{"id":45557,"date":"2024-07-22T18:43:00","date_gmt":"2024-07-22T16:43:00","guid":{"rendered":"http:\/\/da759657-af42-434c-a67d-b2d01e79c3f0"},"modified":"2024-07-26T09:59:58","modified_gmt":"2024-07-26T07:59:58","slug":"wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results\/","title":{"rendered":"&#8216;Wagner had to leave the room in hysterics&#8217;: these 15 famous figures all tried composing. With, er, varying results"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Monday, 22 July 2024 at 16:43 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>Over the years, we have enjoyed exploring the various skills and enthusiasms that composers have shown away from their day job: <a href=\"http:\/\/www.classical-music.com\/topic\/felix-mendelssohn\" target=\"_blank\" rel=\"noreferrer noopener\">Mendelssohn<\/a>\u2019s ability with a paintbrush, for instance, <a href=\"http:\/\/www.classical-music.com\/topic\/edward-elgar\" target=\"_blank\" rel=\"noreferrer noopener\">Elgar<\/a>\u2019s love of golf, or <a href=\"http:\/\/www.classical-music.com\/topic\/sergey-prokofiev\" target=\"_blank\" rel=\"noreferrer noopener\">Prokofiev<\/a>\u2019s chessboard brilliance. But what about the other way round? How many famous names from other walks of life have dabbled in composing as a hobby? Digging around the archives, there do appear to have been a few, and we\u2019ve picked 15 of the more interesting unlikely composers below.<\/strong><\/p><p><strong>Intriguingly, some walks of life seem to produce more aspiring <a href=\"http:\/\/www.classical-music.com\/topic\/mozart\" target=\"_blank\" rel=\"noreferrer noopener\">Mozart<\/a>s and Elgars than others. Why is it that philosophers and actors have more inclination to pen the odd sonata or two than, say, painters or sportsmen? But maybe we are just being too quick to judge. For all we know, Tiger Woods\u2019s First <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-symphony\">Symphony<\/a> could be just around the corner\u2026<\/strong><\/p><h2 class=\"wp-block-heading\" id=\"h-music-s-most-unlikely-composers\">Music&#8217;s most unlikely composers<\/h2><h3 class=\"wp-block-heading\" id=\"h-1-friedrich-nietzsche-philosopher-1844-1900\"><strong>1. Friedrich Nietzsche, <em>philosopher (1844-1900)<\/em><\/strong><\/h3><p>Keen though he was, Nietzsche appears to have had as much difficulty in composing a masterpiece as some of us do in fathoming his philosophies (or, indeed, spelling his name). The raw ingredients were certainly not lacking. Brought up in a musical family, he could play the piano well and found himself as a young man befriended and supported by <strong><a href=\"http:\/\/www.classical-music.com\/topic\/richard-wagner\" target=\"_blank\" rel=\"noreferrer noopener\">Wagner<\/a><\/strong>. <\/p><p>And, of course, he possessed one of the most agile minds of the 19th century. Sadly, though, the brilliance which brought about groundbreaking texts such as <em>Thus Spoke Zarathustra<\/em> and <em>Beyond Good and Evil <\/em>never translated into mastery of the musical score. When Cosima Wagner and Hans Richter played his <em>The New Year\u2019s Echoes<\/em> for piano duet in 1871, Wagner himself apparently had to leave the room, doubled up in hysterics. <\/p><p>The following year, Nietzsche\u2019s <em>Manfred Meditation<\/em> for solo piano met an even worse reception from Hans von B\u00fclow. \u2018Have you no better way to kill time?\u2019 wrote the conductor on receiving the score, adding that Nietzsche had \u2018raped the muse of music\u2019.<\/p><p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/vcvINsq1KSw?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\" scrolling=\"no\"\/><\/p><h3 class=\"wp-block-heading\" id=\"h-2-jean-jacques-rousseau-philosopher-1712-1778\"><strong>2. Jean-Jacques Rousseau, <em>philosopher (1712-1778)<\/em><\/strong><\/h3><p>In his 1750 treatise <em>Discourse on the Arts and Sciences<\/em>, the great French philosopher Rousseau\u2019s take on said arts was, roughly, that they were generally a corrupting influence on human nature. Why? They encouraged vanity and various other sins. It may come as a surprise, then, to learn that he himself composed in earnest. <\/p><p>Penning a fair number of songs, chamber and orchestral works, his best achievement came in the form of his 1752 opera <em>Le Devin du Village<\/em>, which earned him the offer of a lifelong pension from King Louis XIV (he turned it down) and remained popular for many years. In keeping with the philosophical outlook of a man whose hugely influential <em>The Social Contract<\/em> had a bearing on both French and American revolutions, <em>Le Devin du Village<\/em> places its emphasis on simplicity and lack of show.<\/p><h3 class=\"wp-block-heading\" id=\"h-3-ezra-pound-poet-1885-1972\"><strong>3. Ezra Pound, <em>poet (1885-1972)<\/em><\/strong><\/h3><p>\u2018Pound\u2019s style,\u2019 says the authoritative <em>New Grove Dictionary of Music and Musicians<\/em>, \u2018is possibly the most individual devised by an amateur.\u2019 Two operas, <em>The Testament of Fran\u00e7ois Villon <\/em>(1923) and <em>Cavalcanti<\/em> (1932), are the compositional highlights of the US poet, whom literature students probably associate more readily with Chinese-influenced poetry collections such as <em>Cathay<\/em> and the <em>Cantos<\/em>. <\/p><p>In contrast to the relative simplicity of his verse, Pound\u2019s compositional style was complex, in rhythm at least \u2013 <em>Villon<\/em>, which takes its inspiration from the music of Proven\u00e7al troubadors, contains metres such as 7\/16 and 19\/32.<\/p><p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/h87wzHikkwc?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\" scrolling=\"no\"\/><\/p><h3 class=\"wp-block-heading\" id=\"h-4-samuel-pepys-diarist-1633-1703\"><strong>4. Samuel Pepys, <em>diarist (1633-1703)<\/em><\/strong><\/h3><p>\u2018Home to Mr. Hill,\u2019 wrote Pepys in December 1665, \u2018and sang, among other things, my song of \u201cBeauty, retire\u201d which he likes, only excepts against two notes in the base, but likes the whole very well.\u2019 Indeed, so proud of his song was the English diarist that he is seen holding it in his famous portrait by John Hayls from the following year. Actually, truth be told, it\u2019s a little dull.<\/p><h3 class=\"wp-block-heading\" id=\"h-5-leo-tolstoy-author-1828-1910\"><strong>5. Leo Tolstoy, <em>author (1828-1910)<\/em><\/strong><\/h3><p>The author of <em>War and Peace<\/em> and <em>Anna Karenina<\/em> most famously revealed his love and knowledge of music in his 1889 story <em>The Kreutzer Sonata<\/em> about a man\u2019s obsessive jealousy over his musical wife. That work is part of a fascinating little chain of influence &#8211; it was inspired by Beethoven&#8217;s eponymous Violin Sonata, and it went on, in turn, to inspire <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/leos-janacek\">Jan\u00e1\u010dek<\/a><\/strong>&#8216;s 1923 <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-string-quartet\">string quartet<\/a><\/strong> of the sane name. <\/p><p>Tolstoy\u2019s own musical legacy was short (about a minute in total!), but very charming \u2013 in 1906, he played a little waltz in F major that he\u2019d composed in his youth to musicologist Aleksandr Gol\u2019denveizer, who wrote it down for posterity. It has since been recorded by pianists <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/pianist-imogen-cooper-shares-the-music-that-has-shaped-her\">Imogen Cooper<\/a><\/strong> and Lera Auerbach.<\/p><p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/gIxeJvmf0zY?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\" scrolling=\"no\"\/><\/p><h3 class=\"wp-block-heading\" id=\"h-6-charlie-chaplin-actor-director-1899-1977\"><strong>6. Charlie Chaplin, <em>actor, director (1899-1977)<\/em><\/strong><\/h3><p>Chaplin couldn\u2019t read music, and apparently made life hell for those poor souls who were tasked with the job of putting down the brilliant-but-moody actor and director\u2019s musical thoughts onto the written page. The effort, and the tantrums, were worth it \u2013 nearly all of Chaplin\u2019s films are enhanced by his own scores and, in 1973, he deservedly won the Best Film Score Oscar for <em>Limelight<\/em>.<\/p><h3 class=\"wp-block-heading\" id=\"h-7-clint-eastwood-actor-director-b-1930\"><strong>7. Clint Eastwood, <em>actor, director (b.1930)<\/em><\/strong><\/h3><p>OK, so most of us probably associate Clint Eastwood\u2019s rough, unshaven features with the music of Ennio Morricone \u2013 in particular that iconic \u2018Oo-ee, oo-ee, oooo, wah, wah, wah\u2019 theme from <em>The Good, The Bad and The Ugly<\/em>. However, the great Western film actor (and, lest we forget, politician) has also written a few scores of his own, albeit with a little help when it comes to the orchestration. <\/p><p>The best known of these is 2003\u2019s <em>Mystic River,<\/em> whose main theme, explained the composer, is derived from a triad that came to him while he was thinking of the film\u2019s trio of central characters, played by Tim Robbins, Sean Penn and Kevin Bacon.<\/p><p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/j36e1dTrYsg?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\"\/><\/p><h2 class=\"wp-block-heading\" id=\"h-more-of-most-unlikely-composers\">More of most unlikely composers<\/h2><h3 class=\"wp-block-heading\" id=\"h-8-sir-anthony-hopkins-actor-director-b-1937\"><strong>8. Sir Anthony Hopkins, <em>actor, director (b.1937)<\/em><\/strong><\/h3><p>So, Dirty Harry and Hannibal Lecter. There are two characters you probably wouldn\u2019t want to be stuck in a room with at the same time. But the men who played them appear to be refinement its very self. Yes, when Clint Eastwood and Sir Anthony Hopkins meet at Hollywood parties, we\u2019d like to think they discuss nothing more sinister than key signatures and ledger lines. <\/p><p>For his 2007 film <em>Slipstream<\/em>, Sir Anthony not only wrote the score but \u2013 get this \u2013 orchestrated and conducted it himself. Describing his compositional approach as \u2018freestyle\u2019 in a 2008 interview, Hopkins said he took his inspiration from the likes of <strong><a href=\"http:\/\/www.classical-music.com\/topic\/alexander-scriabin\" target=\"_blank\" rel=\"noreferrer noopener\">Scriabin<\/a><\/strong>, <strong><a href=\"http:\/\/www.classical-music.com\/topic\/claude-debussy\" target=\"_blank\" rel=\"noreferrer noopener\">Debussy<\/a><\/strong> and <strong><a href=\"http:\/\/www.classical-music.com\/topic\/maurice-ravel\" target=\"_blank\" rel=\"noreferrer noopener\">Ravel<\/a><\/strong>. He is not, incidentally, to be confused with English composer Antony Hopkins who, as far as we know, has never tried to eat anyone on the big screen.<\/p><h3 class=\"wp-block-heading\" id=\"h-9-eta-hoffman-author-1776-1822\"><strong>9. ETA Hoffman, <em>author (1776-1822)<\/em><\/strong><\/h3><p>Hoffmann\u2019s name is forever guaranteed a slot in the music library, courtesy of Offenbach\u2019s <em>The Tales of\u2026 <\/em>opera; and it\u2019s his colourful story that was turned by <strong><a href=\"http:\/\/www.classical-music.com\/topic\/pyotr-ilyich-tchaikovsky\" target=\"_blank\" rel=\"noreferrer noopener\">Tchaikovsky<\/a><\/strong> into the <em>Nutcracker<\/em> ballet in 1891. But let\u2019s not deny ETA Hoffmann his own seat at the composers\u2019 table. <\/p><p>Six of the German author\u2019s operas remain intact, the most important of which is <em>Undine<\/em> (1816), as do a couple of choral works. His composing was polished, though evidently less imaginative than his story-telling \u2013 much of his music leans heavily on Mozart and <strong><a href=\"http:\/\/www.classical-music.com\/topic\/christoph-willibald-gluck\" target=\"_blank\" rel=\"noreferrer noopener\">Gluck<\/a><\/strong>.<\/p><h3 class=\"wp-block-heading\" id=\"h-10-anthony-burgess-author-1917-93\"><strong>10. Anthony Burgess, <em>author (1917-93)<\/em><\/strong><\/h3><p>It is on a high of drugs and <strong><a href=\"http:\/\/www.classical-music.com\/topic\/ludwig-van-beethoven\" target=\"_blank\" rel=\"noreferrer noopener\">Beethoven<\/a><\/strong> that Alex, the vile delinquent in Anthony Burgess\u2019s <em>A Clockwork Orange<\/em>, leads his gang of \u2018droogs\u2019 towards long nights of violence and rape. Later, one of his victims subjects him to torture by making him listen to the same composer loudly and repeatedly. Extremely nasty stuff from an author who, as a composer himself, no doubt intended their abuse of Beethoven to give those crimes a little extra added horror. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-film-scores\">The greatest film scores of all time<\/a><\/strong><\/li><\/ul><p>Self-taught from the age of 18, Burgess\u2019s breakthrough in music came in 1975, when his Third Symphony was performed publicly in Iowa. \u2018I have written over 30 books, but this was the truly great artistic moment,\u2019 he later enthused. After that, Burgess continued to compose prolifically, his output including a large number of chamber and solo works, concertos and cantatas. A lover of fugues, his style is described by biographer Paul Philips as something akin to \u2018a hybrid of <strong><a href=\"http:\/\/www.classical-music.com\/topic\/gustav-holst\" target=\"_blank\" rel=\"noreferrer noopener\">Holst<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/paul-hindemith\">Hindemith<\/a><\/strong>\u2019.<\/p><h3 class=\"wp-block-heading\" id=\"h-11-william-herschel-astronomer-1738-1822\"><strong>11. William Herschel, <em>astronomer (1738-1822)<\/em><\/strong><\/h3><p>And talking of Holst\u2026 time to look towards the planets. Which is exactly what William Herschel spent most of his time doing \u2013 so much so that in 1781 he discovered Uranus. When not peering through his telescope, the Bath-based astronomer directed his gaze music-wards. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/five-best-pieces-music-inspired-space\">Five of the best pieces of music inspired by space<\/a><\/strong><\/li><\/ul><p>An impressive 24 symphonies form the bulk of his musical CV, along with various concertos, although most have disappeared somewhere into the far beyond. That said, in 1981 Herschel enjoyed a large audience when fellow astronomer Sir Patrick Moore played one of his keyboard works on the harpsichord as part of the introduction to a special edition of the BBC\u2019s <em>The Sky at Night<\/em> programme.<\/p><h3 class=\"wp-block-heading\" id=\"h-12-sir-patrick-moore-astronomer-1923-2012\"><strong>12. Sir Patrick Moore, <em>astronomer (1923-2012)<\/em><\/strong><\/h3><p>Alas, Sir Patrick has described Herschel\u2019s music as \u2018Mozart gone stale\u2019. But what of Moore\u2019s own efforts? The <em>Sky at Night<\/em> presenter, famed for enjoying the occasional plinkety-plonk on the xylophone \u2013 he even duetted on TV with <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/evelyn-glennie-best-recordings\">Dame Evelyn Glennie<\/a><\/strong> \u2013 wrote quite a large number of pieces. Alongside Joplinesque piano rags and a tone poem called <em>Phaethon\u2019s Ride<\/em> (once recorded by the <strong><a href=\"https:\/\/www.rsno.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Royal Scottish National Orchestra<\/a><\/strong>), three operas, <em>Perseus<\/em>, <em>Theseus<\/em> and <em>Galileo<\/em>, take pride of place. Think <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-gilbert-and-sullivan-operettas\">Gilbert and Sullivan<\/a><\/strong>-lite here\u2026<\/p><h3 class=\"wp-block-heading\" id=\"h-13-henry-viii-monarch-1491-1547\"><strong>13. Henry VIII, <em>monarch (1491-1547)<\/em><\/strong><\/h3><p>Like Charlie Chaplin, Henry VIII has enjoyed performances of his work at the <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/\">Proms<\/a><\/strong>, though his achievements as a composer are too often over-shadowed by the red herring of whether or not he wrote <em>Greensleeves<\/em>. Memorable songs and instrumental works flowed from the regal pen as readily as the orders for the executions of those who got his goat. <em>Pastyme with good companye<\/em> and <em>Tandernaken<\/em> show the King at his most accomplished.<\/p><p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/6YcDFOu6qWw?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\" scrolling=\"no\"\/><\/p><h3 class=\"wp-block-heading\" id=\"h-14-prince-albert-consort-to-queen-victoria-1819-61\"><strong>14. Prince Albert, <em>Consort to Queen Victoria (1819-61)<\/em><\/strong><\/h3><p>Was Mendelssohn just creeping to royalty when he said that Queen Victoria\u2019s husband played the organ \u2018so charmingly, precisely and accurately that it would have done credit to a professional\u2019? Possibly, though Prince Albert\u2019s credentials are well served by a compositional legacy that includes a number of lieder and some accomplished choral works \u2013 his <em>Jubilate Deum<\/em> was heard at Westminster Abbey in the 1980s. Ha. Who said that 19th-century England was the \u2018Land without Music\u2019? OK, admittedly Albert was <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/the-best-german-composers-of-all-time\">German<\/a><\/strong>\u2026<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-english-composers\">The best English composers<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-15-ivo-josipovic-former-president-of-croatia-b-1957\"><strong>15. Ivo Josipovi\u0107, <em>former president of Croatia (b.1957)<\/em><\/strong><\/h2><p>So, David Cameron\u2019s First Symphony? Barack Obama\u2019s Violin Concerto? Possibly not, but one country can boast a current leader with a few opus numbers up his sleeve. Ivo Josipovi\u0107, who served as president of Croatia from 2010 to 2015, is an avant-garde composer whose <em>Samba de Camera<\/em> won him a prize from the European Broadcasting Union in 1995. We\u2019re impressed.<\/p><p><em>Illustration: <strong><a href=\"http:\/\/davidlyttleton.com\" target=\"_blank\" rel=\"noreferrer noopener\">David Lyttleton<\/a><\/strong><\/em><\/p><p>RELATED ARTICLES<\/p><p>\u2022 <a href=\"http:\/\/www.classical-music.com\/article\/15-badly-behaved-composers\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>15 badly behaved composers<\/strong><\/a><\/p><p>\u2022 <a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-ways-get-classical-music-out-concert-hall\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Five ways to get classical music out of the concert hall<\/strong><\/a><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 22 July 2024 at 16:43 PM Over the years, we have enjoyed exploring the various skills and enthusiasms that composers have shown away from their day job: Mendelssohn\u2019s ability with a paintbrush, for instance, Elgar\u2019s love of golf, or Prokofiev\u2019s chessboard brilliance. But what about the other way round? How many famous [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":45558,"template":"","categories":[1],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results.jpg",2560,1938,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-300x227.jpg",300,227,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-768x581.jpg",768,581,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-1024x775.jpg",800,605,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-1536x1163.jpg",1536,1163,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/wagner-had-to-leave-the-room-in-hysterics-these-15-famous-figures-all-tried-composing-with-er-varying-results-2048x1550.jpg",2048,1550,true]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Monday, 22 July 2024 at 16:43 PM Over the years, we have enjoyed exploring the various skills and enthusiasms that composers have shown away from their day job: Mendelssohn\u2019s ability with a paintbrush, for instance, Elgar\u2019s love of golf, or Prokofiev\u2019s chessboard brilliance. But what about the other way round? How many famous&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/45557"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/45558"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=45557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=45557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}