{"id":48086,"date":"2024-10-06T11:58:05","date_gmt":"2024-10-06T09:58:05","guid":{"rendered":"http:\/\/e411cff8-eeff-4e8a-9db5-c562134cff15"},"modified":"2024-10-06T13:08:27","modified_gmt":"2024-10-06T11:08:27","slug":"parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience\/","title":{"rendered":"Parsifal: a guide to Wagner&#8217;s most grippingly transcendent experience"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Sunday, 06 October 2024 at 09:58 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>The very last opera to come from the pen of the game-changing opera composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\">Richard Wagner<\/a><\/strong>, <strong><em>Parsifal<\/em><\/strong> is based on the exploits of the Arthurian knight Percival <strong>(Parsifal in Wagner&#8217;s version)<\/strong>, a central figure in the medieval legend of the <strong>Holy Grail<\/strong>. <\/p><p>Like many of his other works &#8211; the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/wagner-ring-cycle\">Ring Cycle<\/a><\/strong> is a prime example &#8211; <em>Parsifal<\/em> had a deeply solemn and spiritual character for its composer. Indeed, Wagner labelled <em>Parsifal<\/em> a <em>B\u00fchnenweihfestspiel<\/em> or &#8216;festival play for the consecration of the stage&#8217;, underlining its innate drama, grandeur and spirituality.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Parsifal - Karfreitagszauber - Good Friday Music - Wagner - Kempe\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/DTVQoUs8aWI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Parsifal premiered on July 26, 1882, at the <strong>Bayreuth Festspielhaus<\/strong>, the great opera house built specifically for Wagner\u2019s works. In fact, the composer struck a deal with\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Ludwig_II_of_Bavaria\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>King Ludwig II of Bavaria<\/strong><\/a>, decreeing that\u00a0<em>Parsifal<\/em>\u00a0was only to be performed at\u00a0Bayreuth, and &#8216;never desecrated by contact with any profane stage&#8217;. Somewhat self-important, was our Wagner&#8230;<\/p><h2 class=\"wp-block-heading\">When did Wagner compose Parsifal?<\/h2><p>Wagner composed Parsifal between <em>1<\/em>877-82 and it premiered, on 20 July 1882 at the Bayreuth Theatre.<\/p><h2 class=\"wp-block-heading\">What&#8217;s the story behind Wagner&#8217;s Parsifal?<\/h2><p>Amfortas, King of the Grail Knights, has been in constant pain and shame ever since losing the Holy Spear when led sensuously astray in the neighbouring realm of the conniving Klingsor. Retrieving the spear falls to the unwary, innocent Parsifal, who nearly succumbs to the same charms, courtesy of the alluring Kundry, but snaps to his senses. His journey to return to the Grail castle and cure Amfortas\u2019s suffering takes many years, but the outcome is an exultant one.<\/p><figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe title=\"Spotify Embed: Wagner: Parsifal\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1vutOX5UaqtRiUYaVcNzuA?utm_source=oembed&amp;go=1&amp;play=1&amp;nd=1&amp;nd=1\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">Was Parsifal Wagner&#8217;s last opera?<\/h2><p><em>Parsifal <\/em>is Wagner\u2019s last opera; and that, with its religious subject, has encouraged both admirers and enemies to invest it with a kind of holy aura. It was also his only work written expressly for the Bayreuth theatre, which after a lengthy but fruitless fundraising effort (an approach to Chancellor Bismarck drew a blank) was eventually completed in 1875 on the back of a substantial donation from Ludwig II. Cosima (who in 1870 won her battle to divorce Hans von B\u00fclow and marry Wagner) later fought to have it performed there and there alone, and many claim it only sounds authentic in that unique acoustic.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-wagner\/\"><strong>The best recordings of Wagner <\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\">Not an Christian opera, but an opera about Christianity<\/h3><p>Wagner called <em>Parsifal <\/em>not a <em>B\u00fchnenfestspiel <\/em>like the <em>Ring<\/em>, but a <em>B\u00fchnenweihfestspiel <\/em>\u2013 not a stage festival play, but a stage consecration festival play. This caused the anti-clerical Nietzsche, an erstwhile friend, to accuse him of \u2018falling at the feet of the Cross\u2019. <\/p><p>But <em>Parsifal <\/em>is hardly a Christian opera; it\u2019s an opera about Christianity. As Wagner was aware, its legendary background is pagan \u2013 the \u2018Graal\u2019 only evolved in late medieval times into Christ\u2019s chalice at the Last Supper, later used to catch his blood. (Eventually it was subsumed into Arthurian legend, its hero becoming \u2018Sir Perceval\u2019, but Wagner preferred earlier forms.) <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"'Parsifal', Richard Wagner - Final Scene\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JpH97hQeOOU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Wagner synthesised these legends as he had done with the Norse myths in the Ring Cycle, adding such aspects as karma and reincarnation from his Buddhist leanings, theosophistic concepts like instinctive insight, and remarkably modern-sounding speculations about the interdependence of space and time, then being contemplated by physicists like \u2028George Fitzgerald.<\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/20-greatest-operas-all-time\"><strong>The 20 Greatest Operas of all time <\/strong><\/a><\/li><\/ul><h2 class=\"wp-block-heading\">A ritualised soundworld<\/h2><p>The quality of the score is extraordinary. Where the <em>Ring <\/em>is mercurial and elemental, and <em><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-tristan-und-isolde\"><strong>Tristan<\/strong> <strong>und Isolde<\/strong><\/a> <\/em>sensual and nocturnal, <em>Parsifal <\/em>is strongly ritualised, with formal chants, plenty of Wagner&#8217;s distinctive <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/leitmotif\">leitmotifs<\/a><\/strong>, processional marches and the borrowing of the \u2018Dresden Amen\u2019, centering on the great quasi-Mass that concludes Act I. <\/p><p>But despite such potential weight, from the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/prelude\">Prelude<\/a><\/strong> onward the music seems airy and translucent, like a great cathedral roof sustained by soaring buttresses. Its harmonies look forward, for example, to Debussy, who quotes <em>Parsifal <\/em>in his own myth-inspired opera, <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/introduction-debussys-pelleas-et-melisande\">Pell\u00e9as et M\u00e9lisande<\/a><\/strong><\/em>. In common with <em>Tristan <\/em>it often suggests yearnings, but for relief and redemption rather than erotic self-negation, and the revivifying presence of the Grail itself.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Wagner - 'Parsifal' - Act I Prelude (Georg Solti)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/AQOfIENN2tk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">Unusual leading roles<\/h2><p><em>Parsifal<\/em>&#8216;s leading roles are unusual: Parsifal himself, the uneducated boy who discovers a mission of redemption; the enigmatic Kundry, heroine and quasi-immortal temptress in one; and her victim, the maimed Amfortas, are traditional Wagnerian roles, for heroic <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-tenors-all-time\">tenor<\/a><\/strong>, dramatic <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-soprano\">soprano<\/a><\/strong> and heroic <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-baritones\">baritone<\/a><\/strong> respectively. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-sopranos-all-time\">The greatest sopranos of all time<\/a><\/strong><\/li><\/ul><p>However, they\u2019re all fairly brief \u2013 Amfortas has only two great scenes, and Kundry, despite her huge Act II scene with Parsifal, sings just one word in Act III. Her corrupt master, the enchanter Klingsor, appears only briefly in Act II. Only Gurnemanz, the wise Grail knight who recognises Parsifal\u2019s potential, has anything like a long, demanding part, and much of that is narration. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Parsifal: &quot;Amfortas! Die Wunde!&quot; -- Jonas Kaufmann (Met Opera)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/qhBGZlcjn84?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Did Wagner\u2019s difficulties in casting the <em>Ring <\/em>make him more considerate to singers? Perhaps; but it\u2019s also the concentration of age and experience, and it greatly enhances the work\u2019s unique atmosphere. For many reasons, <em>Parsifal <\/em>remains controversial, but is also, at its best, the most grippingly transcendent experience Wagner created.<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Sunday, 06 October 2024 at 09:58 AM The very last opera to come from the pen of the game-changing opera composer Richard Wagner, Parsifal is based on the exploits of the Arthurian knight Percival (Parsifal in Wagner&#8217;s version), a central figure in the medieval legend of the Holy Grail. Like many of his [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48087,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"4"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/parsifal-a-guide-to-wagners-most-grippingly-transcendent-experience.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Sunday, 06 October 2024 at 09:58 AM The very last opera to come from the pen of the game-changing opera composer Richard Wagner, Parsifal is based on the exploits of the Arthurian knight Percival (Parsifal in Wagner&#8217;s version), a central figure in the medieval legend of the Holy Grail. Like many of his&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48086"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48087"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}