{"id":47175,"date":"2024-09-12T14:43:27","date_gmt":"2024-09-12T12:43:27","guid":{"rendered":"http:\/\/fe99797f-d5d4-4baf-8e07-41a40d7aaf6e"},"modified":"2024-09-12T15:07:15","modified_gmt":"2024-09-12T13:07:15","slug":"a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers\/","title":{"rendered":"&#8216;A perfect gay marriage before the concept was invented&#8217;: Britten and Pears, gay pioneers"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Thursday, 12 September 2024 at 12:43 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>The social landscape has changed so much that it\u2019s hard to remember how gay relationships worked when commitment could not be affirmed publicly \u2013 let alone when they were illegal. Yet, for some 35 years, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Benjamin Britten<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/peter-pears\">Peter Pears<\/a><\/strong> contrived an apparently perfect gay marriage before the concept was invented. <\/p><script src=\"https:\/\/cdn.jwplayer.com\/players\/xjL98ot4-lqFafnwo.js\"\/><p>Britten began by accompanying Pears\u2019s lyric tenor in recitals in the late 1930s. He started writing song cycles for him, and then operas: indeed, his tenor parts (most famously, that of <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/peter-grimes-britten\">Peter Grimes<\/a><\/strong> in the captivating opera of the same name) were defined entirely by Pears, making it hard until recently for other tenors to make the music their own.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-benjamin-britten\/\">Benjamin Britten: five essential works<\/a><\/strong><\/li><\/ul><p>A number of songs especially written for Pears feature in a 2024 album, <em>Songs for Peter Pears<\/em>, which received a <a href=\"https:\/\/www.classical-music.com\/reviews\/choral-song\/songs-for-peter-pears\"><strong>glowing review in our August 2024 issue<\/strong><\/a>.<\/p><p>Other major roles written by Britten for Pears included the title role in\u00a0<a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/albert-herring\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Albert<\/em><\/strong><\/a><a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/albert-herring\/\"><strong><em> Herring<\/em><\/strong><\/a>\u00a0(1947) and of Captain Vere in\u00a0<a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/billy-budd\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Billy<\/em><\/strong><\/a><a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/billy-budd\/\"><strong><em> Budd<\/em><\/strong><\/a>\u00a0(1951). He also created the role of, Peter Quint in 1954's\u00a0<a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/the-turn-of-the-screw\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>The<\/em><\/strong><\/a><a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/the-turn-of-the-screw\/\"><strong><em> Turn of the Screw<\/em><\/strong><\/a>\u00a0for his partner and muse, as well as that of Gustav von Aschenbach in the late, great and bleak\u00a0<a href=\"https:\/\/brittenpears.org\/explore\/benjamin-britten\/music\/opera\/death-in-venice\/\"><strong><em>Death in Venice<\/em><\/strong><\/a>\u00a0(1973). The couple's most influential collaboration, though, has to be founding the always-adventurous <strong><a href=\"https:\/\/www.classical-music.com\/news\/benjamin-britten-archive-opens-red-house-aldeburgh\">Aldeburgh Festival<\/a><\/strong>, in the beautiful Suffolk coastal town that they had made their home, in 1948.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Ole Joe has Gone Fishing Peter Grimes\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/IYrZjwP2QuE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Their musical partnership was the genesis of, and cover for, their personal relationship.<\/p><p>The <em>Seven Sonnets of Michelangelo<\/em> were a clear proclamation of love for his singer, veiled only by the Italian words (written by Michelangelo for his own lover), which they conveniently omitted to translate at the first performance in wartime London.<\/p><ul><li><strong>We asked musicians to name the <a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-british-composers\">best British composer<\/a> of all time - and Britten finished very strongly<\/strong><\/li><\/ul><p>Britten was always very proper in public: he spoke in interviews about \u2018Peter Pears\u2019 (never just \u2018Peter\u2019), and they behaved decorously like \u2018a pair of prep school masters\u2019, as the singer James Bowman described them. Their private correspondence was loving, although they also rowed like any married couple. But it\u2019s far from clear that Britten saw the relationship as permanent: he imagined that one day Pears might go off to get married, in which case he confessed he would have to \u2018lump it\u2019 \u2013 and yet Pears was far more settled and comfortable in his homosexuality than Britten seems to have been.<\/p><h2 class=\"wp-block-heading\">April 1942: Britten and Pears head back to war-torn England, despite the danger<\/h2><p>On 17 April, 1942, the <i>Axel Johnson<\/i> docked in Liverpool after just over a month at sea. The English port city was the Swedish cargo ship\u2019s final destination on a voyage that had begun in New York, then headed northwards up the North American coast before crossing the Atlantic. With attack by German U-Boat a constant possibility, it was a journey fraught with danger, but one that two of the boat\u2019s passengers knew they had to make. For composer Britten and his Pears, it was time to come home. <\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/brittens-war-requiem-the-story-of-how-britten-came-to-compose-his-most-famous-piece\/\">War Requiem: how Britten came to compose his most famous piece<\/a><\/strong><\/li><\/ul><\/div><\/div><p>When Britten and Pears had travelled in the other direction in May 1939, the two had by no means planned their Stateside stay to be an extended one. Britain\u2019s declaration of war on Germany five months later, however, had brought a change of mind.<\/p><h2 class=\"wp-block-heading\">'We couldn't be happier'<\/h2><p>Though a prison sentence for refusing to serve was by no means a certainty, their life as pacifists would not be made easy should they return to Britain, while in the US, there were countless opportunities to be explored and friendships to make and renew, not least with Britten\u2019s close collaborator, the poet WH Auden. Pears, in fact, was soon declaring that \u2018we couldn\u2019t be happier\u2019.<\/p><p>That, though, was surely a case of the royal \u2018we\u2019. From the outset, Britten gave indications that not all was well. In early 1940 (the year that produced the orchestration of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/frederic-chopin\">Chopin<\/a><\/strong>'s <em>Les Sylphides<\/em> and the <em>Sinfonia da Requiem<\/em> among others), the composer suffered a bout of flu that saw his temperature rise to 107 degrees. Auden reckoned this was symptomatic of a longing to be back home. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/composers\/how-the-queen-inspired-britten-to-start-composing-again-after-he-almost-died\/\">How Queen Elizabeth II inspired Britten to start composing again after he almost died<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Chopin &quot;Grande Valse Brillante&quot; - Britten's orchestration\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/XpXsDE-4uNg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>And in April of that year, Britten himself wrote in a letter that \u2018I\u2019m gradually realising that I\u2019m English \u2013 and as a composer I suppose I want more definite roots than some people.\u2019 Constant reminders of home \u2013 letters from Britain, a road sign with the name \u2018Suffolk\u2019 on it and the discovery of a book of poems by George Crabbe describing the East Anglian coastline \u2013 intensified those feelings.<\/p><h2 class=\"wp-block-heading\">'Callow, foul-mouthed and witless': a trying journey home<\/h2><p>\u2018God, how slow and boring,\u2019 was Pears\u2019s description of life on the <i>Axel Johnson<\/i> as it made its laborious departure from the US in March 1942. His and Britten\u2019s quarters were hot and stuffy, he complained, while the crew consisted of \u2018callow, foul-mouthed and witless recruits\u2019 whose constant whistling made concentrating on anything near-impossible. <\/p><p>His partner, however, did find something to occupy his mind. Britten had hoped to bring the scores of two works-in-progress with him onto the ship \u2013 a commission from clarinettist and <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-jazz-band-leaders-of-all-time\">band leader<\/a><\/strong> Benny Goodman and a <i>Hymn to St Cecilia<\/i> setting words by Auden \u2013 but both had been confiscated by port authorities for fear that they may contain coded material. Undeterred, he remembered as best he could what he had completed so far of the <i>Hymn<\/i>, and carried on from there. The result was one of his most sparklingly imaginative choral works.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"VOCES8: Hymn to St Cecilia - Benjamin Britten\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ViSQRzLk68s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Even more remarkable, given these most unlikely of circumstances, was the other piece he conjured up on board. Inspired by a book called <i>The English Galaxy of Shorter Poems<\/i> that he picked up during a brief stop-off in Nova Scotia and equipped with a couple of <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-is-a-harp\">harp<\/a><\/strong> manuals initially bought to facilitate a now-abandoned concerto, Britten wrote a uniquely scored festive sequence for voices and harp. Topping and tailing it on his return to England, he would go on to name it <i>A Ceremony of Carols<\/i>. <\/p><p>Most of the <i>Ceremony<\/i>\u2019s texts were, unsurprisingly, of a wintry, yuletide nature. Among them, though, was a \u2018Spring Carol\u2019 whose words \u2013 \u2018the deer in the dale, the sheep in the vale\u2019 and all \u2013 instead told of the turn of the seasons, a little hint of the pleasures that would be awaiting Britten and Pears at journey\u2019s end. \u2018We shall be arriving at such a heavenly time,\u2019 enthused Pears. \u2018April is such a marvellous month \u2013 think of seeing real spring again.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Benjamin Britten's 'There is no Rose'; A Ceremony of Carols, Op. 28\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/uBYpju2YQeo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Thursday, 12 September 2024 at 12:43 PM The social landscape has changed so much that it\u2019s hard to remember how gay relationships worked when commitment could not be affirmed publicly \u2013 let alone when they were illegal. Yet, for some 35 years, Benjamin Britten and Peter Pears contrived an apparently perfect gay marriage [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":47176,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"5"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/a-perfect-gay-marriage-before-the-concept-was-invented-britten-and-pears-gay-pioneers.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Thursday, 12 September 2024 at 12:43 PM The social landscape has changed so much that it\u2019s hard to remember how gay relationships worked when commitment could not be affirmed publicly \u2013 let alone when they were illegal. Yet, for some 35 years, Benjamin Britten and Peter Pears contrived an apparently perfect gay marriage&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/47175"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/47176"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=47175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=47175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}