{"id":48027,"date":"2024-09-30T12:22:59","date_gmt":"2024-09-30T10:22:59","guid":{"rendered":"http:\/\/3fde878a-2724-4010-bf55-9a89b47dfb62"},"modified":"2024-09-30T13:07:17","modified_gmt":"2024-09-30T11:07:17","slug":"famous-opera-songs-15-of-the-best-known-and-best-loved-arias-from-four-centuries-of-opera","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/famous-opera-songs-15-of-the-best-known-and-best-loved-arias-from-four-centuries-of-opera\/","title":{"rendered":"Famous opera songs: 15 of the best known and best loved arias from four centuries of opera"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Monday, 30 September 2024 at 10:22 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Grand emotional landscapes, gripping storylines: it&#8217;s no surprise that opera has produced some of the most captivating and powerful music of all time. Whether they&#8217;re stirring duets or passionate <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-aria\">arias<\/a><\/strong>, the very best and most famous opera songs effortlessly evoke our most profound emotions \u2014 be they joy or desolation, love or loss \u2014 through their soaring melodies and emotive performances. <\/p><p>Here are 15 songs, plucked from many, many possible contenders, that continue to soar in popularity centuries after they were first heard. <\/p><h2 class=\"wp-block-heading\">Famous opera songs<\/h2><h3 class=\"wp-block-heading\"><strong>1. Nessun Dorma<\/strong> by Puccini<\/h3><p>Closely associated with <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/luciano-pavarotti\/\">Luciano Pavarotti<\/a><\/strong>, who sang it many times in the \u201890s after performing it at the 1990 FIFA <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/world-cup-theme-tune\/\">World Cup<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/nessun-dorma-lyrics\/\">Nessun Dorma<\/a><\/strong> (\u2018Let no one sleep\u2019) is possibly classical music\u2019s greatest gift to contemporary pop culture.<\/p><p>It actually comes from the final act of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/giacomo-puccini\/\">Puccini<\/a><\/strong>\u2019s opera <i><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/nessun-dorma-lyrics\/\">Turandot<\/a><\/strong>, <\/i>where it is sung by the prince Calaf, who falls in love at first sight with the beautiful but frosty Princess Turandot.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-language-is-opera\/\"><b>What language is opera sung in?<\/b><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/the-scariest-operas-how-the-supernatural-world-has-inspired-opera-composers\/\"><b>The scariest operas: how the supernatural world has inspired opera composers<\/b><\/a><\/li><\/ul><p>But it is often performed as a standalone work, thanks to its lush orchestration, its bittersweet harmonies and, most of all, its <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong>, that &#8211; in its slow build to a towering climax &#8211; tugs with all its might at the heart-strings.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Luciano Pavarotti sings &quot;Nessun dorma&quot; from Turandot (The Three Tenors in Concert 1994)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/cWc7vYjgnTs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/the-best-puccini-operas-as-chosen-by-7-leading-singers-and-directors\/\">The best Puccini operas, as chosen by 7 leading singers and directors<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-puccini-arias\/\">Six of the best Puccini arias<\/a><\/strong><\/li><\/ul><\/div><\/div><h3 class=\"wp-block-heading\"><strong>2. Voi Che Sapete<\/strong> by Mozart<\/h3><p>Sung by the randy teenager Cherubino, this <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-aria\/\">aria<\/a><\/strong> from <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/mozarts-marriage-of-figaro-guide\/\"><i>The Marriage of Figaro<\/i><\/a><\/strong> is about puberty, involuntary bodily functions and lust <i>&#8211; <\/i>specifically Cherubino\u2019s lust for the Countess, on whom he has a teenage crush<i>. <\/i><strong><a href=\"https:\/\/www.classical-music.com\/composers\/who-was-the-real-mozart-we-explore-the-man-behind-the-myths\/\">Mozart<\/a><\/strong>\u2019s music is elegantly simple, but beneath the swan-like surface is a tremulousness befitting the song\u2019s subject matter.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Voi che sapete - Marriage of Figaro - Mozart (Marta Fontanals-Simmons)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/38kxrpOCZlY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-mozart-operas\/\">Six of the best Mozart operas<\/a><\/strong><\/li><\/ul><\/div><\/div><h3 class=\"wp-block-heading\"><strong>3. O Soave Fanciulla<\/strong> by Puccini<\/h3><p>Another Puccini classic here, this one from <i><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/la-boheme-best-recordings\/\">La <em>boh\u00e8me<\/em><\/a><\/strong>, <\/i>his 1895 opera about a group of young bohemians living in Paris. Sung as the closing number of Act One, this duet between the main lovers &#8211; Rodolfo and Mimi &#8211; is one of the most romantic and famous opera songs in the entire canon &#8211; a cocktail of ravishing orchestration and gooseflesh-inducing melody.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"La boh\u00e8me - O soave fanciulla (Nicole Car, Michael Fabiano; The Royal Opera)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/-Dtouh3p0qc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>4. Galop infernal<\/strong> by Offenbach<\/h3><p>OK, let&#8217;s call it by the name you probably know it: the &#8216;Can-can&#8217;. For his 1858 opera\u00a0<em>Orpheus in the Underworld<\/em>, the German-born French composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jacques-offenbach\">Jacques Offenbach<\/a><\/strong> included the Galop infernal, a song that deployed the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-can-can-song-dance-history\">can-can<\/a><\/strong>, a vigorous, physical dance, all high kicks and breathless speed, that was taking France by the storm at the time. <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/20-greatest-operas-all-time\/\"><b>20 greatest operas of all time<\/b><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-operas-for-beginners\/\"><b>Best operas for beginners: 5 operas newbies can&#8217;t help being enthralled by<\/b><\/a><\/li><\/ul><h3 class=\"wp-block-heading\"><strong>5. Flower Duet<\/strong> by Delibes<\/h3><p>British Airways made it their theme song in the 1980s, but this serene duet for soprano and mezzo-soprano has continued to do well since then, finding its way into films such as <i>Meet the Parents <\/i>and television shows including <i>The Simpsons.<\/i><\/p><p>It comes from <i>Lakm\u00e9, <\/i>Delibes\u2019s tragic 1883 opera set in British India, and is sung by the title character and her servant Mallika, as they go to gather flowers by a river. But you\u2019d be forgiven for not knowing that, given how rarely the full opera gets performed nowadays.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Delibes: Lakm\u00e9 - Duo des fleurs (Flower Duet), Sabine Devieilhe &amp; Marianne Crebassa\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/C1ZL5AxmK_A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">More famous opera songs<\/h2><h3 class=\"wp-block-heading\"><strong>6. Major-General&#8217;s Song<\/strong> by Gilbert and Sullivan<\/h3><p>You&#8217;ll know this one. It crops up (in nonsense form) in the film <em>Despicable Me 3<\/em>. Other shows to deploy some comic version of the Major-General&#8217;s Song include <em>Family Guy<\/em>, <em>The Muppet Show<\/em>, <em>Star Trek<\/em> and <em>Frasier<\/em>. <strong>&#8216;<a href=\"https:\/\/www.classical-music.com\/articles\/modern-major-general-lyrics\">I Am the Very Model of a Modern Major-General<\/a><\/strong>&#8216;, to give it its full name, is perhaps the most famous and best loved song in the entire Gilbert and Sullivan canon.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-gilbert-and-sullivan-songs\">The very best Gilbert and Sullivan songs<\/a><\/strong> <\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Alexander Armstrong: The Modern Major General's Song\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JTSpFksJ9LQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>We love the premise of the Major-General&#8217;s Song. It&#8217;s basically\u00a0Major-General\u00a0Stanley, key protagonist of <em>The Pirates of Penzance<\/em>, presenting himself as something of a\u00a0polymath\u00a0&#8211; he&#8217;s well versed in all matters classical, historical and scientific. The one area where he falls short, he admits, is military strategy. It&#8217;s a cunning satire on the typical &#8216;educated&#8217; British Army office of the late 1800s. <\/p><p>With its fast pace and tongue-twisting lyrics, the Major-General&#8217;s Song is famously difficult to perform. Among its many memorable performances and tributes, we&#8217;d single out the brilliant spoof from the late, great conductor <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/conductor-andrew-davis-1944-2024\">Sir Andrew Davis<\/a><\/strong> for his <strong><a href=\"https:\/\/www.classical-music.com\/bbc-proms\/watch-andrew-davis-1992-last-night-of-the-proms\">farewell speech at the 1992 BBC Proms<\/a><\/strong>.<\/p><h3 class=\"wp-block-heading\"><strong>7. La donna e mobile <\/strong>by Verdi<\/h3><p>This aria, from <strong><a href=\"https:\/\/www.classical-music.com\/composers\/giuseppe-verdi\/\">Verdi<\/a><\/strong>\u2019s <i><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/rigoletto-a-guide-to-verdis-great-opera-and-its-best-recordings\/\">Rigoletto<\/a><\/strong>,<\/i> claims that women are fickle and untrustworthy. That\u2019s not surprising, as it\u2019s sung by the Duke of Mantua, a rapist, misogynist and otherwise thoroughly reprehensible character. So while the words might be pretty unpleasant, they clearly don&#8217;t represent the composer&#8217;s view. As for the tune &#8211; a popular showcase for the tenor voice &#8211; it is nothing if not catchy.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Rigoletto - 'La donna \u00e8 mobile' (Verdi; Vittorio Grig\u00f2lo, The Royal Opera)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/wKoa3BHHbB8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>8. O Mio Babbino Caro<\/strong> by Puccini<\/h3><p>This aria comes from <i>Gianni Schicchi, <\/i>Puccini\u2019s 1918 one-act comedy about a Florentine con-man known for his powers of mimicry, who changes an old man\u2019s will for his own gain, and that of his daughter Lauretta. \u2018O Mio Babbino Caro\u2019 is sung by the young Lauretta, as she begs her father to let her marry the love of her life Rinuccio. As such, its earnest tone and heart-rending melody provide a rare moment of poignancy in what is otherwise a pretty cynical little opera.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Angela Gheorghiu - O mio babbino caro\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/qB9X6l_UpZw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/is-there-a-dress-code-for-the-royal-opera-house\/\"><b>Is there a dress code for the Royal Opera House?<\/b><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-christmas-operas\/\"><b>The best Christmas operas of all time<\/b><\/a><\/li><\/ul><\/div><\/div><h3 class=\"wp-block-heading\"><strong>9. Un bel d\u00ec vedremo<\/strong> by Puccini<\/h3><p>Much of the attraction of this famous aria is its heightened emotional content. &#8216;Un bel d\u00ec vedremo&#8217;, which translates as &#8216;One fine day we shall see&#8217;, is sung by Cio-Cio-San, the main protagonist of Puccini&#8217;s <em>Madam Butterfly<\/em>. <\/p><p>In this passionate aria, Cio-Cio-San expresses her unfaltering hope that her husband, the American naval officer Pinkerton, will return to her. He has not been by her side for many years now, but she still believes that he will return to Japan and that they will be reunited. It&#8217;s a powerfully emotional moment on two levels: firstly, Cio-Cio-San&#8217;s strong love and unwavering faith is very touching. On a more tragic and poignant level, though, the audience knows all too well that Pinkerton will not return to her.<\/p><p>As such, &#8216;Un bel d\u00ec vedremo&#8217; is one of the great Romantic opera arias and deservedly one of the most famous songs in the opera repertoire. A perfect showcase for Puccini\u2019s expressive and emotional gifts as a composer, it&#8217;s been a signature aria for many of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-sopranos-all-time\">greatest sopranos<\/a><\/strong>. <\/p><h3 class=\"wp-block-heading\"><strong>10. L\u2019amour est un oiseau rebelle<\/strong> by Bizet<\/h3><p>Known more commonly as the Habanera, this aria from <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-bizet\/\">Georges Bizet<\/a><\/strong>\u2019s 1875 opera <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/bizet-s-carmen-what-listen-next\/\"><i>Carmen<\/i><\/a><\/strong> is all about the untameable nature of love and is sung by the title character, whose sultry allure it fully encapsulates. With its whistleable melody, which sidles chromatically down a descending scale, it\u2019s one of the best-known songs in all of opera and has appeared in everything from films to adverts. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Carmen: &quot;L'amour est un oiseau rebelle&quot; (Elina Garanca)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/K2snTkaD64U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">Five more famous opera songs<\/h2><h3 class=\"wp-block-heading\"><strong>11. Catalogue Aria <\/strong>by Mozart<\/h3><p>As famous for its text as for its music, this darkly comic bass aria from Mozart\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/building-library-mozarts-don-giovanni\/\"><i>Don Giovanni<\/i><\/a><\/strong> is sung by the servant Leporello to Giovanni\u2019s jilted lover Elvira, in an attempt to encourage her to forget his master. Against a busy and light-hearted musical background, Leporello details Giovanni\u2019s endless sexual conquests around the world (\u2018In Italy, six hundred and forty; In Germany two hundred and thirty-one; A hundred in France; in Turkey, ninety-one; But in Spain already one thousand and three)\u2019. Anyone will do, he says, as long as she wears a skirt.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Don Giovanni \u2013 Catalogue Aria (Gerald Finley; The Royal Opera)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/cojYjrKeAU4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>12. Ombra mai fu<\/strong> by Handel<\/h3><p>This one is quite an unusual entry in our list of famous opera songs in that it&#8217;s not sung to a loved one, or even to an implacable Fate&#8230; but to a tree. A plane tree, specifically. The first song performed in <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/george-frideric-handel\">Handel<\/a><\/strong>\u2019s 1738 opera\u00a0<em>Xerxes<\/em>, \u2018Ombra mai fu\u2019 is known for its first three words, which translate roughly to &#8216;Never was a shade&#8217;. (You may also ehar it called <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-largo\">Largo<\/a><\/strong><\/em> from Xerxes or even simply Handel&#8217;s <em>Largo<\/em>). Xerxes is so overwhelmed the beauty of said tree that he decorates it and arranges for it to be guarded before he goes on his travels.<\/p><p>Ombra mai fu is a prime example of an aria that has somewhat outgrown its parent opera. It&#8217;s now far better known than <em>Xerxes<\/em> itself, and can be heard in various guises. Handel composed the aria to be sing by a soprano\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Castrato\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>castrato<\/strong><\/a>\u00a0(in modern performances of\u00a0<em>Xerxes,<\/em> it typically features a\u00a0<a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/contralto\"><strong>countertenor<\/strong><\/a>,\u00a0<a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/contralto\"><strong>contralto<\/strong><\/a>\u00a0or a\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Mezzo-soprano\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>mezzo-soprano<\/strong><\/a>. It&#8217;s also enjoyed various <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-transcriptions\">transcriptions<\/a><\/strong>, including solo piano, solo <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/organ-history\">organ<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/cello\">cello<\/a><\/strong> and piano, and <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/string-instruments\">string<\/a><\/strong> ensemble. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Andreas Scholl: Largo di Handel : Ombra mai fu : Aria da Xerxes HWV 40 countertenor Bonazeta YT\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/N7XH-58eB8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h4 class=\"wp-block-heading\">Ombra mai fu lyrics<\/h4><p>The charming lyrics go:<\/p><p>Tender and beautiful fronds<br\/>of my beloved plane tree,<br\/>let Fate smile upon you.<br\/>May thunder, lightning, and storms<br\/>never disturb your dear peace,<br\/>nor may you by blowing winds be profaned.<br\/><br\/>Never was a shade<br\/>of any plant<br\/>dearer and more lovely,<br\/>or more sweet.<\/p><h3 class=\"wp-block-heading\"><strong>Queen of the Night Aria<\/strong> by Mozart<\/h3><p>With its rapid, stratospheric staccatos reaching up to that elusive high \u2018F\u2019, this aria from Mozart\u2019s <i><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-mozart-magic-flute\/\">The Magic Flute<\/a><\/strong> <\/i>has tested the mettle of many a fine soprano. What better way to depict the white-hot fury of the Queen of the Night? \u2018Hell\u2019s vengeance boils in my heart,\u2019 she rages as she exhorts her daughter Pamina to assassinate Sarastro, the Queen\u2019s rival. And we have no trouble believing her.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Magic Flute \u2013 Queen of the Night aria (Mozart; Diana Damrau, The Royal Opera)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/YuBeBjqKSGQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-was-the-first-opera-ever-written\/\"><b>What was the first opera ever written?<\/b><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/composers\/the-greatest-opera-composers-of-all-time\/\"><b>The greatest opera composers of all time<\/b><\/a><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/operas-best-dances\/\">Opera\u2019s best dances<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\"><strong>Largo al factotum<\/strong> by Rossini<\/h3><p>Some of us (including myself) first came across this aria in the opening credits of <em>Mrs Doubtfire<\/em> &#8211; thanks to a hyper-exuberant Robin Williams. In fact it\u2019s from <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/four-best-rossini-recordings\/\">Rossini<\/a><\/strong>\u2019s <i>The Barber of Seville<\/i>, and is sung by the barber himself &#8211; Figaro &#8211; as he makes his grand entrance. With its irrepressible drive and enthusiastic repetitions of \u2018Figaro!\u2019, it is one of the sunniest, most infectiously optimistic moments in opera.<\/p><\/div><\/div><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Il Barbiere di Siviglia: &quot;Largo al factotum&quot; (Peter Mattei)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/-ipb9xbXSAY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"\/><h3 class=\"wp-block-heading\"><strong>Summertime<\/strong> by Gershwin<\/h3><p>The only 20th-century composition to feature on our list, &#8216;<strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-versions-gershwins-summertime\">Summertime<\/a>&#8216;<\/strong> is the best known song from <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/george-gershwin\">George Gershwin<\/a><\/strong>&#8216;s hugely popular 1935 opera <strong><em><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/porgy-and-bess-gershwins-opera\">Porgy and Bess<\/a><\/em><\/strong>. It has since become one of the most covered and iconic songs in the history of American music.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-works-george-gershwin\">Six of the best: George Gershwin works<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/lewisohn-stadium-the-story-of-new-yorks-lost-stadium\">From Gershwin to graffiti: the poignant story of New York&#8217;s great lost music venue<\/a><\/strong><\/li><\/ul><p><em>Porgy and Bess<\/em> is noted for its eclectic soundworld, which mixes classical music with <strong><a href=\"https:\/\/www.classical-music.com\/features\/jazz\/what-is-jazz\">jazz<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/articles\/blues-music\">blues<\/a><\/strong>, and African American <strong><a href=\"https:\/\/www.classical-music.com\/articles\/gospel-music-guide\">gospel<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-choral-arrangements-spirituals\">spirituals<\/a><\/strong>. With the glorious &#8216;Summertime&#8217; we get something that&#8217;s best described as a languid, slightly jazz-fuelled lullaby. Clara, a young mother, sings it to her baby, an expression of calm, hope, and the simple pleasures of mellow summer days. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/jazz\/from-jazz-to-classical-five-surprising-classical-albums-from-jazz-greats\">From jazz to classical: five surprising classical albums from jazz greats<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/saxophone\">The saxophone: the essential jazz instrument that has sprinkled its soulful magic across classical music<\/a><\/strong><\/li><\/ul><p><em>Photo: Anna Siminska as Queen of the Night in the Royal Opera&#8217;s production of Wolfgang Amadeus Mozart&#8217;s Die Zauberflote directed by David McVicar and conducted by Cornelius Meister at the Royal Opera House Covent Garden in London. Credit: Getty Images.<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 30 September 2024 at 10:22 AM Grand emotional landscapes, gripping storylines: it&#8217;s no surprise that opera has produced some of the most captivating and powerful music of all time. 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Whether they&#8217;re stirring duets or passionate arias, the very best and most famous opera songs effortlessly evoke our most profound emotions \u2014 be&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48027"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48028"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}