{"id":32923,"date":"2023-09-22T12:45:55","date_gmt":"2023-09-22T10:45:55","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=188389"},"modified":"2023-09-22T13:40:01","modified_gmt":"2023-09-22T11:40:01","slug":"protest-songs-10-of-the-most-famous-and-powerful","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/protest-songs-10-of-the-most-famous-and-powerful\/","title":{"rendered":"Protest songs: 10 of the most famous and powerful"},"content":{"rendered":"<p class=\"rssexcerpt\"> Our round-up of the most famous protest songs <\/p><p class=\"rssauthor\">By Hannah Nepilova\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 22 September 2023 at 10:45 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>At various points in the chequered history of humanity, music has gone above and beyond its normal call of duty: it has spurred fighters to action, dignified the helpless, symbolised spiritual resistance and provided catharsis in the face of some truly horrifying events.<\/p>\n<p>Here are just ten of the most powerful examples of protest songs.<\/p>\n<h2>Best protest songs<\/h2>\n<h3><strong>Abel Meeropol: Strange Fruit<\/strong><\/h3>\n<p class=\"p3\">This song about the racist lynchings in the US shocked audiences when <a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-is-billie-holiday\/\"><span class=\"s1\"><b>Billie Holiday<\/b><\/span><\/a> first sang it in a New York night club in 1939. All these years later it still stands out as one of the most famous, most explicit and most powerful protest songs ever written, with Holiday\u2019s version named by Time Magazine as \u2018song of the century.\u2019<\/p>\n<p class=\"p3\">It was written by the Jewish communist Abel Meeropol, who drew his lyrics from a poem he had penned in 1937, comparing the victims of the Black American lynchings to the fruit of trees. He cited as his inspiration a grotesque 1930 photograph of the lynching of Thomas Shipp and Abram Smith. Although lynchings were by then on the decline, it would take more than three more decades for them to come to an end.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\">With its stark <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\/\">melody<\/a><\/strong> and starker lyrics (\u2018Blood on the leaves and blood at the root \/ Black bodies swinging in the Southern breeze\u2019), \u2018Strange Fruit\u2019 became an anthem of the anti-lynching movement and the first important song of the nascent Civil Rights Movement. [\u2018Strange Fruit\u2019] is about the ugliest song I have ever heard,\u2019 <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/nina-simone-biography\/\">Nina Simone<\/a><\/strong> once said. \u2018Ugly in the sense that it is violent and tears at the guts of what white people have done to my people in this country.\u2019<\/p>\n<iframe title=\"Billie Holiday-Strange fruit- HD\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/Web007rzSOI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\"><b\/><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-jazz-songs\/\"><span class=\"s1\"><b>Best jazz songs: 9 classics you will listen to again and again<\/b><\/span><\/a><\/li>\n<\/ul>\n<h3><strong>Ethel Smyth: March of the Women<\/strong><\/h3>\n<p class=\"p1\">Written by <strong><a href=\"https:\/\/www.classical-music.com\/composers\/who-was-ethel-smyth\/\">Ethel Smyth<\/a><\/strong> in 1910, <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/how-ethel-smyths-march-of-the-women-womens-suffrage-anthem\/\">March of the Women <\/a><\/strong>was widely acclaimed as the anthem of the women\u2019s suffrage movement, sung by activists both on rallies and in prison, while they were on hunger strikes. Its most famous performance, however, took place in 1912 in Holloway Prison, where, according to accounts by the conductor <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/thomas-beecham\/\">Thomas Beecham<\/a><\/strong>, activists lustily sang their war-chant \u2018while the composer, beaming approbation from an overlooking upper window, beat time in almost Bacchic frenzy with a toothbrush.\u2019<\/p>\n<iframe title=\"March of the Women (Ethel Smyth)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/PnMjOAxktS0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\">\n<\/li><\/ul>\n<h3><strong><a href=\"https:\/\/www.classical-music.com\/composers\/ludwig-van-beethoven\/\">Ludwig van Beethoven<\/a>: Ode to Joy<\/strong><\/h3>\n<p class=\"p1\">This song <a href=\"https:\/\/www.classical-music.com\/features\/articles\/ode-to-joy-lyrics\/\"><strong>Ode to Joy <\/strong><\/a>has a complicated history: Hitler had it played on birthdays and included it in Nazi propaganda films. But it was also played in opposition to him by orchestras of prisoners in concentration camps; in 2000, the Vienna Philharmonic performed it at Mauthausen, a Nazi concentration camp, for an audience of survivors. It currently serves as the anthem of the European Union. <strong><a href=\"https:\/\/www.classical-music.com\/composers\/ludwig-van-beethoven\/\">Beethoven<\/a> <\/strong>himself wrote it as a call for brotherhood and egalitarianism, choosing as his text Friedrich Schiller\u2019s \u2018An die Freude\u2019, a poem written in 1785 on the brink of the French Revolution.<\/p>\n<iframe title=\"Ludwig van Beethoven: Ode an die Freude\/Ode to Joy 1\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/-kcOpyM9cBg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/top-5-sibelius-works\/\">Jean Sibelius<\/a>: Finlandia<\/strong><\/p>\n<p class=\"p1\">Sibelius originally wrote this piece in 1899, as a patriotic protest against increasing censorship from the Russians, at a time when in his home country of Finland was still part of the Russian empire. Many years later,<span class=\"Apple-converted-space\">\u00a0 <\/span>in 1941, he turned its central section into a hymn, with words by Finnish poet Koskenniemi; \u2018Oh, Finland, behold your day is dawning.\u2019 It has since become one of Finland\u2019s most important national songs.<\/p>\n<iframe title=\"Sibelius: Finlandia (Prom 75)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/fE0RbPsC9uE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<h3><strong>Nina Simone: Mississippi Goddam<\/strong><\/h3>\n<p class=\"p1\">Considered by Nina Simone to be her first civil rights song, \u2018Mississippi Goddam\u2019 was the singer\u2019s response to the racially motivated murders of Emmett Till and Medgar Evers in Mississippi in 1964, and the 16th Street Baptist Church bombing in Alabama, in which four black children were killed.<\/p>\n<p class=\"p1\">Composed in under an hour, it\u2019s a deeply unsettling song, whose jaunty tune contrasts sharply with its content: \u2018Alabama\u2019s got me so upset, Tennessee\u2019s made me lose my rest, and everybody knows about Mississippi goddam\u2019. On the recording Simone sarcastically announces the song as \u2018a show tune, but the show isn\u2019t written for it yet.\u2019 It remains one of her most famous self-written songs.<\/p>\n<iframe title=\"Nina Simone: Mississippi Goddam\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/LJ25-U3jNWM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\"><b\/><a href=\"https:\/\/www.classical-music.com\/features\/works\/blues-songs\/\"><span class=\"s1\"><b>Blues songs: 10 of the greatest of all time<\/b><\/span><\/a><\/li>\n<\/ul>\n<h3><strong>Cornelius Cardew: Smash the Social Contract<\/strong><\/h3>\n<p class=\"p1\">A member of the Communist Party of England (Marxist-Leninist) from the 1970s, the experimental British composer Cardew was known for channelling his political beliefs into his music. This song is a good example, written in 1977 as a protest against the recent deal (\u2018the Social Contract\u2019) struck between union leaders and the Labour government to restrict pay demands. Though rhythmically on the tricky side, it is a far cry from his most experimental works, revealing Cardew\u2019s ability to switch between idioms when the message of his music called for it.<\/p>\n<iframe title=\"Cornelius Cardew - Smash the Social Contract\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/wnauDrzdOiQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\"><b\/><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-funeral-songs\/\">Best funeral songs: the most popular songs for saying goodbye to loved ones<\/a><\/strong><\/li>\n<\/ul>\n<h3><strong>Marta Kubisov\u00e1: Modlitba pro Martu (A prayer for Marta)<\/strong><\/h3>\n<p class=\"p1\">This song, which speaks of a country\u2019s lost governance of affairs returning to its people, is indelibly associated with two moments in Czech history. The first was the Prague Spring of 1968 \u2013 a 4-month period of liberalisation in socialist Czechoslovakia, when the Czech people attempted to regain some control over their own lives and remould the Communist system into \u2018Socialism with a human face\u2019. With the ensuing clampdown, when Soviet tanks rolled into Prague to reassert dominance, \u2018Modlitba pro Martu\u2019 came to be seen as a symbol of national resistance.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The song was banned by the Communists. As for Kubisov\u00e1: blacklisted by the music industry, she was forced to support herself with a menial job in a toy factory. V\u00e1clav Havel \u2013 a family friend who would eventually become president of Czechoslovakia later said: \u2018she wouldn\u2019t sing if it meant making compromises.\u2019<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">But Kubisov\u00e1\u2019s moment came again, twenty years later, during the 1989 Velvet Revolution which brought freedom to the nation: thousands gathered to watch her sing \u2018Modlitba pro Martu\u2019 from a balcony above Wenceslas Square. In an interview with <i>Prague Radio, <\/i>the singer later said:<span class=\"Apple-converted-space\">\u00a0 <\/span>I didn\u2019t cry, I was overcome by the sheer sight of the whole square jammed with people. I said to myself, no singer ever had a comeback like this! Foreign film crews told me people were in tears and when they asked what are you crying for, they said, \u2018it\u2019s that woman.\u201d\u2019 In a 2018 poll, \u2018Modlitba pro Martu\u2019 was voted as Czech Radio\u2019s Hit of the Century.<\/p>\n<iframe title=\"Marta Kubi\u0161ov\u00e1 - Modlitba pro Martu (1989)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/npMZ7UxwVgU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\"><a href=\"https:\/\/www.classical-music.com\/composers\/the-ten-best-czech-composers\/\"><b>10 best Czech composers<\/b><\/a><\/li>\n<\/ul>\n<h3><strong>Claude Joseph Rouget de Lisle: La Marseillaise<span class=\"Apple-converted-space\">\u00a0<\/span><\/strong><\/h3>\n<p class=\"p1\">Now the national anthem of France, <a href=\"https:\/\/www.classical-music.com\/features\/articles\/la-marseillaise-what-are-the-lyrics-to-the-french-national-anthem-and-when-were-they-written\/\"><strong>La Marseillaise <\/strong><\/a>was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg as a call to arms against an Austrian invasion. The amateur musician composed the song in a single night, giving it the title of \u201cChant de guerre de l\u2019arm\u00e9e du Rhin\u201d (\u2018Battle Hymn of the Army of the Rhine\u2019).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Although Roughet de Lisle himself supported the monarchy, the song was harnessed by the revolutionaries, and has been somewhat mired in controversy since then, banned in 1815 under King Louis XVIII, and again during the rule of Napoleon III, from 1852 to 1870.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">It was only in the <strong><a href=\"https:\/\/www.classical-music.com\/news\/six-hundred-voices-mark-centenary-first-world-war\/\">First World War<\/a><\/strong>, when it was used to rally the people, that it regained its original symbolism of national unity \u2013 a symbolism that acquired even more significance during the Second World War, when it was sung by the resistance, after being banned by the Vichy government. Still, notwithstanding the stirring quality of the music, some of the lyrics remain problematic, not least the climax of the chorus: \u2018That their impure blood should water our fields.\u2019<\/p>\n<iframe title=\"La Marseillaise, French National Anthem (Fr\/En)\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/4K1q9Ntcr5g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<h3><strong>Hugh Masekela: Soweto Blues<\/strong><\/h3>\n<p class=\"p1\">Written by the South African trumpeter Hugh Masekela, \u2018Soweto Blues\u2019 is about the Soweto uprising: a protest that took place in 1976 against a decision by the apartheid government of South Africa to make Afrikaans a medium of instruction in all schools.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">The song\u2019s lyrics bring home the horror of the massacre that followed the uprising: \u2019The children got a letter from the master\/It said no more Xhosa, Sotho, no more Zulu\/Refusing to comply they sent an answer\/That\u2019s when the policemen came to the rescue\/Well children were flying, bullets, dying\/Oh the mothers screaming and crying.\u2019<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">Released in 1977, it was performed by the singer Miriam Makeba, becoming a staple at her live concerts. It still stands as one of the most famous and striking songs of the anti-apartheid movement.<\/p>\n<iframe title=\"Mariam Makeba - Soweto Blues (Live in Concert)\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/YGbEQ210_J4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\"><b\/><a href=\"https:\/\/www.classical-music.com\/features\/works\/saddest-songs\/\"><span class=\"s1\"><b>sad songs: 10 of the saddest songs in history<\/b><\/span><\/a><\/li>\n<\/ul>\n<h3><strong>Hirsch Glick: Zog Nit Keinmol<\/strong><\/h3>\n<p class=\"p1\">Inspired by the violence of the Warsaw Ghetto Uprising, but also the courage of those massacred in it, this Yiddish song is a frank statement about Jewish suffering and the importance of continuing to fight for survival \u2013 even against all the odds.<\/p>\n<p class=\"p1\"><span class=\"Apple-converted-space\">\u00a0<\/span>It was written in 1943 by the young Vilna poet Hirsh Glik, based on a pre-existing melody by the Soviet-Jewish composer Dimitri Pokrass.<\/p>\n<p class=\"p1\">Glik himself was a partisan, who fled Vilna Ghetto when it was liquidated in 1943; he was later captured and executed by the Nazis. But the song lived on, adopted by Jewish partisan groups across Eastern Europe, as well as those incarcerated in various ghettos and concentration camps, who were spurred on by its message of defiant optimism: \u2018never say that you are walking the final road \/Though leaden skies obscure blue days \/The hour we have been longing for will still come \u2013 Our steps will drum \u2013 we are here!\u2019<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">It is now remembered as one of the most powerful symbols of resistance against Nazi Germany\u2019s persecution of the Jews during the Holocaust.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<iframe title=\"Zog Nit Keynmol\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/yFiTUuuwIHc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li2\">\n<\/li><\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> Our round-up of the most famous protest songs <\/p>\n","protected":false},"author":24,"featured_media":32924,"template":"","categories":[1],"acf":{"readingTimeMinutes":"8"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful.jpg",638,629,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful-300x296.jpg",300,296,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful.jpg",638,629,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful.jpg",638,629,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful.jpg",638,629,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/protest-songs-10-of-the-most-famous-and-powerful.jpg",638,629,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"Our round-up of the most famous protest songs","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/32923"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/32924"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=32923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=32923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}