{"id":39497,"date":"2024-02-27T14:35:45","date_gmt":"2024-02-27T13:35:45","guid":{"rendered":"http:\/\/1f0e7e99-bf9f-4c9e-a6a1-0b389bd8cacc"},"modified":"2024-02-27T14:39:57","modified_gmt":"2024-02-27T13:39:57","slug":"the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time\/","title":{"rendered":"The brilliance of Philip Glass: seven leading musicians discuss why the minimalist composer has stood the test of time"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Freya Parr\n      <\/p><p class=\"rssbyline\">Published: Tuesday, 27 February 2024 at 13:35 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>Often closely associated with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Minimal_music\">minimalism<\/a>, the music of <a href=\"https:\/\/www.classical-music.com\/composers\/philip-glass\/\">Philip Glass<\/a> (b.1937) has been influential on a host of 20th-century composers and performers. Here, musicians including violinist Gidon Kremer, conductor Dennis Russell Davies and composer Nico Muhly tell us why the music of Philip Glass means so much to them.<\/strong><\/p><h2 class=\"wp-block-heading\">The style and influence of Philip Glass<\/h2><h3 class=\"wp-block-heading\" id=\"h-violinist-gidon-kremer-on-the-uniquely-positive-energy-of-philip-glass\">Violinist Gidon Kremer on the uniquely positive energy of Philip Glass<\/h3><p>Philip Glass\u2019s music is always recognisable; it has a signature and it speaks of his personality. I always appreciate that in composers.<\/p><p>Philip\u2019s music has a lot of positive energy, which gives me an opportunity to build a bridge to listeners. His music is somewhat more accessible than others\u2019, but that\u2019s not why I play it. I believe in it so I\u2019m happy to deliver his message.<\/p><p>Yes, you can find that he is repetitious in his models and idioms, but wasn\u2019t <a href=\"https:\/\/www.classical-music.com\/composers\/antonio-vivaldi\/\"><strong>Vivaldi<\/strong><\/a> repetitious as well? Wasn\u2019t <a href=\"https:\/\/www.classical-music.com\/composers\/mozart\/\"><strong>Mozart<\/strong><\/a>? I\u2019m speaking superficially, but still I think in many pieces by Philip you can find his refinement in dealing with the same models.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Glass: Concerto for Violin and Orchestra - I. = 104 - = 120\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/EWoMede2GlE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>The challenge when you\u2019re dealing with minimalistic idioms is that you have to be maximally expressive. What\u2019s given me a lot of inspiration is reading Philip\u2019s wonderful autobiography <em>Words Without Music<\/em>.<\/p><p>I\u2019ve never worked directly with Philip, but we got to know each other in Australia. He\u2019s a very generous person. If he accepts my way of looking at his music, it doesn\u2019t mean he won\u2019t accept another way of looking at it.<\/p><p><em>Gidon Kremer has recorded both of Glass\u2019s violin concertos for Deutsche Grammophon<\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Glass: Heroes Symphony\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Lb95IlrNTIZvuzTHjtjZx?si=nocJnNWZRmm_ojyMBcsHpA&amp;utm_source=oembed\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-conductor-dennis-russell-davies-on-the-misunderstandings-of-philip-glass\">Conductor Dennis Russell Davies on the misunderstandings of Philip Glass<\/h3><p>Philip attracts a lot of misunderstanding from professional musicians \u2013 it\u2019s taken a long time for many of my colleagues to come to grips with the fact that this is a man who\u2019s composed 11 symphonies and is a serious composer.<\/p><p>His music requires a different kind of listening \u2013 you need to concentrate and be enveloped in a time frame. There\u2019s a similarity between Philip\u2019s music and <a href=\"https:\/\/www.classical-music.com\/composers\/richard-wagner-2\/\"><strong>Wagner<\/strong><\/a> and <a href=\"https:\/\/www.classical-music.com\/composers\/anton-bruckner\/\"><strong>Bruckner<\/strong><\/a>: musical modules or elements become the main melodic and rhythmic impetus and are allowed to exist for a long period of time until changes begin to take place \u2013 these changes become extremely important. Philip has a different sense of time which has to do with the influence of <a href=\"https:\/\/www.classical-music.com\/composers\/ravi-shankar-1920-2012\/\"><strong>Ravi Shankar<\/strong><\/a> and the whole Indian musical language.<\/p><p>For performers, the problem with Philip\u2019s music is that it\u2019s like <a href=\"https:\/\/www.classical-music.com\/composers\/mozart\/\"><strong>Mozart<\/strong><\/a>\u2019s: as the saying goes, it\u2019s too easy for the amateur and too difficult for the professional. You absolutely have to play in tune, and be able to articulate the rhythms exactly with nuances without <a href=\"https:\/\/www.classical-music.com\/features\/articles\/discovering-music-rubato\/\"><strong>rubatos<\/strong><\/a> (unless you intend to use them). You have to let the tempos have their pace and their time. His music isn\u2019t helped by 21st-century virtuosity.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Glass: Symphony No. 4 &quot;Heroes&quot;\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3hUzpZVyn8AKsV35kzPdpV?si=S9PfCNLJRQ2en4AESzbyZA&amp;utm_source=oembed\"\/><\/div><\/figure><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/steve-reich-s-best-works-percussion\"><strong>Steve Reich&#8217;s best works for percussion<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-composer-nico-muhly-on-philip-glass-as-a-teacher\">Composer Nico Muhly on Philip Glass as a teacher<\/h3><p>One of things Philip Glass has done that is so key is the way that his early works invite composers to make their own band. The idea is to find your own sound \u2013 for him, it\u2019s that early combination of electric organs, flutes, saxophones and the human voice. You don\u2019t need to wait for an orchestra to call you to write a piece; you can sharpen your teeth on something you\u2019ve created yourself. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/the-best-recordings-of-works-by-nico-muhly\/\">The best recordings of works by Nico Muhly<\/a><\/strong><\/li><\/ul><p>Having worked for Philip as an editor, I know his work really intimately, but it still has the power to surprise me. Take his Eighth Symphony, for instance \u2013 you have these large structures and weird ritornellos. And I\u2019m always surprised by his last Piano Etude, No. 20, whenever I hear it.<\/p><p>What I think is alluring about much of his music is that you enter it just as you walk into a piece of sacred architecture. Even though there are a lot of individual details that can surprise you, there\u2019s a sense of beautiful inevitability about what goes where. There\u2019s a sense of the eco-system of the piece being somehow familiar, even if you haven\u2019t been there before.<\/p><p><em>Nico Muhly worked as an editor and conductor for Philip Glass from 1999-2008<\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Philip Glass: Glassworlds, Vol. 4 \u2013 On Love\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4zicFDbhTML35sgtkA6klb?si=cVJF_k2mSgSsbseMjHtC9g&amp;utm_source=oembed\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-harpist-lavinia-meijer-on-the-challenges-of-playing-the-music-of-philip-glass\">Harpist Lavinia Meijer on the challenges of playing the music of Philip Glass<\/h3><p>I think Philip Glass will be mentioned years from now as one of the composers who shaped music in the 20th century. He has had an important influence on the younger generation of composers, and is also able to put his music in a much wider perspective, connected to so many different artforms, artists and cultures, and to political aspects too.<\/p><p>When I first met him and started working on his music, I encountered various challenges. The first is that the way he writes music down is not easy to play on the <a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-is-a-harp\/\"><strong>harp<\/strong><\/a>. Another thing is that his fast movements, with their repetitions, are physically very challenging. When I first played them, I got cramp.<\/p><p>I worked for about a year mastering this technique, and now have a very big muscle in my arm \u2013 I call it the \u2018Glass muscle\u2019! And then there\u2019s the concentration needed. In some of his pieces there are very little shifts you have to be aware of, plus you have to have the concentration span to take the piece from the first note to the last, and make every note count on the way. Because his music is so beautiful, it\u2019s very easy to get lost in it. <\/p><p><em>Lavinia Meijer\u2019s \u2018The Glass Effect\u2019 was released on Sony Classical <\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: The Glass Effect (The Music of Philip Glass &amp; Others)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1mbU0t4SlphUSX5wlCmIao?si=WTNE2WvqQH6l0NNfvbTkWA&amp;utm_source=oembed\"\/><\/div><\/figure><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/best-contemporary-unclassified-music-running-and-exercising\"><strong>Best contemporary classical music for running and exercising<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-pianist-paul-barnes-on-how-philip-glass-rethought-western-musical-traditions\">Pianist Paul Barnes on how Philip Glass rethought western musical traditions<\/h3><p>I first met Philip Glass in the early 1980s, on an aeroplane. The seat next to him was open, so I just plopped down next to him, told him I was going to be performing in New York the following season and asked if he had anything I could play. That began what has been an incredibly fruitful 22-year collaboration.<\/p><p>In 2004 I commissioned Philip to write his Piano Concerto No. 2. I told him \u2018give me something fun to do\u2019 and he certainly did!<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Paul Barnes - Philip Glass Piano Concerto No 2\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/S1CQvQcatks?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>There\u2019s one section where the right hand is in a different meter from the left \u2013 it just flies. It\u2019s also really interestingly orchestrated, so when I perform it, it\u2019s just a total adrenaline rush.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\/\">The greatest piano concertos of all time<\/a><\/strong><\/li><\/ul><p>The most important thing Philip Glass has done is to make people rethink their whole aesthetic background or basis \u2013 the foundation from which they write. The western tradition has always believed that a composition has to progress through a beginning, middle and end. What Philip did was to question this narrative approach to music, and to make it more of a process. <\/p><p><em>Paul Barnes has recorded a number of Philip Glass\u2019s works, including the Second Piano Concerto, for the Orange Mountain label<\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Philip Glass: The Concerto Project, Vol. II\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5eNbRbEcTL6w2UZbteMilL?si=vgkiuZSHQO6rIHvBsFrjJw&amp;utm_source=oembed\"\/><\/div><\/figure><p\/><p\/><h3 class=\"wp-block-heading\" id=\"h-saxophonist-amy-dickson-on-the-timbres-of-philip-glass\">Saxophonist Amy Dickson on the timbres of Philip Glass<\/h3><p>Philip Glass\u2019s music is instantly recognisable by so many people, whether they\u2019re classical music lovers or not \u2013 and it\u2019s loved by people from across the musical spectrum, too. As a performer, I love that his music inspires people who wouldn\u2019t normally comment on music. It brings out strong opinions.<\/p><p>The Violin Concerto No. 1, which I\u2019ve arranged for soprano saxophone, is intricately designed. To play it is a huge challenge for both me as a soloist and for an orchestra, as it\u2019s deceptively simple sounding but very intricate throughout.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Saxophonist Amy Dickson - Philip Glass' Violin Concerto No 1. - Exclusive C Music TV video\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/ZdUWPA_AX6o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/best-classical-works-saxophone\/\"><strong>Best classical works for saxophone<\/strong><\/a><\/li><\/ul><p>The way Glass has thought out his timbral structure is hugely intricate, too \u2013 he\u2019s obviously considered every last detail. I\u2019ve been playing the concerto for over ten years now, and my feeling for it has only got stronger; I find more to give each time I play it.<\/p><ul><li><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/artists\/greatest-jazz-saxophonists-ever\/\"><strong>25 greatest jazz saxophonists of all time<\/strong><\/a><\/li><\/ul><p>Learning it was a huge challenge \u2013 I have to use circular breathing a lot. But the Violin Sonata is 100 times harder: it\u2019s 20 minutes of unbroken playing and the endurance and stamina I need for the embouchure is crazy!<\/p><p><em>Amy Dickson\u2019s Glass album, which includes her arrangements of the Violin Sonata and Violin Concerto No. 1, was released on Sony Classical<\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Glass\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2JMIX4TMWx3xg2pp6tiYok?si=xU9XD6APT2Ww0bNrOac9-g&amp;utm_source=oembed\"\/><\/div><\/figure><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-best-contemporary-choral-works\/https:\/\/www.classical-music.com\/features\/articles\/five-best-contemporary-choral-works\/\"><strong>Five of the best contemporary choral works<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-carducci-quartet-violinist-matthew-denton-on-the-chamber-music-of-philip-glass\">Carducci Quartet violinist Matthew Denton on the chamber music of Philip Glass<\/h3><p>In many ways, Philip Glass revitalised tonal music. Music had been going in a very different direction and he brought it firmly back into a tonal world but with a new energy and soundworld that appealed to so many people. He brought a whole new generation to classical music.<\/p><p>We\u2019ve always been a quartet that loves to explore all sorts of music and we were really drawn to Glass. The \u2018minimalist\u2019 tag applied to it is in some ways misleading and doesn\u2019t do his work justice.<\/p><p>When we were recording the quartets, a key area we wanted to explore was his music\u2019s wistful, spiritual quality. The quartets are so full of expression. It\u2019s how you convey it that\u2019s the key. You don\u2019t do it in the traditional Romantic way.<\/p><p>His music demands the most accurate intonation, and the use of vibrato is very important. If you do slightly too much it just doesn\u2019t feel right. It\u2019s a bit like playing <a href=\"https:\/\/www.classical-music.com\/features\/articles\/baroque-music-guide\/\"><strong>Baroque music<\/strong><\/a> in some ways. Also, because of the repetitive nature, you have to be very precise about making shapes, lines and phrases.<\/p><p><em>The Carducci Quartet\u2019s recordings of Glass\u2019s String Quartets Nos 1-5 are on Naxos<\/em><\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Glass: String Quartets Nos. 1-4\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6HYEKGm7isAkuzdDOw8yFB?si=4pJ6a9RTRXStj_5o3gMqoQ&amp;utm_source=oembed\"\/><\/div><\/figure><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/six-great-contemporary-operas\"><strong>Six great contemporary operas<\/strong><\/a><\/li><\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Freya Parr Published: Tuesday, 27 February 2024 at 13:35 PM Often closely associated with minimalism, the music of Philip Glass (b.1937) has been influential on a host of 20th-century composers and performers. Here, musicians including violinist Gidon Kremer, conductor Dennis Russell Davies and composer Nico Muhly tell us why the music of Philip Glass [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":39498,"template":"","categories":[1],"acf":{"readingTimeMinutes":"8"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time.jpg",640,360,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time-300x169.jpg",300,169,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time.jpg",640,360,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time.jpg",640,360,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time.jpg",640,360,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/02\/the-brilliance-of-philip-glass-seven-leading-musicians-discuss-why-the-minimalist-composer-has-stood-the-test-of-time.jpg",640,360,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Freya Parr Published: Tuesday, 27 February 2024 at 13:35 PM Often closely associated with minimalism, the music of Philip Glass (b.1937) has been influential on a host of 20th-century composers and performers. Here, musicians including violinist Gidon Kremer, conductor Dennis Russell Davies and composer Nico Muhly tell us why the music of Philip Glass&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/39497"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/39498"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=39497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=39497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}