<\/p>
I have just emerged from the film Maestro<\/em>, about Leonard Bernstein. I don\u2019t attempt to critique the movie here. Suffice to say that it contains as much poetic licence as Lenny would surely have approved. This is rather a personal snapshot of what he meant to just one of the aspiring conductors out there who all claim him as a friend.<\/p> It was in the middle of Brahms<\/a><\/strong>‘s glorious Seventh Variation that I first noticed him. I turned towards the cellos and basses, just where they have the countermelody. He was standing in the wings,\u00a0watching me\u00a0conducting, conspicuous in a silver lam\u00e9 bomber jacket. Brahms\u2019 Variations on a Theme by Haydn<\/a><\/strong> were all but forgotten in the split second I recognised Bernstein<\/a><\/strong>. But Brahms waits for no one, and I still had the elusive Eighth Variation plus the finale to navigate.<\/p> It was August 1985, and I was conducting a concert with the Tanglewood Music Centre Orchestra at the Boston Symphony\u2019s summer home in the Berkshire Hills in Massachusetts. I came off stage into the embrace of Leonard Bernstein. He proceeded to tell me how much he could have taught me, and started to demonstrate. Meanwhile, the audience were applauding, and I wanted some of it, besides which I had to acknowledge the principal flute<\/a><\/strong>, the horns and the violas<\/a><\/strong>, all of whom played a big role in the Brahms. One curtain call was all he allowed me. <\/p> Lenny had come to town and he expected one\u2019s attention. By \u2018one\u2019s\u2019, I mean \u2018everyone\u2019s\u2019. I soon saw that there was an enormous entourage accompanying him, including at least two film crews. He held court, and performed for them, but quickly got back to the subject in hand- that Seventh Variation. ‘Llewellyn,’ (he\u2019d already got my surname down, pronouncing the double \u2018L\u2019 in perfect Welsh) ‘you should beat it like this’. He proceeded to sing and beat time, to everyone\u2019s delight, and further applause.<\/p> This, I was going to learn, was typical of the dichotomy that was Leonard Bernstein. The personal, private teacher, who needed the oxygen of public adoration to function.<\/p> As for my beloved 7th Variation, I actually disagreed with him! His beat pattern, I thought, was too busy and clunky. Plus, it slowed down the gently lilting siciliano,\u00a0which is Brahms\u2019 most heavenly variation.The first meeting with Bernstein<\/h2>