woman conductor to take the reins of a major German orchestra. But you won\u2019t have heard of this particular conductor, composer and ethnomusicologist, because she is an entirely fictional character. Created by writer\/director Todd Field, T\u00e1r is brought thrillingly&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/23274"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/23275"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=23274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=23274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}