{"id":36455,"date":"2023-04-21T10:00:48","date_gmt":"2023-04-21T09:00:48","guid":{"rendered":"http:\/\/9a339c79-4a13-45b4-8111-1aba0670d42b"},"modified":"2023-12-12T19:40:00","modified_gmt":"2023-12-12T18:40:00","slug":"the-greatest-piano-concertos-of-all-time","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-greatest-piano-concertos-of-all-time\/","title":{"rendered":"The greatest piano concertos of all time"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Freya Parr\n      <\/p><p class=\"rssbyline\">Published: Friday, 21 April 2023 at 09:00 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Well, it was quite a task, but we&#8217;ve stuck our necks out and selected some of the greatest piano concertos ever written.<\/p><p>We&#8217;ve made a conscious choice to include just one <a href=\"https:\/\/www.classical-music.com\/features\/what-concerto\/\"><strong>concerto<\/strong><\/a> by each composer &#8211; so many apologies to (deep breath) Brahms 1, Chopin 2, Prokofiev 3, Beethoven 4, Saint-Sa\u00ebns 5, a dozen Mozarts and many, many other wonderful works for piano and orchestra.<\/p><p>Here we go, though. What do you think?<\/p><h2 id=\"h-the-greatest-piano-concertos-of-all-time\">The greatest piano concertos of all time<\/h2><h3 id=\"h-prokofiev-piano-concerto-no-2\"><strong>Prokofiev Piano Concerto No. 2 <\/strong><\/h3><p>The ultimate technical challenge and test of stamina for any pianist, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-prokofiev\">Prokofiev<\/a><\/strong>&#8216;s Second Piano Concerto drives forward like a freight train, pulling out of the station gracefully, tentatively, before hammering on its way.<\/p><p>The opening movement\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-a-cadenza\/\">cadenza<\/a><\/strong>, so densely written it\u2019s scored on three staves, is a white-knuckle test for any pianist, while the final movement is an unstoppable force of pure energy.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-prokofievs-piano-concertos\/\">The best recordings of Prokofiev&#8217;s Piano Concertos<\/a><\/strong><\/li><\/ul><p>It\u2019s also incredibly beautiful, the composer perfectly balancing virtuosity and aesthetics.<\/p><p><em>Chosen by former editor <a href=\"https:\/\/www.classical-music.com\/author\/oliver-condy\/\"><strong>Oliver Condy<\/strong><\/a><\/em><\/p><p> <\/p><ul><li><strong><a href=\"http:\/\/www.classical-music.com\/article\/10-piano-concertos-you-may-not-know\">10 piano concertos you may not know<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-the-difference-between-a-concerto-and-a-symphony\/\">What is the difference between a concerto and a symphony?<\/a><\/strong><\/li><\/ul><h3 id=\"h-khachaturian-piano-concerto\"><strong>Khachaturian Piano Concerto <\/strong><\/h3><p>In the creepily sinuous <em>Andante con anima<\/em> second movement of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/aram-khachaturian\"><strong>Khachaturian<\/strong><\/a>\u2019s Piano Concerto, a distinctly eerie sound \u2013 like something from a horror movie \u2013 emerges from the back of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\/\">orchestra<\/a><\/strong>. <\/p><ul><li><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/four-best-khachaturian-recordings\/\"><strong>Four of the best Khachaturian recordings<\/strong><\/a><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/composers\/who-invented-the-piano-recital\/\">Who invented the piano recital?<\/a><\/strong><\/li><\/ul><p>While this appearance of the musical saw (or, alternatively, the flexatone) gives the <a href=\"https:\/\/www.britannica.com\/place\/Armenia\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Armenian<\/strong><\/a> composer\u2019s 1936 work a uniqueness within the concerto repertoire, there is a lot more to his <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-concerto\/\">Concerto<\/a><\/strong> than just that.<\/p><p>The opening movement of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/khachaturian-piano-concerto-guide-best-recordings\">Khachaturian Piano Concerto<\/a><\/strong> is a riot of oriental colour and chromaticism, while the <em>Allegro brillante<\/em> finale hurls the soloist, orchestra and listeners towards a thrilling finish.<\/p><p><em>Chosen by deputy editor <a href=\"https:\/\/www.classical-music.com\/author\/jeremypound\/\"><strong>Jeremy Pound<\/strong><\/a><\/em><\/p><p><strong>Read our <a href=\"https:\/\/www.classical-music.com\/tag\/khachaturian-reviews\/\">reviews of the latest Khachaturian recordings here <\/a><\/strong><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Khachaturian Piano Concerto in D-flat major - JY Thibaudet\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8ZQVuQLCk9o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/who-invented-the-piano\/\">When was the piano invented and by whom?<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/who-invented-the-steinway-piano\/\">Who invented the Steinway piano?<\/a><\/strong><\/li><\/ul><h3 id=\"h-brahms-piano-concerto-no-2\">Brahms Piano Concerto no. 2<\/h3><p>To be honest, when it comes to cast-iron classics of the piano repertoire, there&#8217;s barely a hair&#8217;s breadth separating <strong><a href=\"https:\/\/www.classical-music.com\/composers\/johannes-brahms\/\">Brahms<\/a><\/strong>&#8216; two monumental piano concertos. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/top-10-brahms-works\/\">Top 10 Brahms works<\/a><\/strong><\/li><\/ul><p>The First is stormier, full of youthful passion (the composer was 24\/25 when he wrote it) and with a meltingly gorgeous slow movement. The Second, written some 22 years later, has that recognisable &#8216;mature Brahms&#8217; style &#8211; a warm, sometimes melancholy, slightly &#8216;autumnal&#8217; feel.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Brahms \u2013 Piano Concerto No. 2. Marc-Andr\u00e9 Hamelin &amp; Jacek Kaspszyk, Warsaw Philharmonic\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/A2PTTyTkJLY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/brahms-style-guide\/\">Brahms: a style guide<\/a><\/strong><\/li><\/ul><p>Yes, there&#8217;s another beautiful slow movement to wallow in, with an unusually prominent part for another instrument &#8211; the cello, in this case. Which is not to say that Brahms&#8217; Second Piano Concerto is lacking in drama: the second movement features a gripping duel between piano and orchestra. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-brahms-recordings\/\">Six of the best Brahms recordings<\/a><\/strong><\/li><\/ul><p><em>Chosen by content producer <a href=\"https:\/\/www.classical-music.com\/author\/stevewright1\/\"><strong>Steve Wright<\/strong><\/a><\/em><\/p><h3 id=\"h-beethoven-piano-concerto-no-5\"><strong>Beethoven Piano Concerto No. 5 <\/strong><\/h3><p><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\/\"><strong>Beethoven<\/strong><\/a>\u2019s fifth and final piano concerto blazes with majesty and energy, its three movements ranging from transcendence to triumph.<\/p><p>Cast in the heroic key of E flat major, this 1811 concerto is full of confidence and joy \u2013 listening to it can\u2019t fail to lift one\u2019s spirits.<\/p><p>The piece is at its most magical in the <em>Adagio un poco mosso<\/em>, a hymn-like movement in B major that seems to take us to another realm.<\/p><p><em>Chosen by former managing editor <a href=\"https:\/\/www.classical-music.com\/author\/rebeccafranks\/\"><strong>Rebecca Franks<\/strong><\/a><\/em><\/p><p><strong>Read our <a href=\"https:\/\/www.classical-music.com\/tag\/beethoven-reviews\/\">reviews of the latest Beethoven recordings here<\/a><\/strong><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Alina Bercu performs Beethoven's Piano Concerto No. 5 in E flat major op. 73 (full)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3TiYGxOQDYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/5-essential-works-left-hand-piano\/\"><strong>Five of the best pieces for piano left hand<\/strong><\/a><\/li><\/ul><h3 id=\"h-rachmaninov-piano-concerto-no-2\"><strong>Rachmaninov Piano Concerto No. 2<\/strong><\/h3><p>Is there a more romantic concerto than <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-rachmaninovs-piano-concerto-no-2\/\">Rachmaninov&#8217;s Second Piano Concerto<\/a><\/strong>? Okay, the work is now imbued with the heady emotion of David Lean\u2019s classic film <a href=\"https:\/\/www.britannica.com\/topic\/Brief-Encounter-film-by-Lean\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Brief Encounter<\/em><\/strong><\/a> (1945) and it\u2019s easy to see why it was chosen as the soundtrack.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/best-20th-century-british-film-scores\">Best 20th-century film scores<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-film-scores\">The best film scores of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/greatest-film-theme-all-time-announced\">The greatest film theme of all time<\/a><\/strong><\/li><\/ul><p>It\u2019s a musical rollercoaster of contemplation and elation \u2013 which it ably added to what might have otherwise been a bit of a staid drama.<\/p><p>Written while <a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\/\"><strong>Rachmaninov<\/strong><\/a> was coming through a deep depression, the music does appear to render, in vivid hues, the complexities of human emotion \u2013 from the darkness of self-doubt to the intoxicating release that comes when the light is finally allowed in.<\/p><p><em>Chosen by reviews editor <a href=\"https:\/\/www.classical-music.com\/author\/michaelbeek\/\"><strong>Michael Beek<\/strong><\/a><\/em><\/p><p><strong>Read our <a href=\"https:\/\/www.classical-music.com\/tag\/rachmaninov-reviews\/\">reviews of the latest Rachmaninov recordings here<\/a><\/strong><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Rachmaninoff: Piano Concerto no.2 op.18 - Anna Fedorova - Complete Live Concert - HD\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/rEGOihjqO9w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-rachmaninovs-piano-concerto-no-2\/\"><strong>The best recordings of Rachmaninov&#8217;s Piano Concerto No. 2<\/strong><\/a><\/li><\/ul><h3 id=\"h-ravel-piano-concerto\"><strong>Ravel: Piano Concerto <\/strong><\/h3><p>A whip crack. Jazz-infused melodies. A soundworld taking inspiration from Basque and Spanish music. What\u2019s not to enjoy? <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/maurice-ravel\/\">Ravel<\/a><\/strong>\u2019s concerto manages to achieve real emotional depth while also giving us the perfect party piece. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/gaspard-de-la-nuit\/\"><em>Gaspard de la Nuit<\/em>: a guide to Ravel\u2019s haunting piano cycle and its best recordings<\/a><\/strong><\/li><\/ul><p>After the first movement, which is full of fire and fun, the second movement takes a step back and explores a much more serene landscape.<\/p><p>The piece ends with a final movement travelling through a series of unexpected key signatures to revisit the initial feisty atmosphere. It\u2019s got everything you could wish for in a piano concerto.<\/p><p><em>Chosen by editorial assistant <a href=\"https:\/\/www.classical-music.com\/author\/freyaparr\/\"><strong>Freya Parr<\/strong><\/a><\/em><\/p><h3 id=\"h-saint-saens-piano-concerto-no-2\">Saint-Sa\u00ebns: Piano Concerto No. 2<\/h3><p>Another Second Concerto &#8211; and another composer for whom choosing a best piano concerto is quite a task. All five of the <strong><a href=\"https:\/\/www.classical-music.com\/composers\/camille-saint-saens\/\">Saint-Sa\u00ebns<\/a><\/strong> concertos are absolute gems, full of sparkling writing for both piano and orchestra.<\/p><p>Number two might just shade it, however, with its dense and captivating first movement (full of Bachian solemnity) and wild thrill ride of a Finale.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Lara Melda (\u00d6mero\u011flu) at 16 - Saint-Sa\u00ebns Piano Concerto No. 2: BBC Young Musician of 2010\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/NE5mjx7tDzw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>The central movement, meanwhile, always make us feel as though we are sauntering down a Parisian boulevard in the spring sunshine.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/forgotten-piano-concertos\/\"><strong>Forgotten Piano Concertos<\/strong><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-beethovens-hammerklavier-sonata\/\"><strong>The best recordings of Beethoven&#8217;s <em>Hammerklavier<\/em> Sonata<\/strong><\/a><\/li><\/ul><p> <\/p><h3 id=\"h-grieg-piano-concerto\">Grieg: Piano Concerto<\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/edvard-grieg\/\">Grieg<\/a><\/strong> is well known as an exceptional melodist, a spinner of some beguiling and often captivatingly atmospheric tunes, and nowhere is this more in evidence than in his only piano concerto.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Khatia Buniatishvili - Grieg - Piano Concerto in A minor - Sokhiev\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/zMq7sKePlQ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>This concerto probably rivals Tchaikovsky&#8217;s for the most dramatic opening in the piano concerto literature. After that, there&#8217;s a wonderful continuum of beguiling melodies and absorbing ambiences.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-grieg\/\">Five essential works by Grieg<\/a><\/strong><\/li><\/ul><p>This is another piano concerto blessed with an achingly tender slow movement. That&#8217;s followed by a lively <em>Rondo<\/em> finale which also contains a beautiful central theme. <\/p><h3 id=\"h-mozart-piano-concerto-no-20\">Mozart: Piano Concerto No. 20<\/h3><p>Up until number 20, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/mozart\/\">Mozart<\/a><\/strong>&#8216;s piano concertos are generally bright, quicksilver pieces. Here, though, a captivating element of darkness enters this most wonderful body of work. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/mozart-piano-concertos-best-recordings\/\">The best recordings of Mozart&#8217;s Piano Concertos<\/a><\/strong><\/li><\/ul><p> Almost like a proto-<a href=\"https:\/\/www.classical-music.com\/composers\/best-romantic-composers\/\"><strong>Romantic<\/strong><\/a> concerto (its equally fine successor number 24 is even more so), Mozart&#8217;s Piano Concerto No. 20 has a distinctly ominous opening. There&#8217;s a brooding tension here that foreshadows some of the darkness of Mozart&#8217;s great opera <a href=\"https:\/\/www.classical-music.com\/features\/articles\/building-library-mozarts-don-giovanni\/\"><strong><em>Don Giovanni<\/em><\/strong><\/a>, which was to follow some two years after. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-mozart-operas\/\">Six of the best Mozart operas<\/a><\/strong><\/li><\/ul><p>Then, of course, there&#8217;s that wonderfully frenetic final movement. Right from its beginning &#8211; a dramatic up-surging arpeggio known as a &#8216;Mannheim rocket&#8217; &#8211; this movement constantly captivates, managing a fine balance of tension and lightness.<\/p><h3 id=\"h-schumann-piano-concerto\">Schumann: Piano Concerto<\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/robert-schumann\/\">Schumann<\/a><\/strong>&#8216;s only piano concerto contains some of the same mixture of Romantic drama and joyously infectious melodies as Grieg&#8217;s, which came some 23 years later. Indeed, the two are often paired on disc &#8211; there are some wonderful pairings from pianists such as Murray Perahia, Leif Ove Andsnes, Radu Lupu and Stephen Kovacevich. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\/\">The 20 Greatest Pianists of all time<\/a><\/strong><\/li><\/ul><p>This is another concerto with a dramatic opening. Shortly after, the sense of stirring as the melody starts to assert itself and spread throughout the orchestra is a very exciting movement (and something Schumann did very well &#8211; think of the buildup of momentum of his First Symphony, the &#8216;Spring&#8217;).<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Schumann Piano Concerto, in A minor, OP. 54 Martha Argerich &amp; Riccardo Chailly\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Ynky7qoPnUU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Then there&#8217;s a final movement with another distinctive Schumann touch &#8211; a sense of unfettered energy and joy: the Romantic spirit let loose.<\/p><h3 id=\"h-tchaikovsky-piano-concerto-no-1\">Tchaikovsky: Piano Concerto No. 1<\/h3><p><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/tchaikovskys-piano-concerto-no-1-guide-best-recordings\/\"><strong>Tchaikovsky&#8217;s first piano concerto<\/strong><\/a> (he later wrote a second, plus a single movement of a third) is one of the best-loved in the repertoire. In particular, it&#8217;s a concert favourite thanks to its abundance of &#8216;big tunes&#8217;.<\/p><p>The first two minutes or so set out the concerto&#8217;s stall, with a dramatic beginning &#8211; a short, declamatory horn theme greeted with sharp, penetrating orchestral chords. The piano then takes up the theme, spinning it into a wildly Romantic and swooning melody.<\/p><p><strong>Did you know:<\/strong> the first movement&#8217;s minor key theme is a Ukrainian folk melody. <strong><a href=\"https:\/\/www.classical-music.com\/composers\/pyotr-ilyich-tchaikovsky\/\">Tchaikovsky<\/a><\/strong> heard the melody being performed by blind Ukrainian musicians at a market in <a title=\"Kamianka, Cherkasy Oblast\" href=\"https:\/\/en.wikipedia.org\/wiki\/Kamianka,_Cherkasy_Oblast\"><strong>Kamianka<\/strong><\/a>, near Kyiv. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/ukrainian-folk-songs\/\">Ukrainian folk songs: 10 of the best<\/a><\/strong><\/li><\/ul><h3 id=\"h-shostakovich-piano-concerto-no-2\">Shostakovich: Piano Concerto No. 2<\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/dmitri-shostakovich\/\">Shostakovich<\/a><\/strong>&#8216;s two piano concertos see the composer letting his hair down, with music of a bracing lightness and sometimes frenetic energy. This is not the world of <a href=\"https:\/\/www.classical-music.com\/features\/articles\/introduction-shostakovichs-symphony-no-8\/\"><strong>Shostakovich&#8217;s Symphony No. 8<\/strong><\/a> (or indeed of the String Quartet No. 8).<\/p><p>Or at least, this is true of the two concertos&#8217; outer movements. A sense of fun and adventure is all to the fore here. The final movements, in particular, have an infectious sense of flippancy and fun.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/shostakovichs-best-symphonies\/\">Which is Shostakovich&#8217;s best symphony?<\/a><\/strong><\/li><\/ul><p>However, in both cases, these outer movements bookend a centrepiece of great feeling. We&#8217;ve chosen the Second Piano Concerto because its central movement is, simply, one of the most beautiful things we have heard (not what you might be expecting from Shostakovich), from within the piano concerto repertoire or beyond.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Shostakovich - Piano Concerto No. 2: II. Andante\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/JlMHjo7Jwhk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Freya Parr Published: Friday, 21 April 2023 at 09:00 AM Well, it was quite a task, but we&#8217;ve stuck our necks out and selected some of the greatest piano concertos ever written. We&#8217;ve made a conscious choice to include just one concerto by each composer &#8211; so many apologies to (deep breath) Brahms 1, [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":36456,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/the-greatest-piano-concertos-of-all-time.jpg",200,200,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Freya Parr Published: Friday, 21 April 2023 at 09:00 AM Well, it was quite a task, but we&#8217;ve stuck our necks out and selected some of the greatest piano concertos ever written. We&#8217;ve made a conscious choice to include just one concerto by each composer &#8211; so many apologies to (deep breath) Brahms 1,&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/36455"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/36456"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=36455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=36455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}