{"id":25859,"date":"2023-03-28T12:44:09","date_gmt":"2023-03-28T10:44:09","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=130794"},"modified":"2023-03-28T14:33:43","modified_gmt":"2023-03-28T12:33:43","slug":"which-is-the-best-mahler-symphony","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/which-is-the-best-mahler-symphony\/","title":{"rendered":"Which is the best Mahler Symphony?"},"content":{"rendered":"<p class=\"rssexcerpt\"> All nine Mahler masterpieces ranked worst to best <\/p><p class=\"rssauthor\">By Oliver Condy\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 28 March 2023 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p><strong>There\u2019s no doubt that <a href=\"\/\/www.classical-music.com\/features\/composers\/gustav-mahler\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Mahler<\/a>\u2019s symphonies are among music\u2019s greatest creations, each extraordinarily rich, both orchestrally and thematically. But while none of them are any less than fine, some are undoubtedly better than others. Here\u2019s our ranking of all nine, bottom to top<\/strong><\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/20-greatest-symphonies-all-time\/&quot;\">The 20 Greatest Symphonies of all time<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/50-greatest-composers-all-time\/&quot;\">The 50 Greatest Composers of All Time<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/worlds-best-orchestras\/&quot;\">The world\u2019s top ten orchestras<\/a><\/strong><\/li>\n<\/ul><h2>The best Mahler symphonies<\/h2>\n<h3>9. Mahler Symphony No. 8<\/h3>\n<p>In ninth position is Symphony No. 8.\u00a0 From whatever direction you choose to view it, Mahler\u2019s Eighth is his most outrageously ambitious symphony and, we\u2019d argue, the most self-indulgent of them all. With a vast, colour-enhanced <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\/&quot;\">orchestra<\/a><\/strong>, forests of choral voices and enough soloists to fill a lavish grand opera stage, Mahler starts with a medieval invocation to the Holy Spirit, then proceeds to the final scene of Part Two of Goethe\u2019s Faust\u2004\u2013 not just one of the sacred high points of German literature, but set entirely in Heaven, and featuring a special guest appearance by the Virgin Mother of God.<\/p>\n<p>Unsurprisingly some critics have called it pretentious, dismissed Part Two as a paradise of kitsch, or \u2013 wielding a subtler knife \u2013 argued that Mahler simply didn\u2019t do up-beat very well: that he was more truly himself when evoking doubt or despair. Others have found it possible to approach this so-called \u2018Symphony of a Thousand\u2019 with all kinds of mental reservations and still be blown away by the emotion \u2013 ecstatic, sensuous and just a bit unnerving. Is it this that prompts some listeners to raise their critical hackles?<\/p>\n<p>Art is much easier to deal with when we can consider it at a distance, \u2018objectively\u2019. Mahler has a way of digging under defences and shaking us into feeling along with him. \u2018Only when I experience intensely do I compose, and only when I compose do I experience intensely,\u2019 he wrote. You decide\u2026<\/p>\n<p><strong>Best recording: Chicago Symphony Orchestra\/Georg Solti <em>Decca 475 7521<\/em><\/strong><\/p>\n<p><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-No-8-DECCA-Originals\/dp\/B000E6EGYQ\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\"><strong>\u00a0Buy from Amazon<\/strong><\/a><\/p>\n<p>\u00a0<\/p>\n<iframe title=\"&quot;Mahler:\" symphony=\"\" no.=\"\" rattle=\"\" nyogb=\"\" proms=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/LKof4e_7cYA?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3>8. Mahler Symphony No. 6<\/h3>\n<p>The young <strong><a href=\"\/\/www.classical-music.com\/features\/composers\/alban-berg\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Alban Berg<\/a><\/strong> attended the premiere of Mahler\u2019s so-called \u2018Tragic\u2019 Sixth Symphony in Essen on 27 May 1906 and immediately recognised its ground-breaking significance. He even made favourable comparison to <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\/&quot;\">Beethoven<\/a><\/strong>, describing Mahler\u2019s vast work as \u2018The only Sixth \u2013 despite the Pastoral\u2019.<\/p>\n<p>Scored for a huge orchestra, it includes many novel effects, notably the distant cowbells that evoke the rarefied air of alpine pastures \u2013 Mahler was much lampooned for this and other alleged excesses. But it is also unmistakably bleak in its outlook, and it remains something of a mystery why Mahler should choose to compose his most doom-laden work during what seemed to be the rosiest period of his life. Were the infamous hammer blows that we hear in the final movement a portent of his own death?<\/p>\n<p>On the other hand, the string melody of the \u2018Alma theme\u2019 which interrupts the opening Allegro\u2019s march is paradoxically optimistic. It is, though, a <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-symphony\/&quot;\">symphony<\/a><\/strong> that begins in A minor and ends in A minor\u2026 and ultimate destruction.<\/p>\n<p><strong>Best recording: Bamberg Symphony Orchestra\/Jonathan Nott <em>Tudor TUDOR7191<\/em><\/strong><\/p>\n<ul><li><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-Jonathan-Bamberger-Symphoniker\/dp\/B00F5EJRTQ\/ref=sr_1_4?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<iframe title=\"&quot;Gustav\" mahler=\"\" sinfonie=\"\" nr.=\"\" a-moll=\"\" michael=\"\" tilson=\"\" thomas=\"\" wdr=\"\" sinfonieorchester=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/BtqdNYCn0_0?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3>7. Mahler Symphony No. 5<\/h3>\n<p>Ask anyone which Mahler symphony they should head for first, and many with say the Fifth, without hesitation. Yes, it has instant appeal, and the Adagietto is admittedly one of the most sublime moments in all music. But is it all just a little bit overblown?<\/p>\n<p>Behind its genesis is Mahler\u2019s brush with death caused by a violent intestinal haemorrhage, and his marriage to <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/who-was-alma-mahler\/&quot;\">Alma Schindler<\/a><\/strong> (\u2018superhuman love\u2019) a year later \u2013 both are often cited as major biographical stimuli for Mahler\u2019s Symphony\u2004No. 5 (1901-02), inspiring both the death-haunted turbulence of Part One, that tender, impassioned Adagietto mentioned above \u2013 strikingly used in <a href=\"\/\/www.amazon.co.uk\/Death-Venice-DVD-Dirk-Bogarde\/dp\/B0001CVB5U?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\" target=\"&quot;_blank&quot;\"><strong>Visconti\u2019s 1971 film <em>Death in Venice<\/em> <\/strong><\/a>\u2013 and the exuberant Finale.<\/p>\n<p>But it\u2019s important to note that the Fifth is the first symphony for which Mahler himself provided no detailed programme notes, no extra-musical aids to interpretation. The human voice, so prominent in Symphonies Nos 2-4, is also abandoned (\u2018There is no need for words \u2013 everything is purely musically expressed\u2019). It\u2019s clear Mahler was aiming in the Fifth at a new beginning.<\/p>\n<p><strong>Best recording: Southwest German Radio Symphony Orchestra\/Michael Gielen <em>Ha\u0308nssler CD 93.101<\/em><\/strong><\/p>\n<ul><li><a href=\"\/\/www.amazon.co.uk\/Michael-Gielen-G-Mahler\/dp\/B073LZ9H9L\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-mahlers-symphony-no-5\/&quot;\"><strong>The best recordings of Mahler\u2019s Symphony No. 5<\/strong><\/a><\/li>\n<\/ul><h2\/>\n<h2>6. Mahler Symphony No. 7<\/h2>\n<p>Following close behind No. 1 is the Seventh, perhaps the most controversial of Mahler\u2019s nine completed symphonies. Beloved of the Second Viennese School of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/arnold-schoenberg\/&quot;\">Schoenberg<\/a><\/strong>, Berg and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/anton-von-webern\/&quot;\">Webern<\/a><\/strong>, its psychedelic mix of the sublime and the banal still polarises opinion more than a century on.<\/p>\n<p>In part a Nature symphony, and sometimes referred to as \u2018Song of the Night\u2019 (though not by Mahler himself), it takes the listener on a paranormal voyage from darkness to light. The first movement is essentially a succession of marches. Then follows the nocturnal soundscapes of the two Nachtmusiken (\u2018Night music\u2019) movements, the second of which features Mahler\u2019s only symphonic use of the mandolin. In between the two lurks a shadowy <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-scherzo\/&quot;\"><em>Scherzo<\/em><\/a><\/strong> \u2013 a kind of distorted Viennese waltz, with pre-echoes of Ravel\u2019s <em>La Valse<\/em>. The <em>Rondo Finale<\/em> is all fanfares, jangling bells and cymbal smashes.<\/p>\n<p>Once upon a time the Cinderella of Mahler\u2019s symphonies, the Seventh, which in the 1980s was famously used for a motor oil TV commercial, is today no stranger at the ball.<\/p>\n<p><strong>Best recording: New York Philharmonic\/Leonard Bernstein <em>Sony Classical <\/em><em>SMK60564<\/em><\/strong><\/p>\n<ul><li><strong><a href=\"\/\/www.amazon.co.uk\/Complete-Mahler-Symphonies-Leonard-Bernstein\/dp\/B005SJIP1E\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul><h2>The top five Mahler symphonies<\/h2>\n<iframe title=\"&quot;Which\" is=\"\" the=\"\" best=\"\" mahler=\"\" symphony=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/UH-iSgeSw7A?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3>5. Mahler Symphony No. 4<\/h3>\n<p>As we\u2019ve mentioned above, Mahler insisted his symphonies were \u2018whole worlds\u2019, embracing his literary tastes, his neuroses, responses to \u2018nature\u2019 and, most especially, the inexorable cycle of life and death. As if to emphasise the point and make the meaning of his music even clearer, Mahler cross-fertilised his vocal settings and symphonic masterpieces to the point that the two became virtually inseparable.<\/p>\n<p>Nowhere is the intimate connection between Mahler\u2019s creative progeny made more explicit than in the case of the Fourth Symphony\u2019s finale, a radiant setting of the song \u2018<strong><a href=\"&quot;http:\/\/msomn.org\/wp-content\/uploads\/2014\/11\/Mahler-4-Text-Translation.pdf&quot;\">Das himmlische Leben\u2019 (\u2018Heavenly Life\u2019<\/a><\/strong>). At first, Mahler struggled to find a stylistic solution that would complement the mood of \u2018Das himmlische Leben\u2019, but he made the breakthrough with an opening movement that anticipates the song\u2019s glowing simplicity, but with almost neo-classical concision.<\/p>\n<p>The <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-scherzo\/&quot;\">scherzo<\/a> <\/strong>bristles with energy and stinging irony, yet in the second movement of the Fourth, as befits a child\u2019s view of the world, the mood is more relaxed, with only the sound of a scordatura violin (tuned up a whole tone) providing fleeting moments of shadowy discomfort.<\/p>\n<p>Mahler subtly anticipates the mood of the finale in two contrasting trio sections, yet it is the awesome serenity of the third movement\u2019s variations that points the way forward, setting up the key of the finale with a cathartic explosion of sound in E major towards the end, symbolising the gates of Heaven opening up.<\/p>\n<p><strong>Best recording: Budapest Festival Orchestra\/Iva\u0301n Fischer <em>Channel Classics CCSSA26109<\/em><\/strong><\/p>\n<ul><li><a href=\"\/\/www.amazon.co.uk\/Mahler-Fischer-Budapest-Festival-Orchestra\/dp\/B001PBCZ92\/ref=sr_1_2?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">\u00a0<strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<iframe title=\"&quot;Mahler:\" sinfonie=\"\" hr-sinfonieorchester=\"\" mojca=\"\" erdmann=\"\" andr=\"\" orozco-estrada=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/3-wcxLq-D10?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3>4. Mahler Symphony No. 1<\/h3>\n<p>This may have been Mahler\u2019s first symphonic statement, but it\u2019s still one of his best. Mahler began his <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/guide-mahlers-first-symphony\/&quot;\">Symphony No. 1<\/a><\/strong> in 1884, completing it four years later. Initially, the work had five movements, but in 1896, Mahler took out the second of them \u2013 an <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-andante\/&quot;\">Andante <\/a><\/strong>called \u2018Blumine\u2019 \u2013 leaving the four-movement version familiar today. In the first movement, Mahler depicts the awakening of nature in spring, complete with cuckoo calls and other bird song.<\/p>\n<p>The second movement presents a slightly distorted version of an Austrian L\u00e4ndler dance, while the famous third movement depicts a funeral march through a forest, its tune based on \u2018Bruder Martin\u2019 (a German version of Fr\u00e8re Jacques), interspersed with Klezmer tunes. The finale, meanwhile, sees themes from earlier make a reappearance, before all is rounded off in a typically Mahlerian blaze of glory.<\/p>\n<p><strong>Best recording: Bavarian Radio Symphony Orchestra\/Rafael Kubelik <em>DG 4497352<\/em><\/strong><\/p>\n<p><strong><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-fahrenden-Gesellen-Originals\/dp\/B000001GX9\/ref=sr_1_3?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/p>\n<p>\u00a0<\/p>\n<iframe title=\"&quot;Gustav\" mahler:=\"\" symphonie=\"\" nr.=\"\" d-dur=\"\" n=\"\" br-klassik=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/K-Pwh5Y5z14?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<h3>3. Mahler Symphony No. 2<\/h3>\n<p>Mahler Symphony No. 2 was the first of the nine to use vocal soloists and a choir \u2013 a habit Mahler got rather used to in future symphonies. Lasting in the 90-minute region, \u2018The Resurrection\u2019 Symphony Symphony however, starts as a purely instrumental work, its first three movements kicking off with a menacing funeral march, depicting the \u2018hero\u2019 of the First Symphony being carried to his grave.<\/p>\n<p>The following movements take us back to both happier and more conflicted times before the fourth and fifth movements sees the hero responding to a call from God and, in the finale, facing the Day of Judgement. It\u2019s a glorious work, full of some of Mahler\u2019s most imaginative and awe-inspiring moments, and its closing moments, with full orchestra, organ, bells and huge chorus, are enough to guarantee this work a place in the upper echelons of Romantic symphonies. A truly spiritual experience.<\/p>\n<p><strong>Best recording: Berlin Philharmonic\/Simon Rattle Warner Classics 6473632<\/strong><\/p>\n<ul><li><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-No-2-Resurrection\/dp\/B004CVKO86\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<h3>2. Mahler Symphony No. 3<\/h3>\n<p>When Mahler met <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/jean-sibelius\/&quot;\">Sibelius<\/a><\/strong> in 1907, he told him that \u2018a symphony must be like the world, it must embrace everything\u2019. In none of his nine completed symphonies did Mahler come closer to filling that prescription than in the Third, premiered five years previously.<\/p>\n<p>Nowadays we\u2019d say the Third has an ecological agenda. The opening movement \u2013 all 35 minutes of it \u2013 depicts the natural world awakening, its primeval heavings eventually engendering life from \u2018soulless, rigid matter\u2019. Primary sensual phenomena infuse the music, with its \u2018atmosphere of brooding summer midday heat\u2019 where \u2018all life is suspended, and the sun-drenched air trembles and vibrates\u2019.<\/p>\n<p>In movements two and three flowers sway elegantly in the meadows, and birds and beasts disport themselves in the forest. The arrival of humankind in the \u2018very slow, mysterious\u2019 fourth movement brings introspection, resolved in the pantheistic love song to all creation in the sublime, lingering finale. It\u2019s long, but it\u2019s an aural adventure, to be sure.<\/p>\n<p><strong>Best recording: Bavarian Radio Symphony Orchestra et al\/Bernard Haitink <em>BR Klassik 900149<\/em><\/strong><\/p>\n<ul><li><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphonie-No-3-Brso\/dp\/B01M6AIEO0\/ref=sr_1_10?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<iframe title=\"&quot;Mahler:\" symphony=\"\" no.3=\"\" haitink=\"\" rco=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/7a7b4oeQQ0Y?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3>1. Mahler Symphony No. 9<\/h3>\n<p>In first place is Mahler Symphony No. 9. This is a glorious apotheosis and a brave new dawn. Scored for vast orchestral forces \u2013 huge woodwind and brass, with a percussion section that includes timpani, bass drum, side drum, triangle, cymbals, tam-tam, glockenspiel and three deep bells \u2013 the most striking thing about its soundworld is Mahler\u2019s exquisite handling of sonorities.<\/p>\n<p>Despite its expansive timescale of around 85 minutes, much of this music feels as though it is sustained under superheated compression. There are times when Mahler takes us to the brink of atonality as the four movements progress unconventionally from D major to C major to A minor to D flat major for the Adagio finale.<\/p>\n<p>Yet it all feels intuitive, natural and logical. Saving his best till last, the finale hovers on an emotional knife-edge between a serene acceptance and the bitter resignation of a man, still only 50, suffering from a congenital heart condition, and destined to bow out after a completed Ninth. This is Mahler at his very best.<\/p>\n<p><strong>Best recording: Lucerne Festival Orchestra\/Claudio Abbado <em>Accentus Music ACC20214<\/em><\/strong><\/p>\n<ul><li><strong><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-Blu-ray-Region-Free\/dp\/B004DIPKZK\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<iframe title=\"&quot;Mahler\" symphony=\"\" no.=\"\" abbado=\"\" lucerne=\"\" festival=\"\" orchestra=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/udhHFt--10Q?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><strong>Read our <a href=\"&quot;https:\/\/www.classical-music.com\/tag\/mahler-reviews\/&quot;\">reviews of the latest Mahler recordings here<\/a><\/strong><\/p>\n<p><strong>Read more about <a href=\"&quot;https:\/\/www.classical-music.com\/tag\/mahler\/&quot;\">Mahler and his works here<\/a><\/strong><\/p>\n<p><strong><a class=\"&quot;standard-card-new__article-title\" qa-card-link=\"\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-mahler\/&quot;\">Five essential works by Mahler<\/a><\/strong><\/p>\n<section class=\"&quot;highlight\"> <div class=\"&quot;highlight__content\" editor-content=\"\"> \n<ul>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/shostakovichs-best-symphonies\/&quot;\">Which is Shostakovich\u2019s best symphony?<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/which-is-the-best-vaughan-williams-symphony\/&quot;\">Which is the best Vaughan Williams Symphony?<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/which-is-the-best-bruckner-symphony\/&quot;\">Which is the best Bruckner symphony?<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-works-stravinsky\/&quot;\">Which are Stravinsky\u2019s best pieces of music?<\/a><\/strong><\/li>\n<li><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/wagners-operas\/&quot;\">Which are Wagner\u2019s best and most famous operas?<\/a><\/strong><\/li>\n<\/ul>\n<p> <\/p><\/div> <\/section> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> All nine Mahler masterpieces ranked worst to best <\/p>\n","protected":false},"author":24,"featured_media":25860,"template":"","categories":[1],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony.jpg",625,350,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony-300x168.jpg",300,168,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony.jpg",625,350,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony.jpg",625,350,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony.jpg",625,350,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/03\/which-is-the-best-mahler-symphony.jpg",625,350,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"All nine Mahler masterpieces ranked worst to best","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/25859"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/25860"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=25859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=25859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}