{"id":37139,"date":"2024-01-02T17:07:33","date_gmt":"2024-01-02T16:07:33","guid":{"rendered":"http:\/\/f5a382b8-b110-4e58-80e2-927365461710"},"modified":"2024-01-02T18:40:02","modified_gmt":"2024-01-02T17:40:02","slug":"tasmin-little-interview-no-longer-performing-but-busier-than-ever","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/tasmin-little-interview-no-longer-performing-but-busier-than-ever\/","title":{"rendered":"Tasmin Little interview: no longer performing, but busier than ever"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 02 January 2024 at 16:07 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Tasmin Little has not retired. Despite announcing in 2019 to her audience, fellow musicians and the industry that she would be \u2018stepping down from the concert platform\u2019, and not placing bow to string since her farewell Southbank Centre concert at the end of 2020, the much-loved British violinist is busier than ever. <\/p><p>Yet, she no longer owns a violin, having sent her cherished instrument and bow to a new home following that final performance. So, no personal practice in the privacy of her house, nor playing with friends and family, and no practical demonstrations for students during masterclasses.<\/p><p>Some would consider this a rather stark decision, particularly for someone whose life was intimately bound with the instrument since attending the Yehudi Menuhin School from the age of eight. But for Tasmin Little, the decision makes perfect sense \u2013 and surprisingly, is one that she came to during her 20s. <\/p><p>\u2018I think the long and short of it is that I\u2019m a communicator,\u2019 she explains, \u2018and for the majority of my life I\u2019ve used my violin for this purpose. But I\u2019m just as comfortable using my voice and my vocabulary. And I never said I was going to retire \u2013 I\u2019m a long way off retirement.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"BRUCH Violin Concerto No. 1 - Tasmin Little (Final Tour)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Plvsjt8XJMM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>The daughter of theatre and screen actor George Little, the young Tasmin may have shown prodigious skill as a violinist, but, encouraged by her father, honing her skills as an orator and writer also formed a crucial aspect of her upbringing. Both parents were cultural enthusiasts, attending museums and galleries in addition to concerts, and \u2018watching people perform\u2019 in myriad ways \u2018other than musically\u2019 was a common family activity.<\/p><p>It\u2019s unsurprising then, that in her 50s, Tasmin Little was increasingly feeling the lack of \u2018other things in my life\u2019 following decades of near 24\/7 dedication to performing. \u2018Because I\u2019d always been interested in new works and broadening the repertoire, I\u2019d be preparing and performing a huge number of pieces throughout the year, sometimes as many as 20 different violin concertos in a season and a vast range of recital repertoire too. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-violin-concertos-of-all-time\">The greatest violin concertos of all time<\/a><\/strong><\/li><\/ul><p>&#8216;There were no holidays and certainly no weekends, and weirdly I felt culturally undernourished,\u2019 she says. \u2018I know that sounds peculiar, but I had no time to go to the theatre or the cinema or to see an exhibition.\u2019<\/p><p>The other side of the equation was a very practical desire not to see her technical skills deteriorate as she became older. \u2018I never wanted to go downhill,\u2019 she says matter-of-factly. \u2018I never wanted people to say, \u201cShe used to be good\u201d or \u201cThat was good musically, but what a pitty about the technique.\u201d And although my playing was still sound as I entered my 50s, I had to ask myself, did I want to be putting on a long ball gown to perform in my 60s? Sure, plenty of people do it successfully, but it wasn\u2019t for me.\u2019<\/p><figure class=\"wp-block-image size-large\"><figcaption class=\"wp-element-caption\">Tasmin Little: &#8216;I\u2019m a communicator, and for the majority of my life I\u2019ve used my violin for this purpose. But I\u2019m just as comfortable using my voice and my vocabulary&#8217;. Pic: Richard Cannon<\/figcaption><\/figure><p>Sealing the deal was a finger injury in 2019 \u2013 the only major injury of the violinist\u2019s intensely busy career \u2013 which forced her to stop playing for eight weeks of recovery. How would she cope psychologically with being away for her instrument for such a lengthy amount of time? It turns out very well \u2013 a realisation that was strengthened as the pandemic hit in early 2020. <\/p><p>\u2018At that point I was using my voice a lot,\u2019 she says. \u2018I did an enormous number of interviews talking about the plight of musicians and wrote articles on the impact of both Covid and Brexit. Because I wasn\u2019t attached to an institution or orchestra, I felt able and willing to speak up on the behalf of others. It felt natural.\u2019<\/p><p>As well it might, for Little, even at her busiest as a performer, was never a musician to shy away from using her voice. Alongside a career that encompassed 45 commercial recordings, multiple international tours, and no less than 20 performances at the <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/\">BBC Proms<\/a><\/strong>, she could also be found on television and radio sharing her love of music, in the House of Commons advocating the importance of music education, and acting as an ambassador for charities such as Help Musicians UK and Youth Music. <\/p><p>As far back as the early 90s she was speaking to audiences from the stage in her pioneering verbal introductions to concerts \u2013 an impulse that found particular success in 2008\u2019s \u2018Naked Violin\u2019 project, which offered free downloads and introductions to performances on her website, leading to workshops in non-traditional concert venues such as schools, hospitals and prisons.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Tasmin Little plays Clara Schumann, Dame Ethel Smyth &amp; Amy Beach\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6gvatuGjkxc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Snap forward to that life-changing decision to part ways with the violin, and Little has grabbed the opportunity to develop her other passions with both hands. She has continued to give masterclasses for young musicians, expanding her involvement to incorporate all the major London colleges, in addition to specialist music schools like Chethams and the Purcell School. <\/p><p>She\u2019s also been joint director of the Menuhin School with <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-is-daniel-barenboim\">Daniel Barenboim<\/a><\/strong> since 2019, though she\u2019s at pains to point out that this unpaid post is more about shaping an ethos for the school than taking part in its day-to-day running: \u2018I knew Yehudi quite well and understand what he would and wouldn\u2019t have supported, so providing that personal guidance is a big part of what I do\u2019. She adjudicates for select competitions, too \u2013 last year she sat on the jury of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/carl-nielsen\">Carl Nielsen<\/a><\/strong> Competition and next year she will head to Norway for the Princess Astrid contest.<\/p><p>But more than this, she\u2019s built on the work she has done previously for BBC <strong><a href=\"https:\/\/www.classical-music.com\/listen-to-radio-three\/\">Radio 3<\/a><\/strong> (including 2021\u2019s three-week series <em>Journeys with my Violin<\/em>) to develop an eight-part \u2018flexible conversation\u2019 series with New Generation Artists, providing an insight into \u2018who these people are outside their amazing musicianship\u2019. Called <em>Backstage Pass<\/em>, the series takes as its premise the idea of \u2018two musicians having a discussion in their dressing room\u2019.<\/p><p>So far, so standard, as such activities fall firmly within the musical sphere. Perhaps more intriguing, however, are Little\u2019s activities outside this realm. He contributions to the <em>China Current<\/em>, a relatively new English-language website dedicated to all things Chinese with an enormous global audience, have taken her into decidedly journalistic territory. <\/p><p>As the website\u2019s Cultural Correspondent, Little is responsible for conceiving, writing and recording two programmes per month on topics of cultural significance \u2013 from the <em><strong><a href=\"https:\/\/www.classical-music.com\/news\/video-violinist-joshua-bell-performs-the-butterfly-lovers-concerto\">Butterfly Lovers Concerto<\/a><\/strong><\/em> to Chinese dance, to the uses of caterpillar silk, to the development of the Chinese hotpot. Some of her recent programmes have generated a whopping 1.2m views. \u00a0<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"The Lark Ascending \u2013 Ralph Vaughan Williams' Beloved Violin Masterpiece with Tasmin Little\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/QkBZqMnWf_c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Then, she\u2019s also built on the qualification in mentoring and coaching she earned from the Guildhall in January 2021 to join a company called Mentore as an advisor for people from the business world. At first glance a completely left-field step, the more Tasmin Little talks about her transferable skills, the easier it is to see how she is such an asset to the roster. <\/p><p>\u2018I\u2019ve always been interested in people and how we can get in our own way psychologically, whether it\u2019s on stage or in any number of areas. Business \u2013 presenting to clients and so on \u2013 can be a performance. But more than that, gathering a team is like working with an orchestra or a chamber group. The cooperative skills are identical. It\u2019s about how you use language to its best effect \u2013 and moulding that language to the group of people you\u2019re addressing. You wouldn\u2019t necessarily speak to the board or your sponsor in the same terms that you use for the immediate team around you.\u2019<\/p><p>But, of course, Little is still, at heart, a performer and as much as coaching and mentoring behind the scenes can be fulfilling, she will always relish the opportunity to be on stage. \u2018I do miss audiences,\u2019 she admits, \u2018so I\u2019m very glad that I\u2019m still standing in front of people in different capacities. For instance, I narrated <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-saint-sa-nss-carnival-animals\">Carnival of the Animals<\/a><\/strong><\/em> at the Cambridge Festival this year, and was also a speaker at the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Benjamin Britten<\/a><\/strong> Lowestoft Statue fundraiser at the Wigmore Hall in October.\u2019 <\/p><p>Does she experience the same nerves she felt with violin in hand? \u2018Whenever you stand in front of people you\u2019re going to get a rush of excitement,\u2019 she replies. \u2018I\u2019m not going to call it nerves. But when I make a speech, I\u2019m aware that I have a message to deliver \u2013 just as with my violin I had a message to deliver through the music.\u2019<\/p><p>As we finish our interview, news comes through that Tasmin Little\u2019s CBE, awarded in the King\u2019s June 2023 Birthday Honours List, will be presented to her at Windsor Palace on 12 December. Perhaps there might be a few nerves on the day, particularly if Charles himself performs the investiture? But as I formulate the question, I realise how absurd such a notion must be to this strong, unflappable woman. <\/p><p>After all, at the presentation of her OBE in 2012, she and the Queen chatted merrily about a mutual love of Liverpool, where Little had twice performed for the monarch. For Tasmin Little, such doubts are anathema \u2013 how else could she have so resolutely changed the path of her life and career, and even more importantly, made such a success of it?<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 02 January 2024 at 16:07 PM Tasmin Little has not retired. Despite announcing in 2019 to her audience, fellow musicians and the industry that she would be \u2018stepping down from the concert platform\u2019, and not placing bow to string since her farewell Southbank Centre concert at the end of 2020, the much-loved [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":37140,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"8"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever.png",1816,1177,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever-150x150.png",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever-300x194.png",300,194,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever-768x498.png",768,498,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever-1024x664.png",800,519,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever-1536x996.png",1536,996,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/tasmin-little-interview-no-longer-performing-but-busier-than-ever.png",1816,1177,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 02 January 2024 at 16:07 PM Tasmin Little has not retired. Despite announcing in 2019 to her audience, fellow musicians and the industry that she would be \u2018stepping down from the concert platform\u2019, and not placing bow to string since her farewell Southbank Centre concert at the end of 2020, the much-loved&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/37139"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/37140"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=37139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=37139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}