{"id":33970,"date":"2023-10-04T09:57:33","date_gmt":"2023-10-04T07:57:33","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=188835"},"modified":"2023-10-04T10:40:01","modified_gmt":"2023-10-04T08:40:01","slug":"a-guide-to-orffs-carmina-burana-and-its-best-recordings","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/a-guide-to-orffs-carmina-burana-and-its-best-recordings\/","title":{"rendered":"A guide to Orff\u2019s \u2018Carmina Burana\u2019 and its best recordings"},"content":{"rendered":"<p class=\"rssexcerpt\"> From Old Spice to X Factor, a certain three minutes of Carmina Burana is known to many of us. But what of the rest of the work? Here&#8217;s our guide, and some best recordings <\/p><p class=\"rssauthor\">By Jeremy Pound\n                \t\t<\/p><p class=\"rssbyline\">Published: Wednesday, 04 October 2023 at 07:57 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>Here\u2019s a guide to <em>Carmina Burana<\/em>, Carl Orff\u2019s colourful, boisterous, Medieval-set cantata from 1935-36, plus a selection of the work\u2019s best recordings.<\/p>\n<h2>Who was Carl Orff?<\/h2>\n<p>Born into a military family in Munich in 1895, <a href=\"https:\/\/www.classical-music.com\/composers\/carl-orff\/\"><strong>Carl Orff<\/strong><\/a> showed an aptitude for music at an early age. After serving in World War I, where he narrowly survived when a trench caved in, he began his musical career in earnest at opera houses in Mannheim and Darmstadt.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/what-was-impact-world-war-one-music\/\">What was the impact of World War I on music?<\/a><\/strong><\/li>\n<li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/composers\/14-composers-who-died-in-the-first-world-war\/\">14 composers who died in the First World War<\/a><\/strong><\/li>\n<\/ul>\n<p>From the mid-1920s, he devoted himself to music education, co-founding the G\u00fcnther-Schule for gymnastics, music and dance in Munich with Dorothee G\u00fcnther and, in 1930, sharing his methods in the publication <em>Schulwerk<\/em>.<\/p>\n<p>Though Orff himself said his composing career proper began with <em>Carmina Burana<\/em> in 1937, it would also prove the peak of his popularity. Required to go through denazification after World War II, he continued to live in Germany until his death in 1982.<\/p>\n<h2>Where does \u2018O Fortuna\u2019 come from?<\/h2>\n<p>\u2018I\u2019ve amused myself making a list of composers who became famous for the least amount of music,\u2019 wrote pianist Marc-Andr\u00e9 Hamelin on Twitter. \u2018So far my winners are Orff (about three minutes, and y\u2019all know which)\u2026\u2019 One could, of course, respond that Orff also wrote the widely familiar \u2018Gassenhauer\u2019 from <em>Schulwerk.<\/em><\/p>\n<p>However, for all the millions that might recognise this cheery xylophone and timpani piece from the films <em>Badlands<\/em>, <em>True Romance<\/em> and countless TV programmes, few know what it is called, let alone who wrote it. Perhaps Hamelin has a point?<\/p>\n<ul>\n<li><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-film-scores\/\"><strong>The best film scores of all time<\/strong><\/a><\/li>\n<li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/john-williams-best-scores\/\">Ten best film scores by John Williams<\/a><\/strong><\/li>\n<\/ul>\n<p>The \u2018three minutes\u2019 he is referring to is the shattering \u2018O Fortuna\u2019 chorus that appears at the start and end of <em>Carmina Burana<\/em>. Whether you picture its belted-out chords and pounded timpani accompanying an intrepid surfer in an Old Spice advert or Simon Cowell and co striding onto the <em>X Factor<\/em> stage may well depend on your age.<\/p>\n<p>Others may recognise it from Enigma\u2019s 1999 song \u2018Gravity of Love\u2019, though those associating it with <em>The Omen<\/em> are victims of popular misconception \u2013 it never in fact appears in the 1976 thriller\u2019s score.<\/p>\n<iframe title=\"Carl Orff - Carmina Burana | Cristian M\u0103celaru | WDR Sinfonieorchester | WDR Rundfunkchor\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/Yb6jULNu5ik?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<h2>Why is <em>Carmina Burana<\/em> so popular?<\/h2>\n<p>The rest of <em>Carmina Burana<\/em>\u2019s hour-or-so of music for soloists, choir, children\u2019s choirs and orchestra may not share the same level of familiarity as \u2018O Fortuna\u2019, but has nonetheless proved enduringly popular since its hugely successful first performance as a choreographed stagework at the Oper Frankfurt on 8 June 1837.<\/p>\n<p>Orff himself knew he\u2019d hit the jackpot, writing to his publisher Schott soon afterwards that \u2018Everything I have written to date, and which you have, unfortunately, printed, can be destroyed. With <em>Carmina Burana<\/em>, my collected works begin.\u2019<\/p>\n<p>That said, one wonders if, among the applause and cheers, there were also a few scratched heads at that Frankfurt premiere, as <em>Carmina Burana<\/em> is an idiosyncratic beast. Take, for a start, the libretto which, drawn from a collection of 11th-, 12th- and 13th-century poems found in a Bavarian monastery in 1803, is in a mix of Latin, Medieval German and Old French.<\/p>\n<h2>What language is <em>Carmina Burana<\/em> sung in?<\/h2>\n<p>Assisted by a young student called Michel Hofmann, Orff ordered 24 of the poems into a structure that, in between the opening and closing \u2018Fortuna Imperatrix Mundi\u2019 (Fortune, ruler of the world) sections, falls into three main parts: \u2018Primo vere\u2019 (Spring); \u2018In Taberna\u2019 (In the tavern); and \u2018Cour d\u2019amours\u2019 (The court of love).<\/p>\n<p>(The songs of Carmina Burana were written principally in Medieval Latin, a few in Middle High German and old Arpitan. Some are even in macaronic, a mixture of Latin and German or French vernacular.)<\/p>\n<h2>What are the sections of <em>Carmina Burana<\/em>?<\/h2>\n<p>\u2018Primo vere\u2019 goes through the traditional vernal routine of saying farewell to winter and welcoming birds, bees, flowers and all before taking us onto the lawn (\u2018Uf dem anger\u2019) where our thoughts are directed towards what young people like to get up to as the warmer weather arrives, a theme explored in lascivious detail in \u2018Cour d\u2019amours\u2019.<\/p>\n<p>In between, \u2018In Taberna\u2019 begins with the solo baritone\u2019s folk-inspired \u2018Estuans interius\u2019 before we are presented with the aria \u2018Olim lacus colueram\u2019, in which a swan who is being roasted on a spit reflects how it once swam gracefully on a lake \u2013 sung either by a very high tenor, often switching in and out of falsetto, or by a <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-countertenor\/\"><strong>countertenor<\/strong><\/a>, it\u2019s intentionally gruesome, full of squawks and hoots.<\/p>\n<p>Presumably, the swan is on the menu of the Abbott who, introducing himself in the <a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-baritones\/\"><strong>baritone<\/strong><\/a>\u2019s chant-like \u2018Ego sum abbas\u2019, explains that he enjoys the company of drunkards and gamblers. \u2018In taberna quando sumus\u2019, a drinking chorus <em>par excellence<\/em>, follows.<\/p>\n<h2>Is <em>Carmina Burana<\/em> popular with performers?<\/h2>\n<p>Quirky solos and a large performing forces aside, however, there is surprisingly little for a conductor to work with in <em>Carmina Burana<\/em>. Forget intricate <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/polyphony-music-definition\/\"><strong>polyphony<\/strong><\/a>, for a start. Much of the music consists simply of a single vocal line plus orchestral accompaniment, and even when the chorus does sing in <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-harmony-in-music\/\"><strong>harmony<\/strong><\/a>, the various <a href=\"https:\/\/www.classical-music.com\/features\/articles\/classical-voice-types\/\"><strong>voices<\/strong><\/a> often double up \u2013 even in those grand opening \u2018O Fortuna\u2019 chords, the second sopranos and tenors sing the same line, as do the altos and basses.<\/p>\n<p>Orff can be ruthless with his singers, pushing both soloists and chorus members to the very tops of their range. Having being required to scale a top C (two above middle C) in the closing bars of \u2018Primo vere\u2019, the sopranos are probably glad of the break as the male singers alone head into the pub for the entirety of \u2018In taberna\u2019.<\/p>\n<iframe title=\"Carl Orff - Carmina Burana &quot;14. In taberna quando sumus&quot;, Conductor: Adel Shalaby \u0639\u0627\u062f\u0644 \u0634\u0644\u0628\u0649\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/YkgX8PUA3F8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>Though there are more restrained moments \u2013 the baritone\u2019s seasonal \u2018Omnia sol temperat\u2019 solo and the soprano\u2019s deliberations between love and chastity in \u2018In Trutina\u2019, for instance \u2013 subtlety is not something one immediately associates with <em>Carmina Burana<\/em>. For that reason, plus the unavoidable fact that it enjoyed cult popularity in Nazi Germany, it has as many detractors as it does devotees.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/artists\/nicola-stame-italian-tenor\/\">Meet Nicola Stame, an Italian tenor and war hero who fought fascism and was murdered by the Nazis<\/a><\/strong><\/li>\n<\/ul>\n<p>Many of the world\u2019s great conductors have been drawn to it, however, and the number of available recordings is vast\u2026<\/p>\n<p>\u00a0<\/p>\n<h2><em>Carmina Burana<\/em> best recordings<\/h2>\n<h3>Seiji Ozawa (conductor)<\/h3>\n<h4>Stanley Kolk (tenor), Evelyn Mandac (soprano), Sherrill Milnes (baritone); New England Conservatory Chorus and Children\u2019s Chorus, Boston Symphony Orchestra<br\/>\n<em>RCA 82876594172<\/em><\/h4>\n<div class=\"image-handler__container image-handler__container--full\" style=\"height: 900px; max-height: calc((100vw - 30px) * (900 \/ 900));\"> <picture> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=300%2C300, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=45&amp;resize=600%2C600 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=45&amp;resize=900%2C900 3x\" type=\"image\/webp\"> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=300%2C300, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=45&amp;resize=600%2C600 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=45&amp;resize=900%2C900 3x\" type=\"image\/jpeg\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=355%2C355, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=45&amp;resize=710%2C710 2x\" type=\"image\/webp\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=355%2C355, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=45&amp;resize=710%2C710 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=405%2C405, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=45&amp;resize=810%2C810 2x\" type=\"image\/webp\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=405%2C405, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=45&amp;resize=810%2C810 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=554%2C554\" type=\"image\/webp\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=554%2C554\" type=\"image\/jpeg\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=620%2C620\" type=\"image\/webp\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=620%2C620\" type=\"image\/jpeg\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=408%2C408, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=45&amp;resize=816%2C816 2x\" type=\"image\/webp\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=408%2C408, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=45&amp;resize=816%2C816 2x\" type=\"image\/jpeg\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?webp=true&amp;quality=90&amp;resize=556%2C556\" type=\"image\/webp\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=556%2C556\" type=\"image\/jpeg\"> <img class=\"wp-image-188842 align size-large image-handler__image image-handler__image--full no-wrap js-lazyload\" data-src=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/82876594172cmyk-12da9ae.jpeg?quality=90&amp;resize=900%2C900\" width=\"1024\" height=\"1024\" alt=\"Carmina Burana best recordings\" title=\"Carmina Burana best recordings\"\/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p>How did Orff himself like <em>Carmina Burana<\/em> to sound? For this, we can turn to two versions that we know had his personal stamp of approval \u2013 Eugen Jochum\u2019s from 1967 (see right) and Herbert Kegel\u2019s refined MDR Leipzig Radio Symphony Orchestra recording from 1960, complete with background birdsong (presumably intentional) at the start of \u2018Primo Vere\u2019.<\/p>\n<p>Both Jochum and Kegel display the keen sense of rhythm that is of vital importance in <em>Carmina Burana<\/em>, and it is worth remembering that Orff wrote it intending dance to be part of the mix. Similarly, there also need to be a feeling of forward momentum or, given Orff\u2019s penchant for repetition, the attention can so easily start to drift.<\/p>\n<p>The large orchestra should thrill, frolic and beguile in equal measure, while the soloists need to strike a fine balance between being characterful and hamming it up. Very few of the many recordings available are duds and several \u2013 including the likes of Andr\u00e9 Previn, Christian Thielemann and Riccardos Chailly and Muti \u2013 vied for the shortlist here. It is the 1970 recording by Seiji Ozawa and the Boston Symphony Orchestra that above all compels from start to finish.<\/p>\n<ul>\n<li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/worlds-best-orchestras\/\">The best orchestras in the world<\/a><\/strong><\/li>\n<\/ul>\n<p>And what a start \u2013 in the opening \u2018O fortuna\u2019, the contrast between <em>pianissimo<\/em> and <em>forte<\/em> when Ozawa\u2019s chorus and orchestra unleash their full might at \u2018Sors salutis\u2019 is hair-raising. And both here and throughout, the New England Conservatory Chorus gain extra points for their immaculate diction. Though listeners with a firm command of Latin plus Medieval French and German are probably few and far between, it is still nice to be able to hear all the words clearly.<\/p>\n<iframe title=\"Orff: Carmina Burana - O Fortuna - Boston Symphony Orchestra\/Ozawa (1969)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/T4tapW2qvuI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>Ozawa also has a first-rate team of soloists. One\u2019s appetite for roast swan can start to wane after repeated listenings, but Stanley Colk stands apart \u2013 singing at the top of his tenor range without ever heading into falsetto, he paints the very picture of despair.<\/p>\n<p>Soprano Evelyn Mandac is floatily seductive in \u2018Amor Volat Unique\u2019 and hits the top D in \u2018Dulcissime\u2019 with effortless elegance, while baritone Sherill Milnes is equally effective basking in the sun in \u2018Primo Vere\u2019 as he is as a debauched abbot in the taverna. Could he perhaps be a little less prim and precise in \u2018Estuans interius\u2019? Possibly, but it\u2019s a small blip in an otherwise hugely enjoyable experience.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.amazon.co.uk\/Orff-Carmina-Burana-Seiji-Ozawa\/dp\/B000003EUN\/ref=sr_1_3?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0\" target=\"_blank\" rel=\"sponsored noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<h2><em>Carmina Burana<\/em> greatest recordings<\/h2>\n<p>Three more to try<\/p>\n<h3>Eugen Jochum (conductor)<\/h3>\n<div class=\"image-handler__container image-handler__container--full\" style=\"height: 892px; max-height: calc((100vw - 30px) * (892 \/ 900));\"> <picture> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=300%2C297, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=45&amp;resize=600%2C595 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=45&amp;resize=900%2C892 3x\" type=\"image\/webp\"> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=300%2C297, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=45&amp;resize=600%2C595 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=45&amp;resize=900%2C892 3x\" type=\"image\/jpeg\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=355%2C352, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=45&amp;resize=710%2C704 2x\" type=\"image\/webp\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=355%2C352, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=45&amp;resize=710%2C704 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=405%2C401, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=45&amp;resize=810%2C803 2x\" type=\"image\/webp\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=405%2C401, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=45&amp;resize=810%2C803 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=554%2C549\" type=\"image\/webp\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=554%2C549\" type=\"image\/jpeg\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=620%2C614\" type=\"image\/webp\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=620%2C614\" type=\"image\/jpeg\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=408%2C404, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=45&amp;resize=816%2C809 2x\" type=\"image\/webp\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=408%2C404, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=45&amp;resize=816%2C809 2x\" type=\"image\/jpeg\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?webp=true&amp;quality=90&amp;resize=556%2C551\" type=\"image\/webp\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=556%2C551\" type=\"image\/jpeg\"> <img class=\"wp-image-188844 align size-large image-handler__image image-handler__image--full no-wrap js-lazyload\" data-src=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/4474372cmyk-d858e7a.jpeg?quality=90&amp;resize=900%2C892\" width=\"1024\" height=\"1024\" alt=\"Carmina Burana best recordings\" title=\"Carmina Burana best recordings\"\/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p>The German Eugen Jochum was, in 1952, one of the first conductors to record <em>Carmina Burana<\/em>, and then returned the work in 1967 for this superb recording with the Deutsche Oper Berlin.<\/p>\n<p>Full of urgency and considerable orchestral heft but also tenderness when necessary, it boasts dream soloists in soprano Gundula Janowitz and baritone Dietrich Fischer Dieskau, whose \u2018Omnia sol temperat\u2019 radiates a feeling of spring warmth like no other. Tenor Gerhard Stolze\u2019s swan errs on the side of sinister, however. <em>(Deutsche Grammophon 447 4372)<\/em><\/p>\n<ul>\n<li><a href=\"https:\/\/www.amazon.co.uk\/Orff-Carmina-Burana-Carl\/dp\/B000001GQP\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0\" target=\"_blank\" rel=\"sponsored noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<h3>Simon Rattle (conductor)<\/h3>\n<div class=\"image-handler__container image-handler__container--full\" style=\"height: 900px; max-height: calc((100vw - 30px) * (900 \/ 900));\"> <picture> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=300%2C300, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=45&amp;resize=600%2C600 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=45&amp;resize=900%2C900 3x\" type=\"image\/webp\"> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=300%2C300, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=45&amp;resize=600%2C600 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=45&amp;resize=900%2C900 3x\" type=\"image\/jpeg\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=355%2C355, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=45&amp;resize=710%2C710 2x\" type=\"image\/webp\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=355%2C355, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=45&amp;resize=710%2C710 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=405%2C405, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=45&amp;resize=810%2C810 2x\" type=\"image\/webp\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=405%2C405, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=45&amp;resize=810%2C810 2x\" type=\"image\/jpeg\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=554%2C554\" type=\"image\/webp\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=554%2C554\" type=\"image\/jpeg\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=620%2C620\" type=\"image\/webp\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=620%2C620\" type=\"image\/jpeg\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=408%2C408, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=45&amp;resize=816%2C816 2x\" type=\"image\/webp\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=408%2C408, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=45&amp;resize=816%2C816 2x\" type=\"image\/jpeg\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?webp=true&amp;quality=90&amp;resize=556%2C556\" type=\"image\/webp\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=556%2C556\" type=\"image\/jpeg\"> <img class=\"wp-image-188845 align size-large image-handler__image image-handler__image--full no-wrap js-lazyload\" data-src=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/24\/2023\/10\/5578882cmyk-407332b.jpeg?quality=90&amp;resize=900%2C900\" width=\"1024\" height=\"1024\" alt=\"Carmina Burana best recordings\" title=\"Carmina Burana best recordings\"\/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div>\n<p>As might be expected from a conductor who himself used to wield the timpanist\u2019s sticks, <a href=\"https:\/\/www.classical-music.com\/features\/recordings\/who-is-simon-rattle\/\"><strong>Simon Rattle<\/strong><\/a>\u2019s 2004 live New Year\u2019s Eve recording with the Berlin Philharmonic and admirably agile Rundfunkchor Berlin brings out the raw, percussive side of <em>Carmina Burana<\/em> \u2013 this is a literally hard-hitting, fast-moving account.<\/p>\n<p>If baritone soloist Christian Gerhaher\u2019s \u2018Estuans interius\u2019 strays a little on the sharp side, he makes up for it in riotous conviviality, while tenor Robert Brownlee is a superbly anguished swan and Sally Matthews a gorgeously warm-voiced soprano soloist. <em>(Warner Classics 557 8882)<\/em><\/p>\n<ul>\n<li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7934315--orff-carmina-burana\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Buy from Presto Music<\/strong><\/a><\/li>\n<\/ul>\n<h3>Rupert Huber (conductor)<\/h3>\n<p>Though the vast majority of <em>Carmina Burana<\/em> recordings are with orchestra, there is also an arrangement for soloists, choir, percussion and two pianos, made in 1956 by Wilhelm Killmayer at Orff\u2019s request.<\/p>\n<p>As revealed by this polished performance by the SWR Vokalensemble and GrauSchumacher Piano Duo, it\u2019s a surprisingly effective version, bringing out elements within the score that tend to get lost in the vast sound of the original. Being lighter in number than usual allows the immaculately disciplined chorus to display agility and nuance.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.amazon.co.uk\/Carmina-Burana-SWR-Vokalensemble-Stuttgart\/dp\/B005MQJMAG\/ref=sr_1_1?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0\" target=\"_blank\" rel=\"sponsored noopener noreferrer\"><strong>Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<h2>What to listen to after <em>Carmina Burana<\/em>?<\/h2>\n<p>Enjoyed Orff\u2019s idiosyncratic Carmina Burana? Here are five more works you may want to try\u2026<\/p>\n<h3>Orff:<em> Catulli Carmina<\/em><\/h3>\n<p>How many people know that <strong>Orff<\/strong>\u2019s <em>Carmina Burana<\/em> is actually one third of <em>Trionfi<\/em>, a trilogy of cantatas that also includes <em>Catulli Carmina<\/em> and <em>Trionfo di Afrodite<\/em>? The former sets texts by the Roman poet Catullus \u2013 master of bawdy repartee and phallic allusion \u2013 in a sequence that tells of his fraught relationship with Lesbia.<\/p>\n<p>Its introduction and finale are unusually scored for an accompaniment of four pianos and percussion, while the three central \u2018acts\u2019 consist of vocal soloists and chorus alone. (Soloists; Munich Radio Orchestra\/Franz Welser-M\u00f6st <em>Warner 555 5172<\/em>)<\/p>\n<h3>Schmidt: <em>The Book with Seven Seals<\/em><\/h3>\n<p>For a similarly large-scale contemporary of <em>Carmina Burana<\/em>, try <strong>Franz Schmidt<\/strong>\u2019s <em>The Book with Seven Seals<\/em>, premiered in 1938. For his libretto, Schmidt took texts from the <em>Book of Revelation<\/em> \u2013 given the date, its apocalyptic theme seems rather prescient.<\/p>\n<iframe title=\"Das Buch mit sieben Siegeln \/\/ Fabio Luisi &amp; The Danish National Symphony Orchestra (Live)\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/gQfMFH7UU7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/>\n<p>In contrast to Orff\u2019s rhythmically driven score, Schmidt\u2019s work is late-Romantic in style, with significant passages for solo organ. (Soloists; Tonk\u00fcnstler Orchester Nieder\u00f6sterreich, Wiener Singverein\/Kristjan J\u00e4rvi <em>Chandos CHSA5061(2)<\/em>)<\/p>\n<h3><strong>Hindemith: <em>Das Unaufh\u00f6rliche<\/em> (The One Perpetual)<\/strong><\/h3>\n<p><a href=\"https:\/\/www.classical-music.com\/composers\/paul-hindemith\/\"><strong>Paul Hindemith<\/strong><\/a> shared Orff\u2019s enthusiasm for musical education, so the appearance of a children\u2019s choir alongside the soloists, chorus and orchestra in his 1931 oratorio <em>Das Unaufh\u00f6rliche<\/em> (The One Perpetual) is no surprise. Over three movements, it sets a philosophical poem by Gottfried Benn that addresses the inevitable futility of challenging the principle of perpetuality. Much of the writing is typically knotty, but there are moments of drama and beauty too. (Soloists; Berlin Radio Chorus, Rundfunk-Sinfonieorchester Berlin\/Lothar Zagrosek <em>Wergo WER66032<\/em>)<\/p>\n<h3>Schulhoff: <em>Communist Manifesto<\/em><\/h3>\n<p>The following year, the increasingly left-leaning <strong>Erwin Schulhoff<\/strong> turned to Marx and Engels for inspiration, setting their words in his <em>Communist Manifesto<\/em>. Set in four movements and scored for double choir, four soloists, children\u2019s choir and large wind orchestra, the Czech composer\u2019s work was never performed in his lifetime. Revived in the 1970s, it is gutsy, brassy and, at times, surprisingly martial. (Soloists; Prague Radio SO and Chorus\/Franti\u0161ek Vajnar <em>YouTube<\/em>)<\/p>\n<h3>Manzarek: <em>Carmina Burana<\/em><\/h3>\n<p>Finally, for a different take on Orff, head for the 1983 rock reimagining of <em>Carmina Burana<\/em> by <strong>Ray Manzarek<\/strong>, former keyboard player of The Doors. Not all of it comes off \u2013 the opening \u2018O Fortuna\u2019, for instance, morphs into something akin to a comedy camel dance from a 1980s TV sketch show \u2013 but Manzarek\u2019s inventive keyboard work make it worth exploring. (Ray Manzarek (keyboards) et al <em>A&amp;M Records 394 945-2<\/em>)<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> From Old Spice to X Factor, a certain three minutes of Carmina Burana is known to many of us. But what of the rest of the work? Here&#8217;s our guide, and some best recordings <\/p>\n","protected":false},"author":24,"featured_media":33971,"template":"","categories":[1],"acf":{"readingTimeMinutes":"11"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings.jpg",900,900,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings-300x300.jpg",300,300,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings-768x768.jpg",768,768,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings.jpg",800,800,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings.jpg",900,900,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/10\/a-guide-to-orffs-carmina-burana-and-its-best-recordings.jpg",900,900,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"From Old Spice to X Factor, a certain three minutes of Carmina Burana is known to many of us. But what of the rest of the work? Here's our guide, and some best recordings","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/33970"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/33971"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=33970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=33970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}