{"id":40780,"date":"2024-03-19T08:00:00","date_gmt":"2024-03-19T07:00:00","guid":{"rendered":"http:\/\/05042322-eec0-4aeb-bf7a-153617a23fe2"},"modified":"2024-03-19T08:40:01","modified_gmt":"2024-03-19T07:40:01","slug":"oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars\/","title":{"rendered":"Oscar nominations for Best Original Score 2024: a look at the best film scores from this year&#8217;s Oscars"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 19 March 2024 at 07:00 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>The <a href=\"https:\/\/www.classical-music.com\/articles\/all-the-oscar-winners-and-nominees-for-best-original-score\">Oscar for Best Original Score<\/a> is a highly sought-after and hotly contested category every year at the Academy Awards. This year was no different, with new contenders appearing for the first time, competing against the legends of the game. John Williams has broken his own record for the most nominations for any single living person, while Jerskin Fendrix makes a splash with a nomination for his very first feature film at just 29. But it was the most talked-about film composer of the moment who ended up taking home the top prize: <em>Oppenheimer<\/em>&#8216;s Ludwig G\u00f6ransson. Without further ado, here is your guide to this year&#8217;s winner, along with the other <a href=\"https:\/\/www.classical-music.com\/news\/2024-oscar-nominations-for-best-original-score-announced\">nominations for this year\u2019s Oscars for Best Original Score<\/a>.<\/p><h2 class=\"wp-block-heading\" id=\"h-winner-of-the-oscar-for-best-original-score-2024\">Winner of the Oscar for Best Original Score 2024<\/h2><h3 class=\"wp-block-heading\">Oppenheimer (Ludwig G\u00f6ransson)<\/h3><p>Swedish composer <a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-goransson-film-composer-biography\">Ludwig G\u00f6ransson<\/a> has become one of the biggest names in the film music world in recent years, thanks to his work on films including <em>Creed, <\/em>Marvel\u2019s <em>Black Panther<\/em>, Christopher Nolan\u2019s <em>Tenet <\/em>and Disney+\u2019s <em>Star Wars <\/em>series, <em>The Mandalorian<\/em>. As well as scoring some of the biggest films of the last few years, G\u00f6ransson has worked as a record producer with Childish Gambino on several of his albums. This year he has already clinched the other two major awards for film scoring, winning the <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/winners-of-bafta-for-best-original-music-all-the-winning-and-nominated-soundtracks-from-history\">BAFTA<\/a> and<a href=\"https:\/\/www.classical-music.com\/news\/ludwig-goransson-wins-golden-globe-best-original-score-oppenheimer\"> Golden Globe for his <em>Oppenheimer <\/em>score<\/a>.<\/p><p>G\u00f6ransson chose to place the violin at the heart of his score, thanks to its versatility and ability to \u2018go from the most romantic melodic tone and within a split second turn the tremolo into something neurotic and manic\u2019, he told <em>Variety. <\/em>As is typical of many of his scores, he uses synthesizers to enhance or evolve organic recorded instrumental sounds. The film\u2019s director Christopher Nolan suggested the prominent use of the violin, because he thinks of it as a \u2018fretless instrument\u2019, much like the film\u2019s protagonist, J Robert Oppenheimer, the father of the atomic bomb.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Oppenheimer (Original Motion Picture Soundtrack)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0rwbMKjNkp4ehQTwf9V2Jk?si=-7myFSe6Tca4pXLJEbcJ_g&amp;utm_source=oembed\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">Nominees for the Oscar for Best Original Score 2024<\/h2><h3 class=\"wp-block-heading\">American Fiction (Laura Karpman)<\/h3><p>Laura Karpman receives her very first Oscar nomination with her score to <em>American Fiction.<\/em> The film is a comedy-drama based on the 2001 novel <em>Erasure <\/em>Percival Everett, which sees a frustrated novelist write a satire of a stereotypical \u2018Black\u2019 book, which is mistaken for serious literature and heralded by the white liberal elite. Karpman\u2019s jazz-infused score takes its lead from the lead character\u2019s name. \u2018The character\u2019s name is Thelonious Ellison, right? His nickname is Monk. So you have to acknowledge jazz,\u2019 Kapman told <em>Vanity Fair. <\/em>When she was working on the score, Kapman imagined the protagonist actor Jeffrey Wright\u2019s voice and dialogue as an instrument. Kapman described Wright\u2019s voice as being \u2018like a familiar tenor saxophone\u2019. Her score features multiple saxophones, pianos, flute and bass, with specific moments written in to allow for improvisation from the players.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: American Fiction (Original Motion Picture Soundtrack)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2pRlRr8tWybfbSKcrMPMF0?si=wCBu-0f3QXm2zC6gJGLiZQ&amp;utm_source=oembed\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">Indiana Jones and the Dial of Destiny (John Williams)<\/h3><p><a href=\"https:\/\/www.classical-music.com\/news\/2024-oscar-nominations-for-best-original-score-announced\">John Williams has yet again broken his own record for the most Oscar nominations<\/a> in history across any category, with 54 Oscar nominations to his name. The 92-year-old composer has previously been nominated in this category for two other films in the <em>Indiana Jones <\/em>franchise: <em>Indiana Jones and the Temple of Doom <\/em>(1985) and <em>Indiana Jones and the Last Crusade <\/em>(1990). This new score for <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/john-williams-indiana-jones-and-the-dial-of-destiny-soundtrack\"><em>Indiana Jones and the Dial of Destiny <\/em><\/a>\u00a0is as dramatic and colourful as all Williams\u2019s other scores (see where we pitched it in these <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/indiana-jones-film-scores-ranked-worst-to-best\">rankings of the <em>Indiana Jones <\/em>soundtracks<\/a>, worst to best), with familiar <em>Indiana Jones <\/em>themes presented alongside thrilling new musical ideas. There\u2019s also a particularly good recording available of the soundtrack, with top LA musicians from the Hollywood Studio Symphony playing alongside the Berlin Philharmonic\u2019s principal horn player Sarah Willis and top international violinist Anne-Sophie Mutter.<\/p><p>Read our complete list of <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/john-williams-at-the-oscars-all-his-54-record-breaking-academy-award-nominations\">John Williams\u2019s Oscar nominations here<\/a>.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Indiana Jones and the Dial of Destiny (Original Motion Picture Soundtrack)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2oaBMWEc8mY8TsCfOREHfV?si=OlMsSsszSG-b_rkrADcIag&amp;utm_source=oembed\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">Killers of the Flower Moon (Robbie Robertson)<\/h3><p>Robbie Robertson has been posthumously nominated for his score to <em>Killers of the Flower Moon<\/em>, having died in August last year. The film\u2019s director Martin Scorsese dedicated the film to the late composer\u2019s memory, as it was the final film the pair worked on together after a decades-long collaborative partnership. In Robertson\u2019s early career, he toured as Bob Dylan\u2019s lead guitarist, as well as developing a varied career as a guitarist and songwriter. His film music career was deeply intertwined with Martin Scorsese, with whom he worked on for the scores for <em>The Irishman <\/em>(2019), <em>The Wolf of Wall Street <\/em>(2013), <em>Gangs of New York <\/em>(2002) and <em>Raging Bull <\/em>(1980).<\/p><p>In Scorsese\u2019s tribute to Robertson for <em>Rolling Stone<\/em>, he referenced their collaboration on <em>Killers of the Flower Moon<\/em>, a western crime drama set in 1920s Oklahoma. \u2018For the moment when Leo (DiCaprio) drops off Lily (Gladstone) from his cab at her house, Robbie came back with a theme driven by guitar, bass, harmonica \u2013\u00a0dangerous and fleshy. More than I asked for. It helped drive the whole picture. There had to be another theme, expansive and bold, something that would match the scale of the landscape itself, the prairies and the hills. He came back with a gusher of sound, to match the oil shooting up from the earth\u2026 coyotes and wolf calls.\u2019 Robertson\u2019s score is rich and evocative, matching the drama of the landscapes and action playing out on screen.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Killers of the Flower Moon (Soundtrack from the Apple Original Film)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/43MjCtL4DwTxc1DhXK9Kpp?si=vblCJv1vRISopiFhl-wm8A&amp;utm_source=oembed\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">Poor Things (Jerskin Fendrix)<\/h3><p>It\u2019s the first \u2013 of likely, many \u2013 Oscar nominations for Best Original Score for <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/poor-things-soundtrack\">Jerskin Fendrix, the composer behind Yorgos Lanthimos\u2019s film <em>Poor Things<\/em><\/a><em>. <\/em>While the music of Lanthimos\u2019s films has always played an integral role in building atmosphere and shaping the worlds he creates with his strong visual aesthetic, this is the first time he has worked with a composer rather than using pre-existing works of classical music. It\u2019s also a first for Fendrix, who hasn\u2019t worked on a feature film before, but has cut his teeth in the pop music world, working with bands associated with The Windmill pub in Brixton, such as Black Midi and Black Country, News Road. His experimental score for <em>Poor Things <\/em>blends traditional live instruments with strange synthesized effects to bend sounds in unusual, unexpected ways.\u00a0\u00a0<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Poor Things (Original Motion Picture Soundtrack)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3gz3XOFJ5w99GDode87xbO?si=6qBXR4fJT96Mf2SDy291_w&amp;utm_source=oembed\"\/><\/div><\/figure><p><strong>Interested in watching the Oscar nominations for Best Original Score 2024? Find out where to stream the films <a href=\"https:\/\/www.expressvpn.com\/blog\/where-to-stream-2024-oscar-movies\/\">here<\/a>.<\/strong><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 19 March 2024 at 07:00 AM The Oscar for Best Original Score is a highly sought-after and hotly contested category every year at the Academy Awards. This year was no different, with new contenders appearing for the first time, competing against the legends of the game. John Williams has broken his own [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":40781,"template":"","categories":[1],"acf":{"readingTimeMinutes":"5"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars.jpg",7952,5304,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars-1536x1025.jpg",1536,1025,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/oscar-nominations-for-best-original-score-2024-a-look-at-the-best-film-scores-from-this-years-oscars.jpg",2048,1366,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 19 March 2024 at 07:00 AM The Oscar for Best Original Score is a highly sought-after and hotly contested category every year at the Academy Awards. This year was no different, with new contenders appearing for the first time, competing against the legends of the game. John Williams has broken his own&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/40780"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/40781"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=40780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=40780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}