{"id":45799,"date":"2024-07-30T12:19:02","date_gmt":"2024-07-30T10:19:02","guid":{"rendered":"http:\/\/150f8b9a-b0a6-46da-9783-6f2692c5895b"},"modified":"2024-07-30T13:07:19","modified_gmt":"2024-07-30T11:07:19","slug":"dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything\/","title":{"rendered":"\u2018Don\u2019t talk to me about rules, dear. I make the goddamn rules\u2019: the great divas were goddesses, and we forgave them everything"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 30 July 2024 at 10:19 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>Last year, to mark the 100th anniversary of <a href=\"https:\/\/www.classical-music.com\/features\/artists\/maria-callas-soprano\">Maria Callas<\/a>\u2019s death, I found myself thinking about a word that, in her day, was still used as an accolade for women performers, especially opera singers, at the very top of their profession. Whereas today it\u2019s become an all-purpose term of abuse applied to just about anybody who exhibits haughty behaviour. What do we mean by &#8216;diva&#8217;, and who were the great opera divas?<\/strong><\/p><p>The word \u2018diva\u2019 means goddess in Latin. And until our own era it meant goddess in showbiz too. In fact, Callas\u2019s fans nicknamed her La Divina, the divine \u2013 the ultimate diva. It implied not just incredible talent but something perhaps even more powerful: a charismatic force that reached out and mysteriously touched the hearts of millions.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Maria Callas sings &quot;Casta Diva&quot; (Bellini: Norma, Act 1)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/s-TwMfgaDC8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-their-fractured-lives-make-them-irresistible\">&#8216;Their fractured lives make them irresistible&#8217;<\/h2><p>How to explain that? In his fascinating book <em>Charisma in Politics, Religion and the Media<\/em>, the theology professor David Aberbach suggests that the public figures with the greatest mass appeal are likely to be individuals damaged by unstable or unpleasant childhoods and by their subsequent struggles to find happiness. He argues that their fractured lives make them irresistible to millions of followers who have troubled lives of their own.<\/p><p>That was certainly true of Callas, who was exploited, abused and discarded by just about everyone who got close to her \u2013 from her own mother to the ghastly Aristotle Onassis. But it\u2019s also true of numerous other showbiz and opera divas from her era. Think of Billie Holiday, <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-was-edith-piaf\">\u00c9dith Piaf<\/a><\/strong>, Marilyn Monroe, Judy Garland. All had deep emotional scars, and their fans loved them for it.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Billie Holiday - &quot;Strange Fruit&quot; Live 1959 [Reelin' In The Years Archives]\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/-DGY9HvChXk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>As the 20th century moved on, however, the description \u2018diva\u2019 came to signal another, less sympathetic character trait. A charitable description might be \u2018uncompromising attitude\u2019 or \u2018quest for perfection\u2019. Uncharitably, the word diva now evoked arrogance, high-handedness, rudeness or even megalomania.<\/p><h2 class=\"wp-block-heading\" id=\"h-don-t-nbsp-talk-to-me-about-rules-dear-i-make-the-goddam-rules\">\u2018Don\u2019t\u00a0talk to me about rules, dear. I make the goddam rules\u2019<\/h2><p>Psychologically, it\u2019s easy to see how the first trait led to the second. The diva compensates for all the bad things that have happened to her by inflicting dictatorial behaviour on those around her. Demands that seem completely unreasonable to other people seem perfectly logical, in fact necessary, in her mind. Or as Callas once snapped: \u2018Don\u2019t\u00a0talk to me about rules, dear. I make the goddam rules.\u2019<\/p><p>Those demands can often be ludicrous. Kathleen Battle, the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-sopranos-all-time\">soprano<\/a><\/strong> famously fired by the Metropolitan Opera in New York for subjecting every other member of the cast to what was described as \u2018withering criticisms\u2019, once allegedly phoned her agent from the back of a limousine to demand that he phone the chauffeur and instruct him to turn down the air-conditioning.<\/p><p>Sometimes, however, a diva\u2019s demands seem fuelled by a self-righteous fervour so powerful that it terrifies all who encounter her. Such was the case, I believe, with <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-was-jessye-norman\">Jessye Norman<\/a><\/strong>. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Jessye Norman - Ave Maria (Schubert)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/do5ZmQQM8AE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Since boyhood I had adored her majestic voice. Then, as a young journalist, I met her at a press lunch. She not only treated every question as if it were a hand grenade that needed hurling back at the questioner, she also said something quite vile to a waitress who had got her order wrong. I never stopped being wowed by her singing, but for a while I cooled to her as a human being.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/jessye-norman-best-recordings\">Jessye Norman: the best recordings<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-far-fewer-impossible-divas-in-opera-today-than-in-pop-culture\">&#8216;Far fewer &#8220;impossible&#8221; divas in opera today than in pop culture&#8217;<\/h2><p>Then I read more about her early life. She grew up in the still-segregated south of the United States, before training for a profession \u2013 opera singing \u2013 in which (despite such pioneers as Marian Anderson and <strong><a href=\"https:\/\/www.classical-music.com\/articles\/leontyne-price\">Leontyne Price<\/a><\/strong>) there were almost no other black people. Despite her one-in-a-million voice, the young Norman was on the receiving end of countless casual or deliberate racist slights.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-black-composers-you-should-know-about\">The best black composers you should know about<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/an-introduction-to-soprano-caterina-jarboro-the-first-female-black-singer-to-perform-on-a-us-opera-stage\">Caterina Jarboro: the first female black singer to perform on a US opera stage<\/a><\/strong><\/li><\/ul><p>It had an effect. She wrapped herself in an impregnable cloak of entitlement. What appeared to me, at that lunch, like sheer bad manners and gracelessness was, I later realised, more the determination of a proud, hugely talented woman to be treated with the respect, indeed awe and reverence, that she felt she deserved. Treated like a goddess, in other words.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Jessye Norman, opera singer - BBC HARDtalk\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/keCO9DQE4RI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>I get the impression that there are far fewer \u2018impossible\u2019 divas around in opera today than there are in, say, pop culture. Perhaps that\u2019s just as well. <\/p><p>If every operatic superstar refused to go on stage unless surrounded by 20 white kittens and 100 doves (as Mariah Carey notoriously demanded before switching on the Christmas lights at the Westfield shopping centre), opera would be in even more desperate financial straits than it is. <\/p><p>But nobody who heard Maria Callas or Jessye Norman in their primes ever said they were \u2018more trouble than they\u2019re worth\u2019. They were goddesses. Rightly or wrongly, you forgave them everything.\u00a0<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 30 July 2024 at 10:19 AM Last year, to mark the 100th anniversary of Maria Callas\u2019s death, I found myself thinking about a word that, in her day, was still used as an accolade for women performers, especially opera singers, at the very top of their profession. Whereas today it\u2019s become an [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":45800,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"4"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything.png",1202,932,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything-150x150.png",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything-300x233.png",300,233,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything-768x595.png",768,595,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything-1024x794.png",800,620,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything.png",1202,932,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/07\/dont-talk-to-me-about-rules-dear-i-make-the-goddamn-rules-the-great-divas-were-goddesses-and-we-forgave-them-everything.png",1202,932,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 30 July 2024 at 10:19 AM Last year, to mark the 100th anniversary of Maria Callas\u2019s death, I found myself thinking about a word that, in her day, was still used as an accolade for women performers, especially opera singers, at the very top of their profession. Whereas today it\u2019s become an&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/45799"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/45800"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=45799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=45799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}