{"id":43099,"date":"2024-05-14T16:58:27","date_gmt":"2024-05-14T14:58:27","guid":{"rendered":"http:\/\/3a0292ea-e66f-4076-8fb6-a20da3844fcd"},"modified":"2024-05-14T17:40:13","modified_gmt":"2024-05-14T15:40:13","slug":"errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld\/","title":{"rendered":"Errollyn Wallen: why sea, sky and solitude are key to her magical soundworld"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 14 May 2024 at 14:58 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>&#8216;It can be very irritating, being a composer,\u2019 laughs Errollyn Wallen. \u2018You\u2019re always trying to solve these ridiculous problems that you\u2019ve set yourself. And sometimes you just want a day off, but the music won\u2019t let you.\u2019 <\/p><p>Be it going for a walk or doing the washing up, Wallen somehow always finds herself lost in composition. \u2018I\u2019m obsessed by music. I can\u2019t help it. So, I\u2019ll try doing something else but I find I\u2019m still thinking about whatever it is I\u2019m working on. I\u2019m an incredibly untidy person so at least washing up fulfils two functions: I feel good that I\u2019m actually tidying something, and I\u2019m also thinking.\u2019<\/p><script src=\"https:\/\/cdn.jwplayer.com\/players\/xjL98ot4-lqFafnwo.js\"\/><h2 class=\"wp-block-heading\" id=\"h-what-is-errollyn-wallen-s-music-like\">What is Errollyn Wallen's music like?<\/h2><p>Wallen\u2019s obsession with music is borne out in her extraordinary catalogue of works and accolades. Her music is beautiful, communicative and instinctive, yet always underpinned by a sense of profound technical mastery. A recipient of an Ivor Novello Award for her body of work, Wallen has written some 22 operas alongside a dizzying array of orchestral, chamber and vocal works. <\/p><p>Her music was commissioned for the opening ceremony of the 2012 Paralympic Games and the Queen\u2019s Golden and Diamond Jubilees, while her bold re-imagining of <em>Jerusalem<\/em> took the BBC Last Night of the Proms by storm in 2020. As evidenced by her remarkable output, for Wallen composing is \u2018as natural as breathing\u2019.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Errollyn Wallen - London 2012 Paralympic Games, Spirit in Motion\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/T8W0PyUMzf0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>In person, she is terrifically warm and open, overflowing with words and ideas \u2013 she laughs at how \u2018I never finish my sentences; you might have noticed\u2019. Last year she had to finish a great deal of sentences, completing a memoir, <em>Becoming a Composer,<\/em> where she reflects on her musical journey, gives insight into her creative process and discusses (with satisfying candour) the hustle and grind of composing for a living. <\/p><p>It is a generous, beautiful and witty book, and does an excellent job of demystifying the life of the composer, not least through its discussion of Wallen\u2019s compositional approaches without recourse to any sort of musical jargon: \u2018I wanted to find a way of talking about composing that wouldn\u2019t exclude people\u2026 that would encourage anyone from anywhere to make music.\u2019<\/p><blockquote class=\"wp-block-quote\"><p> I wanted to find a way of talking about composing that wouldn\u2019t exclude people<\/p><cite>Errollyn Wallen on writing her book <em>Becoming a Composer<\/em><\/cite><\/blockquote><h2 class=\"wp-block-heading\" id=\"h-where-was-errollyn-wallen-born\">Where was Errollyn Wallen born?<\/h2><p>As she shares in <em>Becoming a Composer,<\/em> Wallen\u2019s upbringing was complicated. Born in Belize, she moved as a child to London and was brought up by an uncle and aunt in Tottenham while her parents lived in New York. Her experiences growing up were painful and isolating: \u2018surviving childhood\u2019 was, she states, an achievement in itself. <\/p><p>Despite a sense of rejection and isolation, music was a powerful tonic: \u2018The moment I began learning the piano, that was it. I loved everything about it. I didn\u2019t suppose I was especially gifted, but I must have been very good at sight-reading because I\u2019d go galloping through music. The piano was my window into the wide world of music. <\/p><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">'The piano was my window into the wide world of music' - John Millar<\/figcaption><\/figure><p>'<strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/igor-stravinsky\">Stravinsky<\/a><\/strong> talked about how the piano is \u201cthe fulcrum\u201d of his ideas and I know what he means; there\u2019s a certain sort of thinking you do at the piano when composing, where everything becomes very clear. Even the way you sit at the piano \u2013 it\u2019s like this marvellous table! \u2013 but at the same time, you\u2019re transported to other places.\u2019<\/p><h3 class=\"wp-block-heading\" id=\"h-early-forays-into-dance\">Early forays into dance<\/h3><p>Despite her love of the piano, Wallen first wanted to be a dancer. \u2018I don\u2019t think I was even especially good at dance, but I had this yearning to do it \u2013 certainly for ballet. I didn\u2019t care about being in the front or being the best. I just wanted to be on stage with the music.\u2019 <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-ballet-music\">Best ballet music: the finest ballet scores of all time<\/a><\/strong><\/li><\/ul><p>She went on to study at the Dance Theatre of Harlem before embarking on a degree in dance and music at Goldsmiths. It was only then that she realised \u2018music was the thing. One day I noticed what I was actually doing. There I was, sat at the piano again, and I thought: \u201cYou have to pay attention to what you\u2019re really doing.\u201d\u2019<\/p><h2 class=\"wp-block-heading\" id=\"h-what-are-errollyn-wallen-s-influences\">What are Errollyn Wallen's influences? <\/h2><p>Music has remained \u2018the thing\u2019 and across her glittering career, Wallen has carved out a powerful and original musical voice that draws variously on serialism, the avant-garde, <strong><a href=\"https:\/\/www.classical-music.com\/articles\/blues-music\">blues<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/articles\/gospel-music-guide\">gospel<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/jazz\/jazz-music-what-it-is-and-how-it-evolved\">jazz<\/a><\/strong>, minimalism and much more besides. In <em>Becoming a Composer<\/em>, she describes her music as resisting \u2018being part of any sort of -ism (or indeed -wasm)\u2019. <\/p><p>For Wallen, \u2018With the vast history behind us and the various cultures and ideas swirling around us, it is more productive to stay alert, ever questioning the techniques we use in our work.\u2019 This was not an easy path to follow, and the start of her career was chequered with rejection. But she was resolute: \u2018I was never going to stop composing the music I had been waiting to hear.\u2019\u00a0<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1692\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/05\/JM7_0047d_cmyk-scaled.jpg\" alt=\"Composer Errollyn Wallen\" class=\"wp-image-204893\"\/><figcaption class=\"wp-element-caption\">'It is more productive to stay alert, ever questioning the techniques we use in our work.\u2019 - John Millar<\/figcaption><\/figure><p>Wallen\u2019s music often deals with powerfully political themes. <em>Mighty River<\/em> was commissioned to mark the 200th anniversary of the Abolition of the Slave Trade Act while her opera <em>YES<\/em>, created in collaboration with Bonnie Greer, explores Greer\u2019s appearance on BBC <em>Question Time<\/em> in 2009 alongside the then-leader of the BNP, Nick Griffin. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/news\/royal-opera-house-bonnie-greer-yes\">Bonnie Greer opera inspired by <em>Question Time<\/em><\/a><\/strong><\/li><\/ul><p>\u2018I remember a critic at the time was furious, and said the subject of immigration had already been \u201cdone\u201d in\u00a0opera countless times. And that response was very interesting to me. As if it\u2019s been \u201cdone\u201d. As if.\u2019\u00a0<\/p><h3 class=\"wp-block-heading\" id=\"h-there-are-so-many-stories-that-still-need-to-be-told\">'There are so many stories that still need to be told'<\/h3><p>While social justice is an important theme in Wallen\u2019s works, \u2018they\u2019re also just stories I want to tell \u2013 often exploring aspects of life that I think aren\u2019t spoken about enough. For me, everything starts from the point of view of the personal, from me imagining somebody and thinking, \u201cWhat is it about this person that we can\u2019t see? What\u2019s happening behind the scenes?\u201d <\/p><p>'There are so many stories that still need to be told. And I think we\u2019re living in a climate now where people do at last have the ears to listen.\u2019 That\u2019s not to say it\u2019s easy, though. She notes, \u2018As a Black person I seem to have to do more thinking \u2013 personally, culturally and historically \u2013 than my white counterparts, often having to think for them or imagine their viewpoint without reciprocity.\u2019 There is still much that needs to change.<\/p><p>Indeed, Wallen remains restless to \u2018fling open the doors\u2019 for composers entering the profession from less conventional musical backgrounds: \u2018It strikes me that in classical music, particularly over the last 50 years, there\u2019s been a stranglehold of the idea that you have to work in this way, or write in that style. And it doesn\u2019t make sense. <\/p><h3 class=\"wp-block-heading\" id=\"h-write-music-from-your-own-storehouse\">'Write music from your own storehouse'<\/h3><p>'For me, the most important thing a composer can do is give themselves permission to be who they are, and to write music from their own storehouse \u2013 their own treasure trove \u2013 of their background. I have many students from non-Western classical backgrounds and I always say, \u201cUse that in your work. You don\u2019t have to put on this coat and pretend to be somebody else.\u201d\u2019\u00a0<\/p><p>This is something Wallen learned first hand. \u2018I remember, when I started out, a friend clearly didn\u2019t feel I looked \u201cauthentic\u201d enough as a composer, and she said, \u201cYou\u2019re going to have to start wearing glasses so that people will take you more seriously.\u201d But I\u2019ve always loved wearing clothes that are very flamboyant. And when people have said, \u201cOh, but you don\u2019t look like a composer!\u201d I now realise that\u2019s their problem. It\u2019s not mine.\u2019 Indeed, Wallen has made something of a stir with her glorious outfits over the years. <\/p><h3 class=\"wp-block-heading\" id=\"h-bowing-clothes\">'Bowing clothes'<\/h3><p>Yet despite claiming to have \u2018a very vain side\u2019, she struggles with having to present herself onstage at the close of a premiere and describes herself as a \u2018recovering shy and lumpy introvert\u2019. On the theme of \u2018bowing clothes\u2019, as Wallen wryly terms them, she recalls the premiere of her oratorio <em>Carbon 12 <\/em>about coal mining in South Wales. <\/p><p>Wallen couldn\u2019t resist the allure of a pair of \u2018towering\u2019 Terry de Havilland leather and metal wedges: \u2018I was obsessed with these shoes, but I couldn\u2019t walk in them. So, I thought, \u201cIf I put them in a plastic carrier bag and take them to the side of the stage, I can totter on with them, do the bow, then change back into sensible shoes offstage.\u201d\u2019\u00a0<\/p><p>And the bow itself: does Wallen now enjoy this? \u2018I hate it. As a performer I found it easier to take a bow. But when you\u2019re sitting in the audience, hearing a piece you wrote, you feel embarrassed, exposed. And then I think, \u201cWhy do I need to go up on stage? It\u2019s about the performers.\u201d But you have to do it. I always worry I\u2019ll fall over.\u2019<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2167\" height=\"1417\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/05\/GettyImages150940033_cmyk.jpg\" alt=\"A scene from Errollyn Wallen's 'Principia', performed at the 2012 London Paralympics - Opening Ceremony\" class=\"wp-image-204894\"\/><figcaption class=\"wp-element-caption\">Errollyn Wallen's 'Principia' being performed at the 2012 London Paralympics opening ceremony. (Photo by Dennis Grombkowski\/Getty Images) - Getty<\/figcaption><\/figure><p>One bow Wallen wasn\u2019t dreading when we spoke was for her new Violin Concerto, written for Philippe Quint and the Calgary Philharmonic. \u2018That bow feels different somehow. I can\u2019t wait to take that bow because I want to say thank you to Philippe. I don\u2019t take lightly the privilege of working with musicians who have had a lifetime\u2019s study and devotion to the instrument. <\/p><h3 class=\"wp-block-heading\" id=\"h-on-her-new-violin-concerto\">On her new Violin Concerto<\/h3><p>'It\u2019s a two-way thing: a musician might come to me for a piece, but I have to find something that brings out their personality, and really showcases their specific talent.\u2019 For this new Violin Concerto, Wallen asked Quint \u2018if there was anything in his childhood that he wanted to share with me, and he told me about a lullaby his grandfather used to sing to him.\u00a0So, I\u2019ve had great delight in putting that in the second movement. I\u2019m so happy about this, because the Concerto will always be for Philippe.\u2019 \u00a0<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-violin-concertos-of-all-time\">The greatest violin concertos of all time<\/a><\/strong><\/li><\/ul><p>Other projects brewing include a viola quintet for the Solem Quartet, a new song for Kiri Te Kanawa\u2019s birthday celebrations and a new work for the Academy of St Martin in the Fields as part of their \u2018Marriner 100\u2019 festivities to mark the centenary of their founder Neville Marriner. Wallen also talks about her plans to return to performance in the near future. <\/p><p>\u2018To be a composer you\u2019ve got to really understand the performative aspect of music. You need empathy with the performer and perhaps even to know what it is to be a performer.\u2019 She is especially excited about the possibility of a collaboration with soprano Ruby Hughes (\u2018We want to come up with something unusual!\u2019), whose new album with Manchester Collective,<em> End of My Days<\/em>, takes its name from a song featured in Wallen\u2019s 2014 song cycle <em>Are You Worried About the Rising Cost of Funerals?<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-to-be-a-composer-you-have-to-be-absolutely-alone\">'To be a composer you have to be absolutely alone'<\/h3><p>While Wallen relishes such collaboration, she observes that, \u2018To be a composer you do have to be absolutely alone.\u2019 She spends much of her time in solitude in her two homes in Scotland: a lighthouse in Strathy, and a house by the sea in Orkney. \u2018Quietness is a thing you can run away from,\u2019 Wallen notes, \u2018but as a composer, I can\u2019t see a way around it. <\/p><p>'I fought it for so many years because it\u2019s sometimes so boring! And it can be lonely. But you must have some solitude every day.\u2019 She tempers this ascetic way of life with other pleasures. She is, it transpires, a great fan of \u2018cake for breakfast\u2019, and cheerfully relays that, \u2018Last week I bought 24 pastries, which are in the freezer. I don\u2019t\u00a0know if they\u2019ll last the week.\u2019\u00a0<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Composer Errollyn Wallen at her Lighthouse Home at Strathy Point on the north coast of Scotland\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/P5WVqcuSfjM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Confectionery aside, it is clear Wallen remains in the service of her art: \u2018You\u00a0have\u00a0to manage how you live your life to accommodate the demands of the\u00a0music. There\u2019s nothing else for it. There\u2019s a moment when a piece just takes\u00a0hold of you.\u2019 \u00a0<\/p><p><strong>Errollyn Wallen pics by John Millar<\/strong><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 14 May 2024 at 14:58 PM &#8216;It can be very irritating, being a composer,\u2019 laughs Errollyn Wallen. \u2018You\u2019re always trying to solve these ridiculous problems that you\u2019ve set yourself. And sometimes you just want a day off, but the music won\u2019t let you.\u2019 Be it going for a walk or doing the [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":43100,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld.jpg",2560,1707,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/05\/errollyn-wallen-why-sea-sky-and-solitude-are-key-to-her-magical-soundworld-2048x1366.jpg",2048,1366,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 14 May 2024 at 14:58 PM &#8216;It can be very irritating, being a composer,\u2019 laughs Errollyn Wallen. \u2018You\u2019re always trying to solve these ridiculous problems that you\u2019ve set yourself. And sometimes you just want a day off, but the music won\u2019t let you.\u2019 Be it going for a walk or doing the&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/43099"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/43100"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=43099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=43099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}