{"id":47205,"date":"2024-09-14T11:27:05","date_gmt":"2024-09-14T09:27:05","guid":{"rendered":"http:\/\/018f7046-45ab-47d0-8ea5-df2db5a90621"},"modified":"2024-09-14T18:07:18","modified_gmt":"2024-09-14T16:07:18","slug":"idolised-by-prommers-disliked-by-players-why-longtime-proms-chief-malcolm-sargent-cut-a-divisive-figure","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/idolised-by-prommers-disliked-by-players-why-longtime-proms-chief-malcolm-sargent-cut-a-divisive-figure\/","title":{"rendered":"Idolised by Prommers, disliked by players: why longtime Proms chief Malcolm Sargent cut a divisive figure"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Saturday, 14 September 2024 at 09:27 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong>I<\/strong><strong>n his day, no conductor enjoyed a higher public profile among British conductors than Malcolm Sargent.<\/strong> <\/p><p>\u2018Flash Harry\u2019, they called him. The exact provenance of the soubriquet is unclear, but it suited Sargent down to the ground. The snappy dressing, not least on the podium. The hair sleeked back. Carnation in buttonhole. The touch of showmanship about his conducting gestures. And the showman was a past master at orchestrating the applause he craved \u2013 not least from his beloved <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/who-designed-and-built-the-royal-albert-hall\/\">Albert Hall<\/a><\/strong> Promenaders.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Instruments of the Orchestra\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/vkwgihr1hMM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>A vivacious, razor-sharp contributor<\/strong><\/h3><p>There was flash and dash about Sargent\u2019s jam-packed diary, too, with ceaseless flitting round the UK and global jet-setting; regular excursions to the recording studio which reflected the appeal of the Sargent brand to discophiles; and frequent appearances as a vivacious, razor-sharp contributor to BBC Radio\u2019s panel show <i>The Brains Trust<\/i> which made Sargent a household name.<\/p><p>These days, though, the full breadth of Malcolm Sargent\u2019s career tends to be disregarded in favour of the kind of labelling that\u2019s akin to libelling. Yes, he was unquestionably an exceptional choral conductor. Yes, he was just the man to re-popularise the <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/\">Proms<\/a><\/strong> (through his association with the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/bbc-symphony-orchestra\">BBC Symphony Orchestra<\/a><\/strong>) after <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/who-was-sir-henry-wood\/\">Henry Wood<\/a><\/strong>\u2019s death. <\/p><p>And yes, he was a lifelong <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-gilbert-and-sullivan-operettas\">Gilbert &amp; Sullivan<\/a><\/strong> exponent of wit and sparkle.<\/p><h2 class=\"wp-block-heading\">Idolatry and revulsion<\/h2><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sir Malcolm Sargent &amp; London Philharmonic &quot;Lohengrin:Prelude to Act III&quot; on The Ed Sullivan Show\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/67YOE2PAoMw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>But what of a full appreciation of Sargent the purely orchestral conductor, with an extensive, high-level international career? What of his talents as a sensitive accompanist in concertos, admired by no less than Schnabel and Heifetz?<\/p><p>There seems to have been a fault-line in perceptions of Sargent, reflected in the almost shocking disparity between the near idolatry afforded him by amateur singers and Albert Hall Promenaders \u2013 and the revulsion spat out by orchestral players. \u2018We found Sargent arrogant,\u2019 said the late trumpeter and composer Arthur Butterworth, who played under him as a member of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/halle-orchestra\">Hall\u00e9<\/a><\/strong> Orchestra. \u2018He seemed to look down on orchestral players as socially inferior.\u2019 <\/p><h3 class=\"wp-block-heading\">&#8216;His face contorted like an enraged tiger\u2019<\/h3><p>Butterworth recalled with irony that Sargent was \u2018not especially patient\u2019, shuddering at the memory of an organist\u2019s late entry during <strong><a href=\"https:\/\/www.classical-music.com\/composers\/gustav-holst\/\">Holst<\/a><\/strong>\u2019s <i>Hymn of Jesus<\/i>. \u2018Sargent snarled and screamed at him\u2026 during the actual concert! His face contorted like an enraged tiger.\u2019<\/p><p>The dislike of Sargent could amount to naked hatred, said Butterworth. Sargent\u2019s pompous, schoolmasterly, nit-picking manner was known to ignite explosions in rehearsals which resulted either in him storming out or a player being invited to leave. According to one musician, Sargent had \u2018no confidence in the ability of players to do anything on their own account.\u2019 Music critic Michael Kennedy puts it succinctly: \u2018I never met an orchestral musician who said they liked Sargent. He was a fearful snob.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Malcolm Sargent: Harmonizing the World | Composer &amp; Arranger Biography\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/gOWCsbg5HMw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">&#8216;He\u2019d never let anyone question his musicianship&#8217;<\/h3><p>The distinguished civil servant Lord Armstrong, son of the eminent musical figure Sir Thomas Armstrong, met the conductor on numerous occasions and offers the balanced view. \u2018My father knew Sargent well. He acknowledged that his manner was unfortunate and that he was a snob, but he\u2019d never let anyone get away with questioning his musicianship\u2026 someone thoroughly professional, who worked extremely hard.I found Sargent a man of great charm.\u2019<\/p><p>The orchestral antipathy to Sargent had much to do with a sequence of events in the early 1930s, when he was struck down by serious illness. Orchestral musicians chipped in to help him through the crisis. Imagine their indignation when in an interview, Sargent \u2013 son of a Lincolnshire coal merchant\u2019s clerk \u2013 blundered in on the then current debate about orchestral musicians\u2019 pensions: \u2018As soon as a man thinks he is in his orchestral job for life with a pension waiting for him at the end of it, he tends to lose something of his supreme fire.\u2019 <\/p><h3 class=\"wp-block-heading\">Extra-marital liaisons<\/h3><p>This and other comments caused a furore, never mind that Sargent could claim his co-founding of the salaried London Philharmonic Orchestra demonstrated a sympathy with orchestral musicians. Arthur Butterworth remembers the resentment at Sargent\u2019s words continuing \u2018on and on.\u2019 <\/p><p>Knowledge of Sargent\u2019s eager networking in society and royal circles added to the impression of someone too full of himself to identify with \u2018mere\u2019 orchestral musicians. Ditto his multiple extra-marital liaisons with the well-bred and blue-blooded, something over which his otherwise attentive biographer Charles Reid chose to draw a blackout curtain of a veil. \u2018He was a terror to women,\u2019 says Michael Kennedy. \u2018They\u2019d never travel with him in taxis.\u2019<\/p><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">Conductor Malcolm Sargent at the Proms. Pic: Erich Auerbach \/ Getty Images &#8211; Erich Auerbach \/ Getty Images<\/figcaption><\/figure><p>Talk to those amateurs who sang under Sargent the legendary choral conductor, however, and it\u2019s as if they\u2019re describing a different person. Jayne Preston, who sung with the Huddersfield Choral Society, which Sargent honed to almost mythical status. \u2018Even before I joined the choir I thought of him as royalty!\u2019 she says.<\/p><h3 class=\"wp-block-heading\">&#8216;He was worshipped&#8217;<\/h3><p>\u2018He was so flamboyant on the podium. You felt he was looking straight at you\u2026 the performance was about just you and him. I didn\u2019t know anyone in the choir who didn\u2019t like him. We once went to a festival in the USA where choirs from round the world were gathered, and he was worshipped.\u2019<\/p><p>Sargent\u2019s long-standing relationship with the Royal Choral Society induced similar devotion. RCS bass Peter York remembers that Sargent \u2018gave us massive confidence, always having a profound understanding of what we needed. I always felt he was at ease in our company, perhaps because we were amateurs. OK, he didn\u2019t really mix with us, but he never treated us in a pompous way.\u2019<\/p><h3 class=\"wp-block-heading\">He wanted to bring classical music to the ordinary person in the street <\/h3><p>A fascinating paradox, then, all the more intriguing when no one was keener than Sargent to spread the gospel of music in a way that demonstrated he could be selfless as well as self-important. \u2018Sir Malcolm was always concerned that music should be made available to the ordinary person in the street,\u2019 says his personal assistant Sylvia Darley. \u2018His many appearances on the BBC\u2019s famous <i>The Brains Trust <\/i>meant non-concertgoers connected with him. They\u2019d then give classical music a try.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sir Malcolm Sargent, Music Maker: 1967, BBC Radio Interviews, Part 1\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/4xzBQ_p6Ejk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Sargent\u2019s passionate involvement with music education embraced the Robert Mayer concerts for children and the Courtauld-Sargent orchestral series. During World War II he declined the offer of a well-paid appointment in Australia in favour of criss-crossing Britain conducting morale-boosting concerts, ignoring the vagaries of wartime travel and accommodation.<\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-happened-to-classical-musicians-during-world-war-2\/\">What happened to classical musicians during World War 2?<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/world-war-ii-most-popular-songs\/\">What were the most popular songs during World War II?<\/a><\/strong><\/li><\/ul><\/div><\/div><h3 class=\"wp-block-heading\">Sargent&#8217;s star quality ushered in the TV Proms era<\/h3><p>Sargent\u2019s close identification with the Proms in the 1950s and \u201960s provided a striking personality with whom fringe concertgoers could identify. OK, one Promenading acquaintance of mine says he found Sargent \u2018smarmy and supercilious\u2019. Overwhelmingly, however, his star quality, enhanced by that sartorial elegance and the ever-present carnation, was a major factor in pulling the Proms into the world of televisual commercialism. <\/p><p>That brief <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/last-night-of-the-proms-all-you-need-to-know\">Last Night of the Proms<\/a><\/strong> walk-on as death approached in 1967 sent a myriad eyes misty as the Promenaders bestowed the kind of adulation only they can. The atmosphere surrounding today\u2019s Proms owes at least something to his legacy.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Sir Malcolm Sargent conducts Beethoven's 5th Symphony\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/pJTN1ngVblA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">Malcolm Sargent: a working-class boy made good<\/h2><p>So how can we explain The Sargent Paradox? Sargent may have been blessed with precocious talent, says his biographer Richard Aldous, \u2018but he was aware he didn\u2019t have the advantages of wealth and birth. People often look for evidence of an insecure childhood in cases likes this, but Sargent had a happy upbringing. No, the important thing to consider is that he\u2019s a working-class boy made good.<\/p><p>\u2018Everything makes sense when you see the family home on Wharf Road in Stamford: small, mean-looking, beside the gasworks. Sargent really had to struggle for what he achieved, beginning with his time as an un-monied scholarship boy at Stamford School, feeling the need to push himself forward. <\/p><p>&#8216;One way he then got on was by social climbing. He moved from being just a church organist partly by interacting with society people who give him a leg-up. He then constructed this image of himself \u2013 the accent and manner \u2013 which many found off-putting.\u2019<\/p><p>Perhaps Sargent\u2019s affected superiority on the podium also stemmed from the \u2018social embarrassment\u2019 of his unhappy long marriage to an unprepossessing Stamford girl. \u2018He may have had a secure upbringing,\u2019 says Lord Armstrong, \u2018but his married life, including his relationship with his children, was anything but secure.\u2019<\/p><h3 class=\"wp-block-heading\">There were private tears<\/h3><p>One piece of evidence may remain more intriguing than enlightening. According to Charles Reid, Sargent himself dated the beginnings of the tensions with orchestras to some of them giving him \u2018a bad time\u2019 (Reid\u2019s words) on unspecified occasions as a young conductor. Just why, remains unclear. According to Reid, Sargent\u2019s \u2018uneasiness on orchestral rostrums\u2019 stemmed from this, and could be mirrored in private tears as a result of his treatment.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/09\/Untitled-design-2024-09-14T102324.409.jpg\" alt=\"Soprano Maria Callas and Conductor Malcolm Sargent, 1959\" class=\"wp-image-212487\"\/><figcaption class=\"wp-element-caption\">Soprano Maria Callas and conductor Malcolm Sargent, 1959. Pic: John Franks\/Keystone\/Hulton Archive\/Getty Images &#8211; John Franks\/Keystone\/Hulton Archive\/Getty Images<\/figcaption><\/figure><p>No tears when it came to working with amateur musicians, though. But then Sargent knew all about them from his early years of galvanising local singers and orchestras on his home patch with flair. Perhaps working with amateurs later in life subconsciously linked him back to severed Stamford roots. <\/p><p>Revealingly, if the evidence of several musicians in Australia I spoke to is anything to go by, Sargent\u2019s standing with orchestral players abroad wasn\u2019t burdened by historical\/social baggage. Former Sydney Symphony Orchestra violinist Jenny Mattocks says it was \u2018such an honour to play under Sargent. A wonderful experience, phenomenal. We never found him aloof or supercilious.\u2019<\/p><h3 class=\"wp-block-heading\">What musical legacy has Malcolm Sargent left?<\/h3><p>Donald Hazelwood, concertmaster of the same orchestra from the mid-1960s, recalls \u2018very fine musical performances, very exact. There wasn\u2019t a bit of bad feeling about him personally. He was totally organised andwhat he did on the podium was very much respected.\u2019<\/p><p>When all\u2019s said and done, Sargent\u2019s orchestral legacy needs assessing purely on musical grounds. Modern transfers of his recordings may not be that plentiful, but online searches for streamed audio and video help fill in the picture. Perhaps his approach would have gone down well today: the precise, clear gestures prompting crisp, rhythmic, disciplined interpretations make, for example, his <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/eroica\">Beethoven <em>Eroica<\/em><\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/articles\/introduction-shostakovichs-symphony-no-9\">Shostakovich Ninth<\/a><\/strong> Symphonies infectious. <\/p><p>There\u2019s an insistence on keeping the pulse moving in slower music that eschews sentimentality without descending into straightforwardness: his version of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ralph-vaughan-williams\">Vaughan Williams<\/a><\/strong>&#8216;s much-loved <strong><em><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/four-of-the-best-recordings-of-vaughan-williamss-the-lark-ascending\">Lark Ascending<\/a><\/em><\/strong> with violinist David Wise, for instance.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/09\/Untitled-design-2024-09-14T102544.319.jpg\" alt=\"Conductor Malcolm Sargent resting in bed after Last Night of the Proms 1967 \" class=\"wp-image-212488\"\/><figcaption class=\"wp-element-caption\">Malcolm Sargent resting in bed after giving a farewell speech at the 1967 Last Night of the Proms. Pic: Len Trievnor\/Express\/Hulton Archive\/Getty Image &#8211; Len Trievnor\/Express\/Hulton Archive\/Getty Image<\/figcaption><\/figure><h3 class=\"wp-block-heading\">Malcolm Sargent: a great Elgarian<\/h3><p>There\u2019s plenty of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edward-elgar\">Elgar<\/a><\/strong>. The composer\u2019s eminent biographer, Jerrold Northrop Moore, takes a line that may surprise. \u2018In many ways Sargent got closer to Elgar\u2019s music than more famous Elgar conductors Adrian Boult or John Barbirolli. He brought a kind of swagger to it. Maybe he didn\u2019t always find its inner spirit, but like Elgar he didn\u2019t hang about, which gives the music animation and sparkle, allowing it to speak for itself.\u2019<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-conductors-all-time\">The 20 greatest conductors of all time<\/a><\/strong><\/li><\/ul><p>Behind Sargent\u2019s public image was an intensely private man, possibly even a lonely one. \u2018His family life disintegrated,\u2019 observes Sylvia Darley, \u2018and he could only confide in his closest friends. His life was his music \u2013 he was a workaholic.\u2019<\/p><p>Sargent\u2019s last days at his home alongside the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/who-designed-and-built-the-royal-albert-hall\">Royal Albert Hall<\/a><\/strong> were a reversal of this. Says Sylvia Darley: \u2018Once he recovered from the shock of knowing he was dying, he said \u201cThank God I won\u2019t need to study scores any more.\u201d He organised visitors and there was a party every day. So many people came round. They often had long chats with Sir Malcolm. When they left they were often visibly moved.\u2019 <\/p><h2 class=\"wp-block-heading\">When was Sir Malcolm Sargent born?<\/h2><p>Sir Malcolm Sargent was born on 29 April, 1895, in Ashford, Kent. Family moves to Stamford, Lincolnshire. <\/p><p>1911 Studies with Dr Haydn Keeton at Peterborough Cathedral where he gets his first proper musical grounding. He subsequently becomes a parish church organist at Melton Mowbray.<\/p><h3 class=\"wp-block-heading\">His first big break<\/h3><p>In 1921 he had his first big break, conducting his own <i>An Impression on a Windy Day<\/i> at <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-happened-queen-s-hall\/\">Queen\u2019s Hall<\/a><\/strong>, London at the invitation of Proms founder Sir Henry Wood. In 1928 he was appointed permanent conductor of the Royal Choral Society, a post he would hold on to for 39 years.<\/p><p>In 1932 Sargent was made director of the Huddersfield Choral Society \u2013 in the same year, he suffered a near-fatal bout of tuberculosis. Also in 1932, he co-founded the London Philharmonic Orchestra with <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/thomas-beecham\/\">Sir Thomas Beecham<\/a><\/strong>. He was also closely associated with the Royal Liverpool, Hall\u00e9, BBC Symphony and Royal Philharmonic orchestras &#8211; some of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/worlds-best-orchestras\/\">best orchestras in the world<\/a><\/strong>.<\/p><h2 class=\"wp-block-heading\">When did Malcolm Sargent become conductor of the Proms?<\/h2><p>Malcolm Sargent became chief conductor of the BBC Promenade Concerts in 1948. He held the role right up until his death in 1967.<\/p><h2 class=\"wp-block-heading\">When did Sir Malcolm Sargent die?<\/h2><p> Sir Malcolm\u2019s death from pancreatic cancer in 1967. A year later the charity Sargent Cancer Care for Children was set up, later to become CLIC Sargent. <\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Saturday, 14 September 2024 at 09:27 AM In his day, no conductor enjoyed a higher public profile among British conductors than Malcolm Sargent. \u2018Flash Harry\u2019, they called him. The exact provenance of the soubriquet is unclear, but it suited Sargent down to the ground. The snappy dressing, not least on the podium. 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The exact provenance of the soubriquet is unclear, but it suited Sargent down to the ground. The snappy dressing, not least on the podium. The&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/47205"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/47206"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=47205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=47205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}