{"id":40751,"date":"2024-03-11T12:02:09","date_gmt":"2024-03-11T11:02:09","guid":{"rendered":"http:\/\/2887059a-e991-47da-a17a-54f5e9596d9e"},"modified":"2024-03-11T18:41:18","modified_gmt":"2024-03-11T17:41:18","slug":"six-of-the-best-horror-film-scores","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/six-of-the-best-horror-film-scores\/","title":{"rendered":"Six of the best horror film scores"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Michael Beek\n      <\/p><p class=\"rssbyline\">Published: Monday, 11 March 2024 at 11:02 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Let\u2019s face it, horror films are all-the-scarier because of music. Things that go bump in the night are often punctuated by the stab of <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/violin-history\">violins<\/a><\/strong>, the whine of woodwinds or the cackle of choir. But not always. Composers have come up with all manner of ways to give us the willies on screen over the years. So, get some popcorn (and a cushion to hide behind) as we delve into six of the very best horror film scores of all time.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/top-film-composers-ever\">Top 10 film composers \u2013 of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-sci-fi-movie-soundtracks\"> Six of the best&#8230; Sci-fi movie soundtracks<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/winners-of-oscars-for-best-original-score-all-the-nominated-soundtracks-from-the-history-of-the-academy-awards\">All the Oscar winners and nominees for Best Original Score, since 1935<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\">The best horror film scores<\/h2><h3 class=\"wp-block-heading\" id=\"h-the-bride-of-frankenstein-franz-waxman-1935\">The Bride of Frankenstein (Franz Waxman, 1935)<\/h3><p>Not many sequels surpass the original, but James Whale\u2019s follow-up to <em>Frankenstein <\/em>(1931) is one of them and not least of all because of Franz Waxman\u2019s original score. Wildly exciting and ahead of its time in many ways, Waxman\u2019s music was riding high on the wave of the new \u2018Hollywood Sound\u2019.<\/p><p>Film music as we know it was really born just a couple of years before and Waxman was part of its origin story, along with Max Steiner, Alfred Newman and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/erich-wolfgang-korngold\">Erich Wolfgang Korngold<\/a><\/strong>. This score, with its thrilling orchestral palette and something called a <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/the-best-works-for-the-theremin\">theremin<\/a><\/strong>, really made audiences sit up and take notice. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Franz Waxman - Main Title [Bride of Frankenstein - Original Soundtrack]\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/b6YdXvI0IAk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-rosemary-s-baby-krzysztof-komeda-1968\">Rosemary\u2019s Baby (Krzysztof Komeda, 1968)<\/h3><p>Hollywood had well and truly moved on from classic monsters by the 1960s and the young visionary directors of the day took things in more unsettling directions. Roman Polanski\u2019s <em>Rosemary\u2019s Baby<\/em> focuses on the paranoia of a mum-to-be who believes the child she\u2019s carrying may not be of this world.<\/p><p>The music by Polish composer and jazz musician Krzysztof Komeda set a beautiful <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-lullabies\">lullaby<\/a><\/strong> waltz at the heart of his score which appears in variations throughout. Very much of its time, the wider score is infused with <strong><a href=\"https:\/\/www.classical-music.com\/articles\/jazz-music-what-it-is-and-how-it-evolved\">jazz<\/a><\/strong> inflections and pop sensibilities, though Komeda brings in more traditional orchestral elements when things get creepy.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Krzysztof Komeda - Lullaby - (Rosemary's Baby - 1968)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/7wRNX94fU94?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-the-omen-jerry-goldsmith-1976\">The Omen (Jerry Goldsmith , 1976)<\/h3><p>An example of horror as blockbuster (a term still in its infancy \u2013 <em>Jaws<\/em> came out the year before), Richard Donner\u2019s <em>The Omen<\/em> saw Gregory Peck and Lee Remick star as the unwitting parents of the Devil incarnate. Everything about this film was big, from the performances to the effects and set-pieces.<\/p><p>The music, by Jerry Goldsmith, is something to behold as the legendary composer created a lavish accompaniment for <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\">orchestra<\/a><\/strong> and chorus. It won him his only Oscar and he would go on to write two more scores for the <em>Omen<\/em> series; some say his third score, for <em>The Final Conflict <\/em>(1981), outdoes the original. You can\u2019t beat this first score, though, for sheer spine-tingles and unabashed devilment.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Omen (1976) - Main Theme AVE SATANI by Jerry Goldsmith\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/mH6FYNYnawU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-hellraiser-christopher-young-1987\">Hellraiser (Christopher Young, 1987)<\/h3><p>There was more of an appetite for blood, guts and gore in the 1980s, and <em>Hellraiser<\/em> gave audiences plenty of that. Clive Barker\u2019s cult classic also gave us one of the genre\u2019s most iconic characters (\u2018Pinhead\u2019) and one of the decade\u2019s best horror scores. The likes of <em>Halloween<\/em> (1978), <em>Friday the 13th<\/em> (1980) and <em>A Nightmare on Elm Street<\/em> (1984) before it had plumped for more modern musical scores \u2013 the synthesiser was becoming king.<\/p><p>For <em>Hellraiser<\/em> the producers turned to composer Christopher Young who created one hell-of-an orchestral accompaniment. Young had cut his teeth on a number of low budget horror films and made his break with the sequel to <em>A Nightmare on Elm Street<\/em> in 1985. He proved himself adept with a large orchestral canvas, however, applying broad Romantic strokes to this sickeningly brilliant film.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Hellraiser Theme - Christopher Young\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/wxIFzdwrzek?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-bram-stoker-s-dracula-wojciech-kilar-1992\">Bram Stoker\u2019s Dracula (Wojciech Kilar, 1992)<\/h3><p>The \u201990s were all about style (over substance?) and Francis Ford Coppola\u2019s take on Bram Stoker\u2019s legendary vampire tale was certainly an expensive exercise. Keanu Reeves\u2019s British accent remains awful, but the film is \u2013 today \u2013 loved for its excesses and high camp. Gothic horror abounds on screen and in the music, with Polish composer Wojciech Kilar pulling out all the stops. The brass is flagrant, the choir is steaming and the strings are frenzied\u2026<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Wojciech Kilar - BRAM STOKER'S DRACULA - Suite\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/rKsjJPE6ak8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/twilight-soundtrack-who-wrote-the-music-to-the-saga-and-which-classical-music-is-featured-in-the-score\">Twilight soundtrack: who wrote the music to the saga and which classical music is featured in the score?<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-the-witch-mark-korven-2015\">The Witch (Mark Korven, 2015)<\/h3><p>Horror remains huge and the last decade has seen some of the most popular franchises make big money. Some of the best films, though, have taken the stance of \u2018less is more\u2019. <em>The Witch<\/em> is one such example, with its period setting and earthy folklore. The pace is slow, the scares actually more impactful as a result.<\/p><p>Canadian composer Mark Korven followed suit and created a score that scratches and picks away at the drama. The emphasis is on strings, but they\u2019re ragged and unsettling. Howling banshee-like voices are added into the mix, just to make it even more terrifying. This is one of the most artful, atmospheric horror film scores ever written. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Mark Korven - What Went We (The Witch Original Soundtrack)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/SwLN9s6inTs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Michael Beek Published: Monday, 11 March 2024 at 11:02 AM Let\u2019s face it, horror films are all-the-scarier because of music. Things that go bump in the night are often punctuated by the stab of violins, the whine of woodwinds or the cackle of choir. But not always. Composers have come up with all manner [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":40752,"template":"","categories":[1],"acf":{"readingTimeMinutes":"4"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/six-of-the-best-horror-film-scores.jpg",200,200,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Michael Beek Published: Monday, 11 March 2024 at 11:02 AM Let\u2019s face it, horror films are all-the-scarier because of music. Things that go bump in the night are often punctuated by the stab of violins, the whine of woodwinds or the cackle of choir. But not always. Composers have come up with all manner&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/40751"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/40752"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=40751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=40751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}