{"id":47197,"date":"2024-09-13T18:31:45","date_gmt":"2024-09-13T16:31:45","guid":{"rendered":"http:\/\/9fc1904e-07f3-4a01-a079-ae941c3471a5"},"modified":"2024-09-13T19:08:29","modified_gmt":"2024-09-13T17:08:29","slug":"louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france\/","title":{"rendered":"Louise Farrenc: the gifted composer who brought the battle of the sexes to 19th-century France"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Friday, 13 September 2024 at 16:31 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Read on for a guide to the important 19th-century French composer Louise Farrenc, composer of three vivid, energetic Romantic <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-symphony\">symphonies<\/a><\/strong>, some beautiful <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-chamber-music\">chamber music<\/a><\/strong> and much more.<\/p><h2 class=\"wp-block-heading\"><strong>Who was Louise Farrenc?<\/strong><\/h2><p>Louise Farrenc is a major musical personality hiding in plain sight. Composer, pianist, researcher, editor and educator, she was praised by the likes of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/hector-berlioz\"><strong>Berlioz<\/strong><\/a> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\">Schumann<\/a><\/strong>; she became the Paris Conservatoire\u2019s only 19th-century female professor of piano; she fought for equal pay as a woman, and won it. <\/p><p>Born in the year Napoleon crowned himself Emperor, when <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Beethoven\u2019<\/a><\/strong>s epoch-making <strong><em><a href=\"https:\/\/www.classical-music.com\/features\/works\/eroica\">Eroica<\/a><\/em><\/strong> Symphony was contemporary music, she lived to see the devastation of Paris in the Franco-Prussian War of 1870-71 and the birth of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/camille-saint-saens\">Saint-Sa\u00ebns<\/a><\/strong>\u2019s Soci\u00e9t\u00e9 Nationale de Musique. Most significantly, her music \u2013 too long neglected \u2013 is seriously good. So good, in fact that we named Louise Farrenc one of the<strong> <a href=\"https:\/\/www.classical-music.com\/composers\/most-famous-female-composers\/\">world&#8217;s most famous female composers<\/a> <\/strong>and one of the<strong> <a href=\"https:\/\/www.classical-music.com\/composers\/best-french-composers-ever\/\">best French composers of all time.<\/a><\/strong><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Louise Farrenc \u2013 Overture No. 1 in E Minor | Conducted by Daniele Rustioni\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/dZDxTWx02Bk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\"><strong>When was Louise Farrenc born?<\/strong><\/h2><p>Louise Farrenc was born Jeanne Louise Dumont on 31 May 1804, into a Parisian family of artists. Her father, Jacques-Edme Dumont, was from a family who had been sculptors since the time of Louis XIV \u2013 her brother, Auguste Dumont, continued the tradition. <\/p><h3 class=\"wp-block-heading\"><strong>Gender stood in her way early on<\/strong><\/h3><p>Louise Farrenc\u2019s musical talent showed early. At first she studied the piano with C\u00e9cile Soria, a pupil of Clementi, before taking instruction from two of Europe\u2019s most impressive pianists, Ignaz Moscheles and Johann Nepomuk Hummel. Like most of their peers, these musicians were not only performers, but composers; as a fine player, Louise would have been expected to create music too.<\/p><p>Being female, though, she was not permitted to join the composition class at the Paris Conservatoire \u2013 it remained closed to women until 1870. From the age of 15 she took composition lessons, privately, with Anton\u00edn Reicha. A friend of Beethoven&#8217;s, Reicha&#8217;s other pupils included, at various times, Berlioz, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/franz-liszt\/\">Liszt<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/charles-gounod\">Gounod<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-was-pauline-viardot\">Pauline Viardot<\/a><\/strong>. Luckily, her family, having included several female artists in the past, was open-minded enough to encourage her.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-of-the-best-works-by-pauline-viardot\">Pauline Viardot: five best works<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\"><strong>Who did Louise Farrenc marry?<\/strong><\/h2><p>So, too, was the man she married, Aristide Farrenc. Louise\u2019s senior by a decade, he was a flautist from Marseilles who was studying at the Conservatoire and performed from time to time in concerts at the Sorbonne. They married when she was only 17. For a while thereafter they toured France as a <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/flute\">flute<\/a><\/strong> and piano duo.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-pieces-flute-our-top-picks\">The best flute solos in classical music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\"><strong>She was now composing dazzling concert pieces<\/strong><\/h3><p>Back in Paris, Farrenc (as she now was) resumed her studies with Reicha, and thereafter her career as a pianist, pausing once more in 1826 when a different family commitment arrived in the form of her daughter, Victorine. She was by now also composing piano works of some quantity and high quality, dazzling concert pieces that require a powerful technique. They include sets of variations on themes by <strong><a href=\"https:\/\/www.classical-music.com\/composers\/gioachino-rossini\/\">Rossini<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/carl-maria-von-weber\/\">Weber<\/a><\/strong>, Meyerbeer, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/gaetano-donizetti\/\">Donizetti<\/a> <\/strong>and Aristide himself. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Louise Farrenc's Symphony No. 3 \/\/ Aurora Orchestra\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/uLSww02ptiI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Her music might have remained in the shadows had Aristide not intervened. The couple set up a publishing house, \u00c9ditions Farrenc, via which he encouraged his wife to make her music available, \u2018works which her modesty, of a degree rarely encountered, impelled her to keep unpublished,\u2019 wrote one colleague. In 1838 they published her <i>Trente \u00e9tudes dans tous les tons majeurs et mineur<\/i>s, Op. 26, the first of her several substantial sets of piano studies. In 1845, these became compulsory for all piano students at the Conservatoire. <\/p><h2 class=\"wp-block-heading\"><strong>Chamber music, symphonies and more<\/strong><\/h2><p>Louise Farrenc became, in 1842, that institution\u2019s second-ever female piano professor \u2013 the first having had a two-year sojourn in the previous century. She stayed for three decades, teaching myriad promising talents, all of them female (as stipulated by the Conservatoire) and many graduating with the coveted Premier Prix. <\/p><p>The French school of pianism became celebrated for its technical wizardry, precision and<i> jeu perl\u00e9<\/i> (light, staccato playing), all offset by a subtle poetry. It is reasonable \u2013 especially when exploring her \u00e9tudes \u2013 to suspect that she helped to establish that approach.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">The greatest pianists of all time<\/a><\/strong><\/li><\/ul><p>She was meanwhile branching out, composing chamber music, works for piano and orchestra, overtures and symphonies. Things that women did not often write at this time. Things, in fact, that not many French composers in general were writing. Parisian musical life had other preoccupations. <\/p><p>When <strong><a href=\"https:\/\/www.classical-music.com\/composers\/frederic-chopin\/\">Chopin<\/a><\/strong>, exiled from Poland in 1830, settled in the French capital, he did so partly for the excellence of its opera, <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-bel-canto\">bel canto<\/a><\/strong> singing being his passion. Here he could hear everything from Rossini and Donizetti to the latest, vast-scale hits by Meyerbeer. Symphonies and chamber music, in comparison, were thin on the ground. <\/p><h3 class=\"wp-block-heading\"><strong>Echoes of Schubert and Chopin<\/strong><\/h3><p>Farrenc inclined in a very different direction. Her two piano quintets, four piano <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-trio\">trios<\/a><\/strong>, two <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/violin-guide\">violin<\/a><\/strong> sonatas and one for <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/cello\">cello<\/a><\/strong>, the Sextet for piano and <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/woodwind-instruments\">woodwind<\/a><\/strong> and the Nonet for <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-string-quartet\">string quartet<\/a><\/strong> and wind quintet are closer by far to the style of Schubert, Mendelssohn or Weber than to anything by Meyerbeer or Berlioz. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Farrenc - Piano Quintet No. 1 | 2022 Colorado College Summer Music Festival\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/nTa7kC-XvC8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>But speaking of Chopin, there is occasionally in her works an audible nod towards him: her <i>Grand Variations on a Theme by Count Gallenberg<\/i> for <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/who-invented-the-piano\/\">piano<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\/\">orchestra<\/a><\/strong> bears no small resemblance to his variations for the same forces on <strong><a href=\"https:\/\/www.classical-music.com\/composers\/mozart\/\">Mozart<\/a><\/strong>\u2019s \u2018L\u00e0 ci darem la mano\u2019, both works including a slow, atmospheric introduction. <\/p><p>Whether Farrenc met and heard Liszt remains a mystery; it\u2019s hard to believe she did not. Seven years Farrenc\u2019s junior, he lived for a good while in Paris and enjoyed his glory days as a superstar recitalist in the 1830s-40s. Sometimes the two lighted upon the same inspiration: Meyerbeer\u2019s operatic extravaganza sparked both <i>R\u00e9miniscences des Huguenots<\/i> by Liszt (1836) and <i>Souvenirs des Hugenots<\/i> (1837), a fantasy and variations, by Farrenc.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-invented-the-piano-recital\">A thousand wild concerts: how Liszt invented the piano recital and became a 19th-century pin-up<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\">What music is Louise Farrenc particularly famous for?<\/h2><p>All the more ironic, perhaps, that Farrenc\u2019s crowning achievements were her three symphonies. Each is a substantial work in four movements: she chooses minor keys and fills the music with drama, contrast and striking ideas which, while they may draw comparison with early German <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-romantic-composers\">Romanticism<\/a><\/strong>, have little on the surface to do with mid-19th-century France. They are all finely constructed, expertly orchestrated and full of character.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-works-louise-farrenc\/\">Six of the best works by Louise Farrenc<\/a><\/strong><\/li><\/ul><p>Tantalisingly, she also wrote a piano concerto which, in a <i>Musical Quarterly <\/i>study of the composer in the 1970s, the musicologist Bea Friedland described as \u2018clearly the apex of Mme Farrenc\u2019s achievements in the larger forms\u2019. It was left unfinished and languishes in the Biblioth\u00e8que Nationale. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/10-piano-concertos-you-may-not-know\">Ten piano concertos you may not know<\/a><\/strong><\/li><\/ul><p>She also apparently considered writing an opera, but no libretto was forthcoming from the management of Paris\u2019s two opera houses. It was all but impossible to establish a materially successful composing career in Paris without writing opera, but these institutions were having none of her.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Nonet in E-flat major, Op. 38 - Louise Farrenc\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/IPzg1UakAJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>The Nonet: a chamber music masterpiece<\/strong><\/h3><p>Louise Farrenc&#8217;s Nonet was nevertheless rapturously received upon its premiere in 1849, at which the ensemble was led by the youthful Hungarian violinist Joseph Joachim. Barely 18 at the time, Joachim later became best friend to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\">Brahms<\/a><\/strong> and the Schumanns. It was after this triumph that Farrenc took the opportunity to write to the head of the Conservatoire, Daniel Auber, requesting that her salary be raised to match those of her male colleagues, the pianist Herz, cellist Franchomme and violinist Alard: <\/p><p>\u2018I dare hope, M. Director, that you will agree to fix my fees at the same level as these gentlemen, because, setting aside questions of self-interest, if I do not receive the same incentive they do, one might think that I have not invested all the zeal and diligence necessary to fulfil the task which has been entrusted to me.\u2019 Auber listened. Farrenc won. <\/p><h3 class=\"wp-block-heading\"><strong>&#8216;If the composer is unknown, the audience remains unreceptive&#8217;<\/strong><\/h3><p>Into the 1850s, Farrenc continued to write piano \u00e9tudes and chamber music; but tired-sounding comments from contemporaries suggest that breakthroughs in the symphonic field were impossible in such a cultural climate. The critic Fran\u00e7ois-Joseph F\u00e9tis wrote in 1862: \u2018Unfortunately, the genre of large-scale instrumental music to which Madame Farrenc, by nature and formation, felt herself called involves performance resources which a composer can acquire\u2026 only with enormous effort. <\/p><p>&#8216;Another factor here is the public, as a rule not a very knowledgeable one, whose only standard for measuring the quality of a work is the name of its author. If the composer is unknown, the audience remains unreceptive&#8230; Such were the obstacles that Madame Farrenc met\u2026 and which caused her to despair.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"ABRSM 2023 &amp; 2024 - Grade 8 Piano exam - B:2 Etude in D flat ~ Louise Farrenc\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_uHTkCvyfjs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\"><strong>The tragedy that ended her composing career<\/strong><\/h2><p>Then tragedy struck. Victorine Farrenc had inherited her mother\u2019s gifts, studying piano at the Conservatoire with her, winning the Premier Prix in 1844 and embarking upon a promising career, also composing some piano studies and songs. But after developing a \u2018nervous malady\u2019 aged about 20, she died of the illness at 32. The devastated Louise composed nothing more thereafter.<\/p><p>Farrenc found solace in her teaching, and she worked with Aristide on his obsession: researching early music. The pair produced together a vast, multi-volume anthology of keyboard works from across the centuries, <i>Le tr\u00e9sor des pianistes.<\/i> When, in the wake of the Franco-Prussian War, a new generation of composers set about reinventing French style by exploring the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/whats-the-difference-between-a-harpsichord-and-a-piano\">harpsichordists<\/a><\/strong> of the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/baroque-music-guide\">Baroque<\/a><\/strong> era, somebody had already done the groundwork. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/top-10-baroque-composers\">Top 10 Baroque composers<\/a><\/strong><\/li><\/ul><p>She also did not go without recognition, being awarded the Prix Chartier by the Acad\u00e9mie des Beaux Arts twice, in 1861 and again in \u201969. Aristide Farrenc died in 1865; his wife outlived him by one decade. In due course the world forgot her. <\/p><p>It would be nice to think that this was not because she was a woman. Styles had evolved, Farrenc herself had stopped writing in the 1850s, and the 20th century then brought along other challenges. But given the quality of her music, one can\u2019t help wondering whether it would have been rehabilitated sooner had she been a man. Her vivid voice, her legacy as a researcher and teacher and her pioneering spirit as a woman who fought her own corner and won are all ripe for appreciation at last. <\/p><h2 class=\"wp-block-heading\"><strong>When did Louise Farrenc die?<\/strong><\/h2><p>Louise Farrenc died in 1875, at the age of 71, in Paris.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><h2 class=\"wp-block-heading\"><strong>What is the music of Louise Farrenc like?<\/strong><\/h2><p>Here are four key elements of Farrenc&#8217;s music.<\/p><h3 class=\"wp-block-heading\"><strong>Viennese style<\/strong><\/h3><p>Farrenc\u2019s predilection for chamber music and symphonies is rooted in the Viennese classics. Her style has a drama, lyricism and worked-out argument comparable to the soundworlds of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-schubert\">Schubert<\/a><\/strong>, Weber and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/felix-mendelssohn\">Mendelssohn<\/a><\/strong>, but with an energetic spirit entirely her own.<\/p><h3 class=\"wp-block-heading\"><strong>Brilliance, clarity, stamina<\/strong><\/h3><p>Most of Farrenc\u2019s chamber music involves her own instrument, the piano, and the majority of her works are solos for it. Her writing is never flashy, but still presents the pianist with a major workout requiring a fast, light, even touch, great clarity and tremendous staying power.<\/p><h3 class=\"wp-block-heading\"><strong>Unsentimental Romanticism<\/strong><\/h3><p>Unlike some, Farrenc avoided grandiosity or sentiment. Her rigour of construction and purity of thought prefigures Saint-Sa\u00ebns. If her pianistic focus places her in line with Chopin, she never let herself head for the dreamworlds his music inhabited. One senses a down-to-earth outlook, curious and probing, but with no time for nonsense.<\/p><h3 class=\"wp-block-heading\"><strong>Superb woodwind writing<\/strong> <\/h3><p>Married to a flautist, Farrenc sometimes included the instrument in her chamber works, resulting in some unusual combinations, such as a Sextet for piano, flute, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/oboe-vs-clarinet\">oboe<\/a><\/strong>, clarinet, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/the-bassoon-a-guide-to-the-orchestras-largest-wind-instrument\">bassoon<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-history-of-the-french-horn\">horn<\/a><\/strong> \u2013 magnificently written, it brings out the best of each instrument\u2019s inherent qualities.<\/p><\/div><\/div><p><strong>Read our <a href=\"https:\/\/www.classical-music.com\/tag\/farrenc-reviews\/\">reviews of the latest Farrenc recordings<\/a><\/strong><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Friday, 13 September 2024 at 16:31 PM Read on for a guide to the important 19th-century French composer Louise Farrenc, composer of three vivid, energetic Romantic symphonies, some beautiful chamber music and much more. Who was Louise Farrenc? Louise Farrenc is a major musical personality hiding in plain sight. Composer, pianist, researcher, editor [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":47198,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/09\/louise-farrenc-the-gifted-composer-who-brought-the-battle-of-the-sexes-to-19th-century-france.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Friday, 13 September 2024 at 16:31 PM Read on for a guide to the important 19th-century French composer Louise Farrenc, composer of three vivid, energetic Romantic symphonies, some beautiful chamber music and much more. Who was Louise Farrenc? Louise Farrenc is a major musical personality hiding in plain sight. Composer, pianist, researcher, editor&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/47197"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/47198"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=47197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=47197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}