{"id":47177,"date":"2024-09-12T14:17:53","date_gmt":"2024-09-12T12:17:53","guid":{"rendered":"http:\/\/ae8207df-3c01-417c-b8fb-c0b375895a84"},"modified":"2024-09-12T15:08:36","modified_gmt":"2024-09-12T13:08:36","slug":"french-composers-26-of-the-greatest-musicians-france-has-ever-produced","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced\/","title":{"rendered":"French composers: 26 of the greatest musicians France has ever produced"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Thursday, 12 September 2024 at 12:17 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>France has made a huge contribution to the development of classical music. Read on as we run through the greatest French composers, from Couperin and Rameau right through to Messiaen and Boulez.<\/strong><\/p><p>If the music is immediately appealing, and uses instrumental colour sensitively in an atmospheric or painterly (rather than expressive) manner, the chances are you are hearing a piece by a French composer. They will rarely attempt to storm the heavens in the manner of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/joseph-haydn\">Beethoven<\/a><\/strong> or Mahler (Berlioz is an obvious exception). Indeed, if any French musician shows an interest in the Austro-German tradition, they tend to prefer the pre-Romantics, particularly the suave and understated expressiveness of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/joseph-haydn\">Mozart<\/a><\/strong>, and the playfulness and wit of his colleague Haydn.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/composers\/best-austrian-composers\">10 best Austrian composers of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/composers\/best-english-composers\">The best English composers<\/a><\/strong><\/li><\/ul><p>Yet a good century before those two composers appeared, French music was the most prestigious in Europe, adorning the court of <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/four-composers-court-louis-xiv\">Louis XIV<\/a><\/strong>, the so-called \u2018Sun King\u2019, who came to the throne aged four in 1643, and reigned until his death in 1715 (making him to date the longest reigning monarch in history). <\/p><p>It was at Louis XIV\u2019s behest that the palace and gardens of Versailles were built: there, an Italian composer Jean-Baptiste <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-baptiste-lully-composer\">Lully<\/a><\/strong> reigned over all Royal Opera productions and jealously guarded his privileges. We will start with the great, unambiguously French composers who were contemporaries of Lully\u2019s, who managed to survive even under his shadow. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-italian-composers-of-all-time\">Greatest Italian composers<\/a><\/strong><\/li><\/ul><\/div><\/div><script src=\"https:\/\/cdn.jwplayer.com\/players\/xjL98ot4-lqFafnwo.js\"\/><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-17th-century\">Best French composers : 17th century<\/h2><h3 class=\"wp-block-heading\" id=\"h-jean-baptiste-lully-1632-87\"><strong>Jean-Baptiste Lully (1632-87)<\/strong><\/h3><p>Though in fact born in Florence, Italy, Jean-Baptiste Lully (1632-87) \u2013 composer, dancer, violinist and comedian \u2013 can fairly be called the architect of the French national musical style. He became the most powerful musician in France, a true Troubadour of the era, and held a virtual monopoly over court music. <\/p><p>The young Giovanni Battista Lulli was aged just 14 when he was sent to Paris as a \u2018gar\u00e7on de chambre\u2019 to Anne Marie Louise d\u2019Orl\u00e9ans, a cousin of\u00a0Louis XIV\u00a0who was, somewhat dauntingly, known at court as \u2018la Grande Mademoiselle\u2019. Described by his royal mistress as a \u2018great dancer\u2019, the boy's talents soon became apparent. On 23 February 1653, Lully found himself dancing with none other than the king in the\u00a0<em>Ballet de la nuit<\/em>. The following month he was appointed a court composer and, with a series of successful ballets, established his reputation.<\/p><p>Lully's music is known for its power and energy: lively in the fast movements, deep and emotional in the slower. He is also credited with the invention of the French <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\">overture<\/a><\/strong>, a musical form used extensively in the Baroque and Classical eras, particularly by\u00a0<a href=\"http:\/\/www.classical-music.com\/topic\/george-frideric-handel\"><strong>Handel<\/strong><\/a>\u00a0and\u00a0<a href=\"http:\/\/www.classical-music.com\/topic\/js-bach\"><strong>Bach<\/strong><\/a>. Lully is perhaps most famed for his operas (he is known as the father of French opera). These include <em>Atys<\/em>, <em>Armide<\/em> and <em>Alceste<\/em>. <\/p><p>Lully died from gangrene after driving a conducting stick through his foot.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Lully<\/strong><\/h4><p><em><strong>Alceste<\/strong><\/em> <br\/>Judith Van Wanroij, Edwin Crossley-Mercer et al; Les Talens Lyriques\/ Christophe Rousset<br\/><em>Apart\u00e9 AP164<\/em><\/p><p>Read our review of <strong><a href=\"https:\/\/www.classical-music.com\/reviews\/opera\/judith-van-wanroij-sings-lullys-alceste\">Les Talens Lyriques' <em>Alceste<\/em><\/a><\/strong>.<\/p><h3 class=\"wp-block-heading\" id=\"h-marin-marais-1656-1728\"><strong>Marin Marais (1656-1728)<\/strong><\/h3><p>It is only relatively recently that this composer and musician became known to a wider audience through the 1991 film <em>Tous les matins du monde<\/em>, starring G\u00e9rard Depardieu and his son Guillaume. Marin Marais, born in Paris of a humble shoemaker, became a chorister in the Church of Saint-Germain-l\u2019Auxerrois, where his musical gifts were quickly appreciated, and he received his earliest instruction playing viol. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/best-films-about-composers\">Five stunning films about composers you must see... and three to avoid<\/a><\/strong><\/li><\/ul><p>Such was the standard he achieved in his playing that, when his voice broke, Marais was able to take lessons with the great Sainte-Colombe. The latter soon realised that his pupil would soon outstrip his own artistry, and when Marais was discovered spying on Saint-Colombe\u2019s practising \u2013 hoping to discover some secrets of his master\u2019s technical mastery \u2013 he was thrown out. <\/p><p>By the age of 23, Marais was employed as a musician at Louis XIV\u2019s court, and in 1679 was appointed <em>joueur de viole de la musique de Chambre<\/em>, a truly exalted position. It is largely through Marais\u2019 meticulously annotated instruction manuals and manuscripts that we know so much about the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/baroque-music-guide\">Baroque<\/a><\/strong> art of viol playing. Whether accompanied or playing solo, Marais\u2019 music for viol is truly glorious. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/top-10-baroque-composers\">Top ten Baroque composers<\/a><\/strong><\/li><\/ul><h4 class=\"wp-block-heading\" id=\"h-where-to-start-with-marin-marais-pieces-de-viole-cinquieme-livre-lei-henrikson-bass-viol-lars-erik-larsson-theorbo\"><strong>Where to start with Marin Marais<\/strong><\/h4><p><strong><em>Pi\u00e8ces de Viole, Cinqui\u00e8me livre<\/em><\/strong><br\/>Lei Henrikson (bass viol), Lars-Erik Larsson (theorbo)<\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B01MTM7SNN\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Marin Marais - Works for Viola da Gamba (XVII th century)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6gmChsPD2N8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-elisabeth-jacquet-de-la-guerre-1665-1729\"><strong>\u00c9lisabeth Jacquet de la Guerre (1665-1729)<\/strong><\/h3><p>The daughter of an <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/when-was-the-organ-invented\">organ<\/a><\/strong> builder, \u00c9lisabeth Jacquet (de la Guerre was added to her name when she married the organist Marin de la Guerre) showed phenomenal gifts from an early age, gaining public recognition by the age of six. At ten years old, she was hailed as \u2018a wonder\u2019 by the journal <em>Mecure galant<\/em>: \u2018She sings at sight the most difficult music. She accompanies herself, and others who wish to sing, at the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/whats-the-difference-between-a-harpsichord-and-a-piano\">harpsichord<\/a><\/strong>, when she plays in an inimitable manner. She composes pieces and plays them in all the keys asked of her.\u2019 <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/musical-keys-explained\">Musical keys explained<\/a><\/strong><\/li><\/ul><p>So impressed was Louis XIV that he placed her in the care of his then mistress, Mme de Montespan, and consistently encouraged her career. Several manuscripts of her works from the 1690s, including of solo and trio sonatas, have survived; and one of her surviving operas, <em>Cephale et Procris<\/em>, originally performed in Paris at the <em>Acad\u00e9mie Royale de Musique<\/em> in 1694, was revived with huge success in 1989. Her name stands proud with any of her greatest contemporary French composers, and deserves to be better known today.<\/p><p><strong>We named \u00c9lisabeth Jacquet de la Guerre one of the <a href=\"https:\/\/www.classical-music.com\/composers\/most-famous-female-composers\">greatest female composers ever<\/a><\/strong><\/p><h4 class=\"wp-block-heading\"><strong><strong>Where to start with<\/strong><\/strong> <strong>\u00c9lisabeth<\/strong> <strong>Jacquet de la Guerre<\/strong><\/h4><p><strong>Chamber music<\/strong><br\/>Musica Fiorita, Daniela Dolci (harpsichord) <br\/><em>Pan Classics PC10333<\/em><strong> <\/strong><\/p><ul><li><a style=\"font-weight: bold;\" href=\"https:\/\/www.amazon.co.uk\/dp\/B01ABA8BYU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-francois-couperin-1668-1733\"><strong>Fran\u00e7ois Couperin (1668-1733)<\/strong><\/h3><p>Known as Couperin le Grand to distinguish him from other members of his musically talented family, Fran\u00e7ois <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/francois-couperin\">Couperin<\/a><\/strong> is legendary among French composers of the Baroque era (in his honour, Maurice Ravel, almost 200 years after Couperin\u2019s death, named his neo-Baroque suite <em>Le Tombeau de Couperin<\/em>). Couperin was chief harpsichordist and organist at the court of Louis XIV, and while serving that monarch composed sacred music, chamber music and, above all, several volumes of keyboard works. <\/p><p>His most performed \u2018hit\u2019 is the enigmatically titled \u2018Les Baricades mist\u00e9rieuses\u2019 (The mysterious barriers), possibly referring to the fact that its beguiling melody forever straddles across the bar-lines. Though originally written for harpsichord, it works beautifully on <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/guide-lute\">lute<\/a><\/strong> or the modern guitar \u2013 which might be preferred by those yet to acquire a taste for harpsichord. Couperin\u2019s sacred music is also beautiful and well worth hearing, as are his <em>Nouveaux Concerts<\/em>.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Couperin<\/strong><\/h4><p><strong>Nouveaux Concerts<\/strong><br\/>Thomas Inderm\u00fchnle (oboe), Henk de Wit (bassoon), Ursula D\u00fctschler (harpsichord)<strong> <\/strong><br\/><em>Camerata CM 15045-6 <\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B005N1E7X2\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Jean Rondeau &amp; Thomas Dunford record &quot;Les Baricades M\u00efst\u00e9rieuses&quot; by Fran\u00e7ois Couperin\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/DzoFKG7ITRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-18th-century\">Best French composers : 18th century<\/h2><h3 class=\"wp-block-heading\" id=\"h-jean-philippe-rameau-1683-1764\"><strong>Jean-Philippe Rameau (1683-1764)<\/strong><\/h3><p>While Ravel in the 20th century paid homage to Couperin, Ravel\u2019s contemporary Claude Debussy paid homage to <strong><a href=\"https:\/\/www.classical-music.com\/composers\/jean-philippe-rameau\">Jean-Philippe Rameau<\/a><\/strong> \u2013 both in writing and in his music. Having watched a performance of Rameau\u2019s opera <em>Castor et Pollux<\/em>, Debussy described his music as \u2018compounded of a delicate and charming tenderness, precise accentuation, strict declamation in recitative, without that German affectation of profundity or the need to double underline everything or explain everything\u2019. <\/p><p>Rameau is today most widely remembered as an opera composer, yet he began his career as a prodigiously gifted harpsichord and organ player, studying in Italy as a teenager before working in numerous provincial French towns as an organist. A man of formidable intelligence \u2013 he corresponded with Voltaire on a wide variety of subjects \u2013 his music is both immediate in its expressive communication yet far from predictable, its harmonic strangeness and adventurous nature evident whether played on harpsichord or piano. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/the-greatest-opera-composers-of-all-time\">Greatest opera composers of all time<\/a><\/strong><\/li><\/ul><p>Rameau came to opera late, his first \u2013 <em>Hippolyte et Aricie<\/em> \u2013 being staged when he was 50. This already shows Rameau as a consummate composer for the stage, though his most successful and today most often performed and recorded work is <em>Les Indes galantes<\/em> (1735), a colourful, anti-colonialist masterpiece.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Rameau<\/strong><\/h4><p><strong>Cantates profanes &amp; Pi\u00e8ces en concerts<\/strong> <strong>Nos. 1, 3 &amp; 5<\/strong><br\/>Solistes De l'Ensemble Baroque De Limoges\/Christophe Coin (viol) <br\/><em>Erato Veritas 2435615405<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00000IOCQ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><p><strong>And... <\/strong><br\/><em><strong>Les Indes galantes<\/strong><\/em> <br\/>Purcell Choir, Orfeo Orchestra\/Gy\u00f6rgy Vashegyi <br\/><em>Glossa GCD924005<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B07M6RVZ1J\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-early-19th-century\">Best French composers : early 19th century<\/h2><h3 class=\"wp-block-heading\" id=\"h-hector-berlioz-1803-69\"><strong>Hector Berlioz (1803-69)<\/strong><\/h3><p>Though in many ways atypical of French composers, the impact <a href=\"https:\/\/www.classical-music.com\/composers\/hector-berlioz\"><strong>Hector Berlioz<\/strong><\/a> has had on music outside France \u2013 most particularly in Russia \u2013 is such that no selection of major French composers could be without him. He was a fiery Romantic who embraced the extremes of human experience.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-romantic-composers\">Best Romantic composers<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\">Johannes Brahms: a great Romantic<\/a><\/strong><\/li><\/ul><p>That fire and passion are evident most famously in his <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/love-story-behind-berliozs-symphonie-fantastique\"><em>Symphonie fantastique<\/em><\/a><\/strong>, but also in his dramatic <a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-oratorio\"><strong>oratorio<\/strong><\/a> <em>La damnation de Faus<\/em>t and even his <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-a-requiem\/\">Requiem<\/a><\/strong> \u2013 he also furthered the limpid expressiveness of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/christoph-willibald-gluck\">Gluck<\/a><\/strong> (a <em>b\u00eate noire<\/em> of Debussy\u2019s) in many of his songs and arias.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Berlioz<\/strong><\/h4><p><strong>La damnation de Faust<\/strong><br\/>Michael Spyres (Faust), Joyce DiDonato (Marguerite); Coro Gulbenkian; Strasbourg Philharmonic Orchestra\/John Nelson <br\/><em>Erato 9029541735<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B07XR974Q7\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-louise-farrenc-1804-75\"><strong>Louise Farrenc (1804-75)<\/strong><\/h3><p>On first hearing, a good deal of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/farrenc-louise\">Louise Farrenc<\/a><\/strong>\u2019s work \u2013 especially her chamber music, similar in style to that of <a href=\"https:\/\/www.classical-music.com\/composers\/robert-schumann\"><strong>Robert Schumann<\/strong><\/a> and <strong><a href=\"https:\/\/www.classical-music.com\/composers\/felix-mendelssohn\">Felix Mendelssohn<\/a> <\/strong>\u2013 might appear to exemplify the well-mannered, \u2018lady-like\u2019 salon composer. This fact may be why her creative talent was more readily accepted by the French establishment than were that of many other women of her time. <\/p><p>A pupil of Anton Reicha (himself a former pupil of Beethoven\u2019s and one of the top composition teachers of the time), Farrenc was also an outstanding pianist. In 1842, she was appointed professor of piano at the Paris Conservatoire, a post she held until her retirement in 1873 \u2013 the only woman to hold such a position at that institute during the 19th century. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">The greatest pianists of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/female-pianists\">Five pioneering women pianists<\/a><\/strong><\/li><\/ul><p>Her music, while building on the achievements of Mozart and Beethoven, has a subtlety which anticipates that of her compatriot Gabriel Faur\u00e9 later that century. Farrenc demonstrated mastery of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/discovering-music-sonata-form\">sonata form<\/a><\/strong> in three symphonies and her many chamber music works including two piano trios, and her abundance of piano music, while much of it is comparable to the best of Mendelssohn\u2019s, also shows a distinctly individual and sometimes quite fierce voice such as in the Etudes Op. 26.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-works-louise-farrenc\">Six of the best works by Louise Farrenc<\/a><\/strong><\/li><\/ul><\/div><\/div><h4 class=\"wp-block-heading\"><strong>Where to start with Louise Farrenc<\/strong><\/h4><p><strong>Piano Works<\/strong><br\/>Konstanze Eickhorst (piano) <br\/><em>CPO 9998792<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0000VAW48\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><p><strong>And..<br\/>Piano Trio, Op. 33; Sextet, Op. 40, etc<\/strong><br\/>Linos Ensemble <br\/><em>CPO 7772562<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B001UWOIXM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-charles-gounod-1818-93\"><strong>Charles Gounod (1818-93)<\/strong><\/h3><p>Like Farrenc, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/charles-gounod\">Charles Gounod<\/a><\/strong> studied composition under Reicha, and seemed set on a brilliant career, not only winning the prestigious <em>Prix de Rome<\/em> but also praise from such diverse musicians as Berlioz and Mendelssohn. Yet even in his lifetime, his reputation was eclipsed. Of his dozen operas, he is today only widely remembered for <em>Faust<\/em> (1859), an international hit in its time. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/four-essential-recordings-gounods-faust\">Gounod's <em>Faust<\/em>: four essential recordings<\/a><\/strong><\/li><\/ul><p>Though it has some of the trappings of Romantic Grand Opera, it includes several moments of distinctly French charm \u2013 such as Marguerite\u2019s \u2018Jewel Song\u2019 (made notorious by Herg\u00e9\u2019s \u2018Milanese nightingale\u2019 Bianca Castafiore, who regularly inflicts her interpretation of this showpiece aria), and the charming \u2018Faites-lui mes aveux\u2019 sung by the lovesick Si\u00e9bel (Ravel, in a pianistic double tribute, paraphrased that aria in the style of Chabrier). <\/p><p>Something of Gounod\u2019s versatility and range may be gathered from his two symphonies, composed in the 1850s, the \u2018Funeral March of a Marionette\u2019, composed while he was living in London in the 1870s and later made famous by its use in the TV series Alfred Hitchcock Presents\u2026, and the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/ave-maria-lyrics\">Ave Maria<\/a>,<\/strong> the melody of which he added to Bach\u2019s Prelude in C major from <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-js-bachs-well-tempered-clavier\">The Well-Tempered Clavier<\/a><\/strong>.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Gounod<\/strong><\/h4><p><strong><em>Faust<\/em> <\/strong><br\/>Benjamin Bernheim, V\u00e9ronique Gens, Andrew Foster-Williams; Les Talens Lyriques\/Christophe Rousset <br\/><em>Bru Zane BZ1037<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.ukdp\/8409126346\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Charles Gounod - Funeral March of a Marionette (1872)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_egPlYIXKYQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-jacques-offenbach-1819-80\"><strong>Jacques Offenbach (1819-80)<\/strong><\/h3><p>Possibly there are still some naysayers out there who claim <strong><a href=\"https:\/\/www.classical-music.com\/composers\/jacques-offenbach\">Offenbach<\/a><\/strong>, a German Jew born in Cologne, has no business to be considered one of the \u2018top French composers\u2019. <\/p><ul><li><strong><a href=\"http:\/\/The best German composers of all time\">The best German composers of all time<\/a><\/strong> <\/li><\/ul><p>But Jacob (as he was named) proved so prodigiously gifted as a cellist that his father was persuaded that he and his equally talented brother, Julius, should study at the prestigious Conservatoire in Paris. Offenbach was soon bored by the Conservatoire\u2019s staid regime, and sagged off after his first year.<\/p><p>He found employment instead as a cellist at the Op\u00e9ra-Comique. Unable to fulfil his ambitions as a composer there, he broke loose and ultimately formed his own Th\u00e9\u00e2tre des Bouffes-Parisiens.<\/p><p>After writing several one-act operettas, Offenbach's first full-length operetta, <em>Orpheus in the Underworld<\/em> (no less an artist than Gustav Dor\u00e9 providing its scenery), got a hostile review, condemning the work for its profanity and lack of reverence \u2013 which only stirred even greater public interest and turned it into a huge box office success. Its most famous number, now known as the can-can, was originally entitled \u2018Galop infernal\u2019: it was only when adopted by the Moulin Rouge that it became associated with the high kicking and acrobatic chorus-line of girls. <\/p><p>Offenbach\u2019s great masterpiece, though, is his opera <em>The Tales of Hoffmann<\/em>. By the time of his death, he managed to complete the piano score, but had only orchestrated the overture and the first act. Its most famous number is the Barcorolle, \u2018Belle nuit, \u00f4 nuit d'amour\u2019, one of the most seductive numbers in all opera.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Offenbach<\/strong><\/h4><p><strong><em>Offenbach Colorature<\/em><\/strong><br\/>Jodie Devos (soprano), Ad\u00e8le Charvet (mezzo-soprano), Munich Radio Orchestra\/Laurent Campellone <br\/><em>Alpha ALPHA 437<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B07KZKK6LV\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Offenbach Colorature\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2Rd92aRJEfj54rqkgeIDRL?highlight=spotify%3Atrack%3A6ZJ4Xbdw8FHwGzfDYHdz30&amp;utm_source=oembed\"\/><\/div><\/figure><p\/><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-later-19th-century\">Best French composers : later 19th century<\/h2><h3 class=\"wp-block-heading\" id=\"h-camille-saint-saens-1835-1921\"><strong>Camille Saint-Sa\u00ebns (1835-1921)<\/strong><\/h3><p>Rather like Louise Farrenc's above, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/camille-saint-saens\">Saint-Sa\u00ebns<\/a><\/strong>\u2019s music is quite deceptive. He adored Mozart, and his compositions often aspire to the understated elegance of that Austrian composer. Yet he also took pleasure in the theatrical devilries of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/franz-liszt\">Franz Liszt<\/a><\/strong>, and in the wild inventiveness of such Russians as <strong><a href=\"https:\/\/www.classical-music.com\/composers\/modest-musorgsky\">Mussorgsky<\/a><\/strong> (while also becoming a close friend of Tchaikovsky\u2019s). <\/p><p>That he enjoyed playing with the theatrical trappings of the Romantic pianist-composer is evident in his Piano Concerto No. 2, which even quotes to doom-laden chords from Mozart\u2019s <em>Don Giovanni<\/em>, whose anti-hero is consigned to hell for his refusal to repent of his misdeeds. <\/p><p>Saint-Sa\u00ebns was also unostentatiously adventurous: his Piano Concerto No. 5, inspired by his holidays in north Africa, later inspired Ravel with its unusual orchestral effects. Yet Saint-Sa\u00ebns was capable of writing tenderly lyrical music: most famously \u2018The Swan\u2019 in <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/carnival-of-the-animals-saint-saens\"><em>Carnival of the Animals<\/em><\/a><\/strong>, and also<em> La muse et le po\u00e8te<\/em> \u2013 a work which has a strong affinity with the work of his beloved pupil, Gabriel Faur\u00e9.<\/p><p>We named Saint-Sa\u00ebns's Piano Concerto No. 5 one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\">greatest piano concertos<\/a><\/strong> of all time.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Saint-Sa\u00ebns<\/strong><\/h4><p><strong>The 5<\/strong> <strong>Piano Concertos<\/strong>,<strong> etc<\/strong><br\/>Jean-Philippe Collard; Royal Philharmonic Orchestra\/Andr\u00e9 Previn <br\/><em>Warner Classics 586 2452<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0002XV30Q\/ref=sr_1_1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><p><strong>And...<br\/>La Muse et le Po\u00e8te<\/strong><br\/>Renaud Capu\u00e7on (violin), Gautier Capu\u00e7on (cello); Orchestre Philharmonique de Radio France\/Lionel Bringuier <br\/><em>Erato 9341342<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00EAH3GNC\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-leo-delibes-1836-91\"><strong>L\u00e9o Delibes (1836-91)<\/strong><\/h3><p>Besides Saint-Sa\u00ebns, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/pyotr-ilyich-tchaikovsky\">Tchaikovsky<\/a><\/strong> also admired the ballets of Delibes, and indeed met the composer during his 1888 visit to Paris, describing him as among \u2018the young musicians\u2026most likeable of all\u2019. Though Delibes wrote several operas, of which <em>Lakm\u00e9<\/em> is the most famous (the Flower Duet being made famous when appropriated by British Airways as its theme tune), it is above all his ballets <em>Copp\u00e9lia<\/em> (1870) and <em>Sylvia<\/em> (1876 \u2013 including a famous \u2018Pizzicati\u2019, used in <em>Babe<\/em> as our hero attempts to steal the \u2018mechanical rooster\u2019) through which his name endures. <\/p><ul><li>We named the Flower Duet from Delibes's Lakm\u00e9 one of the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/songs-about-flowers\">greatest songs about flowers<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Delibes: Lakm\u00e9 - Duo des fleurs (Flower Duet), Sabine Devieilhe &amp; Marianne Crebassa\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/C1ZL5AxmK_A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>In these two ballets, Delibes wrote music that was inventive, charming, sophisticated (including the use of <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/the-nutcracker\">leitmotifs<\/a><\/strong> in Sylvia) and brilliantly orchestrated in a manner unprecedented in the genre, which inspired Tchaikovsky when composing his ballet masterpieces <em>The Sleeping Beauty<\/em> and<strong> <a href=\"https:\/\/www.classical-music.com\/features\/works\/a-guide-to-tchaikovskys-the-nutcracker\"><em>The Nutcracker<\/em><\/a><\/strong>.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Delibes<\/strong><\/h4><p><strong><em>Copp\u00e9lia; La Source<\/em> (Ballet Suites<\/strong>)<br\/><strong>Slovak Radio Symphony Orchestra\/Andrew Mogrelia <\/strong><br\/><em>Naxos 8.553356-57<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00000147M\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-georges-bizet-1838-75\"><strong>Georges Bizet (1838-75)<\/strong><\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/georges-bizet\">Bizet<\/a><\/strong> died just as he had composed his first great hit, the opera <em>Carmen<\/em>, with the promise of far greater achievements. A pupil of Charles Gounod, whose symphonies were clearly a model for his own Symphony in C, Bizet wrote his most enduring works in the 1870s. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/20-greatest-symphonies-all-time\">The 20 greatest symphonies of all time<\/a><\/strong><\/li><\/ul><p>First came <em>Jeux d\u2019enfants<\/em>, originally for piano duet but now most famous in the form of an orchestral suite arranged from five of the original 12 movements. Then followed his pithy yet richly evocative incidental music to the play <em>L\u2019Arl\u00e9sienne<\/em>, from which he himself made a four-movement suite (its Adagietto surely an inspiration behind <strong><a href=\"https:\/\/www.classical-music.com\/composers\/gustav-mahler\">Mahler<\/a><\/strong>\u2019s famous slow movement to the <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-mahlers-symphony-no-5\">Fifth Symphony<\/a><\/strong>). Finally, his great operatic masterpiece <em>Carmen<\/em>, with its defiant and fiercely independent heroine whose misfortune is to get entangled with a very serious and unworldly soldier who cannot move on when their relationship ends.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-bizet\">Five essential works by Bizet<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/bizet-s-carmen-what-listen-next\">Love Bizet's <em>Carmen<\/em>? Here's what to listen to next<\/a><\/strong><\/li><\/ul><\/div><\/div><h4 class=\"wp-block-heading\"><strong>Where to start with Bizet<\/strong><\/h4><p><strong><em>L\u2019Arl\u00e9sienne <\/em>Orchestral Suites<\/strong><br\/>Ch\u0153ur de l\u2019op\u00e9ra de Lyon; Les Musiciens du Louvre\/Marc Minkowski <br\/><em>Na\u00efve V5130<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0013PS4CM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-emmanuel-chabrier-1841-94\"><strong>Emmanuel Chabrier (1841-94)<\/strong><\/h3><p>The most exuberant member of the Parisian circle that formed around the Belgian composer C\u00e9sar Franck, Chabrier made several attempts to become a \u2018serious\u2019 composer, including a would-be Wagnerian opera <em>Gwendoline<\/em>. But he was most himself when writing carefree and light-hearted music, whether for his instrument, the piano, or for orchestra (most famously <em>Espa\u00f1a<\/em>). His music was to be greatly admired by Poulenc as well as <strong><a href=\"https:\/\/www.classical-music.com\/composers\/igor-stravinsky\">Stravinsky<\/a> <\/strong>in the next century.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Chabrier<\/strong><\/h4><p><strong>Orchestral works<\/strong><br\/>Orchestre de la Suisse Romande\/Neeme J\u00e4rvi <br\/><em>Chandos CHSA5122<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00C30ZAFA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-the-golden-age-of-faure-debussy-and-ravel\">Best French composers: the golden age of Faur\u00e9, Debussy and Ravel<\/h2><h3 class=\"wp-block-heading\" id=\"h-gabriel-faure-1845-1924\"><strong>Gabriel Faur\u00e9 (1845-1924)<\/strong><\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/gabriel-faure\">Faur\u00e9<\/a><\/strong>\u2019s music is generally softly spoken \u2013 as was the man himself \u2013 the very antithesis of the muscular heroism of a Beethoven. His most famous work, the <a href=\"https:\/\/www.classical-music.com\/features\/articles\/best-recordings-faures-requiem\/\"><strong>Requiem<\/strong><\/a>, was written he said to \u2018console the living\u2019, and breaks convention by not harping on the theme of divine judgement. Faur\u00e9\u2019s greatest achievement was in the realm of song, including the song cycle <em>La bonne chanson<\/em> and such beguiling gems as \u2018Les roses d\u2019Ispahan\u2019 and \u2018Apr\u00e8s une r\u00eave\u2019. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sabine Devieilhe, Alexandre Tharaud \u2013 Faur\u00e9: &quot;Apr\u00e8s un r\u00eave&quot;\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Crwzlon979I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>His <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-chamber-music\">chamber music<\/a><\/strong>, once you have tuned in to his understated style, has as much emotional power as any of his late-Romantic peers in Germany. Though he wrote relatively little for orchestra, several suites derived from his incidental music to <em>Pell\u00e9as et M\u00e9lisande<\/em>, <em>Shylock<\/em>, and <em>Masques et bergamasques<\/em> are fine alternative introductions to Faur\u00e9\u2019s gentle, understated style.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/reviews\/orchestral\/faure-schoenberg-pelleas-und-melisande\"><strong>Review: Faur\u00e9 - Pell\u00e9as et M\u00e9lisande (Frankfurt Radio Symphony\/Paavo J\u00e4rvi)<\/strong><\/a><\/li><\/ul><h4 class=\"wp-block-heading\"><strong>Where to start with Faur\u00e9<\/strong><\/h4><p><strong>Songs, Vol. 4<\/strong><br\/>Jennifer Smith, Felicity Lott, Geraldine McGreevy (soprano), Jean-Paul Fouch\u00e9court (tenor), Stephen Varcoe (baritone), Graham Johnson (piano) <br\/><em>Hyperion CDA 67336<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000BJ7BMA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><p><strong>And...<br\/><em>Pell\u00e9as et M\u00e9lisande<\/em>; <em>Masques et bergamasques;<\/em> Pavane; Ballade<\/strong><br\/>Orchestre de Chambre de Lausanne\/Armin Jordan <br\/><em>Warner Classics 9029544112<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/music\/player\/albums\/B07Q6L9YGB?\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Amazon<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-jules-massenet-1848-1912\"><strong>Jules Massenet (1848-1912)<\/strong><\/h3><p> <a href=\"https:\/\/www.classical-music.com\/composers\/jules-massenet\"><strong>Massenet<\/strong><\/a> is most widely known for the beguiling \u2018M\u00e9ditation\u2019 for solo <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/violin-facts-and-invention\">violin<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\">orchestra<\/a><\/strong>, taken from his opera <em>Tha\u00efs<\/em>. This is just the tip of a huge iceberg of operatic talent that once commanded the stage at the height of that once great French tradition, Grand Opera. <\/p><p>Hollywood reflected a smidgen of that reputation in <em>Marathon Man<\/em>, the thriller starring Dustin Hoffman and Laurence Olivier, when an agent (played by Roy Schieder) has a rendezvous at the Paris Op\u00e9ra, arriving to the sinister strains of \u2018Dors, O cit\u00e9 perverse\u2019 from Massenet\u2019s now rarely heard opera <em>H\u00e9rodiade<\/em>. <\/p><p>Of Massenet\u2019s more than thirty operas, two \u2013 neither belonging to the Grand Opera tradition \u2013 have had more enduring success: <em>Manon<\/em> (1884) has been described as encapsulating the charm and vitality of the Parisian Belle \u00c9poque; while <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/massenets-werther-a-guide-to-his-operatic-masterpiece-and-its-best-recordings\">Werther<\/a><\/strong><\/em> (1887), based on Goethe, presents a tragic love story. Perhaps Massenet\u2019s greatest and certainly most enduring success, though, was as a teacher: his composition pupils included Gustave Charpentier, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/chausson-ernest\">Ernest Chausson<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/hahn-reynaldo\">Reynaldo Hahn<\/a><\/strong> and Gabriel Piern\u00e9.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Massenet<\/strong><\/h4><p><strong><em>Manon<\/em><\/strong><br\/><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/angela-gheorghiu-interview-challenges-and-delights-of-puccini\">Angela Gheorghiu<\/a>,<\/strong> Roberto Alagna; Opera de la Monnaie\/Antonio Pappano<br\/><em>EMI\/Warner Classics 456 3892<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0036O0EL2\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-vincent-d-indy-1851-1931\"><strong>Vincent d\u2019Indy (1851-1931)<\/strong><\/h3><p>Vincent d\u2019Indy was part of <a href=\"https:\/\/www.classical-music.com\/composers\/cesar-franck\"><strong>C\u00e9sar Franck<\/strong><\/a>\u2019s circle and was effectively the unacknowledged godfather of the group of composers known as <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/les-six-composers\">Les Six<\/a><\/strong>. His pupils included Arthur Honegger, Georges Auric (whose irreverence was quite contrary to his teacher\u2019s sober sensibility and religious devotion), and Erik Satie, the official \u2018godfather\u2019 of Les Six. Both Auric and Satie studied under d\u2019Indy at the Schola Cantorum, the institution he himself had founded in 1894 as France\u2019s major alternative centre of higher music education to rival the Paris Conservatoire.<\/p><p>D\u2019Indy\u2019s activities as composer and teacher were complemented by his work as a scholar, researching and editing what was then considered early music: he presented the first modern performances of Rameau\u2019s <em>Hippolyte et Aricie, Castor et Pollux<\/em> and<em> Dardanus<\/em>. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Vincent d\u2019Indy: Symphony on a French Mountain Air | The Orchestra Now\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/VcrIbzue4FY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Though a leading composer of his generation, with at least two major operas to his credit, two very fine string quartets and a deal of piano music, d\u2019Indy\u2019s reputation in that field was eclipsed not long after his death in 1931. Possibly this was due to his right-wing and especially his anti-Semitic views, though these did not affect his professional relations with Jewish colleagues \u2013 he held Paul Dukas in high regard, who in turn hailed d\u2019Indy as \u2018One of the greatest French musicians\u2019; yet by the 1940s they were sufficient grounds for many, including <strong><a href=\"https:\/\/www.classical-music.com\/composers\/pierre-boulez\">Pierre Boulez<\/a><\/strong>, to reject his work out of hand. <\/p><p>Just 20 years after d\u2019Indy\u2019s death, only three of his works were at all known even in d\u2019Indy\u2019s own country: a set of orchestral variations, <em>Istar<\/em>; the symphonic poem, <em>Jour d\u2019\u00e9t\u00e9 \u00e0 la montagne<\/em>; and his earliest masterpiece, <em>Symphonie sur un chant montagnard fran\u00e7ais<\/em>.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with d'Indy<\/strong><\/h4><p><strong>Orchestral works, Vol. 5<\/strong><br\/>Louis Lortie (piano); Iceland Symphony Orchestra, Rumon Gamba <br\/><em>Chandos CHAN 10760<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00BK6HRYK\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-ernest-chausson-1855-99\"><strong>Ernest Chausson (1855-99)<\/strong><\/h3><p>Ernest <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/chausson-ernest\">Chausson<\/a><\/strong> is perhaps best known for <em>Po\u00e8me<\/em>, his fragrantly poignant piece for solo violin and orchestra. Born to a wealthy family, Chausson began his career as a lawyer. Depite this, music held him in thrall. On meeting the composer Vincent d\u2019Indy he was drawn into the circle of the Belgian composer C\u00e9sar Franck. <\/p><p>He became harmonically adventurous, on one hand admiring <strong><a href=\"https:\/\/www.classical-music.com\/composers\/richard-wagner\">Wagner<\/a><\/strong>, and on the other sharing an enthusiasm for Musorgsky\u2019s opera <em>Boris Godunov<\/em> with his close friend Debussy. <\/p><p>Chausson\u2019s career was cut short by his premature death from crashing into a wall while going downhill on his bicycle at speed. It may have been deliberate, as Chausson suffered from episodes of depression. He left one symphony, one major opera \u2013 <em>Le roi Arthus<\/em> \u2013 and a wealth of songs and other vocal works. His lush <em>Po\u00e8me de l'amour et de la mer<\/em> for voice and orchestra is a masterpiece which deserves wider recognition.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Chausson<\/strong><\/h4><p><strong><em>Po\u00e8me de l'amour et de la mer<\/em>; Symphony<\/strong><br\/>V\u00e9ronique Gens (soprano); Orchestre National de Lille\/Alexandre Bloch <br\/><em>Alpha ALPHA 441<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B07MWR2Y8M\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><p><strong>And...<br\/><em>Po\u00e8me <\/em>for violin and orchestra<\/strong><br\/><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/six-of-the-best-recordings-by-violinist-james-ehnes\">James Ehnes<\/a><\/strong> (violin); Quebec Symphony Orchestra\/Yoav Talmi<strong> <\/strong><br\/><em>Analekta FL 23151<\/em><\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00005KKP1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-claude-debussy-1862-1918\"><strong>Claude Debussy (1862-1918)<\/strong><\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/claude-debussy\">Debussy<\/a> <\/strong>was both a sensualist and a perfectionist. Though he hated being defined as an \u2018impressionist\u2019, he shared with those painters an extraordinary ability to translate different qualities of natural lighting into his work, whether the dazzling sunshine of his piano showpiece <em>L\u2019isle joyeuse<\/em>, or the ominous clouds which define an otherwise clear night sky in \u2018Nuages\u2019, the opening movement of his orchestral <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/debussys-nocturnes-story\"><em>Nocturnes<\/em><\/a><\/strong>.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Debussy: La mer | Bernard Haitink and the Royal Concertgebouw Orchestra\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/fe1pB9KqHRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>He also delighted in sonority for its own sake, divorced from the academic necessities of resolution: in this, he found common ground in Javanese gamelan and in Musorgsky\u2019s extraordinary use of bell-like <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-harmony-in-music\">harmony<\/a><\/strong> in the Coronation scene of <em>Boris Godunov<\/em>. The harmonic world he created from all these ingredients was uniquely his, until his music inspired a host of imitators. Yet none of them quite achieved the limpid perfection of his final sonatas, most particularly the Sonata for Flute, Viola and Harp.<\/p><p>A huge figure in the history of classical music., Debussy finishes strongly in our list of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/50-greatest-composers-all-time\">50 greatest composers of all time<\/a><\/strong>.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/debussy-for-beginners-the-best-works-by-debussy-to-introduce-to-classical-music-newcomers\">Debussy for beginners: the best Debussy recordings to introduce to classical music newcomers<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-debussy\">Best of Debussy: five essential works<\/a><\/strong><\/li><\/ul><\/div><\/div><h4 class=\"wp-block-heading\"><strong>Where to start with Debussy<\/strong><\/h4><p><strong>Piano works<\/strong><br\/>Angela Hewitt <br\/><em>Hyperion CDA 67898<\/em><\/p><p><strong>And...<\/strong><br\/><strong>Three Late Sonatas<\/strong><br\/>Isabelle Faust (violin), Magali Mosnier (flute), Antoine Tamestit (viola), Alexander Melnikov (piano), Xavier de Maistre (harp), etc. <br\/><em>Harmonia Mundi HMM902303<\/em><\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B07DSJD2LM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\"><strong>Alb\u00e9ric Magnard (1865-1914)<\/strong><\/h3><p>He's less well known than many of the other grand names on this list, but Alb\u00e9ric Magnard desrves his place in any rundown of great French composers. His work, with its structural complexity, intricate craftsmanship, and emotional profundity, has sometimes got Magnard labelled the 'French Bruckner'. Certainly, his style blends the more lyrical idiom typical of the French school of composers, with a more Germanic sense of rigour and structure. In this respect, Franck and Brahms are also immediate reference points for much of his work. Try the FOurth Symphony to get a taste of Magnard...<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Alb\u00e9ric Magnard - Symphony No.4 in C-sharp minor, Op.21 (1913)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/SDwfH5EsicA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-erik-satie-1866-1925\"><strong>Erik Satie (1866-1925)<\/strong><\/h3><p>After a rather strict, bourgeois upbringing, French composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/erik-satie\">Erik Satie<\/a><\/strong> became a piano student at the Paris Conservatoire. He was soon expelled for unsatisfactory work. He started his career as a caf\u00e9 pianist at various establishments, including Le Chat Noir in the city\u2019s bohemian Montmartre district. <\/p><p>While there he wrote some saucy cabaret songs including \u2018Je te veux\u2019 and \u2018La diva de l\u2019empire\u2019. He also wrote his three <em>Gymnop\u00e9dies<\/em> for solo piano. These are timeless, limpid melodies with the simplest accompaniment. They were the total antithesis of the late-Romanticism of Franck and his circle. <\/p><p>Satie became friends with Debussy, had his piano pieces championed by Ravel, and for a while was the spiritual godfather of the rising young French composers known as Les Six \u2013 until two of their members, Georges Auric and Francis Poulenc, offended him by sending him a baby rattle on which they had drawn a face and glued on a beard in caricature of Satie\u2019s appearance.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/composers\/how-satie-liberated-music\">How Erik Satie liberated music<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-satie-works\">Six of the best: Satie works<\/a><\/strong><\/li><\/ul><\/div><\/div><p>Satie wrote mostly short, pithy pieces. Exceptions include his Dada-ist ballet score for Diaghilev, <em>Parade<\/em>, which includes parts for typewriter, steamship whistle and siren. Much more sober in tone is his \u2018symphonic drama\u2019, <em>Socrate<\/em> (first completed in 1918, subsequently revised at least twice) which he described as \u2018a return to classical simplicity with a modern sensibility\u2019.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Satie<\/strong><\/h4><p><strong>Piano Music, Vol. 1<\/strong><br\/>Noriko Ogawa (piano) <br\/><em>BIS 2215<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-maurice-ravel-1875-1937\"><strong>Maurice Ravel (1875-1937)<\/strong><\/h3><p>Long regarded \u2013 mostly without justification \u2013 as a would-be rival of fellow French composer Debussy\u2019s, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/maurice-ravel\">Ravel<\/a><\/strong> is now recognised as a great master in his own right. While he deeply admired Debussy\u2019s orchestral <em>Nocturnes<\/em>, which influenced some of his works such as <em>Rapsodie espagnole<\/em>, he had earlier relished the works of Chabrier and Satie, and later took an interest in other composers such as Arnold <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/arnold-schoenberg\">Schoenberg<\/a><\/strong>, Igor Stravinsky (a personal friend), <strong><a href=\"https:\/\/www.classical-music.com\/composers\/bela-bartok\">B\u00e9la Bart\u00f3k<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/composers\/george-gershwin\">George Gershwin,<\/a><\/strong> borrowing ideas and transforming them into his own style.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/composer-rivalries\">\u2018His music is just meaningless noise': classical music's 15 juiciest rivalries<\/a><\/strong><\/li><\/ul><p>Stravinsky once described him as \u2018the most perfect of Swiss watchmakers\u2019 \u2013 every one of Ravel\u2019s works is indeed fastidiously crafted with not a wasted note or effect. His music exemplifies \u2018art concealing art\u2019: the lovely and ever-growing <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong> that opens the slow movement of his G major Piano Concerto sounds like an inspired improvisation \u2013 yet Ravel confessed \u2018That flowing phrase! How I worked over it bar by bar! It nearly killed me!\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Maurice Ravel - Miroirs\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/0VdZR3deNdI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h4 class=\"wp-block-heading\"><strong>Where to start with Ravel<\/strong><\/h4><p><strong>Piano works<\/strong><br\/>Steven Osborne <br\/><em>Hyperion CDA 67731\/2<\/em><\/p><p><strong>And...<\/strong><br\/><strong>Piano Concertos<\/strong><br\/>Jean-Efflam Bavouzet (piano); BBC Symphony Orchestra\/Yan Pascal Tortelier <br\/><em>Chandos CHSA 5084<\/em><\/p><h2 class=\"wp-block-heading\" id=\"h-best-french-composers-20th-century\">Best French composers: 20th century<\/h2><h3 class=\"wp-block-heading\" id=\"h-lili-boulanger-1893-1918\"><strong>Lili Boulanger (1893-1918)<\/strong><\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/b\/boulanger-lili\">Lili Boulanger<\/a><\/strong> was one of the most prodigiously gifted and powerful of young voices among French composers who came to maturity in the second decade of the 20th century. Tragically, she suffered poor health. Weakened by bronchial pneumonia when she was two, she died aged only 24 from Crohn\u2019s disease. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/the-pink-peril-lili-boulanger-grazyna-bacewicz\">The 'Pink Peril': Lili Boulanger, Gra\u017cyna Bacewicz, and glass ceilings<\/a><\/strong><\/li><\/ul><p>Yet in her few years she left several great masterpieces, including the <a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-a-cantata\"><strong>cantata<\/strong><\/a> <em>Faust et H\u00e9l\u00e8ne<\/em> with which, aged 19, she won the Prix de Rome \u2013 the first female composer to do so \u2013 and the song cycle <em>Clairi\u00e8res dans le Ciel<\/em>. Several of her later works are understandably fraught in character, yet there is also a good deal of sunshine to be found in her earlier choral works such as <em>Les sir\u00e8nes<\/em>.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-works-lili-boulanger\">Six of the best\u2026 works by Lili Boulanger<\/a><\/strong><\/li><\/ul><\/div><\/div><h4 class=\"wp-block-heading\"><strong>Where to start with Lili Boulanger<\/strong><\/h4><p><strong><em>Faust et H\u00e9l\u00e8ne<\/em>, Psalms etc.<\/strong><br\/>City of Birmingham Symphony Orchestra Chorus, BBC Philharmonic\/Yan Pascal Tortelier<strong> <\/strong><br\/><em>Chandos<strong> <\/strong>CHAN 9745<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-francis-poulenc-1899-1963\"><strong>Francis Poulenc (1899-1963)<\/strong><\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/francis-poulenc\">Poulenc<\/a><\/strong>\u2019s earliest hit were three piano pieces, <em>Trois mouvements perp\u00e9tuels<\/em>, impudent musical doodles written under the influence of Stravinsky and Satie. He was long underestimated by many of his peers, who couldn\u2019t see beyond the clowning mixed with sentimentality in so many of his works. <\/p><p>But gradually a more profound expression became evident. First, this occurred through his art songs, in which his genius shone brightest. The strongly contrasting <em>Deux Poems de Louis Aragon<\/em>, composed when Paris had fallen to Nazi Germany, are a fine introduction. His religious works, starting with <em>Litanies \u00e0 la Vierge Noire<\/em>, were later composed after the shock of a colleague\u2019s death. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-history-of-french-art-song\">A history of French art song<\/a><\/strong><\/li><\/ul><p>He also wrote several unconventional operas. The surreal <em>Les Mamelles de Tir\u00e9sias<\/em> is one such opera, a wild roller-coaster through a wide variety of styles. It travels from the music hall (think <em>Folies Berg\u00e8re<\/em>) to devoutly religious \u2013 demonstrating Poulenc\u2019s range. By the end of his life, he was admired by such different composers as Stravinsky and <strong><a href=\"https:\/\/www.classical-music.com\/composers\/benjamin-britten\">Britten<\/a><\/strong>.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Poulenc<\/strong><\/h4><p><strong>Gloria; motets<\/strong><br\/>Susan Gritton (soprano); Choir of Trinity College, Cambridge; Britten Sinfonia\/Stephen Layton <br\/><em>Hyperion CDA 67623<\/em><\/p><p><strong>And...<br\/>Deux Po\u00e8mes de Louis Aragon and other songs<\/strong><br\/>R\u00e9gine Crespin (soprano), John Wustman (piano) <br\/><em>Decca 475 7712<\/em><\/p><ul><li><strong>We named R\u00e9gine Crespin one of the <a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-sopranos-all-time\">greatest sopranos of all time<\/a><\/strong> <\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-olivier-messiaen-1908-92\"><strong>Olivier Messiaen (1908-92)<\/strong><\/h3><p>Like the Russian composer <strong><a href=\"https:\/\/www.classical-music.com\/composers\/alexander-scriabin\">Scriabin<\/a><\/strong>, the mystical Catholic composer <strong><a href=\"https:\/\/www.classical-music.com\/composers\/olivier-messiaen\">Olivier Messiaen<\/a><\/strong> radically transformed his music through his assimilation and invention of modes well outside the standard Western tradition. Messiaen even formulated these <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/modes-in-music-what-they-are-and-how-they-are-used-in-music\">modes<\/a><\/strong>, derived partly from his own studies of such modernists as Stravinsky and Bart\u00f3k, but perhaps most strikingly from traditional music from the Andes, Bali, India and Japan. He then described them in a textbook,<em> Technique of my musical language <\/em>(1944). <\/p><p>Common to the modes he favoured were their inclusion of the tritone, a pair of notes conventionally considered dissonant and even evil \u2013 therefore known as the <em>diabolus in musica<\/em> \u2013 but which Messiaen considered to be divine. That interval flavours nearly all his music from the 1930s onwards. To this, the French composer added his growing obsession with <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-pieces-music-inspired-birdsong\">birdsong<\/a><\/strong>. He meticulously notated and included this in his music from the 1940s.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-messiaen\">Five essential works by Messiaen<\/a><\/strong><\/li><\/ul><\/div><\/div><p>What truly makes Messiaen\u2019s music, though, is his chef-like flair in making truly exotic and flavoursome musical dishes out of these ingredients. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Messiaen: Turangal\u00eela-Sinfonie \u2219 hr-Sinfonieorchester \u2219 Paavo J\u00e4rvi\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/eCO7le_6LzU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Perhaps most startling is his organ music. It is by turns wild and exuberant, or eerily still yet glowing with unusual harmonies. It is quite unlike anything that had been created before for that venerable instrument. Messiaen was organist at the Church of the Holy Trinity in Paris from 1931 until his death: it was the organ which became the crucible for some of his most extraordinary musical adventures and innovations.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Messiaen<\/strong><\/h4><p><strong>Organ works<\/strong><br\/>Simon Preston (organ)<br\/>Eloquence 482 4917<\/p><h3 class=\"wp-block-heading\" id=\"h-henri-dutilleux-1916-2013\"><strong>Henri Dutilleux (1916-2013)<\/strong><\/h3><p>Though a winner of the Prix de Rome in 1938, Dutilleux\u2019s misfortune was to come to maturity just as the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-happened-to-classical-musicians-during-world-war-2\">Second World War<\/a><\/strong> broke out. His subsequent career was overshadowed by the more obviously \u2018modern\u2019 music by Messiaen and his pupils. Pierre Boulez was one such pupil.<\/p><p>But lately, there has been a groundswell of appreciation from a younger generation of musicians. This was particularly prevalent from the late 1960s onwards. Mstislav <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/mstislav-rostropovich\">Rostropovich<\/a><\/strong> was a champion of his music, having previously commissioned the cello concerto <em>Tout un monde lointain<\/em>\u2026, a major contribution to the repertoire. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/mstislav-rostropovich-essential-recordings\">Mstislav Rostropovich: the essential recordings<\/a><\/strong> <\/li><\/ul><p>Richard Rodney Bennett was another key champion, and Dutilleux\u2019s music is now enjoying a renaissance of appreciation. Several fine recent recordings to explore include <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-is-john-wilson\">John Wilson<\/a><\/strong>\u2019s BBC Music Magazine Award-winning account of <em>Le Loup. <\/em>This resurgence of interest has reminded us that Dutilleux was indeed one of the great French composers. <\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Dutilleux<\/strong><\/h4><p><strong><em>Correspondances<\/em>; <em>Tout un monde lointain\u2026,<\/em> etc<\/strong><br\/><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/barbara-hannigan-four-works-composed-and-dedicated-to-the-soprano-and-conductor\">Barbara Hannigan<\/a><\/strong> (soprano), Anssi Karttunen (cello); Orchestre Philharmonique de Radio France\/Esa-Pekka Salonen<br\/><em>Deutsche Grammophon 479 1180<\/em><\/p><p><strong>And..<\/strong><br\/><strong><em>Le Loup<\/em><\/strong><br\/><strong><a href=\"https:\/\/www.classical-music.com\/articles\/john-wilson-and-the-sinfonia-of-london\">Sinfonia of London<\/a><\/strong>\/John Wilson <br\/><em>Chandos CHSA 5263<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-pierre-boulez-1925-2016\"><strong>Pierre Boulez (1925-2016)<\/strong><\/h3><p>A pupil of Messiaen\u2019s, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/pierre-boulez\">Boulez<\/a> <\/strong>was provocative and confrontational in his youth. In 1945, he organised a group of students to boo and disrupt the French premiere of Stravinsky\u2019s <em>Four Norwegian Moods<\/em>. He also pointedly turned his back on Dutilleux at the premiere of the latter\u2019s First Symphony. Oh, and he called for the demolition of all opera houses. Violence was a persistent theme of his early works, such as <em>Le Visage nuptial<\/em>, <em>Le Soleil des eaux<\/em> and his Piano Sonata No. 2. <\/p><p>After this brutalist phase, Boulez began to explore ground common to that of his great forebears Debussy and Ravel: <em>Le Marteau sans ma\u00eetre<\/em> (1955) is scored for <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-soprano\">soprano<\/a><\/strong> and an ensemble of alto flute, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-difference-between-violin-and-viola\">viola<\/a><\/strong>, guitar and <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-percussion-music\">percussion instruments<\/a><\/strong> including various types of mallet percussion (vibraphone, xylorimba, etc), claves, bongos and maracas. <\/p><p>This was followed by <em>Pli selon pli<\/em> (1963, then revised several times), again for soprano and an augmented version of the ensemble used in the earlier work. This time though, there was the notable addition of piano, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-is-a-harp\">harps<\/a><\/strong> and brass instruments. <\/p><p>By the 1960s, Boulez was part of the establishment, much in demand as a conductor \u2013 including several engagements at Wagner\u2019s festival in Bayreuth. In 1970 the French government invited Boulez to create the <em>Institut de Recherche et Coordination<\/em> <em>Acoustique\/Musique<\/em> (IRCAM) with generous state subsidy. By the end of his career, he was writing remarkably idiomatic pieces such as <em>Anthemes I<\/em> for solo violin.<\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Boulez<\/strong><\/h4><p><em><strong>Pli selon pli<\/strong><\/em><br\/>Christine Sch\u00e4fer (soprano); Ensemble InterContemporain\/Pierre Boulez <br\/>Deutsche Grammophon 471 344<\/p><h3 class=\"wp-block-heading\" id=\"h-pascal-dusapin-b-1955\"><strong>Pascal Dusapin (b. 1955)<\/strong><\/h3><p>Like many of his generation brought up in the age of the LP, Dusapin developed a wide-ranging music taste, embracing free <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/jazz-music-what-it-is-and-how-it-evolved\">jazz<\/a><\/strong> and The Doors as much as Beethoven and Bach in his childhood. At the age of 18, he heard<em> Arcana<\/em> by Edgard Var\u00e8se and decided to become a composer. <br\/>He studied under <a href=\"https:\/\/www.classical-music.com\/composers\/xenakis-iannis\"><strong>Iannis Xenakis<\/strong><\/a> in the 1970s, and in his own music has been breaking boundaries ever since. Eerie, dramatic yet curiously familiar, his music readily communicates but is ever unpredictable. <\/p><h4 class=\"wp-block-heading\"><strong>Where to start with Dusapin<\/strong><\/h4><p><strong><em>Wenn Du Dem Wind\u2026<\/em>; <em>Aufgang<\/em>; <em>\u00c0 quia<\/em><\/strong><br\/>Orchestre National des Pays de la Loire\/Pascal Roph\u00e9 <br\/><em>BIS BIS 2262<\/em><\/p><p><strong>And...<\/strong><br\/><strong>Morning in Long Island<\/strong><br\/>Orchestre Philharmonique de Radio France\/Myung-Whun Chung <br\/><em>Deutsche Grammophon 481 0814<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Thursday, 12 September 2024 at 12:17 PM France has made a huge contribution to the development of classical music. Read on as we run through the greatest French composers, from Couperin and Rameau right through to Messiaen and Boulez. If the music is immediately appealing, and uses instrumental colour sensitively in an atmospheric [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":47178,"template":"","categories":[1],"acf":{"readingTimeMinutes":"26"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/french-composers-26-of-the-greatest-musicians-france-has-ever-produced.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Thursday, 12 September 2024 at 12:17 PM France has made a huge contribution to the development of classical music. Read on as we run through the greatest French composers, from Couperin and Rameau right through to Messiaen and Boulez. If the music is immediately appealing, and uses instrumental colour sensitively in an atmospheric&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/47177"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/47178"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=47177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=47177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}