{"id":44151,"date":"2024-07-01T18:49:33","date_gmt":"2024-07-01T16:49:33","guid":{"rendered":"http:\/\/957a5784-6290-4774-b7f7-02caeaec1e66"},"modified":"2024-07-01T19:36:07","modified_gmt":"2024-07-01T17:36:07","slug":"we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite\/","title":{"rendered":"We ranked all nine Star Wars film scores from worst to best. Which is your favourite?"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Monday, 01 July 2024 at 16:49 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>With its astonishing interstellar visuals, epic slow-burn narratives and legions of memorable characters, it&#8217;s no wonder that the <em>Star Wars <\/em>saga is one of the best loved film franchises of all time. We should <\/strong>n<strong>ever forget, though, the central role that music has played in lending each of the nine films their own bewitching<\/strong>, <strong>otherworldly atmosphere. The fact that all nine scores are from the pen of one man &#8211; the legendary <a href=\"https:\/\/www.classical-music.com\/composers\/williams-john\">John Williams<\/a> &#8211; is as astonishing as it is impressive. Here\u2019s our ranking of all of John Williams\u2019s best <em>Star Wars<\/em> scores, music and theme tunes\u2026<\/strong><\/p><p>Williams, one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/top-film-composers-ever\">best film composers in the world<\/a><\/strong>, has written each of the nine original scores for the generation-spanning film saga over a period of some 43 years, beginning in 1977.<\/p><p>Each individual entry was written as such, for a single film, Williams, however, continually looked to what came before and built on the soundworld and growing library of thematic threads he had created each time. As such, themes and motifs composed for that first 1977 film crop up again, and again.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-sci-fi-movie-soundtracks\/\"> Six of the best sci-fi movie soundtracks<\/a><\/strong><\/li><li><a href=\"http:\/\/www.classical-music.com\/news\/john-williams%E2%80%99s-star-wars-theme-named-nation%E2%80%99s-favourite-film-score\"><strong>John Williams&#8217;s &#8216;Star Wars&#8217; theme named nation&#8217;s favourite&#8230;<\/strong><\/a><\/li><\/ul><p>Indeed, the composer sees this set of scores as one body of work and Williams\u2019s <em>Ninth<\/em> doesn\u2019t disappoint. <em>The Rise of Skywalker<\/em> adds many new items to the canon. It also reflects viscerally, and emotionally, on all that has come before. But where does this new, and final, score sit compared to the other eight?<\/p><script src=\"https:\/\/cdn.jwplayer.com\/players\/JV0xiD1r-lqFafnwo.js\"\/><h2 class=\"wp-block-heading\" id=\"h-best-star-wars-music-and-theme-tunes\">Best Star Wars music and theme tunes<\/h2><h3 class=\"wp-block-heading\" id=\"h-9-star-wars-episode-ii-attack-of-the-clones-2002\">#9 \/ Star Wars Episode II: Attack of the Clones (2002)<\/h3><p><strong>Performed by: <\/strong>London Symphony Orchestra; London Voices\/John Williams<\/p><p>Even in last place, this score delivers thrills, spills and romance. Williams\u2019s score suffered from heavy editing \u2013 particularly in the third act, but there are standout moments.<\/p><p>Top of the list is a tragic love theme, \u2018Across the Stars\u2019. It soundtracks the forbidden romance between Anakin Skywalker and Padme (future parents of Luke Skywalker and Princess Leia).<\/p><p>There\u2019s a chase in the skies above the city-planet Coruscant that will leave you breathless. Beyond that, though, it\u2019s a lot of action-heavy music designed to tie up disparate locations and story threads. <\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000065840\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Across the Stars (Love Theme from &quot;Star Wars: Attack of the Clones&quot;)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/7wMiMDBHnJ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-8-star-wars-episode-iii-revenge-of-the-sith-2005\">#8 \/ Star Wars Episode III: Revenge of the Sith (2005)<\/h3><p><strong>Performed by:<\/strong> London Symphony Orchestra; London Voices\/John Williams<\/p><p>This third act of George Lucas\u2019s \u2018Prequel Trilogy\u2019 (ie. films set <em>before<\/em> the original 1977-83 trilogy but made 20+ years <em>after<\/em>) delivers much drama, darkness and some absurdity. Williams takes it all in his stride, though. There are broad <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/gustav-mahler\">Mahlerian<\/a><\/strong> strokes to underline Anakin Skywalker\u2019s fall from grace \u2013 spoiler alert, he becomes Darth Vader \u2013 and what amounts to a Jedi genocide.<\/p><p>This one's probably the most choir-heavy of all the scores. And it\u2019s marvellous stuff, but perhaps quite removed from the sound of <em>Star Wars<\/em> we know and love.<\/p><p>The appearance of babies Luke and Leia, and the \u2018birth\u2019 of Darth Vader, in the finale allows Williams to dust off some classic themes, though.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/gp\/product\/B07CMNH41N\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Anakin's Betrayal\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/m2p-im7cxa4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-7-episode-viii-the-last-jedi-2017\">#7 \/ Episode VIII: The Last Jedi (2017)<\/h3><p><strong>Performed by:<\/strong> Studio Orchestra; Los Angeles Master Chorale \/John Williams &amp; William Ross<\/p><p>The middle film of the most recent trilogy saw Williams build on an arsenal of new themes he introduced in <em>The Force Awakens<\/em>. There is rather less looking over the shoulder to \u2018classic\u2019 themes in this one. That said, a much-anticipated \u2018reunion\u2019 of siblings Luke and Leia sees the return of the composer\u2019s 1983 theme for the pair. Action music is rife, but not trivial; Williams seems to have been much-inspired and revels in it.<\/p><p>There\u2019s lightness and brevity, too, with memorable new music for the resistance fighter Rosie, an unusual casino scene and rollicking music for a chase on horse-like creatures called \u2018Fathiers\u2019.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0758KSWZK\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"John Williams - The Fathiers (From &quot;Star Wars: The Last Jedi&quot;\/Audio Only)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/lk6YaL9wg0E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-6-episode-ix-the-rise-of-skywalker-2019\">#6 \/ Episode IX: The Rise of Skywalker (2019)<\/h3><p><strong>Performed by:<\/strong> Studio Orchestra; Los Angeles Master Chorale\/John Williams<\/p><p>Williams\u2019s final entry in this <em>Star Wars<\/em> saga doesn\u2019t see him resting on his laurels or showing any signs of boredom.<\/p><p>Given this film ties up a story which began in 1977, Williams brings out many classic themes and moments to create bridges between plot moments and characters. It\u2019s deftly done, sometimes thrillingly.<\/p><p>There\u2019s an abundance of new material, too, with a lyrical new theme of belonging and destiny, a delightful speeder chase through the desert and no end of despicably dark modes for the evil Emperor \u2013 including an \u2018Anthem of Evil\u2019.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B082BXFMGH\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/blackwells.co.uk\/bookshop\/product\/9781540087010\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy easy piano sheet music from Blackwell's<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"John Williams - The Rise of Skywalker (From &quot;Star Wars: The Rise of Skywalker&quot;\/Audio Only)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/l-9reMkxTjw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-5-episode-i-the-phantom-menace-1999\">#5 \/ Episode I: The Phantom Menace (1999)<\/h3><p><strong>Performed by:<\/strong> London Symphony Orchestra; London Voices\/John Williams<\/p><p>This was Williams\u2019s first return visit to the galaxy far, far away and the beginning of a new trilogy of films with director George Lucas. The 16-year gap had left fans anticipating greatly what a new <em>Star Wars<\/em> score would sound like.<\/p><p>There\u2019s a sophistication and opulence to be found here, fresh sounds for colourful new worlds and characters. It remains an underrated score, one which is a masterclass is musical storytelling.<\/p><p>Williams cleverly pre-empts themes and material that would \u2018follow\u2019 in later instalments in the timeline. Indeed, his theme for the child Anakin Skywalker ends with a subtle quotation of what will be Darth Vader\u2019s theme. The crowning glory of the score is \u2018Duel of the Fates\u2019, a choral-symphonic tone poem of sorts. With a complex story to set out, it\u2019s Williams\u2019s music which binds this galaxy together.<\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000051VYS\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy soundtrack from Amazon<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Duel of the Fates\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/D_2bluVPsb0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-4-episode-vii-the-force-awakens-2015\">#4 \/ Episode VII: The Force Awakens (2015)<\/h3><p><strong>Performed by:<\/strong> Studio Orchestra\/John Williams, William Ross &amp; Gustavo Dudamel<\/p><p>Given this most recent, and final, trilogy of films picks up some 35 years after the original trilogy ended, you\u2019d expect John Williams to rely heavily on established themes. What he did, though, was embrace fully the new threads and faces that director JJ Abrams brought to life.<\/p><p>It feels like the composer was really inspired with this film and these characters, as he created a raft of new and memorable themes and motifs. At the heart of the score is \u2018Rey\u2019s Theme\u2019, written for a character (and actress) who Williams admits enchanted him. The references to established musical material are effectively executed and have a lot of impact \u2013 in particular the reunion of the estranged Han Solo and Princess (General) Leia.<\/p><p>Gustavo Dudamel guest-conducted portions of the score, including the opening \u2018Main Title\u2019. <\/p><p>There's no surprise that this score won John Williams the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/all-the-oscar-winners-and-nominees-for-best-original-score\">Academy Award for Best Original Score<\/a><\/strong>. <\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B014V6LQ2E\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.musicroom.com\/product\/hl00154451\/john-williams-star-wars-the-force-awakens-piano-solo-piano.aspx\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Buy piano sheet music from Musicroom<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"John Williams - Rey's Theme (Audio Only)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/65As1V0vQDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-3-episode-vi-return-of-the-jedi-1983\">#3 \/ Episode VI: Return of the Jedi (1983)<\/h3><p><strong>Performed by:<\/strong> London Symphony Orchestra\/John Williams<\/p><p>The original third film in third place\u2026 by this point the soundworld and themes were well established and already much-loved.<\/p><p>There\u2019s an emotional depth and charm to this score which can be overlooked. Williams composed new themes, including one for the \u2018vile gangster\u2019 Jabba the Hutt, an ominous choral chant for Emperor Palpatine and a colourfully riotous piece for the diminutive Ewok warriors.<\/p><p>The space and forest battle music is some of the composer\u2019s finest, perfectly balancing pace, action, emotion and humour as the rebels triumph over the empire.<\/p><ul><li><strong>Buy soundtrack from Amazon<\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Forest Battle\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/ebCnaPzteZM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-2-episode-iv-a-new-hope-1977\">#2 \/ Episode IV: A New Hope (1977)<\/h3><p><strong>Performed by:<\/strong> London Symphony Orchestra\/John Williams<\/p><p>This is the one that started it all. George Lucas asked Williams for an old-fashioned symphonic film score and it was a request that would see a resurgence in thematic, orchestral music in films. It also secured Williams\u2019s place at the top of the A-list of Hollywood\u2019s composers and established what would really be his signature style.<\/p><p>The root of all the scores that followed is established here and with the familiarity of the \u2018Main Title\u2019 (aka Luke Skywalker\u2019s theme) in mind, it\u2019s easy to forget the rest of the score. It\u2019s inventive, exciting and introduced a generation of filmgoers to the concert hall thanks to its life beyond the screen. <em>Star Wars <\/em>music doesn't get much better than this.<\/p><p><em>BBC Music Magazine <\/em>named <em>Star Wars: Episode IV <\/em>as one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-film-scores\">best film scores of all time<\/a><\/strong>.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B075VNP551\/r\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Desert and the Robot Auction\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/vC_mMRgesA8?start=3&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p> <\/p><h3 class=\"wp-block-heading\" id=\"h-1-episode-v-the-empire-strikes-back-1980\">#1 \/ Episode V: The Empire Strikes Back (1980)<\/h3><p><strong>Performed by:<\/strong> London Symphony Orchestra\/John Williams<\/p><p>Williams could never have known just how impactful the first <em>Star Wars<\/em> film, and score, would be. With the follow-up, though, he knew what he was dealing with, so he could play around and dig a little deeper.<\/p><p>Themes returned, were embellished and an established soundworld was mined ever-deeper, eliciting some of the composer\u2019s most dynamic and thrilling dramatic scoring. Highlights include the Battle of Hoth, the chase through the Asteroid Field and a nail-biting finale showdown between Luke Skywalker and Darth Vader.<\/p><p>There were strong new themes for this film, too, including a march for Vader, a furtive love theme for Han Solo and the Princess and a noble, poetic piece for the ancient Jedi Master, Yoda. It doesn\u2019t get better than this. Undoubtedly, the best <em>Star Wars <\/em>music and theme tune of the lot.<\/p><p>We named the London Symphony Orchestra's recording of this soundtrack as one of <strong><a href=\"https:\/\/www.classical-music.com\/articles\/four-best-john-williams-recordings\">John Williams's best recordings<\/a><\/strong>.<\/p><p>We also named this as one of <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/john-williams-best-scores\">John Williams's best film scores<\/a><\/strong>.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B075VNX66B\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy soundtrack from Amazon<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Asteroid Field\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/XNDEljd1cQI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><p\/><\/div><\/div> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 01 July 2024 at 16:49 PM With its astonishing interstellar visuals, epic slow-burn narratives and legions of memorable characters, it&#8217;s no wonder that the Star Wars saga is one of the best loved film franchises of all time. We should never forget, though, the central role that music has played in lending [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":44152,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite.jpg",1890,1249,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite-300x198.jpg",300,198,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite-768x508.jpg",768,508,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite-1024x677.jpg",800,529,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite-1536x1015.jpg",1536,1015,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/we-ranked-all-nine-star-wars-film-scores-from-worst-to-best-which-is-your-favourite.jpg",1890,1249,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Monday, 01 July 2024 at 16:49 PM With its astonishing interstellar visuals, epic slow-burn narratives and legions of memorable characters, it&#8217;s no wonder that the Star Wars saga is one of the best loved film franchises of all time. We should never forget, though, the central role that music has played in lending&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/44151"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/44152"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=44151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=44151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}