{"id":28303,"date":"2023-05-24T01:00:00","date_gmt":"2023-05-23T23:00:00","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=6973"},"modified":"2023-05-25T17:40:00","modified_gmt":"2023-05-25T15:40:00","slug":"the-best-recordings-of-shostakovichs-symphony-no-5","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-best-recordings-of-shostakovichs-symphony-no-5\/","title":{"rendered":"The best recordings of Shostakovich\u2019s Symphony No. 5"},"content":{"rendered":"<p class=\"rssexcerpt\"> What are the best recordings of Shostakovich&#8217;s mighty Fifth? <\/p><p class=\"rssauthor\">By Michael Beek\n                \t\t<\/p><p class=\"rssbyline\">Published: Wednesday, 24 May 2023 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>Whether written as propaganda or with bitter irony, <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/dmitri-shostakovich\/&quot;\"><strong>Shostakovich<\/strong><\/a>\u2019s Fifth Symphony reflects the terror of Stalin\u2019s rule like no other work.<\/p>\n<ul><li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/introduction-shostakovichs-symphony-no-5\/&quot;\"><strong>An introduction to Shostakovich\u2019s Symphony No. 5, by conductor Vasily Petrenko<\/strong><\/a><\/li>\n<\/ul>\n<p>Probably the most-performed modern symphony of the past 75 years, Shostakovich\u2019s Fifth was a crucial work in his development and an act of historic resonance. Written at the height of Russia\u2019s Stalinist terror by a composer at risk of his life, it seeks to reaffirm the grand Beethovenian tradition of constructive symphonic power and has gripped audiences since its 1937 premiere.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/six-best-russian-orchestral-works\/&quot;\">Six of the best Russian orchestral works<\/a><\/strong><\/li>\n<\/ul>\n<p>In the wake of the notorious Pravda\u2004newspaper attack on his opera <em>Lady Macbeth of Mtsensk<\/em>, Shostakovich produced a newly disciplined structure that unfolds with classically remorseless inevitability. On one level the Fifth imitates the favoured Soviet symphonic pattern of progress through struggle to victory.<\/p>\n<p>But the pattern is subtly skewed. The finale is partly adapted from one of his Pushkin songs, \u2018Rebirth\u2019, about a \u2018barbarian artist\u2019 defiling the work of genius with scribbles that only time will wear away.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/best-russian-composers\/&quot;\">Top 10 Russian composers<\/a><\/strong><\/li>\n<\/ul>\n<p>Here are a selection of the very best interpretation of this great and multifaceted symphony.<\/p>\n<p><strong>We chose Shostakovich as one of the <a href=\"&quot;https:\/\/www.classical-music.com\/composers\/50-greatest-composers-all-time\/&quot;\">50 greatest composers<\/a>, and named his Symphony No. 5 as one of the <a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/20-greatest-symphonies-all-time\/&quot;\">20 greatest symphonies of all time<\/a><\/strong><\/p>\n<h2>Shostakovich Symphony No.5: best recordings<\/h2>\n<h3>The best recording\u2026 Yevgeny Mravinsky<\/h3>\n<p>Since he conducted the premiere in Leningrad, Shostakovich\u2019s Fifth has been indelibly associated with the name of Yevgeny Mravinsky. He recorded it several times, mainly in mono versions available from companies such as Russian Disc. But it\u2019s only his late 1983 live performance with the Leningrad Philharmonic that is in good stereo.<\/p>\n<iframe title=\"&quot;Shostakovich\" symphony=\"\" no=\"\" in=\"\" d=\"\" minor=\"\" op=\"\" mravinsky=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/H2BLC3-eBuI?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>White-hot yet without exaggeration, always with the work\u2019s rock-like architecture in view yet making every detail tell, this is the mature summation of half a lifetime\u2019s involvement with the score. It\u2019s also a profoundly Russian reading, evoking parallels with <strong><a href=\"&quot;http:\/\/www.classical-music.com\/topic\/pyotr-ilyich-tchaikovsky&quot;\">Tchaikovsky<\/a><\/strong> as well as <strong><a href=\"&quot;http:\/\/www.classical-music.com\/topic\/gustav-mahler&quot;\">Mahler<\/a><\/strong>.<\/p>\n<p>There\u2019s some audience noise, and if the playing is occasionally a little rough, it\u2019s in keeping with the work\u2019s raw sense of living through history. Mravinsky never lingers, yet every event falls perfectly into place, enhancing your admiration for Shostakovich\u2019s sheer mastery of his huge symphonic canvas.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/best-russian-conductors\/&quot;\">14 best Russian conductors: the greatest maestros from the last 150 years<\/a><\/strong><\/li>\n<\/ul>\n<p>The tragic stresses of the first movement end in glacial resignation, the scherzo is played as a Russian equivalent of a sardonic Mahlerian L\u00e4ndler, the slow movement a grief-stricken outcry. The finale, opening at a terrifying clip, infuses Shostakovich\u2019s dictatorial march-music with cathartic animal vitality, and it closes like a voice of doom.<\/p>\n<p>Yet in between Mravinsky discovers nobility and rare eloquence\u00a0in the Symphony\u2019s most plangently elegiac music.<\/p>\n<p>\u00a0<\/p>\n<h3>Shostakovich\u2019s Symphony No.5: more great recordings<\/h3>\n<p><strong>Maxim Shostakovich (conductor)<\/strong><\/p>\n<p>London Symphony\u00a0Orchestra (1990)<br\/>\nAlto ALC 1067<\/p>\n<p>Shostakovich\u2019s son Maxim emerged as a distinguished interpreter of his father\u2019s work, and his impressive account of the Fifth with the LSO stands at the opposite pole interpretatively from Mravinsky.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/five-best-shostakovich-conductors\/&quot;\">Five of the best Shostakovich conductors<\/a><\/strong><\/li>\n<\/ul>\n<p>The tempos are almost ineluctably slow (Mravinsky is\u00a013 minutes faster!), yet the music\u2019s underlying rhythms are never in doubt and the impression generated is of something massive, epic, big-boned and serious.<\/p>\n<iframe title=\"&quot;(FULL\" album=\"\" shostakovich=\"\" no.5=\"\" festive=\"\" overture=\"\" maxim=\"\" s.=\"\" london=\"\" symphony=\"\" orchestra=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/2sQAdlRJsBw?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>The slow movement is a model of tragic restraint, all the more moving for Maxim\u2019s refusal to over-indulge its potential for tragic lament. The measured, unyielding tempo for the finale creates a sense of a huge, unstoppable juggernaut yet also, in the central episode, taps into a deep vein of feeling. The recorded balance comes through with flying colours; the playing is immaculate.<\/p>\n<p>\u00a0<\/p>\n<p><strong>Yoel Levi (conductor)<\/strong><\/p>\n<p>Atlanta Symphony (1990)<br\/>\nTelarc CD 80215<\/p>\n<p>Perhaps the outstanding disc in Yoel Levi\u2019s generally excellent Shostakovich symphonic series with the Atlanta Symphony. The work is broadly shaped throughout, with absolute certainty of direction from first bar to last. The clarity and tension of the opening Moderato\u2004are remarkable, and there\u2019s wit as well as bleakness in the scherzo; the basic tempo for the finale, slower than in most interpretations, gains balefulness thereby.<\/p>\n<iframe title=\"&quot;Shostakovich:\" symphony=\"\" no.=\"\" in=\"\" d=\"\" minor=\"\" op.=\"\" i.=\"\" moderato=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/KM5ZTnTWRp4?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>Telarc\u2019s sonics cope superbly with the most awesome climaxes, but perhaps most remarkable is the detail and responsiveness at the quietest end of the dynamic spectrum. In the slow movement, Levi really lets you hear how Shostakovich divides the violins into three and the violas and cellos into two parts, and he achieves some magical pianissimos\u2004here.<span style=\"&quot;font-size:\">\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p><strong>Leonard Bernstein (conductor)<\/strong><\/p>\n<p>New York Philharmonic (1959)<br\/>\nRegis RRC1377<\/p>\n<p>Bernstein\u2019s approach, in a recording made just after the NYPO\u2019s 1959 tour of the USSR, remains controversial, yet it\u2019s utterly charismatic and Shostakovich is said to have enjoyed it. It pre-dates the wealth of modern commentary on the work\u2019s ironies and satire: this is the most \u2018heroic\u2019 Shostakovich Five you\u2019re likely to hear.<\/p>\n<iframe title=\"&quot;Shostakovich:\" symphony=\"\" no.=\"\" nypo=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/bn3Fa175ppA?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" web-share=\"\" allowfullscreen=\"\"\/>\n<p>At one level Bernstein approaches it as a virtuoso orchestral display piece, yet he doesn\u2019t downplay the expressive ambiguities. The scherzo\u2004isn\u2019t just tipsy but drunken (and therefore dangerous); the finale is fast but brilliant, powerful rather than baleful.<\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/shostakovichs-best-symphonies\/&quot;\">Which is Shostakovich\u2019s best symphony?<\/a><\/strong><\/li>\n<\/ul>\n<p>The slow movement, meanwhile, is dream-like rather than dolorous, the entire shaping of it conceived in a single unbroken breath. The sound, even remastered, is often shrill in higher registers but this remains a memento of compelling music-making.<\/p>\n<p><em>Original text by Calum McDonald<\/em><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> What are the best recordings of Shostakovich&#8217;s mighty Fifth? <\/p>\n","protected":false},"author":24,"featured_media":28304,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"5"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5.jpg",625,350,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5-300x168.jpg",300,168,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5.jpg",625,350,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5.jpg",625,350,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5.jpg",625,350,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/05\/the-best-recordings-of-shostakovichs-symphony-no-5.jpg",625,350,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"What are the best recordings of Shostakovich's mighty Fifth?","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/28303"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/28304"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=28303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=28303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}