{"id":37096,"date":"2023-12-20T16:54:23","date_gmt":"2023-12-20T15:54:23","guid":{"rendered":"http:\/\/02bdce8d-ab05-4f88-8df0-9024743a6210"},"modified":"2023-12-20T17:39:57","modified_gmt":"2023-12-20T16:39:57","slug":"leonard-bernstein-composer-conductor-educator-hero","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/leonard-bernstein-composer-conductor-educator-hero\/","title":{"rendered":"Leonard Bernstein: composer, conductor, educator, hero"},"content":{"rendered":"

<\/p>

By BBC Music Magazine\n <\/p>

Published: Wednesday, 20 December 2023 at 15:54 PM<\/p>

\n\n

Every self-respecting symphony orchestra can dash off the Candide<\/em> Overture in the time it takes to boil an egg. Tunes like \u2018Maria\u2019 and \u2018Tonight\u2019 are evergreens. So it may seem perverse to describe Leonard Bernstein as an unknown composer. <\/p>

Who was Leonard Bernstein?<\/h2>
The truth is that Bernstein was a musical Jekyll and Hyde. There was never any question about the quality of his musicals: with the exception of the bicentennial disaster, 1600 Pennsylvania Avenue<\/em>, they were instant successes and have remained firm favourites.<\/p>
The mould-breaking West Side Story<\/strong><\/em><\/a> is often revived on Broadway and in the West End \u2013 and also mounted by school amateurs at one end of the spectrum and prestigious opera houses at the other, among them La Scala<\/a><\/strong> and Bregenz. <\/p>
<\/div><\/figure><p>The first production of <em>Candide<\/em>, his satirical operetta, was a flop and took 30 years to shake into shape. However, it now works equally well on stage or in the concert version that Bernstein himself trail-blazed at the Barbican in what proved to be his last London appearance before his death in 1990, aged 72. Since then, Bernstein\u2019s lighter shows \u2013 <em>On the Town<\/em> and <em>Wonderful Town <\/em>\u2013 have, too, been frequently revived.<\/p><h2 id=\"h-what-did-leonard-bernstein-compose\">What did Leonard Bernstein compose?<\/h2><p>While he was alive and a superstar of the rostrum, other conductors steered clear of Bernstein\u2019s concert hall compositions so that recordings and performances, other than his own, were rare. His output was substantial, including two operas, three symphonies, three ballets, three song cycles, a song symphony (<em>Songfest<\/em>), a Mass and what in effect are concertos for violin (<em>Serenade<\/em>), flute (<em>Halil<\/em>) and cello (<em>Meditations<\/em>). <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-violin-concertos-of-all-time\">Greatest violin concertos of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-cello-concertos-of-all-time\">Greatest cello concertos of all time<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embedwrapper\"><iframe title=\"Janine Jansen | Bernstein: Serenade for violin, string orchestra, harp and percussion - LIVE 2017\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Rp868n6rem8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>But is this body of work any good? At the height of his fame as a conductor, his reputation was often under fire. In 1966 the New York critic Alan Rich wrote that listening to the <em>Serenade<\/em> was like \u2018sucking on a sugar-free lollipop\u2019; the score, which many now see as his most beautiful abstract work, was dismissed as \u2018drab, tawdry and derivative\u2019.<\/p><h3 id=\"h-what-is-bernstein-s-reputation-now\">What is Bernstein’s reputation now?<\/h3><p>As <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-sibelius\">Sibelius<\/a><\/strong> once observed tartly, whoever heard of a statue being erected in honour of a critic? Whereas the street outside New York\u2019s Lincoln Center has been re-named Leonard Bernstein Place and, yes, his music definitely does cut the mustard. <\/p><p>Conductors of the calibre of Previn and Tilson Thomas were the first to champion him (while he was still alive) and in the 1980s the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/the-london-symphony-orchestra-five-famous-conductors\">London Symphony Orchestra<\/a><\/strong>, with whom he\u2019d already been working for 20 years, elected Bernstein their life president and mounted a festival in his honour. Since then his compositions have appeared in concert programmes played and broadcast all over the world.<\/p><p>Maybe Jekyll and Hyde, suggesting a split personality, is the wrong analogy. In his passport, Leonard Bernstein described himself simply as \u2018musician\u2019 \u2013 pianist, conductor, teacher as well as composer \u2013 and he made no distinction between Broadway and Carnegie Hall. He was proud of his eclecticism and unashamed of writing melodies in recognisable keys \u2013 even if they sometimes followed hard on the heels of brutally aggressive atonal passages, as in his \u2018Kaddish\u2019 Symphony No. 3. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/five-best-shostakovich-conductors\">Five of the best: Shostakovich conductors<\/a><\/strong><\/li><\/ul><h2 id=\"h-what-is-bernstein-s-music-like\">What is Bernstein’s music like?<\/h2><p>At heart, Bernstein was a traditionalist who believed in the natural supremacy of good old-fashioned tonality, yet each of his three symphonies brings something new, such as the despairing mezzo voice that sings the Old Testament lamentation in his Symphony No. 1, or the variation techniques in No. 2 which precisely mirrors the form of WH Auden\u2019s<em> The Age of Anxiety<\/em>. \u2018All my music is theatrical,\u2019 Bernstein said later of the \u2018Kaddish\u2019; much of it, too, is concerned with man\u2019s loss of faith in a barren age.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embedwrapper\"><iframe title=\"Bernstein: 3. Sinfonie (\u00bbKaddish\u00ab) \u2219 hr-Sinfonieorchester \u2219 Samuel Pisar etc. \u2219 Eliahu Inbal\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/zTAnmHPTKEk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Bernstein\u2019s need to write music that is about something external to the notes laid him open to charges of histrionics, even of sentimentality. However, when it is performed with conviction, and with strict attention to the composer\u2019s instructions, his music rarely fails to deliver the \u2018tingle\u2019 factor.<\/p><p>One thinks of the unfolding majesty of the grand G major tune in the last of the <em>Chichester Psalms<\/em> (originally composed for a Broadway show with lyrics by Comden and Green) or the love music from <em>On The Waterfront <\/em>or perhaps best of all the uplifting closing chorus in <em>Candide<\/em>, \u2018Make Our Garden Grow\u2019.<\/p><h3 id=\"h-what-were-leonard-bernstein-s-later-works\">What were Leonard Bernstein’s later works?<\/h3><p>As he grew older, composing became more difficult and he gave up his New York conducting post at 50, intending to devote more time to composition. But the critical drubbing he received after <em>Mass<\/em> made him wary and happier when working as a teacher and conductor, where almost everybody appreciated his talents. <\/p><p>He was lured back to Broadway by a collaboration with the lyricist Allan J Lerner on <em>1600 Pennsylvania Avenue<\/em>. To examine the first 100 years of the US presidency seemed a good idea but it was muddied by a sub-plot concerning the place of black people in the nation and at the White House. The show died on Broadway, closing after five days, delivering an even worse blow to Bernstein\u2019s reputation than his fundraising cocktail party for the Black Panthers, which was pilloried by Tom Wolfe in <em>Radical Chic<\/em>.<\/p><h3 id=\"h-final-works\">Final works<\/h3><p>But once again Bernstein pulled something out of the ruins. This time, it was a belated bicentennial tribute, <em>Songfest<\/em>, for which he selected a dozen poems by four centuries of American poets. Bernstein\u2019s long-running love affair with the voice continued in several other late compositions, most importantly in the autobiographical opera <em>A Quiet Place<\/em> (1983) which revisits, 30 years on, the suburban family Bernstein created for <em>Trouble in Tahiti<\/em>. <\/p><p>The less ambitious <em>Arias and Barcarolles was<\/em> conceived for two voices and two pianists; the <em>Concerto for Orchestra<\/em> ends with a baritone soloist. At the time of his death he was struggling to find a form for an opera he longed to write about the Holocaust. His need to create work of significance was sometimes like a millstone round his neck: arguably the happiest of his late compositions is the 1980 <em>Divertimento<\/em>, evoking memories of his Boston childhood.<\/p><h2 id=\"h-who-was-leonard-bernstein-s-wife\">Who was Leonard Bernstein’s wife?<\/h2><p>Bernstein married the actress\u00a0Felicia Montealegre Cohn\u00a0on 9 September, 1951.\u00a0They had three children, Jamie, Alexander, and Nina.\u00a0The Bernstein family lived in New York City and in\u00a0Fairfield, Connecticut.\u00a0<\/p><h2 id=\"h-when-did-leonard-bernstein-die\">When did Leonard Bernstein die?<\/h2><p>Leonard Bernstein announced his retirement from conducting on 9 October, 1990. He died just five days later in his New York apartment, aged 72. <\/p><h3 id=\"h-where-is-he-buried\">Where is he buried?<\/h3><p>Bernstein is buried at Green-Wood Cemetery in Brooklyn, New York, next to his wife and with a copy of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/gustav-mahler\">Mahler<\/a><\/strong>‘s Fifth Symphony left open at the famous <em>Adagietto<\/em>.<\/p><h2 id=\"h-where-can-i-watch-maestro-the-leonard-bernstein-biopic\">Where can I watch <em>Maestro<\/em>, the Leonard Bernstein biopic?<\/h2><p>Starring Bradley Cooper (who also directs) and Carey Mulligan, the Leonard Bernstein biopic <em><strong><a href=\"https:\/\/www.classical-music.com\/articles\/everything-we-know-about-bradley-coopers-new-bernstein-biopic-coming-to-netflix\">Maestro<\/a><\/strong><\/em> made its debut on Netflix on 20 December 2023. .<\/p><p><em>Humphrey Burton<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By BBC Music Magazine Published: Wednesday, 20 December 2023 at 15:54 PM Every self-respecting symphony orchestra can dash off the Candide Overture in the time it takes to boil an egg. Tunes like \u2018Maria\u2019 and \u2018Tonight\u2019 are evergreens. So it may seem perverse to describe Leonard Bernstein as an unknown composer. Who was Leonard Bernstein? […]<\/p>\n","protected":false},"author":24,"featured_media":37097,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"6"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero.jpg",250,375,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero-200x300.jpg",200,300,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero.jpg",250,375,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero.jpg",250,375,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero.jpg",250,375,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2023\/12\/leonard-bernstein-composer-conductor-educator-hero.jpg",250,375,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By BBC Music Magazine Published: Wednesday, 20 December 2023 at 15:54 PM Every self-respecting symphony orchestra can dash off the Candide Overture in the time it takes to boil an egg. Tunes like \u2018Maria\u2019 and \u2018Tonight\u2019 are evergreens. So it may seem perverse to describe Leonard Bernstein as an unknown composer. Who was Leonard Bernstein?…","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/37096"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/37097"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=37096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=37096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}