{"id":47060,"date":"2024-09-03T08:00:00","date_gmt":"2024-09-03T06:00:00","guid":{"rendered":"http:\/\/e22b7a6f-1a0a-4aec-aa3f-008229c5e412"},"modified":"2024-09-03T14:07:16","modified_gmt":"2024-09-03T12:07:16","slug":"bruckner-symphony-no-7-mason-bates-resurrexit","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/bruckner-symphony-no-7-mason-bates-resurrexit\/","title":{"rendered":"Bruckner: Symphony No. 7; Mason Bates: Resurrexit"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 03 September 2024 at 06:00 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Bruckner: Symphony No. 7; Mason Bates: Resurrexit\u00a0<br\/>Pittsburgh Symphony Orchestra\/Manfred Honeck<br\/><em>Reference Recordings FR-757SACD\u00a0\u00a0\u00a077:02 mins<\/em><\/p><figure class=\"wp-block-audio\"><audio controls=\"\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/09\/RECORDING-OF-THE-MONTH-Symphony-No.-7-in-E-Major-III.-Sehr-schnell.mp3\"\/><\/figure><h6 class=\"wp-block-heading has-text-align-center\">Clip: Bruckner: Symphony No. 7 in E Major &#8211; III. Sehr schnell<\/h6><p>Manfred Honeck has already released <a href=\"https:\/\/www.classical-music.com\/features\/composers\/anton-bruckner\">Bruckner<\/a>\u2019s Fourth and Ninth <a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-symphony\">symphonies<\/a> with the Pittsburgh Symphony Orchestra, to widespread acclaim. <\/p><p>This new Seventh ups the ante further: it\u2019s undoubtedly one of the best recordings of the symphony in the digital era.<\/p><p>The Pittsburgh cellos exude a wonderfully reassuring confidence in the expansive opening theme, and the violins display a similar\u00a0<em>savoir-faire<\/em>\u00a0on taking it over a page later. <\/p><p>This is an orchestra by now deeply acculturated to the Austrian conductor\u2019s essentially old-school style of Bruckner interpretation, with warmly blended tones and a meticulously gradated approach to the music\u2019s architecture.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/artists\/big-five-orchestras\">What are the &#8216;Big Five&#8217; American orchestras?<\/a><\/li><\/ul><p>The\u00a0<em><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-adagio-in-music\">Adagio<\/a><\/em>\u00a0is beautifully paced, much of its eloquence deriving from the forensic detail Honeck bakes into dynamics and accentuation, without obtrusive fussiness. <\/p><p>The long ascent towards the movement\u2019s principal peroration is made in masterly fashion, and Honeck thrillingly includes the cymbal crash at its summit. The four <a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\">Wagner<\/a> tubas in the coda are ideally dignified and sonorous.<\/p><p>Follow that, as they say. And Honeck does, in a bristling account of the\u00a0<em><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-scherzo\">Scherzo<\/a><\/em>\u00a0with bounding folk-dance rhythms and shards of birdsong jagging sharply through the textures. <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-folk-music\">What is folk music?<\/a><\/li><\/ul><p>Bruckner adored the natural world, and Honeck mentions in his detailed booklet essay the proliferation of bird sounds woven into the fabric of the movement.<\/p><p> Bruckner as musical ornithologist, half a century before <a href=\"https:\/\/www.classical-music.com\/features\/composers\/olivier-messiaen\">Messiaen<\/a>? Honeck suggests as much, in the sharp rusticity of the woodwind playing in his interpretation.<\/p><p>The\u00a0<em>Finale<\/em>\u00a0launches with purposeful alacrity, the <a href=\"https:\/\/www.classical-music.com\/features\/instruments\/violin-history\">violin<\/a> theme sporting an almost Mozartian\u00a0<em>joie de vivre<\/em>, echoed athletically in the lower string responses a few bars later. <\/p><p>So often in performances of the Seventh what comes after the\u00a0<em>Adagio<\/em>\u00a0seems curiously anticlimactic, as though its sombre meditations make afterthoughts superfluous. <\/p><p>Not here \u2013 in Honeck\u2019s view both the\u00a0<em>Scherzo<\/em>\u00a0and\u00a0<em>Finale<\/em>\u00a0are bracingly consequential, and the symphony ends with an almost jaunty optimism and a brilliantly flaring contribution from the excellent Pittsburgh brass section.<\/p><p>Unusually there is a coupling,\u00a0<em>Resurrexit<\/em>, an 11-minute piece by American composer Mason Bates. <\/p><p>Commissioned to mark Honeck\u2019s 60th birthday and performed alongside Bruckner\u2019s Seventh at concerts in Pittsburgh in March 2022, it\u2019s exotically scored, punchily expressive and well worth hearing. <\/p><p>Based on the Christian Easter narrative, the piece requires a phalanx of extra percussion instruments, including the semantron (a large wooden plank hammered by mallets). <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-percussion-music\">Best percussion music&#8230;<\/a><\/li><\/ul><p>The flavour is Middle Eastern, with swirling woodwind ululations and scatter-gun brass fanfares at the exultant conclusion.<\/p><p>It\u2019s a more than interesting makeweight, but the Seventh is what most listeners will go to this album for, and they will not be disappointed. <\/p><p>It\u2019s a glowing testament to the high levels of synergy and mutual comprehension that Manfred Honeck and the Pittsburgh Symphony have achieved in his 16 years as music director, particularly in Bruckner.<\/p><p>The live recording of both works is excellent, catching both the power and splendour of the Pittsburgh<\/p><p>playing, not to mention its manifold subtleties of tone and inflection.\u00a0<em>Terry Blain<\/em><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Manfred Honeck Introduces Bruckner: Symphony No. 7 &amp; Mason Bates: Resurrexit\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/5TQ_jySPIo0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><figcaption class=\"wp-element-caption\">Manfred Honeck introduces Bruckner: Symphony No. 7 &amp; Mason Bates: Resurrexit<\/figcaption><\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 03 September 2024 at 06:00 AM Bruckner: Symphony No. 7; Mason Bates: Resurrexit\u00a0Pittsburgh Symphony Orchestra\/Manfred HoneckReference Recordings FR-757SACD\u00a0\u00a0\u00a077:02 mins Clip: Bruckner: Symphony No. 7 in E Major &#8211; III. Sehr schnell Manfred Honeck has already released Bruckner\u2019s Fourth and Ninth symphonies with the Pittsburgh Symphony Orchestra, to widespread acclaim. This new Seventh [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":47061,"template":"","categories":[1,79,19],"acf":{"readingTimeMinutes":"3"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit.jpg",900,900,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit-300x300.jpg",300,300,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit-768x768.jpg",768,768,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit.jpg",800,800,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit.jpg",900,900,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/bruckner-symphony-no-7-mason-bates-resurrexit.jpg",900,900,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 03 September 2024 at 06:00 AM Bruckner: Symphony No. 7; Mason Bates: Resurrexit\u00a0Pittsburgh Symphony Orchestra\/Manfred HoneckReference Recordings FR-757SACD\u00a0\u00a0\u00a077:02 mins Clip: Bruckner: Symphony No. 7 in E Major &#8211; III. Sehr schnell Manfred Honeck has already released Bruckner\u2019s Fourth and Ninth symphonies with the Pittsburgh Symphony Orchestra, to widespread acclaim. This new Seventh&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/47060"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/47061"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=47060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=47060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}