{"id":38195,"date":"2024-01-11T18:02:54","date_gmt":"2024-01-11T17:02:54","guid":{"rendered":"http:\/\/cbe9c0b5-d4fa-4972-8e6a-1d24ba5babb7"},"modified":"2024-01-17T17:41:14","modified_gmt":"2024-01-17T16:41:14","slug":"best-pieces-of-classical-music-for-easter","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/best-pieces-of-classical-music-for-easter\/","title":{"rendered":"Best pieces of classical music for Easter"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By BBC Music Magazine\n      <\/p><p class=\"rssbyline\">Published: Thursday, 11 January 2024 at 17:02 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>For hundreds of years, composers have been inspired by the Easter story to write some of the most beautiful and heart-rending classical music ever created. <\/strong>Here are the best pieces of Easter classical music.<\/p><h2 id=\"h-best-easter-classical-music\"><strong>Best Easter classical music<\/strong><\/h2><h3 id=\"h-1-johann-sebastian-bach-st-matthew-passion\"><strong>1 <a href=\"http:\/\/www.classical-music.com\/topic\/js-bach\">Johann Sebastian Bach<\/a>: St Matthew Passion<\/strong><\/h3><p>The <a href=\"https:\/\/www.classical-music.com\/features\/articles\/guide-js-bach-st-matthew-passion-best-recordings\/\"><strong><em>St Matthew Passion<\/em><\/strong><\/a> is a masterpiece that many people know well, but few tire of hearing. One of only two <strong>JS Bach<\/strong> passion settings still in existence (the <em>St John<\/em> is the only other to have survived), the piece was originally performed in Leipzig on Good Friday 1727, although the score as we know it dates from 1743-6.<\/p><p>The work\u2019s two halves were originally intended to be sung on either side of the Good Friday sermon &#8211; a test of the piety of the most ardent churchgoers (even performances <em>without<\/em> the sermon tend to last over two-and-a-half hours).<\/p><p>So why do we love it so much? Could it be those intricate baroque figures that tug at the heartstrings? Or the effortless coupling of soli and chorus; of arioso with aria? Perhaps it\u2019s simply the sheer number of terrific tunes that litter the work.<\/p><h4 id=\"h-best-recording-of-bach-s-st-matthew-passion\">Best recording of Bach&#8217;s St Matthew Passion<\/h4><p>John Eliot Gardiner&#8217;s version with the <strong><a href=\"https:\/\/monteverdi.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Monteverdi Choir<\/a><\/strong> and <strong><a href=\"http:\/\/www.monteverdi.co.uk\/about\/ebs\" target=\"_blank\" rel=\"noreferrer noopener\">English Baroque Soloists<\/a><\/strong> remains one of our all-time favourite recordings of the work.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Bach - St Matthew Passion BWV 244 - Van Veldhoven | Netherlands Bach Society\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ZwVW1ttVhuQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><strong><a href=\"http:\/\/www.classical-music.com\/article\/st-georges-day\">The best classical music for St George&#8217;s Day<\/a><\/strong><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/six-best-pieces-music-inspired-birdsong\"><strong>Six of the best pieces of music inspired by birdsong<\/strong><\/a><\/li><\/ul><div class=\"wp-block-purple-m101-price-comparsion\"><div class=\"m101\" data-type=\"price-comparison\" data-template=\"default\" data-url=\"https:\/\/www.amazon.co.uk\/Bach-J-S-St-Matthew-Passion\/dp\/B08P3QTGH3\/ref=sr_1_2\" data-title=\"\" data-config=\"{&quot;searchKeywords&quot;:&quot;&quot;,&quot;excludeKeywords&quot;:&quot;&quot;,&quot;price&quot;:&quot;9&quot;,&quot;delta&quot;:&quot;1&quot;,&quot;limit&quot;:&quot;4&quot;}\"\/><\/div><h3 id=\"h-2-thomas-tallis-lamentations-of-jeremiah-the-prophet\"><strong>2) <a href=\"http:\/\/www.classical-music.com\/topic\/thomas-tallis\">Thomas Tallis<\/a>: Lamentations of Jeremiah the Prophet<\/strong><\/h3><p><strong><a href=\"http:\/\/www.classical-music.com\/topic\/thomas-tallis\">Tallis<\/a><\/strong> composed his <em>Lamentations<\/em> around 1565-70, when he was in his early sixties. Setting Holy Week bible lessons to music was a trend that had developed on the Catholic continent during the early 1400s. Nevertheless, by the mid-16th century England had gamely caught up and the practice was enjoying a brief flourish of popularity.<\/p><p>Although the jury is still out on <a href=\"http:\/\/www.classical-music.com\/topic\/thomas-tallis\"><strong>Tallis<\/strong><\/a>&#8216; religious affiliations (he may have been Catholic at a time when this was politically inadvisable), the pieces could well have formed part of the Maundy Thursday liturgy in his lifetime.<\/p><p>These settings of verses from the Book of Jeremiah are among <a href=\"http:\/\/www.classical-music.com\/topic\/thomas-tallis\"><strong>Tallis<\/strong><\/a>\u2019s most expressive works. The composer used all the compositional techniques available to him to squeeze every last ounce of poignancy from the text.<\/p><p>The five vocal lines imitate, suspend, clash and build towards the final section: &#8216;Jerusalem, turn again to the Lord your God!&#8217;<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Lamentations of Jeremiah by Thomas Tallis - Tenebrae 2019 live recording\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/rgRXLN6nlVU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/best-classical-music-spring\"><strong>The best classical music for spring<\/strong><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-choral-works-passiontide\/\"><strong>The best choral works for Passiontide<\/strong><\/a><\/li><li><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/best-easter-hymns\/\"><strong>Best Easter hymns: our top five choices<\/strong><\/a><\/li><\/ul><p> <\/p><h3 id=\"h-3-nikolay-rimsky-korsakov-russian-easter-festival-overture\"><strong>3) <a href=\"http:\/\/www.classical-music.com\/topic\/nikolay-rimsky-korsakov\">Nikolay Rimsky-Korsakov<\/a>: Russian Easter Festival Overture<\/strong><\/h3><p>This 1888 <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-overture\/\">overture<\/a><\/strong> is named for the <em>Svetl\u00efy prazdnik<\/em> or \u2018Bright holiday\u2019, as Easter is known in Russia.<\/p><p>An avowed atheist, <strong><a href=\"http:\/\/www.classical-music.com\/topic\/nikolay-rimsky-korsakov\">Rimsky-Korsakov<\/a><\/strong> wrote that he wanted to capture &#8216;the transition from the solemnity and mystery of the evening of Passion Saturday to the unbridled pagan-religious celebrations of Easter Sunday morning\u2019. The piece paints vividly the explosion of light and colour at the end of a long, hard Russian winter.<\/p><p>Religious and pagan themes are entwined at the very heart of the work: <a href=\"http:\/\/www.classical-music.com\/topic\/nikolay-rimsky-korsakov\"><strong>Rimsky-Korsakov<\/strong><\/a> borrowed themes from the <em>Obikhod<\/em>, a collection of Orthodox chants that since 1848 had been a mandatory part of the liturgy for every church in Russia.<\/p><p>These austere motifs shine through the wild textures of the orchestra, no more so than at 8\u201935 when a solo tenor trombone (\u2018a piena voce\u2019) evokes the chanting of a priest. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Rimsky-Korsakov Russian Easter Festival Overture, Op. 36 Gergiev\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/hbDYtAHTQoE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-purple-m101-price-comparsion\"><div class=\"m101\" data-type=\"price-comparison\" data-template=\"default\" data-url=\"https:\/\/www.amazon.co.uk\/Rimsky-Korsakov-Capriccio-Espagnol-Festival-Overture\/dp\/B086PSMYB6\/ref=sr_1_6\" data-title=\"\" data-config=\"{&quot;searchKeywords&quot;:&quot;&quot;,&quot;excludeKeywords&quot;:&quot;&quot;,&quot;price&quot;:&quot;12&quot;,&quot;delta&quot;:&quot;1&quot;,&quot;limit&quot;:&quot;4&quot;}\"\/><\/div><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-choral-music-easter\/\"><strong>The best choral music for Easter<\/strong><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-recordings-respighis-pines-rome\/\"><strong>The best recordings of Respighi&#8217;s <em>Pines of Rome<\/em><\/strong><\/a><\/li><\/ul><p> <\/p><h3 id=\"h-4-james-macmillan-seven-last-words-from-the-cross\"><strong>4) James MacMillan: Seven Last Words from the Cross<\/strong><\/h3><p><a href=\"https:\/\/www.classical-music.com\/composers\/james-macmillan-2\/\"><strong>James MacMillan<\/strong><\/a>\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-a-cantata\/\">cantata<\/a><\/strong> for choir and string orchestra was commissioned by BBC Television and premiered in seven nightly episodes during Holy Week in 1994. The piece is a setting of the final sentences uttered by Jesus as he lay dying on the cross.<\/p><p>The <strong><a href=\"https:\/\/www.auroraorchestra.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Aurora Orchestra<\/a><\/strong>\u2019s Nicholas Collon recently described it as \u2018one of the greatest sacred pieces written in the last 100 years\u2019 &#8211; the writing is dramatic, emotionally-charged and extraordinarily moving.<\/p><p>Mantra-like settings of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/gospel-music-guide\/\">gospel<\/a><\/strong> texts are well ornamented like many of Macmillan\u2019s vocal works. The first movement is particularly moving with the plainsong-like chant of the sopranos and altos underpinned by savagely discordant murmurings in the strings.<\/p><p>Not one to listen to if you\u2019re feeling fragile, though. It&#8217;s definitely more mournful than others in this list of the best Easter classical music \u2013\u00a0but just as good.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Soundstreams Presents: Seven Last Words from the Cross by James MacMillan\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/zMpeJQqlO6g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><ul><li><strong><a href=\"http:\/\/www.classical-music.com\/article\/bbc-music-best-recordings-allegri-miserere\">The best recordings of Allegri&#8217;s <em>Miserere<\/em><\/a><\/strong><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/best-pieces-music-inspired-love\"><strong>T<\/strong><strong>he best pieces of music inspired by love<\/strong><\/a><\/li><\/ul><p> <\/p><h3 id=\"h-5-gustav-mahler-symphony-no-2-resurrection\"><strong>5) <a href=\"http:\/\/www.classical-music.com\/topic\/gustav-mahler\">Gustav Mahler<\/a>: Symphony No 2 \u2018Resurrection\u2019<\/strong><\/h3><p><strong><a href=\"http:\/\/www.classical-music.com\/topic\/gustav-mahler\">Mahler<\/a><\/strong>\u2019s second symphony makes for great Passiontide listening. The journey from the tension of the first movements to the resolution of the finale mirrors Easter\u2019s themes of destruction and redemption &#8211; hence the unofficial &#8216;resurrection&#8217; title.<\/p><p>The symphony took six years to complete and was first performed in 1895. <a href=\"http:\/\/www.classical-music.com\/topic\/gustav-mahler\"><strong>Mahler<\/strong><\/a> always planned for the fifth movement to feature voices but lacked inspiration for a text until 1894, when he heard a setting of Friedrich Gottlieb Klopstock\u2019s <em>Die Aufersterhung<\/em> (\u2018The Resurrection) performed at the funeral of his colleague and mentor, Hans von B\u00fclow.<\/p><p><a href=\"http:\/\/www.classical-music.com\/topic\/gustav-mahler\"><strong>Mahler<\/strong><\/a> was deeply moved. \u2018It struck me like lightning, this thing,\u2019 he wrote to a friend, \u2018and everything was revealed to me clear and plain.\u2019 He borrowed the first eight lines of Klopstock\u2019s poem and supplied a further twenty or so himself.<\/p><p>Halfway through the final movement, the choir comes in with the words: \u2018Rise again! Yes, rise again will you, my dust, after a short rest!\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Mahler - Symphony No. 2 'Auferstehung' - Mariss Jansons | Concertgebouworkest\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/sHsFIv8VA7w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h4 id=\"h-best-recording-of-mahler-s-symphony-no-2\">Best recording of Mahler&#8217;s Symphony No. 2<\/h4><p>There are many great &#8216;Resurrections&#8217;. Klemperer, Bernstein, Kubelik, Haitink all did great Mahler 2s. If we had to name a favourite, though, it would be Zubin Mehta&#8217;s legendary 1975 account with the Vienna Philharmonic.<\/p><div class=\"wp-block-purple-m101-price-comparsion\"><div class=\"m101\" data-type=\"price-comparison\" data-template=\"default\" data-url=\"https:\/\/www.amazon.co.uk\/Mahler-Cotrubas-Christa-Staatsopernchor-Philharmoniker\/dp\/B00004TEUZ\/ref=sr_1_1\" data-title=\"\" data-config=\"{&quot;searchKeywords&quot;:&quot;&quot;,&quot;excludeKeywords&quot;:&quot;&quot;,&quot;price&quot;:&quot;10&quot;,&quot;delta&quot;:&quot;1&quot;,&quot;limit&quot;:&quot;4&quot;}\"\/><\/div><div class=\"is-layout-flow is-layout-flow wp-block-group highlight-box\"><div class=\"wp-block-group__inner-container\"><p><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/which-is-the-best-mahler-symphony\/\">Which is the best Mahler symphony?<\/a><\/strong><\/p><\/div><\/div><p> <\/p><h3 id=\"h-6-francis-poulenc-quatre-motets-pour-un-temps-de-penitence\"><strong>6) <a href=\"http:\/\/www.classical-music.com\/topic\/francis-poulenc\">Francis Poulenc<\/a>: Quatre motets pour un temps de p\u00e9nitence<\/strong><\/h3><p>The critic Claude Rostand famously described <strong><a href=\"http:\/\/www.classical-music.com\/topic\/francis-poulenc\">Poulenc<\/a><\/strong> as \u2018le moine et le voyou\u2019 &#8211; half monk, half rascal. Though legendary in Parisian social circles as a bit of a dilettante, the death of a close friend in 1936 prompted <a href=\"http:\/\/www.classical-music.com\/topic\/francis-poulenc\"><strong>Poulenc<\/strong><\/a> to make a religious pilgrimage that led to a dramatic personal transformation.<\/p><p>While he retained something of the rascal throughout his career, much of the composer\u2019s work after this time bears the hallmarks of a deep and abiding spirituality.<\/p><p>This set of four Lenten songs, completed in 1939, are among his most popular choral works; notable for their sense of restraint, they display a beauty and subtlety appropriate to their somewhat gloomy subject matter. Yet the songs are as dramatic as they are devotional.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Francis Poulenc - Quatre motets pour un temps de p\u00e9nitence | WDR Rundfunkchor\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/AM3bKbdpKI8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p><em>Christina Kenny<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By BBC Music Magazine Published: Thursday, 11 January 2024 at 17:02 PM For hundreds of years, composers have been inspired by the Easter story to write some of the most beautiful and heart-rending classical music ever created. Here are the best pieces of Easter classical music. Best Easter classical music 1 Johann Sebastian Bach: St [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":38196,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"5"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/01\/best-pieces-of-classical-music-for-easter.jpg",200,200,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By BBC Music Magazine Published: Thursday, 11 January 2024 at 17:02 PM For hundreds of years, composers have been inspired by the Easter story to write some of the most beautiful and heart-rending classical music ever created. Here are the best pieces of Easter classical music. Best Easter classical music 1 Johann Sebastian Bach: St&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/38195"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/38196"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=38195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=38195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}