{"id":48042,"date":"2024-10-02T13:29:52","date_gmt":"2024-10-02T11:29:52","guid":{"rendered":"http:\/\/eaf6b049-049c-4470-ac33-c8a3dfa05aad"},"modified":"2024-10-02T14:07:17","modified_gmt":"2024-10-02T12:07:17","slug":"roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below\/","title":{"rendered":"Roomful of Teeth to Eighth Blackbird: 15 brilliantly bizarre music group names (spot &#8217;em all below&#8230;)"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Wednesday, 02 October 2024 at 11:29 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>What\u2019s in a name? <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/classical-music-inspired-shakespeare\">Shakespeare<\/a><\/strong>\u2019s question throws up all sorts of interesting answers when it comes to classical music ensembles. In many instances, it\u2019s all pretty self-explanatory \u2013 the London Symphony Orchestra, for instance, or the Danish String Quartet. Others, such as the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/halle-orchestra\">Hall\u00e9<\/a><\/strong> or <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Britten<\/a><\/strong> Sinfonia, name themselves after their founder or another celebrated musical figure. <\/p><p>And then there are those \u2013 usually at either the early or contemporary ends of the musical spectrum, for some reason \u2013 whose titles are altogether more obscure in origin. Some have a historical explanation, others are more randomly chosen. All catch the eye. Here are 15 of our favourites\u2026\u00a0 \u00a0<\/p><h2 class=\"wp-block-heading\">Unusual ensemble names<\/h2><h3 class=\"wp-block-heading\"><strong>1 The Nash Ensemble<\/strong><\/h3><p>When Amelia Freedman, a student at the Royal Academy of Music, founded the Nash Ensemble in 1964, one can imagine concert-goers scratching their heads as to which famous musical figure the new group got its name from. Heddle Nash, the great English tenor? Unlikely, given this was a collective of instrumental players. In fact, the answer lay outside the world of music \u2013 Freedman took her inspiration from Buckingham Palace and Brighton Pavilion architect John Nash, whose magnificent terraces she used to walk past on her way to the Academy every morning.<\/p><h3 class=\"wp-block-heading\"><strong>2 Ensemble Bash<\/strong><\/h3><p>And then, in 1992, came Ensemble Bash. Ho ho. See what they did there? To be fair, the brand does exactly what it says on the tin \u2013 Britain\u2019s Ensemble Bash is a four-person <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-percussion-music\">percussion<\/a><\/strong> outfit who have made their names commissioning and performing works from right across the world, often in the company of musicians such as pianist Joanna MacGregor and the Hilliard Ensemble. <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/african-classical-music\">African music<\/a><\/strong> has become a speciality, and the players have spent extensive periods studying in Ghana.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/five-best-south-african-composers\">Five of the best: South African composers<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Ensemble Bash play 'The Acoustics of Morecambe Bay' by Peter McGarr\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/9wz0n64mEqE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>3 Bang on a Can All-Stars<\/strong><\/h3><p>You might expect Bang on a Can All-Stars likewise to earn their crust hitting things. As it is, the six-player group, also founded in 1992, consists of just the one percussionist, plus a <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/cello\">cellist<\/a><\/strong>, clarinettist, guitarist, <strong><a href=\"https:\/\/www.classical-music.com\/articles\/double-bass-guide\">double bassist<\/a><\/strong> and pianist. The All-Stars themselves are an offshoot of the Bang on a Can organisation begun five years earlier by composers Julia Wolfe, David Lang and Michael Gordon, with the aim of bringing contemporary music to new audiences in innovative ways. That name, we are told, is the result of an in-joke between the three founders that arose from making an early grant application. \u00a0<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-contemporary-female-composers\">Nine of the best contemporary female composers<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\"><strong>4 Roomful of Teeth<\/strong><\/h3><p>Of all the parts of our body, the teeth are the longest to survive when we decay,\u2019 explained Brad Wells, founder of Roomful of Teeth, in 2019. \u2018I like the idea of the most permanent part of us compared with what we sing, which is gone the moment it is expressed.\u2019 And there you have it. Pearly whites and all, Wells\u2019s vocal ensemble \u2013 whose members include Pulitzer Prize-winning composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-is-caroline-shaw\">Caroline Shaw<\/a><\/strong> \u2013 has won plaudits aplenty, plus a Grammy Award of its own, for its innovative approach and exceptional virtuosity.\u00a0<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Roomful of Teeth perform Caroline Shaw's 'Partita for 8 Voices' | Music on Main\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/NDVMtnaB28E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>5 Daniel\u2019s Beard<\/strong><\/h3><p>Daniel\u2019s Beard also went down the facial route for its name. The wonderful whiskers in question belong to Daniel Cottier, the pioneering 19th-century artist and designer of the interior of Cottier\u2019s in Glasgow, where the <strong>chamber music<\/strong> group plied its trade, championing under-performed repertoire from the Classical era to the present day. Sadly, those performances appear to no longer take place, with the players recently going their own separate ways, but the artistic genius of the ensemble\u2019s gloriously bushy hero can still be seen throughout Glasgow and beyond.<\/p><h3 class=\"wp-block-heading\"><strong>6 Persimfans<\/strong><\/h3><p>In 1922, the violinist Lev Tseitlin set up a new orchestra in Moscow that set out to do things differently from others. Specifically, it performed without a conductor, embodying in musical form the Russian Revolutionary ideal of equality between all its members. If the notion seemed ambitious, the orchestra itself proved a success, with soloists such as pianists Sergey <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-prokofiev\">Prokofiev<\/a><\/strong> and Vladimir Horowitz (one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">greatest pianists of all time<\/a><\/strong>) joining the orchestra on stage over its ten years in existence. Sounding a little like an air-conditioning installation company, its name is an abbreviation of Perv\u00efy Simfonicheskiy Ansambl\u2019 bez Dirizhyora \u2013 that is, First Conductorless Symphony Ensemble.<\/p><h3 class=\"wp-block-heading\"><strong>7 Hard Rain Soloist Ensemble<\/strong><\/h3><p>There\u2019s not much call for air-conditioning in Belfast, where the weather forecast tends to range from light rain to heavy rain, with patches of other types of rain in between. That, though, is not the reason why the city\u2019s Hard Rain Soloist Ensemble is so-named. Nor does it have anything to do with Bob Dylan\u2019s famous 1962 song. \u2018It may have been because at that time [2013] I was studying a lot of Takemitsu,\u2019 replied founder Greg Caffrey when <em>BBC Music Magazine<\/em> pushed him for an explanation last year. \u2018A number of his works deal with watery subjects.\u2019<\/p><h3 class=\"wp-block-heading\"><strong>8 Fires of London<\/strong><\/h3><p>The American pianist Stephen Pruslin was a savvy type. When, in 1971, his Pierrot Players ensemble decided to change its name following the departure of Harrison Birtwistle, Pruslin suggested Fires of London as an alternative. The \u2018London\u2019 needs no explanation, while \u2018Fires\u2019 suggested that this was the place to head for incandescent performances. It worked a treat, and press reviews were soon adorned with all manner of fiery metaphors.<\/p><h3 class=\"wp-block-heading\"><strong>9 Eighth Blackbird<\/strong><\/h3><p>Another \u2018Pierrot ensemble\u2019 \u2013 a group whose instrumental line-up is based on <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/arnold-schoenberg\">Arnold Schoenberg<\/a><\/strong>\u2019s musical melodrama <em>Pierrot lunaire<\/em> \u2013 Eighth Blackbird&#8217;s name was inspired by its then violinist Matt Albert\u2019s literary tastes. \u2018After one rehearsal when we were all still at college, we agreed that the next day we\u2019d each come back with an idea for a name,\u2019 its sometime clarinettist Michael Maccaferri told BBC Music. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"eighth blackbird: NPR Music Tiny Desk Concert\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/wVpfyWhon3M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>\u2018Names such as \u201cRed Wheelbarrow\u201d and \u201cTastes Like Chicken\u201d were suggested. However, Matt had been reading Wallace Stevens\u2019s Thirteen Ways of Looking at a Blackbird, the eighth stanza of which has an oblique musical reference. It\u2019s an odd name for an ensemble, but it really sticks in people\u2019s heads!\u2019\u00a0<\/p><h3 class=\"wp-block-heading\"><strong>10 The Revolutionary Drawing Room<\/strong><\/h3><p>This enterprising <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/string-quartet\">string quartet<\/a><\/strong>\u2019s name is an indication of the period of music they specialise in, with a little leeway at either end. For \u2018Revolutionary\u2019, think of the tumultuous age between the fall of the Bastille in 1789 and the pan-European uprisings of 1848 \u2013 so, late <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/joseph-haydn\">Haydn<\/a><\/strong>, Spohr, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Beethoven<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/felix-mendelssohn\">Mendelssohn<\/a><\/strong> and all. The \u2018Drawing Room\u2019 part, meanwhile, refers to where said music would be typically heard.\u00a0<\/p><h3 class=\"wp-block-heading\"><strong>11 Solomon\u2019s Knot<\/strong><\/h3><p>To be pedantic, a Solomon\u2019s knot is not, in fact, a knot. It is, rather, two closed loops that are linked together in a criss-cross fashion that makes them look like a single entity. All of which, says the Solomon\u2019s Knot vocal and instrumental collective, makes it an ideal representation of their music-making: <\/p><p>\u2018Like the singers and the instrumentalists, the interweaving loops of Solomon\u2019s Knot are inextricably linked, just as our players work very hard on the \u201ctext\u201d of their individual lines, and the singers on communicating as if part of a string quartet.\u2019 Founded in 2008, the ensemble was initially called The Solomon Choir and Orchestra in homage to the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-oratorio\">oratorio<\/a><\/strong> <em>Solomon<\/em> by <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/george-frideric-handel\">Handel<\/a><\/strong>, with the \u2018Knot\u2019 bit added later.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"JS Bach ~ Ehre sei dir, Gott, gesungen (Weihnachts-Oratorium V\/1) ~ SOLOMON'S KNOT\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_NUJoxhrhlk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>12 S\u014d Percussion<\/strong><\/h3><p>Though it\u2019s tempting to imagine this percussion quartet called themselves after the fifth note of the solf\u00e8ge (do re mi) scale, we have to look much further afield for the explanation. Suggested by the sister of one of the players when the quartet formed in 1999, the Japanese suffix \u2018-s\u014d\u2019 has a range of meanings, including \u2018to play an instrument\u2019, \u2018to be successful\u2019 and \u2018to determine a direction and move forward\u2019. S\u014d\u2026 now we know.<\/p><h3 class=\"wp-block-heading\"><strong>13 Fibonacci Sequence<\/strong><\/h3><p>Time, now, for a little maths. Dating back to the 13th century, the Fibonacci Sequence is one in which, beginning with 0 and 1, each two numbers are added together to form the next \u2013 so, 0, 1, 1, 2, 3, 5, 8, 13 and so on. <\/p><p>The relationship between any two numbers in the sequence (after 2) is close to the Golden Ratio which, when applied to visual art, music and much besides, has been shown to be particularly harmonious. What better name, then, for a British chamber ensemble that since 1994 has been providing aesthetic pleasure via music from the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/baroque-music-guide\">Baroque<\/a><\/strong> to the present day?<\/p><h3 class=\"wp-block-heading\"><strong>14 The Sixteen<\/strong><\/h3><p>And while we\u2019re on the subject of maths\u2026 one imagines that <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/the-sixteen\">The Sixteen<\/a><\/strong> must have grown used to seeing audience members at their concerts counting the fingers on their hands with a slightly puzzled look. Yes, as often as not, the number of singers on stage doesn\u2019t match the group\u2019s hexadecimal title. And, depending on the repertoire in question, there can be fewer or considerably more of them. However, when conductor Harry Christophers\u2019s now-famous choral group gave its first concert in 1979, there were indeed exactly 16. Problem solved.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Sixteen Miserere Mei Deus\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/mh6s71MicgY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\"><strong>15 JACK Quartet<\/strong><\/h3><p>Just as confusing a name as The Sixteen\u2019s is America\u2019s JACK Quartet. The explanation of the group\u2019s title was very simple \u2013 just take the first letter of each of the players\u2019 names. A nice idea, yes, when John Pickford Richards, Ari Streisfeld, Christopher Otto and Kevin McFarland decided to combine their talents in sweet harmony at Eastman School of Music back in 2005. But then in 2016 Ari and Kevin left, to be replaced by Austin Wulliman and Jay Campbell. JACJ Quartet anyone? Sensibly, they stuck with the original.<\/p><h2 class=\"wp-block-heading\">And to finish&#8230;.<\/h2><p>Here&#8217;s David Lyttelton&#8217;s full illustration, featuring all 15 unusual ensmble names. Can you match each image to each group?<\/p><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">Illustration by David Lyttelton &#8211; David Lyttelton<\/figcaption><\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Wednesday, 02 October 2024 at 11:29 AM What\u2019s in a name? Shakespeare\u2019s question throws up all sorts of interesting answers when it comes to classical music ensembles. In many instances, it\u2019s all pretty self-explanatory \u2013 the London Symphony Orchestra, for instance, or the Danish String Quartet. Others, such as the Hall\u00e9 or Britten [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48043,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"8"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/roomful-of-teeth-to-eighth-blackbird-15-brilliantly-bizarre-music-group-names-spot-em-all-below.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Wednesday, 02 October 2024 at 11:29 AM What\u2019s in a name? Shakespeare\u2019s question throws up all sorts of interesting answers when it comes to classical music ensembles. In many instances, it\u2019s all pretty self-explanatory \u2013 the London Symphony Orchestra, for instance, or the Danish String Quartet. Others, such as the Hall\u00e9 or Britten&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48042"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48043"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}