{"id":32929,"date":"2023-09-26T18:52:40","date_gmt":"2023-09-26T16:52:40","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=188531"},"modified":"2023-09-26T19:40:00","modified_gmt":"2023-09-26T17:40:00","slug":"christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean\/","title":{"rendered":"Christmas carol lyrics: what do the words from our favourite carols actually mean?"},"content":{"rendered":"<p class=\"rssexcerpt\"> What do the weird and wonderful words of our best-known Christmas carols actually mean? Andrew Stewart looks into some popular Christmas carol lyrics <\/p><p class=\"rssauthor\">By BBC Music Magazine\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 26 September 2023 at 16:52 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p><strong>The average English Christmas carol may well be humble of musical and literary stature. But it routinely tows with it a train of rich cultural baggage for which the keys have all too often been mislaid or lost.<\/strong><\/p>\n<p>References to medieval religious traditions, archaic words and ancient customs now touch the ears of those of every faith, of no faith or with a blind devotion to conspicuous yuletide consumption. What matters, though, is that the joyful spirit and the eternal freshness of old carols have survived Puritan proscriptions, Victorian modernisers and post-modern cynicism.<\/p>\n<p>Countless millions today know the tune, if not the words, of at least one traditional Christmas carol. Thanks to dogged scholarship by twentieth-century collectors and editors, we can unlock the meaning and trace the roots of our favourite carols. The following examples should add spice to flavour ten of the most popular pieces in the Christmas repertoire.<\/p>\n<p><strong>Find hundreds of <a href=\"https:\/\/www.classical-music.com\/tag\/christmas-carol-lyrics\/\">Christmas carol lyrics<\/a> on our website<\/strong><\/p>\n<h2>Christmas carol lyrics<\/h2>\n<h3>Wassail! Wassail! All over the Town! (The Gloucestershire Wassail)<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>Christmastide luck-visits or \u2018goodings\u2019 formed a widespread custom in England during the early modern period, part of a seasonal relaxation of the strict forms and order of society that stretched back to the Middle Ages. <em>The Gloucester Wassail<\/em> opens with a keyword in the luck visitor\u2019s vocabulary, one that grew to carry a meaning not so far removed from today\u2019s \u2018trick or treat\u2019.<\/p>\n<p>Wassail derives, by way of Norman French, from the Old Norse salutation <em>wesheill<\/em>, literally \u2018be whole\u2019 or \u2018be well\u2019. Joseph Strutt, in the third volume of his <em>The Sports and Pastimes of the People of England <\/em>(1801), refers to the wassail bowl, \u2018which was carried about by young women on New Year\u2019s Eve, who went from door to door \u2026 singing.\u2019 The company of carollers expected \u2018a small gratuity in return\u2019.<\/p>\n<p>The white bread mentioned in <em>The Gloucestershire Wassail\u2019<\/em>s first verse was a foodstuff of the wealthy, suggesting that wassail singers began their rounds at the \u2018big house\u2019. The choristers were also on the lookout for \u2018Christmas pie\u2019, made from game, and \u2018a bowl of the best\u2019.<\/p>\n<h3>The Holly and the Ivy<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>Known in Germany as \u2018Christ\u2019s thorn\u2019, holly or the holy-tree served as an emblem of the Roman feast of Saturnalia. The Saxons also used holly and ivy in their winter rites. Although the Druids regarded ivy as a portent of death, the early Christians came to associate the plant\u2019s evergreen properties with everlasting life.<\/p>\n<p>Cecil Sharp notated the words and melody of the most familiar \u2018Holly and Ivy\u2019 carol from the singing of Mrs Mary Clayton at Chipping Campden, Gloucestershire. Sharp drew on other sources for the version he published in 1911, which has since become a staple of the Christmas carol repertoire. Several \u2018holly and ivy\u2019 carols survive from the medieval period, in which masculine holly and feminine ivy are presented as rivals.<\/p>\n<p>Here is the popular melody composed by <a href=\"https:\/\/www.classical-music.com\/composers\/who-is-henry-walford-davies\/\"><strong>Henry Walford Davies<\/strong><\/a>:<\/p>\n<iframe title=\"King's College Cambridge 2008 #4 The Holly and the Ivy arr Walford Davies\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/l7eHtDtZ7hs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>In <a href=\"https:\/\/www.classical-music.com\/features\/articles\/holly-and-the-ivy-words\/\"><strong>The Holly and the Ivy<\/strong><\/a>, holly symbolises the Virgin Mary, while the blood-red juice of its berry, the bitterness of its bark and the sharpness of its prickles represent the suffering of the Crucifixion. Chaucer\u2019s wayward cockerel Chauntecleer could crow \u2018merrier than the merry organ\u2019, perhaps inspiring the author of the Gloucester carol\u2019s refrain.<\/p>\n<p>The Holly and the Ivy made it into our list of the <a href=\"https:\/\/www.classical-music.com\/features\/articles\/christmas-carols\/\"><strong>best Christmas carols of all time<\/strong><\/a>.<\/p>\n<h3>O come, all ye Faithful (Adeste, fideles)<\/h3>\n<p><em>Anon. c. 1740<\/em><\/p>\n<p>This Christmas hymn, which neatly carries the simple qualities of the best carols, poses few linguistic teasers. But <a href=\"https:\/\/www.classical-music.com\/features\/articles\/o-come-all-ye-faithful-lyrics\/\"><strong>O come, all ye Faithful<\/strong><\/a> owns a history that took serious scholarly detective work to unravel, as revealed in 1947 in a pamphlet by Jean St\u00e9phan of Buckfast Abbey.<\/p>\n<p>Dom Jean identified the hymn\u2019s earliest manuscript source, now dated c.1740 and associated with the English College in Douai, France. He ascribed it to the English Catholic John Francis Wade, a well-known copyist resident in Douai, active in Lancashire in the 1750s and known to leading London-based Catholic musicians, Thomas Arne and Samuel Webbe among them.<\/p>\n<p>The editors of <em>The New Oxford Book of Carols <\/em>suggest that Arne, composer of \u2018Rule, Britannia!\u2019, may have contributed to the hymn. It seems likely, however, that Wade created four Latin verses, beginning <em>Adeste, fideles<\/em>, and probably set them to music. The tune in the form we know it today was first published in 1782 in <em>An Essay on the Church Plain Chant<\/em>. Three extra verses were added in the nineteenth century.<\/p>\n<p>\u00a0<\/p>\n<h3>Good King Wenceslas<\/h3>\n<p><em>Melody from Piae Cantiones (1582); words by J.M. Neale (1818-66)<\/em><\/p>\n<p>If the Rev. J.M. Neale, warden of Sackville College, East Grinstead, Sussex, had set his poetical sights elsewhere in bohemian martyrology, we might count \u2018Johann Nepomuk looked out\u2019 among our favourite Christmas carols. As it was, the noted Greek and Latin scholar, an inveterate supplier of hymn texts, recalled the legend of Saint Wenceslaus (Vaclav) or Wenceslas in its Germanised form. Result: the much-loved <a href=\"https:\/\/www.classical-music.com\/features\/articles\/good-king-wenceslas-lyrics\/\"><strong>Good King Wenceslas<\/strong><\/a>.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/works\/when-was-the-first-christmas-carol\/\">When was the first Christmas carol?<\/a><\/strong><\/li>\n<\/ul>\n<p>The 10th-century ruler of Bohemia attempted to establish Christianity among the ruling Czech families, only to be murdered in September 929 by his brother\u2019s supporters. Neale\u2019s dodgy verse presents a colourful narrative, yet fails to explain why king and page took such trouble to deliver firewood to a peasant living nearby the \u2018forest fence\u2019.<\/p>\n<iframe title=\"Good King Wenceslas Traditional): Westminster Cathedral 1985 (David Hill)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/B0auGcjcxTY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>The author probably took his lead from the acts of charity customary on Boxing Day, the feast of Saint Stephen, otherwise known as the Christian protomartyr. Neale set his words to a fourteenth-century spring carol preserved in the Finnish <em>Piae Cantiones<\/em> of 1582, which had been unveiled in England in 1853 by G.J.R. Gordon, Her Majesty\u2019s Envoy to the court of Sweden. The rejuvenated carol was first published in 1853-54.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/articles\/five-best-ancient-christmas-carols\/\">Five of the best ancient Christmas carols<\/a><\/strong><\/li>\n<\/ul>\n<h3>Sans Day Carol, or The Holly Bears a Berry<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>Like <em>The Holly and the Ivy<\/em>, the <a href=\"https:\/\/www.classical-music.com\/features\/works\/sans-day-carol-lyrics\/\"><strong>Sans Day Carol<\/strong><\/a> (or St Day Carol)\u00a0presents the traditionally masculine Holly as a symbol of the Virgin Mary, its natural range of green and red berries fancifully extended to include fruits of white and black.<\/p>\n<p>The repetition of the opening phrase in each verse underlines the poem\u2019s powerful imagery, linking the holly\u2019s berries with Jesus\u2019s birth, crucifixion, death and resurrection. Percy Dearmer, Ralph <a href=\"https:\/\/www.classical-music.com\/composers\/ralph-vaughan-williams\/\"><strong>Vaughan Williams<\/strong><\/a> and Martin Shaw, editors of the original <em>Oxford Book of Carols<\/em>, reported that the carol\u2019s catchy tune and its first three verses were notated by the Rev. G.H. Doble from the singing of W. D. Watson.<\/p>\n<p>Dan Watson learned the words and music from Thomas Beard, an elderly inhabitant of the Cornish village of St Day, two miles east of Redruth. The Breton Saint Day or They, abbot of Saint Gu\u00e9nole de Land\u00e9vennec, was widely worshipped in Cornwall. Watson translated Beard\u2019s folk-carol into Cornish, creating a fourth verse that has since been added to the work\u2019s familiar English form.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/articles\/carol-singing-when-did-the-tradition-begin\/\">Carol singing: when did the Christmas tradition begin?<\/a><\/strong><\/li>\n<\/ul>\n<h3>I saw three ships come sailing in<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>In December 1644, the Puritan-dominated English parliament voted to turn Christmas Day into a time of fasting and repentance, \u2018because it may call to remembrance \u2026 the sins of our forefathers, who have turned this feast \u2026 into an extreme forgetfulness of [Christ], by giving liberty to carnal and sensual delights\u2026.\u2019 Carols were totally abolished five years later, replaced by drab Puritan hymns.<\/p>\n<p>English folk carols proved stubbornly resistant to parliamentary decree or extremes of religious fundamentalism. The earliest recorded text of <a href=\"https:\/\/www.classical-music.com\/features\/works\/what-are-the-lyrics-to-i-saw-three-ships\/\"><strong>I saw three ships<\/strong><\/a> dates from a 1666 publication, although its folk origins are almost certainly much older.<\/p>\n<p>The carol\u2019s legendary \u2018plot\u2019 concerns the Magi, those three wise men from the East, known in medieval lore as the Three Kings of Cologne. Tradition has it that the Emperor Constantine\u2019s mother brought their remains from Byzantium to Milan, from where Frederick Barbarossa had their skulls shipped to Cologne Cathedral in 1162. \u2018Our saviour Christ\u2019 and the Virgin Mary become substitute passengers in the carol\u2019s most popular form, although one version from Humberside mentions three crawns or skulls \u2018ganging to Coln upon Rhine\u2019.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-pieces-christmas-choral-music\/\">Six of the best pieces of Christmas choral music<\/a><\/strong><\/li>\n<\/ul>\n<h3>The Coventry Carol<\/h3>\n<p><em>16th century<\/em><\/p>\n<p>When Thomas Sharp\u2019s <em>Dissertations on the Pageants or Dramatic Mysteries, anciently performed in Coventry<\/em> appeared in 1825, its pages contained a poorly transcribed copy of the songs from the Pageant of the Shearmen and Tailors, one of the mystery plays performed annually in Coventry since the 1390s on the feast of Corpus Christi (Thursday after Trinity Sunday).<\/p>\n<iframe title=\"VOCES8: Lully, Lulla, Lullay - Philip Stopford\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/-7qYeZcOioI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>Part of the sixteenth-century manuscript containing these plays was destroyed in a fire in 1879, leaving Sharp\u2019s book as an important but corrupt source for the music of what modern editors have dubbed <a href=\"https:\/\/www.classical-music.com\/features\/articles\/coventry-carol-lyrics\/\"><strong>The Coventry Carol<\/strong><\/a>. This lullaby is sung towards the play\u2019s end, as the holy family makes its escape; meanwhile, Herod\u2019s soldiers arrive and carry out their orders to slaughter all young children. The mothers are left to \u2018morne and say\u2019 (grieve and sigh) for the loss of their infants.<\/p>\n<p>\u00a0<\/p>\n<h3>The Boar\u2019s Head Carol<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>Just as holly and ivy became essential decorative items in the popular celebration of Christmas, the roasting and presentation of a boar\u2019s head, served with mustard, provided a suitably extravagant preface to yuletide feasts.<\/p>\n<p>The tradition\u2019s roots probably lie in pagan fertility rites. The best known of all surviving late medieval boar\u2019s head carols is still sung in procession each year at Queen\u2019s College, Oxford. Wynkyn de Worde, Caxton\u2019s Alsatian-born apprentice and successor, published a version of the text in his <em>Christmasse Carolles Newly Emprynted at London in the flete street<\/em> in 1521.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/articles\/five-best-modern-christmas-carols\/\">Five of the best modern Christmas carols<\/a><\/strong><\/li>\n<\/ul>\n<p>The tune used by the Queen\u2019s College revellers appeared in print in 1860, its refrain revised just over forty years later. \u2018So many as are at the feast\u2019 (Quot estis in convivio) are called to be merry by a solo voice. \u2018The boar\u2019s head I bring, giving praises to the Lord,\u2019 (Caput apri defero Reddens laudes Domino), respond the choir.<\/p>\n<p>\u00a0<\/p>\n<h3>The Seven Joys of Mary<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>Much of the symbolism of this carol, generated by the medieval cult of the Virgin Mary, has now lost its full weight of meaning. <em>The Seven Joys of Mary <\/em>today sounds more like a nursery rhyme than a work of popular devotion, an impression intensified by the jaunty nature of its surviving folk-carol melody.<\/p>\n<p>In pre-Reformation England, Marian worshippers generally addressed their prayers to the Virgin in groups of five. The so-called Joys traditionally comprised the Nativity, the Crucifixion, the Resurrection, the Ascension and the Assumption, although the Annunciation and Coronation also appear in medieval carols of the Five Joys.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title qa-card-link \" href=\"https:\/\/www.classical-music.com\/features\/articles\/hallelujah-story-handel-s-messiah\/\">Hallelujah! The story of Handel\u2019s <em>Messiah<\/em><\/a><\/strong><\/li>\n<\/ul>\n<p>Religious reforms had little effect on the popularity of the number carol, although Mary\u2019s joys gradually increased as the tradition lost touch with its Rosary-inspired roots. In many texts, the Assumption and Ascension were dropped in favour of making the lame to walk and the blind to see, while reading the bible and restoring the dead to life were added to the list. Ten- and twelve-fold versions of this carol include the rare joys of bringing the crooked straight, turning water into wine and writing without a pen.<\/p>\n<p>\u00a0<\/p>\n<h3>King Herod and the Cock<\/h3>\n<p><em>English traditional<\/em><\/p>\n<p>As legendary carols go, <em>King Herod and the Cock<\/em> gets its message across without wasting a word. The star of the Nativity shines brightly in King Herod\u2019s chamber, its significance explained to the troubled ruler by the Wise Men. \u2018A princely babe was born that night\/ No king could e\u2019er destroy,\u2019 they report.<\/p>\n<iframe title=\"King Herod and the Cock\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/dbZbOmFpgHo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>Herod points to a roasted cockerel in a dish and tells his visitors that, if their story is true, the bird \u2018shall crow full fences [times] three\u2019. The cock \u2018thrustened\u2019 or pushed out its chest and, \u2018by God\u2019s own hand, \u2018did crow full fences three.\/ In the dish where he did stand\u2019. This folk-carol\u2019s traditional tune and words, as sung by Mrs Plumb of Armscote, Worcestershire, were first written down by Cecil Sharp around a century ago.<\/p>\n<p>\u00a0<\/p>\n<h3>Past three o\u2019clock<\/h3>\n<p>Long before the invention of Greenwich Mean Time, townsfolk were made aware of the hour, almost painfully so, by the ringing of church bells by day and the antics of the bellman and waits by night.<\/p>\n<p>The tune of <em>Past three o\u2019clock<\/em> appears to have been in the repertory of the London waits, a group of musicians responsible for keeping watch between eleven at night and five in the morning from the Monday following All Hallows Day to the week before Christmas and other times of the year. During Christmas the waits, ever ready to put on a show for civic bigwigs, came in from the cold to perform carols and other seasonal tunes.<\/p>\n<p><em>Past three o\u2019clock<\/em> carries an authentic refrain to remind listeners of the watchman\u2019s cold and frosty world, newly harmonised in the late 1800s by Charles Wood. The words of the carol\u2019s verse were freshly crafted to suit Wood\u2019s rustic setting by G. R. Woodward. Few carols can compete with such immortal lines as \u2018Hinds o\u2019er the pearly,\/ Dewy lawn early\u2019 or \u2018Cheese from the dairy\/ Bring they for Mary\u2019.<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> What do the weird and wonderful words of our best-known Christmas carols actually mean? Andrew Stewart looks into some popular Christmas carol lyrics <\/p>\n","protected":false},"author":24,"featured_media":32930,"template":"","categories":[1],"acf":{"readingTimeMinutes":"11"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean.png",1062,754,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean-150x150.png",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean-300x213.png",300,213,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean-768x545.png",768,545,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean-1024x727.png",800,568,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean.png",1062,754,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/09\/christmas-carol-lyrics-what-do-the-words-from-our-favourite-carols-actually-mean.png",1062,754,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"What do the weird and wonderful words of our best-known Christmas carols actually mean? Andrew Stewart looks into some popular Christmas carol lyrics","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/32929"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/32930"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=32929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=32929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}