{"id":45841,"date":"2024-08-04T16:00:00","date_gmt":"2024-08-04T14:00:00","guid":{"rendered":"http:\/\/3b7feb21-b0ba-4b6a-b7f5-76a3d3b38ef5"},"modified":"2024-08-04T16:07:17","modified_gmt":"2024-08-04T14:07:17","slug":"drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops\/","title":{"rendered":"Drunk conductors, knock-kneed dancers, greedy diners: 15 famous pieces of music that were first-night flops&#8230;"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Sunday, 04 August 2024 at 14:00 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>Read on to discover the first-night flops that became huge successes&#8230;<\/strong><\/p><p>The best Judges allowed it to be the most finished piece of Musick,\u2019 glowed<i> The Dublin Journal<\/i> in 1742. \u2018Words are wanting to express the exquisite Delight it afforded to the admiring crowded Audience.\u2019<\/p><p>That \u2018most finished piece of Musick\u2019 was <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/hallelujah-story-handel-s-messiah\/\">Handel\u2019s <i>Messiah<\/i><\/a><\/strong>, whose first-night audience thrilled to its rousing Hallelujahs in the same way as they do today. But not all great works have enjoyed the same fortune. Drunk conductors, knock-kneed dancers, greedy diners \u2013 all these and more have turned premieres into a nightmares. Bizet\u2019s<i> Carmen<\/i> offended polite society. Elgar\u2019s<i> Dream of Gerontius <\/i>was too difficult. Bernstein\u2019s<i> Candide<\/i> wasn\u2019t funny enough. <\/p><ul\/><p>It seems composers just can\u2019t win. Or can they? Sometimes it just takes time and patience \u2013 every one of the 15 works here was a flop on its first night, only to go on to huge success. <\/p><h2 class=\"wp-block-heading\" id=\"h-1-first-night-flops-bizet-carmen\">1. First-night flops: Bizet <i>Carmen<\/i> <\/h2><p>Paris\u2019s Op\u00e9ra-Comique, which commissioned <i>Carmen<\/i>, specialised in staging lightly moralistic works. But what they got from <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/georges-bizet\/\">Bizet<\/a><\/strong> was an opera about promiscuous cigarette girls who liked a fight. Audiences were outraged and the opera was a disaster. The French composer died believing he\u2019d written a dud. <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/pyotr-ilyich-tchaikovsky\/\">Tchaikovsky<\/a><\/strong> predicted it would one day be the most popular opera in the world, but then he knew a thing or two about flops\u2026<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/bizet-s-carmen-what-listen-next\/\">Bizet\u2019s Carmen: What to listen to next<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-bizet\/\">Five essential works by Bizet<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Bizet <i>Carmen: Elina Garan\u010da, Roberto Alagna, Metropolitan Opera Orchestra &amp; Chorus\/Yannick N\u00e9zet-S\u00e9guin; dir. Richard Eyre (New York, 2010)<\/i><\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Bizet-Carmen-Yannick-Nezet-Seguin-Garanca\/dp\/B003ELZL0Q\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/dvd-blu-ray\/bizet-carmen-2\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-2-tchaikovsky-piano-concerto-no-1\">2. Tchaikovsky Piano Concerto No. 1 <\/h2><p>If you count a premiere as also being the first play-through of a work, then few can have gone as badly as <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/tchaikovsky\">Tchaikovsky<\/a><\/strong>\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/tchaikovskys-piano-concerto-no-1-guide-best-recordings\">Piano Concerto No. 1<\/a><\/strong>. The ink was still wet when the composer showed the score to Nikolai Rubinstein. Tchaikovsky was hoping the pianist would give the first performance so rattled through the first movement to demonstrate it. At the end, the silence was deafening, as Tchaikovsky recollected: \u2018Not a single word! Rubenstein was amassing his storm.\u2019 Indeed he was. He declared the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-concerto\/\">concerto<\/a><\/strong> \u2018worthless and unplayable\u2019.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Tchaikovsky: Piano Concerto No. 1 | Martha Argerich, Charles Dutoit &amp; the Verbier Festival Orchestra\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/2DmfJu3oNDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><figcaption class=\"wp-element-caption\">Martha Argerich performs Tchaikovsky&#8217;s First Piano Concerto<\/figcaption><\/figure><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/the-best-and-worst-recordings-of-tchaikovskys-romeo-and-juliet\/\">The best (and worst) recordings of Tchaikovsky&#8217;s Romeo and Juliet<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Tchaikovsky <i>Piano Concerto No. 1: <\/i>Peter Katin (piano); New Symphony Orch of London\/Cundell; *LPO\/Boult<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Tchaikovsky-Piano-Concerto-Concert-Fantasy\/dp\/B016CQZXA2\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/peter-katin-plays-tchaikovsky-piano-concerto-no-1\/\">Read full review<\/a><\/strong><\/li><\/ul><p><strong>Find out more about <a href=\"https:\/\/www.classical-music.com\/tag\/tchaikovsky\/\">Tchaikovsky and his works here<\/a><\/strong><\/p><h2 class=\"wp-block-heading\" id=\"h-3-first-night-flops-brahms-piano-concerto-no-1\">3. First-night flops: Brahms Piano Concerto No. 1<\/h2><p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\/\">Brahms<\/a><\/strong> had long wanted to compose a <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-symphony\/\">symphony<\/a><\/strong> but decided to keep his powder dry and write a quasi-symphonic piano concerto instead. It was a big deal for the young composer, who laboured over the score of his First Piano Concerto. To ensure no slips, he decided to perform it at the premiere in Hanover. The new work had a cool reception so he tried again a few days later in Leipzig but, as he recalled later, \u2018Three pairs of hands attempted to applaud but were quickly stopped by unmistakable hissing all around.\u2019<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-brahms\/\">Five essential works by Brahms<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-brahms-recordings\/\">Six of the best Brahms recordings<\/a><\/strong><\/li><\/ul><p><strong>Recommended recordings of Brahms Piano Concertos Nos 1 &amp; 2: Rudolf Buchbinder (piano); Vienna Philharmonic\/Zubin<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Brahms-Concertos-Buchbinder-Philharmoniker-Entertainment\/dp\/B01IQEC9ZK\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/dvd-blu-ray\/rudolf-buchbinder-performs-brahms-piano-concertos-nos-1-2\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-4-rachmaninov-symphony-no-1\">4. Rachmaninov Symphony No. 1<\/h2><p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\/\">Rachmaninov<\/a><\/strong> threw his heart and soul into his First Symphony. But the premiere was conducted by a man whose very surname suggested one glass might never have been enough. Glazunov was drunk as he mounted the podium. His arms rose and fell with the music but there was no feeling. Composer C\u00e9sar Cui, who was in the audience, said Rachmaninov\u2019s symphony, \u2018would have brought ecstasy to the inhabitants of hell\u2019. Rachmaninov, meanwhile, hid in a stairwell with his hands over his ears.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/seven-best-works-rachmaninov\/\">Seven of the best works by Rachmaninov<\/a><\/strong><\/li><\/ul><p> <strong>Recommended recording of Rachmaninov <i><em>Symphony No. 1: St Petersburg PO\/Mariss Jansons<\/em><\/i><\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Rachmaninov-Symphony-No-Isle-Dead\/dp\/B00000I7WG\/ref=sr_1_2\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/orchestral\/rachmaninov-64\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-5-first-night-flops-beethoven-fidelio\">5. First-night flops: Beethoven <i>Fidelio<\/i><\/h2><p>Where most composers were happy to make music a politics-free zone, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\/\">Beethoven<\/a><\/strong> banged on about freedom and justice, never mind who was listening. Take<i> Fidelio<\/i>, his only opera. It\u2019s a story about one woman\u2019s love triumphing over political brutality. So where did Beethoven have its premiere? In a city (Vienna) that was under military occupation. And who was the audience? The people doing the occupying (French military officers). Add to that the German libretto and, needless to say, it didn\u2019t go down a storm. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Beethoven's Fidelio : Prisoners' Chorus\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ReSwAZ8jNyQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><figcaption class=\"wp-element-caption\">The Prisoners&#8217; Chorus from Beethoven&#8217;s <em>Fidelio<\/em><\/figcaption><\/figure><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-beethovens-fidelio\/\">The best recordings of Beethoven&#8217;s Fidelio<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Beethoven <i>Fidelio<\/i>: Otto Klemperer<\/strong><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Beethoven-Fidelio-Otto-Klemperer\/dp\/B017OHASM6\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-6-rossini-barber-of-seville\">6. Rossini <i>Barber of Seville<\/i><\/h2><p>Scrabbling around for his next opera plot in 1815, the ever-industrious <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/gioachino-rossini\/\">Rossini<\/a><\/strong> alighted on the first of a trilogy of plays concerning Figaro, a barber. \u2018Great,\u2019 he thought; \u2018I\u2019ll call my new opera<i> The Barber of Seville<\/i>.\u2019 But fellow Italian Giovanni Paisiello had already written an opera based on the same play \u2013 and given it the same title. When the premiere of Rossini\u2019s version came around, Paisiello planted his supporters among the audience. At a pre-arranged moment they began booing and chanting Paisiello\u2019s name. A great idea, except that they couldn\u2019t afford to be there every night. The next performance was a rip-roaring success.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/four-best-rossini-recordings\/\">Four of the best Rossini recordings<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Rossini The Barber of Seville: Alan Opie, Della Jones, Bruce Ford, Andrew Shore, Peter Rose; Chorus &amp; Orchestra of ENO\/Gabriele Bellini [in English]<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.com\/Barber-Seville-Jones-Bellini-English\/dp\/B000000AAY\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/opera\/rossini-42\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-7-first-night-flops-elgar-dream-of-gerontius\">7. First-night flops: Elgar <i>Dream of Gerontius<\/i><\/h2><p>Inspired by <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edward-elgar\/\">Elgar<\/a><\/strong>\u2019s interest in the new and complex music of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\/\">Wagner<\/a><\/strong>, <i>The Dream of Gerontius<\/i> was technically and musically beyond the Birmingham Festival Choir. It didn\u2019t help that its chorus master died suddenly during rehearsals and that his replacement wasn\u2019t up to the job, or that the conductor, Hans Richter, was ill-prepared. The premiere was a disaster. Nor were Elgar\u2019s problems over. The work\u2019s Catholic sentiments offended the Protestant church, whose leaders demanded changes to the text before it could be performed in their cathedrals.<\/p><ul><li><strong><a class=\"standard-card-new__article-title qa-card-link\" href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-elgar\/\">Five essential works by Elgar<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Elgar <i>Dream of Gerontius: Richard Lewis (tenor), Janet Baker (mezzo-soprano), Kim Borg (bass); Sheffield Philharmonic Chorus, Ambrosian Singers, Hall\u00e9 Orchestra &amp; Choir\/John Barbirolli<\/i><\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Sheffield-Philharmonic-Ambrosian-Orchestra-Barbirolli\/dp\/B078TL159D\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/elgar-12-2\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-8-musorgsky-a-night-on-bare-mountain\">8. Musorgsky <i>A Night on Bare Mountain<\/i><\/h2><p>As one of the first tone poems ever written by a Russian composer, this was an important milestone for Russian music &#8211; so, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/modest-musorgsky\/\">Musorgsky<\/a><\/strong> had devoted 14 frantic days to <i>Night on Bare Mountain<\/i>. The composer presented the completed work to fellow composer Balakirev, the man he had chosen to wield the baton at its premiere. Unfortunately Balakirev was less than impressed, citing grave shortcomings in the score, and refused to go near it.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Night On Bald Mountain - Fantasia (1941) (Theatrical Cut)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/SLCuL-K39eQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><figcaption class=\"wp-element-caption\"><em>Night on Bare Mountain<\/em> as interpreted in Disney&#8217;s <em>Fantasia<\/em><\/figcaption><\/figure><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/musorgsky-style-guide\/\">Musorgsky: A Style Guide<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/disneys-fantasia-all-the-pieces-of-classical-music-featured-in-the-animated-film\">Disney&#8217;s <em>Fantasia<\/em>: all the pieces of classical music featured in the film<\/a><\/strong><\/li><\/ul><p><strong>Best recording of Musorgsky A Night on Bare Mountain: Sa Chen<\/strong><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Etudes-Tableaux-Pictures-At-Exhibition\/dp\/B002ED6VUO\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/instrumental\/musorgsky-night-bare-mountain\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-9-first-night-flops-strauss-the-blue-danube\">9. First-night flops: Strauss <i>The Blue Danube<\/i><\/h2><p>No other piece of music better illustrates the \u2018flop to hit\u2019 reversal than Johann Strauss II\u2019s<i> By the Beautiful Blue Danube<\/i>. Here\u2019s a waltz everybody knows, but the audience at its premiere did not entirely go with the flow. The work was intended to boost Viennese morale after Austria\u2019s defeat at the hands of Prussia in the Seven Weeks\u2019 War. And so it might have, had \u2018humorous\u2019 lyrics intended to make light of Austria\u2019s problems not then been added. The first-night crowd hated them and the piece received just one encore making it, in Strauss\u2019s terms, a disaster.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-landler\">What is a L\u00e4ndler in music?<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording: J Strauss II: The Blue Danube &amp; Famous Viennese Waltzes Wiener Philharmoniker, Bavarian State Orchestra, Karl B\u00f6hm, Carlos Kleiber<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.com\/Strauss-J-Danube-Viennese-Waltzes\/dp\/B008JVXH48\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-10-stravinsky-rite-of-spring\">10. Stravinsky <i>Rite of Spring<\/i><\/h2><p>As with <i>The Blue Danube<\/i>, <i>The Rite of Spring<\/i>\u2019s legendary first-night upset may not have been entirely of the music\u2019s making. According to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/igor-stravinsky\/\">Stravinsky<\/a> <\/strong>\u2018the storm broke\u2019 only when the stage curtain opened to reveal the \u2018group of knock-kneed and long-braided Lolitas jumping up and down\u2019. He was referring to the dancers of Serge Diaghilev\u2019s Ballet Russes, choreographed by Vaslav Nijinsky, and by \u2018storm\u2019, he meant catcalls, whistling and fistfights. The conductor, Pierre Monteux, recalled that, \u2018Everything available was tossed in our direction\u2019. Diaghilev\u2019s verdict on the night: \u2018Exactly what I wanted.\u2019<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-stravinskys-rite-spring\/\">The best recordings of Stravinsky&#8217;s The Rite of Spring<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/stravinskys-ballets-a-guide-to-all-his-masterpieces\">Ranked: the Stravinsky ballets you need to hear<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Stravinsky <\/strong><i><strong>Rite of Spring: Junge Deutsche Philharmonie\/P\u00e9ter E\u00f6tv\u00f6s<\/strong><\/i><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Stravinsky-Spring-Gothenburg-Symphony-Orchestra\/dp\/B000ENC6OQ\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-11-first-night-flops-tchaikovsky-swan-lake\">11. First-night flops: Tchaikovsky <i>Swan Lake<\/i><\/h2><p>At its debut, <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/guide-swan-lake\/\"><i>Swan Lake <\/i><\/a><\/strong>waddled onto stage with all the grace of the proverbial ugly duckling. As with the <i>Rite of Spring <\/i>40 years later, the music was ahead of its time and the dancers unused to such an inventive score. Word leaked out ahead of the premiere that they were struggling and so easier pieces were slipped in. Perhaps the press smelled a rat, because they were unimpressed. By the time the ballet dropped out of the repertoire, one third of Tchaikovsky\u2019s score had been replaced. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-pieces-music-inspired-swans\">6 of the best pieces inspired by swans<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Tchaikovsky Swan Lake: State Academic Symphony Orchestra of Russia \u2018Evgeny Svetlanov\u2019\/Vladimir Jurowski (Pentatone)<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Tchaikovsky-Swan-world-premiere-version\/dp\/B07GW2T3RS\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/orchestral\/tchaikovsky-swan-lake-2\/\">Read full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-12-verdi-la-traviata\">12. Verdi <i>La traviata <\/i><\/h2><p>Where today we may raise a eyebrow at the sight of an older and amply proportioned <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-soprano\/\">soprano<\/a><\/strong> in the role of the youthful and consumptive Violetta, the Venetian first-night audience booed. Later, the audience turned on the baritone and tenor for what they saw as below-par performances. \u2018Was the fault mine or the singers\u2019?\u2019 asked <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giuseppe-verdi\/\">Verdi<\/a><\/strong> after the performance. Not his, I think it\u2019s safe to say.<\/p><p><strong>Recommended recording of Verdi La Traviata: Natalie Dessay, Charles Castronovo, Ludovic T\u00e9zier; LSO\/Louis Langr\u00e9e; Estonian Philharmonic Chamber Choir\/Mikk \u00dcleoja; dir Jean-Fran\u00e7ois<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Natalie-Charles-Castronovo-Jean-Francois-Sivadier\/dp\/B006LPI0KU\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/dvd-blu-ray\/verdi-174\/\">Read our full review<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-13-first-night-flops-bellini-norma\">13. First-night flops: Bellini <i>Norma<\/i><\/h2><p>At least the <i>La traviata<\/i> audience told Verdi what they thought of it. In contrast, the audience at the premiere of Bellini\u2019s <i>Norma<\/i> did and said the worst thing possible \u2013 nothing. Not a boo or a clap. \u2018Fiasco! Fiasco! Solemn fiasco!\u2019 wailed <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/vincenzo-bellini\/\">Bellini<\/a><\/strong>. The composer cast around for explanations: the singers were tired, some sections of the opera didn\u2019t work\u2026 He also noted the presence in the audience of a rival camp out to make trouble.<\/p><p><strong>Recommended recording of Bellini Norma: Renata Scotto, Tatiana Troyanos, Giuseppe Giacomini, Paul Plishka, Ann Murray, Paul CrookAmbrosian Opera Chorus, National PO\/James Levine<\/strong> <\/p><ul><li><strong><a href=\"https:\/\/www.amazon.fr\/Bellini-Norma-Renata-Scotto-2009-03-03\/dp\/B01GKAES4C\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/opera\/bellini-11\/\">Read full review here<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-14-bernstein-candide\">14. Bernstein <i>Candide<\/i><\/h2><p>As with Strauss\u2019s <i>Blue Danube,<\/i> words were nearly the undoing of <i>Candide<\/i>. The libretto was penned by dramatist Lillian Hellman, whose idea the operetta was in the first place, but at the premiere some critics found her efforts too serious and the Broadway production was a flop, running for just two months. Subsequent producers, however, could see its potential, and one by one set about rescuing it, with <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/leonard-bernstein\/\">Bernstein<\/a><\/strong> himself rolling up his sleeves and setting to.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/the-best-musicals-by-leonard-bernstein\">The best musicals by Leonard Bernstein<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Bernstein <em>Candide<\/em>: Adolph Green, June Anderson <i class=\"a-icon a-icon-text-separator\"\/>London Symphony Chorus &amp; London Symphony Orchestra, Leonard Bernstein<\/strong><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Leonard-Bernstein-Candide-DVD\/dp\/B000FKO1QE\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-15-first-night-flops-wagner-tannhauser\">15. First-night flops: Wagner <i>Tannha\u00fcser<\/i><\/h2><p>When members of a dining club start jeering at your new opera because you\u2019ve disrupted their schedule, you know you\u2019ve got a problem. This is what the Jockey-Club de Paris did during the first Act of <a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-tannh-user\/\"><strong>Wagner\u2019s <i>Tannha\u00fcser<\/i><\/strong><\/a> at its premiere. Napoleon III had pointed out that the Paris Op\u00e9ra liked to feature a ballet within its productions. Since Wagner hadn\u2019t written one, he set about doing so, but for dramatic reasons placed in it Act I rather than Act II, as was the custom. This meant the <em>bon viveurs<\/em> of the Jockey-Club had to postpone their meal to be present at the start of the opera, rather than slipping in for the ballet later on. <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-wagner\/\">The best recordings of Wagner<\/a><\/strong><\/li><\/ul><p><strong>Recommended recording of Wagner Tannh\u00e4user: Robert Gambill, Camilla Nylund, (dvd)<\/strong><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/Wagner-Tannhauser-Recording-Festspielhaus-Baden-Baden\/dp\/B002N5KDWK\" target=\"_blank\" rel=\"noreferrer noopener\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/reviews\/dvd-blu-ray\/wagner-tannhauser\/\">Read full review here<\/a><\/strong><\/li><\/ul><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/15-compositions-which-their-composers-perhaps-want-to-forget\/\">15 compositions which their composers &#8211; perhaps &#8211; want to forget<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/weirdest-classical-music\">&#8216;One player sits on the other&#8217;s lap&#8217;: 15 weirdest works<\/a><\/strong><\/li><\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Sunday, 04 August 2024 at 14:00 PM Read on to discover the first-night flops that became huge successes&#8230; The best Judges allowed it to be the most finished piece of Musick,\u2019 glowed The Dublin Journal in 1742. \u2018Words are wanting to express the exquisite Delight it afforded to the admiring crowded Audience.\u2019 That [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":45842,"template":"","categories":[1],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/drunk-conductors-knock-kneed-dancers-greedy-diners-15-famous-pieces-of-music-that-were-first-night-flops.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Sunday, 04 August 2024 at 14:00 PM Read on to discover the first-night flops that became huge successes&#8230; The best Judges allowed it to be the most finished piece of Musick,\u2019 glowed The Dublin Journal in 1742. \u2018Words are wanting to express the exquisite Delight it afforded to the admiring crowded Audience.\u2019 That&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/45841"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/45842"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=45841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=45841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}