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Written in 1944, Messiaen<\/a>\u2019s Vingt regards sur l\u2019enfant J\u00e9sus<\/em> is not a piece to be tackled lightly. Although it seems surprising that, as recently as 2001, there were only eight complete versions available to buy, further acquaintance with this 20th-century classic explains the scarcity.<\/p> This must be one of the most challenging pieces in the entire repertoire. Vingt regards<\/em> is a cycle of 20 movements, all based on the idea of contemplations upon the infant Jesus. Familiar figures from the nativity take their turns to gaze upon the child, and there are also contemplations from more abstract sources such as silence, time and the spirit of joy.<\/p> The movements add up to more than two hours of listening, and one of the challenges for the player is to maintain their concentration and our interest for that length of time.<\/p> Not to mention the technical demands! Four-square rhythms are for the most part brushed aside to make way for Messiaen<\/a>\u2019s trademark \u2018additive\u2019 rhythms: chains of different note-lengths which don\u2019t arrange themselves into a regular pulse.<\/p> Tonality is never far away, but there are few guiding key signatures, just dense fistfuls of sharps, flats and naturals organised in a style that\u2019s both decorative and highly athletic.<\/p> <\/p> Alpha Classics ALPHA243<\/strong><\/p>The best recordings of Messiaen’s Vingt regards sur l’enfant J\u00e9sus<\/em><\/h2>
Martin Helmchen<\/strong> <\/h3>