{"id":44987,"date":"2024-07-12T07:40:00","date_gmt":"2024-07-12T05:40:00","guid":{"rendered":"http:\/\/431d54d6-ad63-4d08-b9ee-8c1672328f72"},"modified":"2024-07-12T08:36:12","modified_gmt":"2024-07-12T06:36:12","slug":"last-night-of-the-proms-conductor-why-i-wont-touch-russian-music","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music\/","title":{"rendered":"Last Night of the Proms conductor: why I won&#8217;t touch Russian music"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Friday, 12 July 2024 at 05:40 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Few of the world\u2019s major maestros can boast a light carbon footprint. It\u2019s hardly compatible with orchestra-hopping, yet some conductors manage better than others. Despite his busy international schedule, Sakari Oramo succeeds at least on a local level.<\/p><p>Whether in Helsinki or London, I\u2019ve never known him not to turn up for an interview on a bicycle, and he still has his helmet in hand when we meet in the foyer of the Royal College of Music (RCM) before a preliminary rehearsal there for one of his 2024 BBC Proms programmes.<\/p><p>It helps that the Finnish conductor has in recent years focused the most substantial part of his work in Helsinki, his home when not travelling, and London, where for the last decade he has been chief conductor of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/bbc-symphony-orchestra\">BBC Symphony Orchestra<\/a><\/strong> (BBC SO). These two bases come together in the third (25 Aug) of his four <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/2024-bbc-proms-listings\">BBC Proms<\/a><\/strong> this summer, when he conducts the combined orchestras of the Royal College of Music and the Sibelius Academy.<\/p><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">Sakari Oramo. Pic: Mark Allan &#8211; Mark Allan<\/figcaption><\/figure><h2 class=\"wp-block-heading\" id=\"h-sakari-oramo-at-the-2024-bbc-proms-sibelius-holst-and-more\">Sakari Oramo at the 2024 BBC Proms: Sibelius, Holst and more<\/h2><p>This ground-breaking collaboration will represent a Proms debut for both institutions with a programme mixing well-known <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/gustav-holst\">Holst<\/a><\/strong> (his cosmic symphonic suite <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-holsts-planets\">The Planets<\/a><\/strong><\/em>) with little-known <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-sibelius\">Sibelius<\/a><\/strong> (<em>The Wood Nymph<\/em>) and the world premiere of a newly commissioned song cycle by Lara Poe (<em>Songs from the Countryside<\/em>).<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-sibelius\">Sibelius &#8211; a life in ten masterpieces<\/a><\/strong><\/li><\/ul><p>Sakari Oramo has been a professor at the Sibelius Academy since 2020, but Finland\u2019s foremost musical training institution has always been a part of his life. \u2018I studied violin there, and conducting later on,\u2019 though he points out that because of a fast-rising career he never actually graduated. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-finnish-conductors\">Five of the best Finnish conductors<\/a><\/strong><\/li><\/ul><p>\u2018I was getting too busy. But both my parents were professors there \u2014 my mother a professor of piano for decades, and my father a professor of musicology. It kind of goes in the family. Now I conduct about two or three concerts per academic year with the orchestra of the Academy. Also, I\u2019m supervising the whole orchestral programme, seeing that it\u2019s balanced. It\u2019s a big task. I thought when I embarked on it that it should be possible to combine an international career with teaching, as that\u2019s for everyone\u2019s good. But it\u2019s not so easy\u2026\u2019<\/p><h2 class=\"wp-block-heading\" id=\"h-the-bbc-so-wanted-me-to-take-them-on-a-musical-journey\">&#8216;The BBC SO wanted me to take them on a musical journey&#8217;<\/h2><p>All of Oramo\u2019s other Proms this year are with the BBC SO, and an emphasis on English and Finnish music \u2013 specialities of the conductor \u2013 makes them look quite personal (less so the <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/last-night-of-the-proms-all-you-need-to-know\">Last Night of the Proms<\/a><\/strong> on 14 Sept, which of course has its formula). Add in his lengthy tenure at the BBC SO, his lifelong connection with the Sibelius Academy and the fact that one of the soloists is his wife, the <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-soprano\"><strong>soprano<\/strong><\/a> Anu Komsi, and these concerts appear positively autobiographical. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sakari Oramo in conversation with Tom Service\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/uxaUvzqiHAc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>\u2018Yes, I\u2019m sort of able to write my name under these programmes. I think that\u2019s the whole point of being involved somewhere for the long term. When I started as chief conductor, the BBC SO and [the then general manager] Paul Hughes put it very beautifully \u2014 saying they wanted me to take them on a musical journey. Ideally, that\u2019s what a long relationship with a conductor is all about.\u2019<\/p><p>That musical journey has, unforgettably, included such events as <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/busoni-ferruccio\">Busoni<\/a><\/strong>\u2019s stunning Piano Concerto (with Garrick Ohlsson) and performances of the pioneering <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/11-best-croatian-musicians\">Croatian<\/a><\/strong> composer Dora Peja\u010devi\u0107, but Sakari Oramo prefers to leave some mainstream favourites such as <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/anton-bruckner\">Bruckner<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\">Wagner<\/a><\/strong> to others. \u2018One of my nightmares is doing Bruckner at the Barbican, because it\u2019s just not suited to that space. At the Proms I\u2019ve done the Fifth Symphony. But I don\u2019t do a lot of Bruckner \u2013 I just don\u2019t feel I\u2019m at\u00a0my\u00a0best with his music.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"(Garrick Ohlsson | 2018 | Live) Busoni: Piano Concerto in C major, Op.39\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/cyBrn6yZueI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-sakari-oramo-on-avoiding-russian-music-in-2024\">Sakari Oramo on avoiding Russian music in 2024 <\/h2><p>Oramo also reveals that, at present, he\u2019s not conducting any music by <strong><a href=\"https:\/\/www.classical-music.com\/articles\/best-russian-composers\">Russian composers<\/a><\/strong>. \u2018It\u2019s a personal choice. For me, we should not be ignoring the fact that the Russian propaganda machine is using this fantastic heritage of Russian music for a set of purposes that are not really legitimate. That\u2019s why I think that at the moment we need to stay away from routinely programming <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/tchaikovsky\">Tchaikovsky<\/a><\/strong> or <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/nikolay-rimsky-korsakov\">Rimsky-Korsakov<\/a><\/strong>, for example \u2013 notwithstanding what the composers\u2019 ideas were or that maybe they had nothing to do with the sort of behaviour we see from Russia. But they are all part of one cultural realm, and as a Finn I feel particularly strongly about it.\u2019<\/p><p>The long border Finland shares with Russia shaped his awareness early on \u2013 not always negatively. \u2018I worked with Soviet violin teachers, and of course with Ilya Musin, the great conducting teacher who came from Leningrad\/St Petersburg to the Sibelius Academy to teach. I studied the violin in Holland with Viktor Liberman, who had been leader of the Leningrad Philharmonic in Yevgeny Mravinsky\u2019s time. So, I have nothing against Russian people or Russian culture. Maybe I sometimes feel a bit nostalgic about missing Russian music, but I think it\u2019s better to stay away from\u00a0it\u00a0at\u00a0this stage.\u2019<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-russian-orchestral-works\">Six of the best Russian orchestral works<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/news\/leading-musicians-launch-petition-against-the-blanket-boycott-of-russian-artists\">Leading musicians launch petition against the &#8216;blanket boycott&#8217; of Russian artists<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"852\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2023\/02\/Screenshot-2024-07-06-at-08.27.21.png?fit=1024,852\" alt=\"Composer Tchaikovsky, 1879\" class=\"wp-image-207599\"\/><figcaption class=\"wp-element-caption\">Tchaikovsky: Sakari Oramo believes we should steer clear of Russian music during the current war in Ukraine. Pic: Getty Images &#8211; Getty Images<\/figcaption><\/figure><h2 class=\"wp-block-heading\" id=\"h-some-big-boots-to-fill\">Some big boots to fill<\/h2><p>Sakari Oramo was still a relatively unknown conductor when he so successfully succeeded <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/simon-rattle\">Simon Rattle<\/a><\/strong> at the helm of the City of Birmingham Symphony Orchestra in 1998, and he subsequently enjoyed distinguished tenures at the Royal Stockholm Philharmonic and Finnish Radio Symphony Orchestra (where he had earlier been concertmaster). Yet he singles out his work with the BBC SO as the highlight of his career so far. <\/p><p>\u2018Nowhere have I experienced such a warmth, such a great professional attitude, such a great feeling of community \u2014 and a feeling of musicianship, of willingness to improve and do better, despite them already being very good. All my long-term orchestral relationships have been great in their way. But the BBC SO is the highlight \u2013 the sort of thing to which I\u2019ve always aspired. When I started, I didn\u2019t expect it to grow into what it has. Every programme I choose to do with the orchestra has its own kind of identity, its own personality.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sibelius: Finlandia (Prom 75)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/fE0RbPsC9uE?start=23&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Earlier in his career, Oramo championed the neglected English and Finnish composers John Foulds and Armas Launis, and now he is turning his attention to their contemporary Gustav Holst, conducting him twice at the Proms (3 &amp; 25 Aug) and putting him in the context of the European mainstream. This context also shapes his view of another of his favourites, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edward-elgar\">Elgar<\/a><\/strong>, whose magisterial <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-elgar-cello-concerto\">Cello Concerto<\/a><\/strong> features in the 3\u00a0August Prom alongside Harvey\u2019s <em>Tranquil Abiding <\/em>and Holst\u2019s <em>The Cloud Messenger<\/em>. \u2018I love Holst\u2019s way of writing so precisely. It\u2019s not easy to conduct; it doesn\u2019t play itself. It\u2019s meticulous music \u2013 a little like <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/maurice-ravel\">Ravel<\/a><\/strong> in that sense.\u2019<\/p><h2 class=\"wp-block-heading\" id=\"h-this-music-is-so-good-it-deserves-to-be-heard\">&#8216;This music is so good, it deserves to be heard&#8217;<\/h2><p>Contemporary music is another of Oramo\u2019s preoccupations, and this will be the first time he has conducted the Finnish-American composer Lara Poe. \u2018She grew up in both the US and Finland; and she studied here in London at the RCM, and also with George Benjamin \u2013 a good pedigree!\u2019 <em>Songs From the Countryside <\/em>has been composed for, and in collaboration with, Anu Komsi. \u2018The words come from Lara\u2019s grandmother and aunt, telling of their childhoods in remote Finland. Lara is interested in this kind of past and in our relationship to nature and the creatures we should be looking after.\u2019<\/p><p>In tribute to the late <strong><a href=\"https:\/\/www.classical-music.com\/news\/composer-kaija-saariaho-has-died-aged-70\">Kaija Saariaho<\/a><\/strong>, Sakari Oramo will also conduct <em>Mirage<\/em> for soprano, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/whats-a-cello\">cello<\/a><\/strong> and orchestra (with soloists Silja Aalto and Anssi Karttunen, a longstanding friend and collaborator of the composer) on 9 August. \u2018Both Anu and I were close to Kaija. And Anu even more so because she commissioned both the<em> Leino Songs <\/em>and<em> Saarikoski Songs <\/em>and is their dedicatee. We go back such a long way, but this homage is not just personal or sentimental \u2014 the music is so good and deserves to be heard, not neglected as can happen when composers die.\u2019<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2244\" height=\"1496\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/07\/GettyImages1258379490_cmyk.jpg\" alt=\"Finnish composer Kaija Saariaho (1952-2023)\" class=\"wp-image-208060\"\/><figcaption class=\"wp-element-caption\">Finnish composer Kaija Saariaho (1952-2023). Pic: EMMI KORHONEN\/Lehtikuva\/AFP via Getty Images &#8211; EMMI KORHONEN\/Lehtikuva\/AFP via Getty Images<\/figcaption><\/figure><h2 class=\"wp-block-heading\" id=\"h-i-couldn-t-live-without-sibelius\">&#8216;I couldn&#8217;t live without Sibelius&#8217;<\/h2><p>Looking back over his decade with the BBC SO, Oramo cites a recent Sibelius symphony cycle they toured in Switzerland as a personal highlight. \u2018I couldn\u2019t live without Sibelius,\u2019 he reflects. \u2018I\u2019ve been exposed to his music all my life in one way or another, yet I\u2019m constantly finding new things in his works. <\/p><p>&#8216;I feel very inspired by Sibelius as a person. Not necessarily because he was a Finn \u2013 simply because he was a thinker of music.\u2019 Although there was another factor that made those Swiss concerts special \u2013 \u2018We were in great halls\u2019 \u2013 he\u2019s philosophical about the shortcomings of London\u2019s venues and doesn\u2019t allow himself to sound too envious even of Helsinki\u2019s remarkable Musiikkitalo. <\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2126\" height=\"1877\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/07\/GettyImages2141763999_cmyk.jpg\" alt=\"Portrait of composer Jean Sibelius by Antti Fav\u00e9n, 1913\" class=\"wp-image-208061\"\/><figcaption class=\"wp-element-caption\">Portrait of composer Jean Sibelius by Antti Fav\u00e9n, 1913. Pic: Sepia Times\/Universal Images Group via Getty Images &#8211; Sepia Times\/Universal Images Group via Getty Images<\/figcaption><\/figure><h2 class=\"wp-block-heading\" id=\"h-there-s-a-lack-of-caring-about-the-arts-and-for-music-here\">&#8216;There\u2019s a lack of caring about the arts and for music here&#8217;<\/h2><p>\u2018Sure, this is something every London orchestra feels, and there doesn\u2019t seem to be any solution to the problem. There\u2019s a lack of caring about the arts and for music here. I\u2019m saying this a bit reluctantly because I still think London\u2019s musical life is great. And it\u2019s not to say there aren\u2019t threats to the position of music in Helsinki. Just recently the Finnish ministry of culture proposed sweeping cuts over several years to the\u00a0arts\u00a0budget.\u2019<\/p><p>Indeed, cuts both threatened and carried out at Finland\u2019s national broadcaster, Yle, proved good practice for Sakari Oramo when the BBC dangled the sword last year, and he was reportedly tough and uncompromising in the BBC negotiations that followed. \u2018There was no other way. I\u2019m very insistent that the unique qualities of the BBC SO need to be recognised. <\/p><p>&#8216;But it was still a shock \u2013 I happened to be in Cologne for a concert on the day the threat was announced, and it came out of the blue, almost destroying my concert. Now the discussions have gained a more positive tone, and we are working with the new director, Bill Chandler, to be seen as the best orchestra in London, to prove ourselves through quality. In fact, we need to be the best radio orchestra in the world. Maybe we\u2019re not yet, but we will be. I\u2019m pretty sure about that.\u2019\u00a0<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/worlds-best-orchestras\">The world&#8217;s best orchestras<\/a><\/strong><\/li><\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Friday, 12 July 2024 at 05:40 AM Few of the world\u2019s major maestros can boast a light carbon footprint. It\u2019s hardly compatible with orchestra-hopping, yet some conductors manage better than others. Despite his busy international schedule, Sakari Oramo succeeds at least on a local level. Whether in Helsinki or London, I\u2019ve never known [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":44988,"template":"","categories":[1],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music.jpg",2560,1708,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-1536x1025.jpg",1536,1025,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/last-night-of-the-proms-conductor-why-i-wont-touch-russian-music-2048x1366.jpg",2048,1366,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Friday, 12 July 2024 at 05:40 AM Few of the world\u2019s major maestros can boast a light carbon footprint. It\u2019s hardly compatible with orchestra-hopping, yet some conductors manage better than others. Despite his busy international schedule, Sakari Oramo succeeds at least on a local level. Whether in Helsinki or London, I\u2019ve never known&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/44987"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/44988"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=44987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=44987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}