{"id":33966,"date":"2023-10-03T13:37:53","date_gmt":"2023-10-03T11:37:53","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=188654"},"modified":"2023-10-03T15:39:58","modified_gmt":"2023-10-03T13:39:58","slug":"scary-songs-10-of-the-scariest","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/scary-songs-10-of-the-scariest\/","title":{"rendered":"Scary songs: 10 of the scariest"},"content":{"rendered":"<p class=\"rssexcerpt\"> Our round-up of the 10 scariest songs <\/p><p class=\"rssauthor\">By Hannah Nepilova\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 03 October 2023 at 11:37 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>From ghosties, witches and barons on broomsticks to the more pungent flavours of disturbing, there\u2019s a scary song for everyone. Here is a selection of the scariest, to be enjoyed this Halloween and beyond\u2026<\/p>\n<h2>Scariest songs<\/h2>\n<h3 class=\"p1\">1. <a href=\"https:\/\/www.classical-music.com\/features\/works\/best-gilbert-and-sullivan-songs\/\">Gilbert &amp; Sullivan<\/a>: \u2018When the Night Wind Howls\u2019 from <em>Ruddigore\/The Witch\u2019s Curse<\/em><\/h3>\n<p class=\"p1\">Intended as a satirical dig at the Victorian obsession with the supernatural, Gilbert &amp; Sullivan\u2019s 1887 opera tells of ghosts, witches\u2019 curses and the tiring business of having to commit a different crime every day. Among its most famous moments is Sir Roderic\u2019s Act II song \u2013 \u2018When the Night Wind Howls\u2019- whose music is as over the top as the lyrics: \u2018Fair phantom, come! The moon\u2019s awake, The owl hoots gaily from its brake, The blithesome bat\u2019s a-wing. Come, soar to yonder silent clouds; The ether teems with peopled shrouds: We\u2019ll fly the lightsome spectre crowds, Thou cloudy, clammy thing.\u2019<\/p>\n<iframe title=\"ruddigore 37 When the Night Wind Howls\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/1e0OtWYNfXo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\"><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-halloween-songs\/\"><b>Best Halloween songs: 10 of the best songs for Halloween<\/b><\/a><\/li>\n<\/ul>\n<h3 class=\"p1\">2. Alban Berg: murder scene from<em> Wozzeck<\/em><\/h3>\n<p class=\"p1\">Based on the true story of a soldier who murdered his girlfriend, <a href=\"https:\/\/www.classical-music.com\/composers\/alban-berg\/\"><strong>Alban Berg<\/strong><\/a>\u2019s 1925 opera profiles a young man\u2019s breakdown under the strain of poverty and social injustice. The result is a harrowing masterpiece, that harnesses atonality in the service of characterisation. As a sung play, it doesn\u2019t contain songs in the traditional sense, however this moment, where Wozzeck murders his girlfriend Marie, is pretty terrifying.<\/p>\n<iframe title=\"Marie's death\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/lGu7rBRZ6jg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\"><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-halloween-music\/\"><b>Best Halloween music: 6 of the best pieces of music for Halloween<\/b><\/a><\/li>\n<\/ul>\n<h3 class=\"p1\">3. <a href=\"https:\/\/www.classical-music.com\/features\/artists\/sir-peter-maxwell-davies\/\">Peter Maxwell Davies<\/a>: Blazes\u2019 song from <em>The Lighthouse<\/em><\/h3>\n<p class=\"p1\">This chamber opera, written in 1980, is based on the true story of three lighthouse keepers who mysteriously vanished from a remote Hebridean lighthouse in 1900. It is unsettlingly Hitchcockian, incorporating elements of the supernatural into a psychological inquiry about the effects of childhood abuse and repressed sexuality. Among its most unsettling moments is Blazes\u2019 song, sung by one of the three lighthouse keepers. Beginning with a jaunty rhythm on the banjo, he tells a tale of street violence revealing that he robbed and killed a woman at the age of eleven. Haunting discords from the violin create a dark undertone, suggesting that, like a manic clown\u2019s smile, the song\u2019s cheerful exterior is not quite what it seems.<\/p>\n<iframe title=\"Blazes Song The Lighthouse\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/Tsl34nX8Hr0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul>\n<li><span class=\"s1\"><a href=\"https:\/\/www.classical-music.com\/features\/works\/songs-about-death\/\"><b>Death songs: 10 of the most powerful songs about death\u00a0<\/b><\/a><\/span><\/li>\n<\/ul>\n<h3 class=\"p1\">4. Trad English\/Scottish: \u2018The Twa Sisters\u2019<\/h3>\n<p>This traditional murder ballad, dating back at least as far as the mid-17th century, tells the tale of a girl drowned by her jealous elder sister.<\/p>\n<p class=\"p1\">In some variants, the sisters are being two-timed by a suitor; in others, the elder sister\u2019s affections are not encouraged by the young man. But they both come to the same macabre conclusion: when the murdered girl\u2019s body floats ashore, someone makes a musical instrument out of it, which then plays itself, singing about the murder.<\/p>\n<p>Possibly originating in Northumbria, this is one of many very similar songs about murderous sisters that have been found throughout Europe. I don\u2019t what that says about sibling relationships.<\/p>\n<iframe title=\"Binnorie (The Twa Sisters)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/SlB_QPMUWmg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li3\"><b\/><a href=\"https:\/\/www.classical-music.com\/features\/works\/english-folk-songs\/\"><span class=\"s1\"><b>English folk songs: 10 of the best<\/b><\/span><\/a><\/li>\n<\/ul>\n<h3 class=\"p1\">5. <a href=\"https:\/\/www.classical-music.com\/composers\/richard-strauss-150th-birthday-playlist\/\">Richard Strauss<\/a>: final scene from <em>Salome<\/em><\/h3>\n<p class=\"p1\">For sheer grotesquerie, it\u2019s hard to beat Richard <a href=\"https:\/\/www.classical-music.com\/composers\/richard-strauss\/\"><strong>Strauss<\/strong><\/a>\u2019s single-act opera, based on Oscar Wilde\u2019s lurid 1891 play, about Salome, the step-daughter of King Herod. The opera\u2019s decadence \u2013 in particular the combination of the erotic and the murderous \u2013 shocked audiences at its 1905 premiere, and nowhere is that decadence more in evidence than in its climactic scene, where Salome declares her love for the severed head of John the Baptist and kisses the prophet\u2019s dead lips passionately.<\/p>\n<iframe title=\"Strauss Salome Final Scene\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/cweQCnT97KI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<h3 class=\"p1\">6. Kurt Weill: \u2018Mack the Knife\u2019 from <em>Threepenny Opera<\/em><\/h3>\n<p class=\"p1\">You might know this song as a swing classic, but the original 1928 version, sung in German as part of Kurt Weill\u2019s <em>Threepenny Opera<\/em>, is extremely creepy. Bertold Brecht\u2019s lyrics tell of a knife-wielding criminal in Victorian London, on his way to town, followed by untraceable dead bodies floating up the river and blood on pavements. Far from a likeable caricature<span class=\"Apple-converted-space\">\u00a0 <\/span>\u2013 as he would come to be portrayed by singers such as Louis Armstrong and <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-is-ella-fitzgerald\/\">Ella Fitzgerald<\/a><\/strong> \u2013 he is a chilling creation, and Weill\u2019s original vision for the song, in which the singer is accompanied by the haunting sound of the barrel-organ, makes that very clear indeed.<\/p>\n<iframe title=\"Mack The Knife (original)\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/_QXJ3OXWaOY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\"><b\/><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-jazz-songs\/\"><span class=\"s1\"><b>Best jazz songs: 9 classics you will listen to again and again<\/b><\/span><\/a><\/li>\n<\/ul>\n<h3 class=\"p1\">7. <a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-leos-janaceks-most-sinister-works\/\">Leo\u0161 Jan\u00e1\u010dek<\/a>: \u2018 Co chv\u00edla\u2026co chv\u00edla\u2019 from <em>Jen\u016ffa<\/em><\/h3>\n<p class=\"p1\">You want scary? Infanticide must surely be up (or down?) there with the most disturbing of subject matters. <a href=\"https:\/\/www.classical-music.com\/composers\/leos-janacek\/\"><strong>Jan\u00e1\u010dek<\/strong><\/a>\u2019s <em>Jen\u016ffa<\/em> is one of my all-time favourite operas, as much for the raw power of its music as for its psychological depth: there are no goodies or baddies here; just people, as flawed and nuanced as they come. But yes, it is dark, and this aria (\u2018Co chv\u00edla\u2026 co chv\u00edla\u2026\u2019), in which Jen\u016ffa\u2019s stepmother, the Kostelni\u010dka, lays out her decision to kill her stepdaughter\u2019s child, is one of its darkest moments.<\/p>\n<iframe title=\"Jan\u00e1\u010dek - Obudila se?...Co chv\u00edla, co chv\u00edla (Jen\u016ffa)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/BfcfFX11GwE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\">\n<p class=\"p1\"><span class=\"s1\"><a href=\"https:\/\/www.classical-music.com\/features\/works\/saddest-songs\/\"><b>Sad songs: 10 of the saddest songs in history<\/b><\/a><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 class=\"p1\"><strong>8. <a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-bartok\/\">B\u00e9la Bart\u00f3k<\/a>: \u2018Pool of Tears\u2019 from <em>Bluebeard\u2019s Castle<\/em><\/strong><\/h3>\n<p class=\"p1\">Opera doesn\u2019t get much more sinister than <a href=\"https:\/\/www.classical-music.com\/composers\/bela-bartok\/\"><strong>Bart\u00f3k<\/strong><\/a>\u2019s one-act expressionist drama about the mysterious Duke Bluebeard and his new wife, Judith, who arrives for the first time at his gloomy castle and demands that its seven doors should be opened. Winning the prize for scariest door must be Number 6 (\u2018lake of tears\u2019), in which the music is plunged deep into shadows: all ghostly sighs and growling strings, with a spooky contribution from the celesta.<\/p>\n<iframe title=\"Bart\u00f3k: Bluebeard's Castle - VII. Sixth Door - The Lake of Tears\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/CB2W8SW_nyI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\">\n<p class=\"p1\"><span class=\"s1\"><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-funeral-songs\/\"><b>Best funeral songs: the most popular songs for saying goodbye to loved ones<\/b><\/a><\/span><\/p>\n<\/li>\n<\/ul>\n<h3>9. Trad Scottish: \u2018The Cruel Mother\u2019<\/h3>\n<p class=\"p1\">This dark Scottish ballad tells the story of a mother who gives birth to illegitimate children in the woods, kills them and buries them. On her return trip home, she sees some children playing and says that if they were hers, she would dress them up in fine garments and take care of them.<\/p>\n<p class=\"p1\">In response, the children compel her to recognise her responsibility for their deaths. Full of ancient folklore notions such as as the knife from which blood can never be washed, this is one of the most famous cautionary ballads, sung and recorded by a dizzying number of folk musicians over the years, most recently by Angeline Morrison on her 2022 \u2018The Brown Girl and Other Folk Songs.\u2019<\/p>\n<iframe title=\"The Cruel Mother - Greenwood Side\" width=\"200\" height=\"150\" src=\"https:\/\/www.youtube.com\/embed\/iwG595-o_dw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<ul class=\"ul1\">\n<li class=\"li1\">\n<p class=\"p1\"><a href=\"https:\/\/www.classical-music.com\/features\/works\/scottish-songs\/\"><b>5 classic Scottish songs you can\u2019t help singing along to<\/b><\/a><\/p>\n<\/li>\n<\/ul>\n<h3 class=\"p1\">10. Poulenc: \u2018Salve Regina\u2019 from <em>Dialogues des Carmelites<\/em><\/h3>\n<p class=\"p1\"><a href=\"https:\/\/www.classical-music.com\/composers\/francis-poulenc\/\"><strong>Poulenc<\/strong><\/a>\u2019s 1957 opera tells the story of the Martyrs of Compi\u00e8gne, sixteen Carmelite nuns who chose to take a vow of martyrdom rather than renounce their faith during the French Revolution\u2019s Reign of Terror. The last scene is guaranteed to haunt you: driven from their convent and arrested, the nuns sing Salve Regina, an antiphon to Mary, as they process, one by one, to the guillotine. Poulenc\u2019s icily beautiful music ploughs on, indifferent to the intermittent swish of the guillotine. It\u2019s a fantastic coup de th\u00e9\u00e2tre and as stirring as it is chilling.<\/p>\n<iframe title=\"Dialogues Des Carmelites (final scene \/ Salve Regina) F. Poulenc\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/Cd9EFJaURmI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> Our round-up of the 10 scariest songs <\/p>\n","protected":false},"author":24,"featured_media":33967,"template":"","categories":[1],"acf":{"readingTimeMinutes":"6"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest.jpg",640,544,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest-300x255.jpg",300,255,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest.jpg",640,544,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest.jpg",640,544,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest.jpg",640,544,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/scary-songs-10-of-the-scariest.jpg",640,544,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"Our round-up of the 10 scariest songs","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/33966"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/33967"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=33966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=33966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}