{"id":25894,"date":"2023-04-05T11:17:11","date_gmt":"2023-04-05T09:17:11","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=145345"},"modified":"2023-04-10T20:35:54","modified_gmt":"2023-04-10T18:35:54","slug":"chick-corea-the-music-that-changed-me","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/chick-corea-the-music-that-changed-me\/","title":{"rendered":"Chick Corea: the music that changed me"},"content":{"rendered":"<p class=\"rssexcerpt\"> In 2012 the late jazz pianist Chick Corea talked to Nick Shave about the music that influenced and inspired him <\/p><p class=\"rssauthor\">By Debbie Graham\n                \t\t<\/p><p class=\"rssbyline\">Published: Wednesday, 05 April 2023 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p class=\"&quot;p1&quot;\"><strong><span class=\"&quot;s1&quot;\">In 2012 the late jazz pianist Chick Corea talked to Nick Shave about the music that influenced and inspired him. Here are the key pieces that set Chick on his unique musical journey.<\/span><\/strong><span class=\"&quot;s1&quot;\">\u00a0<\/span><\/p>\n<h3>Copland: Clarinet Concerto<\/h3>\n<p class=\"&quot;p1&quot;\"><span class=\"&quot;s1&quot;\">L<\/span><span class=\"&quot;s2&quot;\">ately I\u2019ve been listening <\/span><span class=\"&quot;s3&quot;\">to <\/span><span class=\"&quot;s2&quot;\"><strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/aaron-copland\/&quot;\">Copland<\/a><\/strong>\u2019s Clarinet Concerto and pieces by Takemitsu. Clarinettist Richard Stoltzman sent me the Takemitsu after working on my piece, <i>Marika Groove<\/i><\/span><span class=\"&quot;s4&quot;\">,<\/span><span class=\"&quot;s2&quot;\"> that he premiered this year with marimbist Mika Yoshida at Carnegie Hall. <\/span><\/p>\n<p class=\"&quot;p1&quot;\"><span class=\"&quot;s2&quot;\">But I never grew up listening to classical repertoire. My dad was a trumpeter and the music he loved was <\/span><span class=\"&quot;s5&quot;\">Dizzy Gillespie<\/span><span class=\"&quot;s2&quot;\">, Charlie Parker and the new bebop at the time, and so I listened to 78rpm recordings of Billy Eckstine and a young Sarah Vaughan. Most of all, I liked the fast and wild music, such as Gillespie\u2019s<\/span> <span class=\"&quot;s3&quot;\">\u2018<\/span><span class=\"&quot;s2&quot;\">Things to Come\u2019.<\/span><\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title\" qa-card-link=\"\" href=\"&quot;https:\/\/www.classical-music.com\/news\/obituary-chick-corea-1941-2021\/&quot;\">\u00a0Chick Corea (1941-2021)<\/a><\/strong><\/li>\n<\/ul>\n<iframe title=\"&quot;Spain&quot;\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/sEhQTjgoTdU?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3><strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/bela-bartok\/&quot;\"><span class=\"&quot;s5&quot;\">Bart\u00f3k<\/span><\/a>: String Quartets<\/strong><\/h3>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s2&quot;\">My dad showed me how to read music, and I would jam with him, but when I was around eight years old he sent me to learn with Salvatore Sullo<\/span><span class=\"&quot;s6&quot;\">,<\/span><span class=\"&quot;s2&quot;\"> who was a pretty great classical pianist and used to play with the Boston Pops. But it wasn\u2019t until I soon after discovered the music of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/igor-stravinsky\/&quot;\">Stravinsky<\/a><\/strong> and <\/span><strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/bela-bartok\/&quot;\"><span class=\"&quot;s5&quot;\">Bart\u00f3k<\/span><\/a><\/strong><span class=\"&quot;s2&quot;\"> that I became passionately interested in classical music. There is a whole line of recordings of piano music on the Hungaroton label by Zolt\u00e1n Kocsis who is incredible, and the <a href=\"&quot;https:\/\/www.classical-music.com\/reviews\/bart-k-string-quartets-v-gh-quartet\/&quot;\"><strong>V\u00e9gh Quartet\u2019s recordings of the Bart\u00f3k Quartets<\/strong><\/a> became a staple for me.<\/span><\/p>\n<h3>Bud Powell: Oblivion<\/h3>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\">Then there was pianist <\/span><span class=\"&quot;s7&quot;\">Bud Powell<\/span><span class=\"&quot;s3&quot;\"> \u2013 he had a sound that was so warm and lyrical. When I was at high school, I would listen to his songs on record and then try to transcribe them, the melodies and phrasing. The way Bud played bebop, the way he swung and the emotion that he put into his phrasing always attracted me. There was one track on the Verve label, \u2018Oblivion\u2019, that I played all the time.<\/span><\/p>\n<iframe title=\"&quot;Oblivion\" bud=\"\" powell=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/EOcjjJ_rd_g?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3>Miles Davis: In a Silent Way<\/h3>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\">I followed <\/span><span class=\"&quot;s7&quot;\">Miles Davis<\/span><span class=\"&quot;s3&quot;\">\u2019s career all the way from when he first recorded with Charlie Parker in 1947. 1951 was Miles\u2019s first solo album, <i>Dig<\/i>. I didn\u2019t work with him until 1968, so by the time that rolled around I had been living in New York for eight years. <\/span><\/p>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\">One night Miles came by when I was playing an engagement with Blue Mitchell\u2019s group in Harlem and borrowed Blue\u2019s horn and sat with the band. I was totally intimidated playing with him at first, until I got into the throw and motion of the actual music. When I first began working with him, I asked him if there was going to be a rehearsal, and his first instruction to me was, \u2018No, just play what you hear\u2019.<\/span><\/p>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\"><i>In a Silent Way<\/i>\u2004and <i>Bitches Brew<\/i>\u2004\u2013 all the recordings I did in the Columbia Studio in downtown New York \u2013 they all kinda\u2019 merged together for me. I would be out on the road with Miles and the working Quintet and then I\u2019d get a call and go into a recording session, and when I turned up at Columbia studios there would be all these different guys around \u2013 Herbie [Hancock], Joe Zawinul, Wayne [Shorter]. We\u2019d never play any of the music that we played live in concert; it was always some new idea that Miles was working on.<\/span><\/p>\n<iframe title=\"&quot;In\" a=\"\" silent=\"\" way=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/8bdBONxS-Es?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<h3>Mozart: the Piano Concertos<\/h3>\n<p><span class=\"&quot;s3&quot;\">My transition from just being a student of classical music to getting out on stage and doing something with it came after playing improvisations with pianist Friedrich Gulda at the Munich Summer Piano Festival in 1982. Until then, I had assigned <\/span><strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/mozart\/&quot;\"><span class=\"&quot;s7&quot;\">Mozart<\/span><\/a><\/strong><span class=\"&quot;s3&quot;\">, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/ludwig-van-beethoven\/&quot;\">Beethoven<\/a> <\/strong>and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/composers\/johann-sebastian-bach\/&quot;\">Bach<\/a> <\/strong>to an old guys\u2019 bin in my mind, but that evening, Gulda played Mozart and it took my head off.<\/span><\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/mozart-piano-concertos-best-recordings\/&quot;\">The best recordings of Mozart\u2019s Piano Concertos<\/a><\/strong><\/li>\n<\/ul><p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\">A couple of months later he invited me to play the Mozart Double Concerto with the Royal Concertgebouw and I naively accepted. I didn\u2019t know what I was getting myself in to. Some of his slower, lyrical music \u2013 <i>Elvira Madigan<\/i> [Piano Concerto K467] for example \u2013 invites you to play around with it, like you would with \u2018Misty\u2019, but when it is more complex and moving fast, those are the notes that you\u2019re going to want to play.<span class=\"&quot;Apple-converted-space&quot;\">\u00a0<\/span><\/span><\/p>\n<p class=\"&quot;p3&quot;\"><strong><span class=\"&quot;s3&quot;\">We named Chick Corea one of the<a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/greatest-ever-jazz-pianists\/&quot;\"> greatest jazz pianists ever<\/a><\/span><\/strong><\/p>\n<p class=\"&quot;p3&quot;\"><span class=\"&quot;s3&quot;\"><br\/><i>Interview by Nick Shave<\/i><\/span><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> In 2012 the late jazz pianist Chick Corea talked to Nick Shave about the music that influenced and inspired him <\/p>\n","protected":false},"author":24,"featured_media":25895,"template":"","categories":[1,23],"acf":{"readingTimeMinutes":"4"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-scaled.jpg",2560,1706,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/04\/chick-corea-the-music-that-changed-me-2048x1365.jpg",2048,1365,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"In 2012 the late jazz pianist Chick Corea talked to Nick Shave about the music that influenced and inspired him","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/25894"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/25895"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=25894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=25894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}