{"id":40790,"date":"2024-03-19T14:30:46","date_gmt":"2024-03-19T13:30:46","guid":{"rendered":"http:\/\/507bc433-41fe-4106-9664-16fbf0e3f854"},"modified":"2024-03-19T16:41:17","modified_gmt":"2024-03-19T15:41:17","slug":"how-did-beethoven-cope-with-going-deaf","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/how-did-beethoven-cope-with-going-deaf\/","title":{"rendered":"How did Beethoven cope with going deaf?"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Freya Parr\n      <\/p><p class=\"rssbyline\">Published: Tuesday, 19 March 2024 at 13:30 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\">Ludwig van Beethoven<\/a>\u2019s deafness is probably the best-known physical ailment of any composer in history. Because it caused him untold suffering and affected his work, it has become an unshakeable part of the legend surrounding the man and his music.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/tag\/beethoven-reviews\/\"><strong>Read reviews of the latest Beethoven recordings here<\/strong><\/a><\/li><\/ul><p> It\u2019s often presented as an obstacle he had to overcome, while his reaction to hearing loss is spoken of as a struggle or battle from which he emerged heroically, having triumphed over a threatening enemy. It has even been said that after <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\">Beethoven<\/a> could no longer hear, he retreated into the privacy of his imagination, heard music in his head, then wrote it down. Yet as our understanding of disability has been reshaped over the years, it is becoming evident that much has been misunderstood.<\/p><script src=\"https:\/\/cdn.jwplayer.com\/players\/xjL98ot4-lqFafnwo.js\"\/><p>Even though more than a hundred diagnoses have been offered, there is still no clear understanding of what caused <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s hearing loss or even when it began. He claimed to have started noticing it in 1796, when he was 25, but if his experience is like that of other people who gradually lose their hearing, it probably began several years earlier, perhaps even before he moved to Vienna from Bonn in 1792.<\/p><p>Although it has been claimed that he was \u2018stone deaf\u2019 by the time he wrote the <a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-5\/\"><strong>Fifth Symphony<\/strong><\/a> in his mid-thirties, there is a report of him listening with an ear trumpet while his nephew Karl played the piano and correcting his mistakes as late as 1820, when he was nearing the age of 50.<\/p><p> <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/beethoven-what-did-19th-century-think\/\"><strong>Beethoven: What did the 19th century think?<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-pastoral-symphony\"><strong>The best recordings of Beethoven's Pastoral Symphony<\/strong><\/a><\/li><\/ul><p> <\/p><p>Perhaps our image of the composer isolated in his deafness, working out music in his mind, is outdated. <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> always spent a great deal of time improvising at the piano \u2013 not just in public performance but as part of the way he composed. The keyboard was a lifeline for <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> in his deafness. In early 1818, he received a Broadwood piano (pictured left) as a gift from the English piano builder. He treasured the instrument for the rest of his life.<\/p><p>Two years later, the composer took the unusual step of having an amplifier \u2013 the so-called \u2018hearing machine\u2019 \u2013 built for his piano. This was a concave metallic resonator, possibly made from zinc, that was placed on top of the instrument. <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> used this device or later versions of it until his death, suggesting that even in his final years he could hear well enough to obtain some benefit from it.<\/p><p>A recent recreation, for the first time, of both the Broadwood piano and <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s hearing machine suggests a fascinating new possibility: that the tactile contact Beethoven experienced with the new English pianos became more important to him as his hearing grew worse.<\/p><p>As Belgian pianist Tom Beghin discovered when he recorded the late Beethoven sonatas on this piano, the action of the Broadwood was heavier than that of Viennese pianos. The keys were \u2018spongy\u2019: they sank deep into the instrument and required that each note be separately articulated. Yet the result was a sound that was somewhat murky compared to the clear, bell-like tones of the Viennese instruments. It is unlikely that <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> was able to hear this instrument better, so why was he so devoted to it?<\/p><p> <\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/five-essential-works-beethoven\"><strong>Five essential works by Beethoven<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-symphonies\"><strong>The best recordings of Beethoven's symphonies<\/strong><\/a><\/li><\/ul><p> <\/p><p>The secret, it appears, was in the touch. The Broadwood was constructed so the sounding board connected directly to the instrument\u2019s outer frame, conveying powerful vibrations where <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> needed them most: at the keyboard and through the floor at his feet.<\/p><p>With the hearing machine in place to amplify the sound and vibrations even further, the instrument became a physical extension of his body. He could feel its resonance to his core. Given this, it seems unlikely that the loud dynamics in <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s music were a response to deafness, as is often suggested. It seems even less likely when you also consider that in his thirties <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> suffered from loudness recruitment.<\/p><p>This condition, in which some sounds register as much louder than they actually are, is familiar to people with hearing loss. As a result, <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> plugged his ears with cotton to make playing the piano bearable. So if anything, loudness recruitment would have made loud music painful for him to listen to.<\/p><p> <\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/6-best-beethovens-overlooked-works\"><strong>Six of the best: Beethoven's overlooked works<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-symphony-no-7\"><strong>The best recordings of Beethoven's Symphony No. 7<\/strong><\/a><\/li><\/ul><p> <\/p><p>And it was the instruments at his disposal, rather than the frequencies he could or couldn\u2019t hear, which affected the pitch range of <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s music. The mighty <a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-hammerklavier-sonata\"><strong><em>Hammerklavier<\/em> Sonata (1818)<\/strong><\/a> provides a striking example of this. The first three movements were written for a six-octave Viennese piano, extending from the F two and a half octaves below middle C to the F three and half octaves above. Beethoven used this full range in the <a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-hammerklavier-sonata\"><strong><em>Hammerklavier<\/em><\/strong><\/a>.<\/p><p>But just before he began the final movement, he received the Broadwood. The range of the music shifted to fit the new instrument\u2019s lower six-octave range, which instead extended to the Cs three octaves either side of middle C. So the entire sonata could not be played on either of the instruments <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> had available while he was writing it. A more modern piano would be needed for that.<\/p><p>Despite the remarkable lengths <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> went to in order to feel the music, there was a period during which he composed in near total deafness. It is probably safe to say that it includes only the relatively small number of late works from about 1815. That includes public works like Symphony No. 9 and the <em>Missa Solemnis<\/em>, but is dominated by the intimate last five string quartets and last five piano sonatas. These have long been considered among his most challenging and rewarding works.<\/p><p> <\/p><ul><li><strong><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-hammerklavier-sonata\">The best recordings of Beethoven's <em>Hammerklavier<\/em> Sonata<\/a><\/strong><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-5\/\"><strong>A guide to Beethoven's Symphony No. 5<\/strong><\/a><\/li><\/ul><p> <\/p><p>From the outset they provoked extraordinary responses. In the five years after its premiere in 1824, more was written about the Ninth Symphony than had been written about any of his previous compositions. Unprecedented effort was put into trying to understand his music. Many of the quartets and sonatas received unusually extensive reviews that helped readers come to terms with compositions many of them found baffling.<\/p><p>Those reviews have helped to establish some of the very beliefs now in question. In particular, Joseph Fr\u00f6hlich\u2019s long review of the Ninth, published in 1828, the year after <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> died, suggested for the first time that the tragedy-joy narrative of the symphony was Beethoven\u2019s musical autobiography.<\/p><p>It showed that <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> had triumphed over deafness. Works that follow a similar outline (like the <a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-5\/\"><strong>Fifth Symphony<\/strong><\/a>), or that glorify heroism (the <em>Eroica<\/em>), were understood in the same way, even though <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> wrote those two pieces when he could still hear music quite well. It\u2019s even suggested that the works in which <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> does not present this titanic battle are less important.<\/p><p> <\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/best-recordings-beethovens-moonlight-sonata\"><strong>The best recordings of Beethoven's <em>Moonlight<\/em> Sonata<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/5-composers-synesthesia\"><strong>Five composers with synesthesia<\/strong><\/a><\/li><\/ul><p> <\/p><p>The most significant thing to be learned from studying the history of <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s deafness, however, may be that his music has a much broader emotional range than he is often given credit for. His oeuvre includes the <em>Pastoral<\/em> Symphony with its relaxed evocations of the countryside; beautiful and lyrical songs from the cycle <em>An die ferne Geliebte<\/em>, and delightful and impish small piano pieces like the late Bagatelles, most of which <a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a> wrote when he was using the Broadwood and the hearing machine.<\/p><p>These works, written in successive decades as his deafness grew more advanced, show a composer whose technique and emotional range continually broadened even as his hearing failed. Beethoven did not triumph over deafness. He learned to work with it and around it.<\/p><p><strong>Worried about going deaf? We've named the <a href=\"https:\/\/www.classical-music.com\/listen\/audio-equipment\/headphones-testing-your-hearing-before-use\">best headphones that test your hearing before use<\/a>.<\/strong><\/p><p><em>Words by Robin Wallace, author of 'Hearing Beethoven: A Story of Musical Loss and Discovery. This article first appeared in the September 2018 issue of BBC Music Magazine.<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Freya Parr Published: Tuesday, 19 March 2024 at 13:30 PM Ludwig van Beethoven\u2019s deafness is probably the best-known physical ailment of any composer in history. Because it caused him untold suffering and affected his work, it has become an unshakeable part of the legend surrounding the man and his music. Read reviews of the [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":40791,"template":"","categories":[1],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/03\/how-did-beethoven-cope-with-going-deaf.jpg",200,200,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Freya Parr Published: Tuesday, 19 March 2024 at 13:30 PM Ludwig van Beethoven\u2019s deafness is probably the best-known physical ailment of any composer in history. Because it caused him untold suffering and affected his work, it has become an unshakeable part of the legend surrounding the man and his music. Read reviews of the&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/40790"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/40791"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=40790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=40790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}