{"id":25820,"date":"2023-03-21T11:07:24","date_gmt":"2023-03-21T10:07:24","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=3867"},"modified":"2023-03-21T11:33:45","modified_gmt":"2023-03-21T10:33:45","slug":"15-penniless-composers","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/15-penniless-composers\/","title":{"rendered":"15 penniless composers"},"content":{"rendered":"<p class=\"rssexcerpt\"> Which composers all too often felt the pinch? From Mozart to Sibelius, here are 15 musical greats who suffered financial woes <\/p><p class=\"rssauthor\">By BBC Music Magazine\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 21 March 2023 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p><strong>Money. Dosh. Wonga. Call it what you will, but all too often when it comes to art we like to ignore this unpalatable necessity. Ever since Beethoven, we\u2019ve harboured the <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/best-romantic-composers\/&quot;\">Romantic<\/a> idea that composers simply live for their art alone, unfettered by everyday trivialities such as paying the bills or buying food.<\/strong><\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/&quot;\"><strong>Visit our Composers section<\/strong><\/a> <strong>and get to know hundreds of composers, past and present\u00a0<\/strong><\/li>\n<\/ul>\n<p>History, however, has shown that money \u2013 or a lack thereof \u2013 was often more than a bit of a worry to composers. Some had to battle with the uphill task of making money from their music, while others wrote smash hits but couldn\u2019t channel the profit back into their pockets.<\/p>\n<p>Some lived wildly beyond their means, while yet others had unhappy experiences trying to invest the money they did have. Here are 15 composers from across the centuries for whom money was, at one time or another, a bit of an issue\u2026<\/p>\n<p>\u00a0<\/p>\n<h3><strong>1. <a href=\"\/\/www.classical-music.com\/topic\/richard-wagner&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Richard Wagner<\/a><\/strong><\/h3>\n<p>Embroidered silk couches, rich tapestries, walnut dining tables, Japanese dressing gowns, flamingo-feather-lined carpets, satin shirts and pale pink silk underwear were just a few of life\u2019s little luxuries in which Richard Wagner liked to indulge.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/what-does-wagners-ring-cycle-mean\/&quot;\">What is Wagner\u2019s Ring Cycle?<\/a><\/strong><\/li>\n<\/ul>\n<p>The German composer\u2019s spending habits were as vast as his operas and he was always being pursued by one creditor or another \u2013 on one occasion, when he was director of the opera in Riga, he even had to flee the city to escape his debts. It was only when the wealthy King Ludwig became Wagner\u2019s patron that the composer had the funding for the lifestyle he wanted and was able to build his opera house at Bayreuth.<\/p>\n<p>\u00a0<\/p>\n<h3><strong>2. <a href=\"\/\/www.classical-music.com\/topic\/erik-satie&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Erik Satie<\/a><\/strong><\/h3>\n<p>Nicknamed the \u2018Velvet Gentleman\u2019, the eccentric, whimsical Erik Satie was always impeccably turned out. Left a small inheritance in 1895, he bought seven identical chestnut-coloured corduroy suits and became a fixture of the Montmartre nightlife in Paris\u2026 and by\u00a0the summer of 1896 he was penniless.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/six-best-satie-works\/&quot;\">Six of the best: Satie works<\/a><\/strong><\/li>\n<\/ul>\n<p>Still, it was a shock to his brother and friends to find out at Satie\u2019s death in 1925 that the composer, who earned money as a caf\u00e9 pianist and writing cabaret songs, lived in miserable conditions in his flat on the outskirts of Paris. No one had visited it for 27 years. It was dirty, full of newspapers, umbrellas and \u2013 ever the sartorialist \u2013 84 silk handkerchiefs.<\/p>\n<iframe title=\"&quot;Erik\" satie=\"\" gnossiennes=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/y7kvGqiJC4g?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3><strong>3. <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/niccolo-paganini\/&quot;\">Niccol\u00f2 Paganini<\/a><\/strong><\/h3>\n<p>The \u2018Devil\u2019s violinist\u2019 was something of a thrillseeker. Breathtaking virtuoso fiddle antics aside, Paganini liked to gamble. At one stage he even had to pawn his violin to pay off his debts, though as luck would have it he was leant, then given, a Guarneri instrument instead.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-works-paganini\/&quot;\">Six of the best works by Paganini<\/a><\/strong><\/li>\n<\/ul>\n<p>More disastrous, though, was his concert hall-come-gambling den, which he set up in Paris in 1838. Described as a \u2018casino\u2019, the venue was refused its gambling licence and Paganini made big losses as a result. The stress of the situation did little to help his already poor health, and he died two years later.<\/p>\n<ul style=\"&quot;margin-left:\"><li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-works-paganini\/&quot;\">Six of the best works by Paganini<\/a><\/strong><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<h3><strong>4. <a href=\"\/\/www.classical-music.com\/topic\/gustav-holst&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Gustav Holst<\/a><\/strong><\/h3>\n<p>Give or take a detour or two, it\u2019s 100 miles from London to Cheltenham. Not far, you might think. Until, that is, you make the journey by foot, as Gustav Holst used to do.<\/p>\n<ul style=\"&quot;margin-left:\"><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-holst\/&quot;\"><strong>Five essential works by Holst<\/strong><\/a><\/li>\n<\/ul>\n<p>According to the composer Edmund Rubbra, Holst was too poor to afford the train fare when he was studying at the Royal College of Music, so he\u2019d sling his trombone across his back and set off home. He even stopped to serenade the sheep in quiet Cotswold fields, until a farmer blamed this wild trombone practice for making his flocks lamb early.<\/p>\n<iframe title=\"&quot;Gustav\" holst:=\"\" symphony=\"\" in=\"\" f=\"\" major=\"\" cotswolds=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/lz8wjnRKHfU?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3><strong>5. <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/peter-maxwell-davies&quot;\">Peter Maxwell Davies<\/a><\/strong><\/h3>\n<p>One day in 2006, the Master of the Queen\u2019s Music tried to take \u00a340 out of a cashpoint. His request was declined, and Maxwell Davies twigged that something was wrong. Quite apart from the \u00a315,000-a-year stipend for his Royal appointment, he is a prolific and well-known composer \u2013 the royalties should have been flooding in.<\/p>\n<p>And they were, just to someone else\u2019s bank account. <a href=\"&quot;https:\/\/www.classical-music.com\/news\/maxwell-davies-manager-guilty-theft\/&quot;\"><strong>Maxwell Davies\u2019 manager Michael Arnold<\/strong><\/a> had defrauded the Orkney-based composer to the tune of half a million pounds, apparently spending the money on online gambling.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/news\/sir-peter-maxwell-davies-dies-aged-81\/&quot;\">Sir Peter Maxwell Davies dies aged 81<\/a><\/strong><\/li>\n<\/ul>\n<p>\u2018It was probably the biggest shock I\u2019ve had in my life,\u2019 Davies told <em>The Herald<\/em>. \u2018To be hoodwinked for all those years and then find out that one had been earning very good money and had seen almost nothing of it\u2026 but then it\u2019s only money.\u2019<\/p>\n<p>\u00a0<\/p>\n<h3><strong>6. Moritz Moszkowski<\/strong><\/h3>\n<p>Moszkowski\u2019s Spanish Dance No. 5 might have achieved silver-screen fame in <strong><em>Brief Encounter<\/em><\/strong>, but the composer\u2019s own life followed a much less glamorous path.<\/p>\n<iframe title=\"&quot;Moszkowski:\" spanish=\"\" dances=\"\" op.=\"\" book=\"\" no.=\"\" in=\"\" d=\"\" major=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/MxggtcKy_Jk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>The Pole had made a considerable amount of money from his compositions and performances at the start of the 20th century, but he invested it all in Polish, Russian and German bonds which, by the end of World War I, were worthless.<\/p>\n<p>In 1921 his friends, including composer Percy Grainger and pianist Wilhelm Backhaus, organised a benefit concert featuring 14 pianos played together to help the destitute and by now ill Moszkowski, raising $10,000. Sadly the money only reached him in 1925, shortly before his death the same year.<\/p>\n<p>\u00a0<\/p>\n<h3><strong>7. <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/erich-wolfgang-korngold\/&quot;\">Erich Korngold<\/a><\/strong><\/h3>\n<p>Moszkowski wasn\u2019t alone in lacking shrewd investment sense. In 1931 Erich Korngold heard rumours that the large Darmst\u00e4dter Bank was in trouble. \u2018Ridiculous,\u2019 he said, and hot-footed it to his nearest branch, pockets filled with the not inconsiderable earnings from his score for <strong><em>Die sch\u00f6ne Helena<\/em><\/strong> (a German-language version of <a href=\"&quot;http:\/\/www.classical-music.com\/topic\/jacques-offenbach&quot;\"><strong>Offenbach<\/strong><\/a>\u2019s <em>La belle H\u00e9l\u00e8ne<\/em>).<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/composers\/guide-korngolds-style\/&quot;\">A guide to Korngold\u2019s style<\/a><\/strong><\/li>\n<\/ul>\n<p>The bank had closed for the day, but Korngold convinced them to let him in to make the deposit that would show his confidence in it. The very next day the bank went bust.<\/p>\n<p>\u00a0<\/p>\n<h3><strong>8. <a href=\"\/\/www.classical-music.com\/topic\/christoph-willibald-gluck&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Christoph Willibald Gluck<\/a><\/strong><\/h3>\n<p>Gluck was fairly well off for most of his life. But an unsuccessful deal in 1770 nearly cost him dear. Enthusiastic to see his new opera <strong><em>Paride ed Elena<\/em><\/strong>\u2004staged, and perhaps lured by the possibility of a quick profit, Gluck invested 30,000 gulden to become an \u2018economic director\u2019 of several Viennese theatres.<\/p>\n<p>One of his partners was the impresario Giuseppe d\u2019Afflisio, who was also, as it turned out, a crook who ended up in prison. Profits from the theatrical venture proved poor and the German composer pulled out of the contract. While he didn\u2019t lose any money, the debacle angered the aristocracy and the Viennese court.<\/p>\n<ul style=\"&quot;margin-left:\"><li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/guide-glucks-style\/&quot;\"><strong>A guide to Gluck\u2019s style<\/strong><\/a><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<h3><strong>9. <a href=\"\/\/www.classical-music.com\/topic\/max-bruch&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Max Bruch<\/a><\/strong><\/h3>\n<p>The problem with being a one-hit wonder is that you soon become a little tired of your hit. Or at least that\u2019s how Max Bruch felt about his still popular <em><strong>G minor Violin Concerto<\/strong><\/em>, complaining that he\u2019d written two even better violin concertos, but that no one wanted to play them.<\/p>\n<iframe title=\"&quot;Bruch\" violin=\"\" concerto=\"\" no.=\"\" night=\"\" of=\"\" the=\"\" proms=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/gK3_K1C2lYc?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>And just to rub it in further, Bruch had in fact sold all the rights for the 1866 work to the publisher August Cranz for a one-off payment. However many times the Concerto was played, he wouldn\u2019t receive a jot. Not so wondrous.<\/p>\n<h3><strong>10. <a href=\"\/\/www.classical-music.com\/topic\/jean-sibelius&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Jean Sibelius<\/a><\/strong><\/h3>\n<p>Sibelius and Bruch might have sympathised with each other. While the Finnish composer\u2019s reputation hinged on more than one work, it was one piece in particular that made a fortune \u2013 though sadly not for Sibelius.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/sibelius-a-life-in-10-masterpieces\/&quot;\">Sibelius: A life in 10 masterpieces<\/a><\/strong><\/li>\n<\/ul>\n<p>The <strong><em>Valse triste<\/em><\/strong>, his short melancholic waltz of 1904, was a runaway success. By the start of the First World War, it had run to 16 editions; by the 1930s, that number had reached 67. Sibelius\u2019s contract, though, gave him only a tiny portion of the spoils \u2013 a royalty of 1.44 per cent \u2013 and none of the money from any of the countless arrangements that were made.<\/p>\n<iframe title=\"&quot;Jean\" sibelius=\"\" valse=\"\" triste=\"\" paavo=\"\" j=\"\" estonian=\"\" festival=\"\" orchestra=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Iys6ZqDFerA?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3><strong>11. <a href=\"\/\/www.classical-music.com\/topic\/claude-debussy&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Claude Debussy<\/a><\/strong><\/h3>\n<p>In truth, however, publishers are just as likely to help out their composers. Take Debussy, for example \u2013 another of those artists who had a taste for the luxurious life, spending far more than he earned.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/nine-most-inspirational-debussy-works\/&quot;\">Nine of the most inspirational Debussy works<\/a><\/strong><\/li>\n<\/ul>\n<p>His publisher often came to his rescue: by 1912 Debussy was over 42,000 francs in debt to Durand, but by the time of the composer\u2019s death in 1918 the total was just over 66,000 francs. Not that Durand was eager to hand out money willy-nilly \u2013 he once insisted that Debussy himself bought a score of his maritime orchestral masterpiece <a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/quick-guide-debussys-la-mer\/&quot;\"><strong><em>La mer<\/em><\/strong><\/a> to be sent over to <strong>Sir Henry Wood<\/strong> in England for a prospective performance.<\/p>\n<ul style=\"&quot;margin-left:\"><li><strong><a href=\"&quot;http:\/\/www.classical-music.com\/article\/five-essential-works-debussy&quot;\">Five essential works by Debussy<\/a><\/strong><\/li>\n<\/ul><h3><strong>12. <a href=\"\/\/www.classical-music.com\/topic\/edward-elgar&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Edward Elgar<\/a><\/strong><\/h3>\n<p>Elgar was always worried about money. As a freelance composer, he relied on his music to pay the rent and often complained of being hard up. His poor negotiating skills did little to help his cause when it came to dealing with publishers.<\/p>\n<ul><li>Perhaps, though, he was in part a victim of his times. A recent book by John Drysdale has shown how tough it was in Britain at the time for even the most famous of composers to make the sort of money writers or painters did.<\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/six-of-the-best-recordings-of-elgars-cello-concerto\/&quot;\">Six of the best recordings of Elgar\u2019s Cello Concerto<\/a><\/strong><\/li>\n<\/ul>\n<p>Where George Eliot was offered \u00a310,000 for the serial rights to <strong><em>Romola<\/em><\/strong>, Elgar earned a measly guinea for the <strong><em>Enigma Variations<\/em><\/strong>. It wasn\u2019t until the advent of the Performing Rights Society in 1914 that composers began to catch up.<\/p>\n<ul style=\"&quot;margin-left:\"><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/five-essential-works-elgar&quot;\"><strong>Five essential works by Elgar<\/strong><\/a><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<h3><strong>13. <a href=\"\/\/www.classical-music.com\/topic\/ludwig-van-beethoven&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Ludwig van Beethoven<\/a><\/strong><\/h3>\n<p>Beethoven himself didn\u2019t come up with the title for his piano caprice \u2018Rage over a lost penny\u2019 (Op.\u00a0129) but it does seem plausible that the moody composer might have understood the sentiment. And, in fact, he was no stranger to financially dubious dealings.<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/search\/?q=beethoven&quot;\"><strong>Browse our wealth of Beethoven articles<\/strong><\/a><\/li>\n<\/ul>\n<p>Beethoven sold his <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-4\/&quot;\">Symphony No. 4<\/a><\/strong> to Count Oppersdorff after promising it to the publishers Breitkopf and Hartel; and promptly promised Oppersdorff the Fifth Symphony before selling it to the publishers. Beethoven also tried to negotiate his new works to be published at the same time in several countries so he could tell each publisher that they had the first edition.<\/p>\n<ul style=\"&quot;margin-left:\"><li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/6-best-beethovens-overlooked-works&quot;\"><strong>Six of the best: Beethoven\u2019s overlooked works<\/strong><\/a><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<h3><strong>14. <a href=\"\/\/www.classical-music.com\/topic\/giacomo-puccini&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Giacomo Puccini<\/a><\/strong><\/h3>\n<p><em>Manon Lescaut<\/em> was the opera that made Puccini\u2019s fortune \u2013 after its successful premiere in 1893, and the similar popularity of <a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/madam-butterfly-a-guide-to-puccinis-famous-opera-and-its-best-recordings\/&quot;\"><strong><em>Madam Butterfly<\/em><\/strong><\/a>, <a href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/la-boheme-best-recordings\/&quot;\"><strong><em>La boh\u00e8me<\/em><\/strong><\/a> and <a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/puccinis-tosca-guide\/&quot;\"><strong><em>Tosca<\/em><\/strong><\/a>, the Italian was able to build his own villa in the country and indulge his taste for fast cars, boats and hunting.<\/p>\n<ul><li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/the-best-puccini-operas-as-chosen-by-7-leading-singers-and-directors\/&quot;\"><strong>The best Puccini operas, as chosen by 7 leading singers and directors<\/strong><\/a><\/li>\n<\/ul>\n<p>But before <strong><em>Manon<\/em><\/strong>, Puccini lived something of a <em>boh\u00e8me<\/em>-like life himself, as his letters full of comments about being hungry and in debt attest. \u2018I\u2019m not starving but I wouldn\u2019t say I\u2019m eating well,\u2019 he wrote to his mother while a student in Milan. \u2018I fill up with minestrone, thin broth \u2013 and still thinner broth.\u2019<\/p>\n<iframe title=\"&quot;La\" boh=\"\" si=\"\" mi=\"\" chiamano=\"\" mim=\"\" nicole=\"\" car=\"\" the=\"\" royal=\"\" opera=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/bfozlHuZD3c?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3><strong>15. <a href=\"\/\/www.classical-music.com\/topic\/mozart&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Wolfgang Amadeus Mozart<\/a><\/strong><\/h3>\n<p>Mozart was the most famous impoverished composer of them all. Or was he? While the tale of one of music\u2019s geniuses ending up buried in nothing more than a pauper\u2019s grave is legendary, research in the last decade or two has shown that we\u2019ve most likely got it wrong.<\/p>\n<ul><li><a href=\"&quot;https:\/\/www.classical-music.com\/search\/?q=mozart&quot;\"><strong>Browse our selection of articles about Mozart<\/strong><\/a><\/li>\n<\/ul>\n<p>In fact, it was nothing out of the ordinary to be buried in a communal grave in that time and place. And Mozart\u2019s earnings probably put him in the top five per cent of the population at the time \u2013 although that\u2019s not to say he didn\u2019t get into debt or live beyond his means\u2026<\/p>\n<ul style=\"&quot;margin-left:\"><li><strong><a href=\"&quot;http:\/\/www.classical-music.com\/article\/which-your-favourite-piece-mozart&quot;\">Which is your favourite piece by Mozart?<\/a><\/strong><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><em>Picture: <strong><a href=\"\/\/davidlyttleton.com&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">David Lyttleton<\/a><\/strong><\/em><\/p>\n<p>\u00a0<\/p>\n<p><u>RELATED ARTICLES<\/u><\/p>\n<p>\u2022 <strong><a href=\"\/\/www.classical-music.com\/article\/15-badly-behaved-composers&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">15 badly behaved composers<\/a><\/strong><\/p>\n<p>\u2022 <strong><a href=\"\/\/www.classical-music.com\/article\/15-composers-and-their-dogs&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">15 composers and their dogs<\/a><\/strong><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> Which composers all too often felt the pinch? From Mozart to Sibelius, here are 15 musical greats who suffered financial woes <\/p>\n","protected":false},"author":24,"featured_media":25821,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers.jpg",700,651,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers-300x279.jpg",300,279,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers.jpg",700,651,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers.jpg",700,651,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers.jpg",700,651,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/15-penniless-composers.jpg",700,651,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"Which composers all too often felt the pinch? From Mozart to Sibelius, here are 15 musical greats who suffered financial woes","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/25820"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/25821"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=25820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=25820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}