{"id":45975,"date":"2024-08-18T13:43:00","date_gmt":"2024-08-18T11:43:00","guid":{"rendered":"http:\/\/bf388811-fa25-4fe5-bd47-af7e89156e39"},"modified":"2024-08-18T15:07:16","modified_gmt":"2024-08-18T13:07:16","slug":"best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer\/","title":{"rendered":"Best of Debussy: nine of the most inspirational works by the trailblazing French composer"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Sunday, 18 August 2024 at 11:43 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>He was a sonic adventurer whose visionary ideas about sound and atmosphere helped to transform the landscape of late 19th and early 20th-century music. We asked nine leading classical music performers to name their favourite work by <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/nine-most-inspirational-debussy-works\">Claude Debussy<\/a><\/strong>. So here it is: a carefully curated best of Debussy.<\/p><h2 class=\"wp-block-heading\" id=\"h-best-of-debussy-chosen-by-michael-tilson-thomas-natalie-dessay-and-others\">Best of Debussy, chosen by Michael Tilson Thomas, Natalie Dessay and others<\/h2><p>We begin with Debussy choices from conductor Michael Tilson Thomas, soprano Natalie Dessay and others. <\/p><h3 class=\"wp-block-heading\" id=\"h-michael-tilson-thomas-conductor-chooses-en-blanc-et-noir\"><strong>Michael Tilson Thomas, conductor<\/strong> chooses <em><strong>En blanc et noir<\/strong><\/em><\/h3><p>When I was a boy, playing the piano <em>Arabesques<\/em> and <em>La cath\u00e9drale engloutie<\/em> were life-changing experiences \u2013 they transported me to different worlds from the arid Napa Valley I lived in. The <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/debussy-prelude-lapres-midi-faune\">Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/a><\/strong><\/em> was another milestone, and Arturo Benedetti Michelangeli\u2019s last recording of pieces from <em><strong><a href=\"https:\/\/www.classical-music.com\/articles\/best-recordings-debussys-images\">Images<\/a><\/strong><\/em> is revelatory.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Martha Argerich and Iddo Bar-Shai: Debussy &quot;en blanc et noir&quot; for 2 pianos\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/HHZ3RYAHq20?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>But the most inspiring piece for me is <em>En blanc et noir<\/em> for two pianos. It\u2019s such an overwhelming, visionary piece, almost cinema-like in showing where Debussy\u2019s mind was in the last period of his work. And it\u2019s wonderful that Robin Holloway has done a fabulous orchestration of it, as Colin Matthews has with the <em>Pr\u00e9ludes<\/em>.<\/p><h3 class=\"wp-block-heading\" id=\"h-natalie-dessay-soprano-chooses-pelleas-et-melisande\"><strong>Natalie Dessay, soprano<\/strong> chooses <em><strong>P\u00e9lleas et M\u00e9lisande<\/strong><\/em><\/h3><h4 class=\"wp-block-heading\" id=\"h-melisande-is-an-absolute-mystery-i-still-don-t-understand-her-and-that-s-how-it-should-be\">&#8216;<em>M\u00e9lisande<\/em> is an absolute mystery, I still don\u2019t understand her \u2013 and that\u2019s how it should be&#8217;<\/h4><p>I think it must be the chemistry between the words and the music which makes <em><a href=\"https:\/\/www.classical-music.com\/features\/works\/introduction-debussys-pelleas-et-melisande\"><strong>P\u00e9lleas et M\u00e9lisande<\/strong><\/a> <\/em>such a wonderful opera \u2013 and so unique; its music seems to come from another planet. I think this is the only opera I have chosen to do because of the music and not the character.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Claude Debussy - &quot;Pell\u00e9as et M\u00e9lisande&quot; (Suite) | Alain Altinoglu | WDR Sinfonieorchester\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/hpl_kIpKLzU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p><em>M\u00e9lisande<\/em> is an absolute mystery, I still don\u2019t understand her \u2013 and that\u2019s how it should be. One almost has to intone her words rather than sing them, and because of this I believe you must truly know French to give the music what it deserves. It\u2019s such beautiful language, but very complicated and difficult to sing. <em>P\u00e9lleas<\/em> makes you realise that French is not flat, but phrased in little waves. The music of Debussy is really like a language that resides in my body and my mind \u2013 it\u2019s part of me.<\/p><p><a href=\"http:\/\/www.classical-music.com\/review\/debussy-oct-17\"><strong>\u2022 Review: Steven Osborne plays Debussy<\/strong><\/a><\/p><h3 class=\"wp-block-heading\" id=\"h-steven-osborne-pianist-chooses-la-cathedrale-engloutie\"><strong>Steven Osborne, pianist<\/strong> chooses <em><strong>La cath\u00e9drale engloutie<\/strong><\/em><\/h3><p>For me, <em>La cath\u00e9drale engloutie<\/em> has a lot of sentimental associations. I learnt it when I was a kid and loved playing it \u2013 technically it\u2019s pretty simple, and yet there are these amazing sonorities he gets from the piano. But then, as I got older, I realised more and more what an astounding piece of music it is. You have this opening rising figure that comes back constantly, but the piece develops in slow motion into this overwhelming climax when the figure becomes the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong>.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Debussy: Pr\u00e9ludes, Book 1, CD 125: X. La cath\u00e9drale engloutie\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/6uyEPcU5YOU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>He does it all with such amazing economy of means. Part of the skill in playing it lies in how you layer the sound \u2013 it has to have an incredible sense of space and you have to control the sound well enough from the first chord to ensure that space isn\u2019t disturbed.<\/p><h3 class=\"wp-block-heading\" id=\"h-colin-matthews-composer-chooses-rondes-de-printemps-from-images\"><strong>Colin Matthews, composer<\/strong> chooses<strong> &#8216;Rondes de Printemps<\/strong>&#8216; from <strong><em>Images<\/em><\/strong><\/h3><p>My immediate reaction was to go for <em><strong><a href=\"https:\/\/www.classical-music.com\/articles\/story-debussy-s-jeux\">Jeux<\/a><\/strong><\/em>, which I couldn\u2019t live without; but the piece which perhaps exemplifies what I most love about Debussy is &#8216;Rondes de Printemps&#8217;, from the orchestral <em>Images<\/em>. It\u2019s such a wonderfully elusive piece \u2013 as soon as you\u2019ve grasped one element of it, off it goes somewhere else.<\/p><p>Yet it retains such a strong sense of direction through the constant beauty and subtlety of Debussy\u2019s inimitable soundworld. The melodic ideas start by being fragmentary but build towards a brilliant climax \u2013 and it\u2019s all achieved with an orchestra that has no trumpets or trombones.<\/p><h2 class=\"wp-block-heading\" id=\"h-more-best-of-debussy-chosen-by-emmanuel-pahud-jean-efflam-bavouzet-and-others\">More best of Debussy, chosen by Emmanuel Pahud, Jean-Efflam Bavouzet and others<\/h2><p>Onwards, with choices from two of today&#8217;s greatest French performers among others&#8230;<\/p><h3 class=\"wp-block-heading\" id=\"h-susan-graham-mezzo-soprano-chooses-clair-de-lune\"><strong>Susan Graham, mezzo-soprano<\/strong> chooses <em><strong>Clair de lune<\/strong><\/em><\/h3><p>I was a serious piano student before I studied singing, and <em>Clair de lune <\/em>is still a very big part of my life. The thing I love about Debussy, and why I will go into my house in the hills of Santa Fe with nobody around, open the doors, lift up the lid of my grand piano and play this piece, is because it feels like it\u2019s just for me.<\/p><p>I started learning about it from a young age: the painting and the music from that period are closely intertwined \u2013 it all made sense to me. When I started tackling the piece, it was so fulfilling to play. Debussy was such a rule-breaker, and invented a language that is so full of freedom and relentlessness. I love <em>Clair de lune<\/em>\u2019s changes in mood; it has a beginning, a middle and an end \u2013 to me it tells a story.<\/p><p><a href=\"http:\/\/www.classical-music.com\/article\/best-classical-music-night\"><strong>\u2022 The best classical music about the night<\/strong><\/a><br\/><a href=\"http:\/\/www.classical-music.com\/review\/debussy-colin-matthews\"><strong>\u2022 Review: Debussy Pr\u00e9ludes orchestrated by Colin Matthews<\/strong><\/a><\/p><h3 class=\"wp-block-heading\" id=\"h-noriko-ogawa-pianist-chooses-reflets-dans-l-eau-from-images\"><strong>Noriko Ogawa, pianist<\/strong> chooses <strong>&#8216;Reflets dans l\u2019eau&#8217; <\/strong>from<strong> <em>Images<\/em><\/strong> <\/h3><p>While I really love all the <em>Etudes<\/em>, particularly the one for sixths, I still have such vivid childhood memories of seeing Andr\u00e9 Watts on television playing &#8216;Reflets dans l\u2019eau&#8217; from <em>Images<\/em> Book I. I just thought it was the most beautiful piece of music. I thought that I would like to play this piece myself, and so in a way it changed my life.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Debussy - Reflets dans l'eau (Images)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Q64UJcKjFQE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>The challenges for a player lie in the very fast demi-semi-quavers which have to sound very fluid in order to achieve the needed flexibility of sound and tone colours. And there are also tiny little differences from one figuration to another \u2013 they sound and look very similar, but there may be only one note different. To do what Debussy wanted, you have to look very closely at every note.<\/p><h3 class=\"wp-block-heading\" id=\"h-emmanuel-pahud-flautist-chooses-the-sonata-for-flute-viola-and-harp\"><strong>Emmanuel Pahud, flautist<\/strong> chooses the <strong>Sonata for Flute, Viola and Harp<\/strong><\/h3><p>So much of Debussy\u2019s music for the <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/flute\">flute<\/a><\/strong> is magnificent \u2013 straight off I can think of <em>Syrinx<\/em> for solo flute, or that chromatic line in the introduction of <em>Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/em>, or <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/quick-guide-debussys-la-mer\">La mer<\/a><\/strong><\/em>, or <em>Pell\u00e9as et M\u00e9lisande<\/em>. But if I had to pick one, I\u2019d go for the Sonata for Flute, Viola and Harp.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-pieces-flute-our-top-picks\">The best pieces for flute<\/a><\/strong><\/li><\/ul><p>There is so much happening between the notes in this work \u2013 the notes are moving forward like waves and the idea of taste and smell that emerges from it is unbelievable. Experiencing this power with the other musicians as you perform it is something quite intimate, almost like making love \u2013 having an audience there is almost voyeurism. Sensuous and voluptuous, it\u2019s music that really gets under your skin.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"La Mer Trio Claude Debussy Sonate for flute viola and harp\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/wA6JcI3dtXM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-jun-markl-conductor-chooses-the-martyrdom-of-saint-sebastian\"><strong>Jun M\u00e4rkl, conductor <\/strong>chooses <em><strong>The Martyrdom of Saint Sebastian<\/strong><\/em><\/h3><p>Debussy created a completely new set of colours for the orchestra \u2013 very different from what had come before. The refinement of colours, the blend of different instruments, the transparent sound \u2013 these are things which are very remarkable and typical in Debussy\u2019s music. He redefined French music in the 20th century.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-french-composers-ever\">The greatest French composers of all time<\/a><\/strong><\/li><\/ul><p><em>The Martyrdom of Saint Sebastian<\/em> is all about creating a feeling, an atmosphere. We do not get the facts of Saint Sebastian\u2019s story from the text \u2013 rather like in <em>Pell\u00e9as et M\u00e9lisande <\/em>\u2013 but instead we get indications and then the spirit of the saint in the music. So we have a lot of freedom to be creative.<\/p><h3 class=\"wp-block-heading\" id=\"h-jean-efflam-bavouzet-pianist-chooses-jeux\"><strong>Jean-Efflam Bavouzet, pianist <\/strong>chooses <strong><em>Jeux<\/em><\/strong><\/h3><h4 class=\"wp-block-heading\" id=\"h-i-listened-to-pelleas-et-melisande-and-began-to-cry\">&#8216;I listened to <em>Pell\u00e9as et M\u00e9lisande <\/em>and began to cry&#8217;<\/h4><p>Neither of the pieces by Debussy that inspire me most are for piano. The first is <em>Pell\u00e9as et M\u00e9lisande <\/em>because it was the no-return point for me. About 15 years ago while touring in Asia, I listened to the marvellous recording by <strong><a href=\"https:\/\/www.classical-music.com\/articles\/trouble-karajan\">Herbert von Karajan<\/a><\/strong> in my hotel room and I began to cry. For several years I could not hear a note by Debussy without being moved to tears.<\/p><p>Shortly after I wrote a piano version of <em>Jeux<\/em> \u2013 probably the ultimate in his orchestral and <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-harmony-in-music\">harmonic<\/a><\/strong> writing \u2013 which was another turning point for me, a chance to be immersed in the piece\u2019s architecture, to plunge into the score.<\/p><p><em>This feature was first published in the February 2012 issue of BBC Music Magazine<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Sunday, 18 August 2024 at 11:43 AM He was a sonic adventurer whose visionary ideas about sound and atmosphere helped to transform the landscape of late 19th and early 20th-century music. We asked nine leading classical music performers to name their favourite work by Claude Debussy. So here it is: a carefully curated [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":45976,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/08\/best-of-debussy-nine-of-the-most-inspirational-works-by-the-trailblazing-french-composer.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Sunday, 18 August 2024 at 11:43 AM He was a sonic adventurer whose visionary ideas about sound and atmosphere helped to transform the landscape of late 19th and early 20th-century music. We asked nine leading classical music performers to name their favourite work by Claude Debussy. So here it is: a carefully curated&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/45975"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/45976"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=45975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=45975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}