{"id":48110,"date":"2024-10-09T12:42:44","date_gmt":"2024-10-09T10:42:44","guid":{"rendered":"http:\/\/d17e23fd-e163-40a3-8e1b-beb50afb9d18"},"modified":"2024-10-09T14:07:30","modified_gmt":"2024-10-09T12:07:30","slug":"these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection\/","title":{"rendered":"These are the 50 greatest recordings of all time. How many are in your collection?"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Wednesday, 09 October 2024 at 10:42 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Each month at <em>BBC Music Magazine<\/em> we receive hundreds of recordings, and hundreds of thousands have been made since the advent of recorded sound. But which are the very greatest recordings: those legendary moments of musical lightning-in-a-bottle that no collection should be without? <\/p><p>We asked the<em> BBC Music Magazine <\/em>critics to vote on the top 50 recordings of all time. And here are the results. Enjoy! <\/p><h2 class=\"wp-block-heading\">Contents<\/h2><p><strong><a href=\"#50-41\">Best classical recordings of all time: 50 to 41<\/a><br\/><a href=\"#40-31\">Best recordings: 40 to 31<\/a><br\/><a href=\"#30-21\">Greatest recordings: 30 to 21<\/a><br\/><a href=\"#20-11\">Best recordings of all time: 20 to 11<\/a><br\/><a href=\"#10-2\">Greatest recordings: 10 to 2<\/a><br\/><a href=\"#greatest\">And the greatest recording of all time is..<\/a><\/strong><\/p><h2 class=\"wp-block-heading\" id=\"50-41\">The best classical recordings of all time: 50 to 41<\/h2><h3 class=\"wp-block-heading\" id=\"h-45-bartok-concerto-for-orchestra\">50. Bart\u00f3k: Concerto for Orchestra<\/h3><p><em>Chicago Symphony Orchestra\/Fritz Reiner (1955) RCA<\/em><\/p><p>Fritz Reiner persuaded Serge Koussevitsky to commission <a href=\"https:\/\/www.classical-music.com\/features\/composers\/bela-bartok\"><strong>Bart\u00f3k<\/strong><\/a> in 1943 to write his orchestral masterpiece, and it was Reiner who went on to make the ultimate recording in 1955 with the Chicago Symphony. Expertly juggling the music\u2019s wry humour, despair and sense of shattered dreams, this version is a crisply recorded wonder of an analogue age.<\/p><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">Bart\u00f3k: Concerto for Orchestra Chicago Symphony Orchestra\/Fritz Reiner<\/figcaption><\/figure><p><script src=\"https:\/\/cdn.jwplayer.com\/players\/YCjcY8vg-lqFafnwo.js\"\/><\/p><h3 class=\"wp-block-heading\">49. Schubert: Fantasie Op. 103 \/ Mozart: Sonata K448 <\/h3><p><em>Murray Perahia, Radu Lupu (pianos) (1984, 1990). Sony SK 39511<\/em><\/p><p>Aldeburgh, Suffolk was the backdrop for this superlative recording, which brings together two of today\u2019s greatest pianists. Murray Perahia was director of the Aldeburgh Festival for several years in the 1980s, during which time he and Radu Lupu brought their incomparable artistry to Mozart\u2019s quasi-orchestral Sonata K448 and <a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-schubert\"><strong>Schubert<\/strong><\/a>\u2019s sublime Fantasie.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Radu Lupu , Murray Perahia 4 hands Schubert Fantasy F minor Part 1\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/5YGJcEbAcYk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-43-berg-lulu\">48. Berg: <em>Lulu<\/em><\/h3><p><em>Teresa Stratas et al; Orchestra de l'Op\u00e9ra de Paris\/Pierre Boulez (1979). Deutsche Grammophon 463 6172<\/em><\/p><p><a href=\"https:\/\/www.classical-music.com\/features\/composers\/alban-berg\"><strong>Alban Berg<\/strong><\/a> never completed the orchestration of his second opera <em>Lulu<\/em>, a lurid three-act drama with a tragic anti-heroine. His wife Helene banned its completion, only allowing its two-act version to be performed. But after her death, composer and conductor Friedrich Cerha took on the task of finishing the opera: this is the version immortalised here under the baton of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/pierre-boulez\"><strong>Pierre Boulez<\/strong><\/a>. Teresa Stratas is an unforgettable Lulu.<\/p><h3 class=\"wp-block-heading\" id=\"h-42-r-strauss-four-last-songs\">47. R Strauss: <em>Four Last Songs<\/em><\/h3><p><em>Gundula Janowitz; <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/berlin-philharmonic\">Berlin Philharmonic<\/a><\/strong>\/Herbert von Karajan (1971). Deutsche Grammophone 447 4222<\/em><\/p><p>Even among the remarkable number of first-rate recordings of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/when-did-richard-strauss-write-his-four-last-songs\">Richard Strauss\u2019s <em>Four Last Songs<\/em><\/a><\/strong> currently in the catalogue (and there are over 40) Gundula Janowitz still excels. Her performance is wistful and nostalgic, of course, but Janowitz also bewitches and enchants like no other as she interweaves her soprano line around <strong><a href=\"https:\/\/www.classical-music.com\/articles\/trouble-karajan\">Karajan<\/a><\/strong>\u2019s sublimely paced and immaculately played orchestral accompaniment.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T165716.137.jpg\" alt=\"Strauss Karajan\" class=\"wp-image-213922\"\/><figcaption class=\"wp-element-caption\">Strauss Karajan<\/figcaption><\/figure><h3 class=\"wp-block-heading\">46. Schumann: Humoreske, Op. 20; Studies for Pedal Piano, Op. 56 (arr. Anderszewski), etc<\/h3><p><em>Piotr Anderszewski (piano) (2011). Virgin 948 6252<\/em><\/p><p>'It is to be hoped that virtuoso Piotr Anderszewski\u2019s ravishing and exceptionally clever new arrangement will finally deliver these enchanting, graceful, deeply touching pieces into the pianistic mainstream,' said Jeremy Slepmann in his <strong><a href=\"https:\/\/www.classical-music.com\/reviews\/instrumental\/schumann-humoreske-op-20\">review<\/a><\/strong> of this revelatory disc of solo piano music by that great <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-romantic-composers\">Romantic<\/a><\/strong> composer, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\">Robert Schumann<\/a><\/strong>.\u00a0<\/p><p>Jeremy was referring here to Anderszewski's own arrangement of Schumann's Studies for Pedal Piano, Op. 56. Have a listen to this bewitching performance below. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Schumann Op.56 Studien f\u00fcr den Pedalfl\u00fcgel (Anderszewski)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/cuABwwXMVAY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>The performance of the Op. 20 <em>Humoreske<\/em>, however, was equally spellbinding. 'His account of the beguiling\u00a0<em>Humoreske<\/em>\u00a0is Schumann playing of the highest class, as indeed is the rest of this recital. Bewitchingly compelling.'<\/p><h3 class=\"wp-block-heading\">45. Stockhausen: <em>Gesang der J\u00fcnglinge<\/em> (1963). Stockhausen Edition No. 3<\/h3><p>Composed in 1956, this ground-breaking electronic music work \u2013 the first to blend a recorded human voice with electronic sounds \u2013 was not commercially released until 1963 when it was issued by Deutsche Grammophon on LP. The recording had a widespread impact not only in the world of \u2018classical\u2019 music but also in pop, most famously in the work of Lennon and McCartney (hence featuring <a href=\"https:\/\/www.classical-music.com\/features\/composers\/stockhausen-5\"><strong>Stockhausen<\/strong><\/a> on the album cover of Sgt. Pepper\u2019s).<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-works-stockhausen\">The best works by Stockhausen<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-40-janacek-jenufa\">44. Jan\u00e1\u010dek: <em>Jen\u016ffa<\/em><\/h3><p><em>Elisabeth S\u00f6derstr\u00f6m (Jen\u016ffa) et al; Vienna Philharmonic Orchestra\/Charles Mackerras (1982). Decca 475 8227<\/em><\/p><p>A recording that, like Mackerras\u2019s 'K\u00e1tya Kabanov\u00e1' (see No. 13) did so much to bring <a href=\"https:\/\/www.classical-music.com\/features\/composers\/leos-janacek\"><strong>Jan\u00e1\u010dek<\/strong><\/a> operas into the heart of the repertoire worldwide. Elisabeth S\u00f6derstr\u00f6m plays the title role, but this recording is all about the tour de force that is mezzo Eva Randov\u00e1\u2019s terrifying, yet somehow tender, Kostelnicka.<\/p><h3 class=\"wp-block-heading\" id=\"h-39-beethoven-fidelio\">43. Beethoven: <em>Fidelio<\/em><\/h3><p><em>Christa Ludwig, Jon Vickers et al; Philharmonia\/Otto Klemperer (1962). EMI 966 7032<\/em><\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T171111.586.jpg\" alt=\"Beethoven Fidelio Christa Ludwig Otto Klemperer\" class=\"wp-image-213930\"\/><figcaption class=\"wp-element-caption\">Beethoven Fidelio Christa Ludwig Otto Klemperer<\/figcaption><\/figure><p>Otto Klemperer had a close affinity to <a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>\u2019s only completed opera, a tricky work to perform. This, his 1962 recording in collaboration with the legendary producer Walter Legge, is typically statuesque and majestic. <strong><a href=\"https:\/\/www.classical-music.com\/news\/mezzo-soprano-christa-ludwig-dies-aged-93\">Christa Ludwig<\/a><\/strong>, a mezzo rather than true <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-soprano\">soprano<\/a><\/strong>, brings dark colours to the role of Leonore, while tenor Jon Vickers is a superb Florestan.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-beethovens-fidelio\">The best recordings of Beethoven's <em>Fidelio<\/em><\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/20-best-beethoven-recordings-all-time\">The best Beethoven recordings of all time<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-38-mozart-the-marriage-of-figaro\">42. Mozart: <em>The Marriage of Figaro<\/em><\/h3><p><em>Cesare Siepi, Hilde Gueden et al; Vienna Philharmonic\/Erick Kleiber (1955). Decca 466 3692<\/em><\/p><p>Erich Kleiber\u2019s Vienna recording of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/mozart\">Mozart<\/a><\/strong>\u2019s comic opera <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/mozarts-marriage-of-figaro-guide\">The Marriage of Figaro<\/a><\/strong><\/em>, with <strong><a href=\"https:\/\/www.classical-music.com\/news\/cesare-siepi-obituary\">Cesare Siepi<\/a><\/strong> in the title role and Hilde Gueden as a uniquely charming Susanna, remains matchless for its unfolding drama and sheer musicality. The brilliant Austrian conductor\u2019s sense of timing is almost uncanny, keeping the action moving with tremendous pace throughout, but knowing just when to let the music linger awhile.<\/p><p>We named <em>The Marriage of Figaro <\/em>as one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/six-best-mozart-operas\">best Mozart operas<\/a><\/strong>.<\/p><h3 class=\"wp-block-heading\">41. Elgar: Cello Concerto in E minor; Carter: Cello Concerto; Bruch: Kol Nidrei, Op. 47<\/h3><p>Alisa Weilerstein (<strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/cello\">cello<\/a><\/strong>); Staatskapelle Berlin\/Daniel Barenboim (2013) Decca 478 2735<\/p><p>'This is a bold, not to say counter-intuitive coupling: I can\u2019t imagine all lovers of Elgar\u2019s intimate, elegiac Cello Concerto will have as keen an appetite for late, knotty <strong><a href=\"https:\/\/www.classical-music.com\/news\/american-composer-elliott-carter-dies-aged-103\">Elliott Carter<\/a><\/strong> (and maybe vice versa),' noted our <strong><a href=\"https:\/\/www.classical-music.com\/reviews\/concerto\/elgar-carter-bruch-2\">review<\/a><\/strong>. 'But they shouldn\u2019t be deterred: each <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-concerto\">concerto<\/a><\/strong> is a masterwork in its own terms, and together they add up to a superb showcase for the talents of a gifted soloist.'<\/p><p>In the Elgar, 'Weilerstein avoids nostalgia and produces instead an account that is full of passion, grief and nobility of feeling. Just the way she articulates the opening chords and brief recitative before the strings\u2019 first entry has an authority and poetry that demands our attention from the outset, and the eloquence of her playing ensures that she holds it throughout.'<\/p><p>The disc ends with a meditative account of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/max-bruch\">Bruch<\/a><\/strong>\u2019s <em>Kol Nidrei<\/em>, the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong> presented without an ounce of excess sentiment.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Bruch: Kol Nidrei - Adagio For Cello, Opus 47\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/6aGo_HEt510?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"40-31\">Best classical recordings: 40 to 31<\/h2><h3 class=\"wp-block-heading\">40. Josquin: Missa Hercules Dux Ferrarie, etc<\/h3><p><em>The Tallis Scholars\/Peter Phillips (2020)<\/em> <em>Gimell CDGIM051<\/em><\/p><p>This was the recording with which the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/six-best-tallis-scholars-numbers\">Tallis Scholars<\/a><\/strong> and their conductor <a href=\"https:\/\/www.classical-music.com\/features\/artists\/peter-phillips\"><strong>Peter Phillips<\/strong><\/a> completed their monumental nine-disc project to record all of the Mass settings of the French or Franco-Flemish composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-was-josquin-des-prez\">Josquin des Prez<\/a><\/strong> (c.1450-1521). They chose to conclude their journey with three suitably monumental works, including the\u00a0<em>Missa Hercules Dux Ferrarie<\/em>, into which Josquin smuggled the name of his patron Ercole, Duke of Ferrara.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-french-composers-ever\">The greatest French composers of all time<\/a><\/strong><\/li><\/ul><p>'Phillips\u2019s reading of the Ferrarese work is fluid and supple, and there\u2019s a gentle momentum even in the more contemplative sections, such as the hushed Sanctus or the sublime Agnus Dei,' notes our <strong><a href=\"https:\/\/www.classical-music.com\/reviews\/choral-song\/josquin-missa-hercules-dux-ferrarie-etc\">review<\/a><\/strong>. 'The Scholars\u2019 sound is lean and clear: every strand of the musical web is beautifully illuminated, and the text is carved with a sculptural sharpness. <\/p><p>'A mesmerising final chapter to this unforgettable musical odyssey.'<\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B08FKPGVW6\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/josquin-masses-missa-hercules-dux-ferrarie-missa-dung\/1525560577\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-37-chopin-nocturnes\">39. Chopin: Nocturnes<\/h3><p><em>Claudio Arrau (piano) (1978). Philips 464 6942<\/em><\/p><p>The great Chilean pianist was 75 when he made this revelatory recording. It\u2019s a profoundly moving reading of the 21 <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/nocturne-definition\">Nocturnes<\/a><\/strong> \u2013 the result, no doubt, of many years of performing and reflecting on them. In Arrau\u2019s hands, the emotional worlds of these Romantic miniatures are absorbing; his spacious tempos and overarching sense of line adding weight and grandeur.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Claudio Arrau Chopin Nocturne 1 Op. 9 No 1\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/wtjchP5NEt4?list=PL1C1F7B9DFABE7EF4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-36-verdi-requiem\">38. Verdi: Requiem<\/h3><p><em>Elisabeth Schwarzkopf et al; Philharmonia\/Carlo Maria Giulini (1964). EMI 631 8212<\/em><\/p><p>Elisabeth Schwarzkopf, Nicolai Ghiaurov, Nicolai Gedda and Christa Ludwig join the Philharmonia Chorus for this intensely personal performance of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/giuseppe-verdi\"><strong>Verdi<\/strong><\/a>\u2019s masterpiece under the strangely underrated Giulini. The fire and brimstone of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/verdis-requiem-guide\">Verdi Requiem<\/a><\/strong> famous Dies Irae is there, of course, but so is a thread of human compassion which raises this recording to the extraordinary.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/verdis-requiem-best-recordings\">The best recordings of Verdi's Requiem<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-35-ravel-daphnis-et-chloe\">37. Ravel: <em>Daphnis et Chlo\u00e9<\/em><\/h3><p><em>ROH Chorus, LSO\/Pierre Monteux (1961). Decca E475 7525<\/em><\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T180628.613.jpg\" alt=\"Ravel: Daphnis et Chlo\u00e9 ROH Chorus, LSO\/Pierre Monteux (1961)\" class=\"wp-image-213941\"\/><figcaption class=\"wp-element-caption\">Ravel: Daphnis et Chlo\u00e9 ROH Chorus, LSO\/Pierre Monteux (1961)<\/figcaption><\/figure><p>A mere 47 years after conducting the ballet\u2019s premiere, the indefatigable Pierre Monteux headed into the studio for a recording of <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/ravels-daphnis-et-chloe-guide-and-best-recordings\">Ravel\u2019s <em>Daphnis et Chlo\u00e9<\/em><\/a><\/strong> \u2013 scored for orchestra and wordless chorus \u2013 that is unrivalled for power and intensity, variety of colour and immaculate attention to detail. As with most Decca discs of this era, the superb recorded sound can be taken as read.<\/p><h3 class=\"wp-block-heading\" id=\"h-34-brahms-symphony-no-4\">36. Brahms: Symphony No. 4<\/h3><p><em>Vienna Philharmonic\/Carlos Kleiber (1981). Deutsche Grammophon 457 7062<\/em><\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T181246.269.jpg\" alt=\"Brahms Symphony 4 Vienna Philharmonic Carlos Kleiber\" class=\"wp-image-213945\"\/><figcaption class=\"wp-element-caption\">Brahms Symphony 4 Vienna Philharmonic Carlos Kleiber<\/figcaption><\/figure><p>The handful of orchestral works the elusive Carlos Kleiber conducted included <a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\"><strong>Brahms<\/strong><\/a>\u2019s Fourth Symphony. His classic 1981 recording with the Vienna Philharmonic Orchestra has polish and fire in equal measure, displaying that characteristic Kleiber blend of intellectual rigour, passion and perfectionism. It was the last studio recording Kleiber made with the mighty Vienna Philharmonic.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-brahms-recordings\">The best Brahms recordings<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-of-brahms\">Best of Brahms: 15 extraordinary works<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-33-bellini-norma\">35. Bellini: <em>Norma<\/em><\/h3><p><em>Maria Callas (Norma) et al; Teatro alla Scala\/Tullio Serafin (1960). EMI 966 7092<\/em><\/p><p>Soprano Maria Callas\u2019s voice may have been in finer fettle for her 1954 recording of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/vincenzo-bellini\"><strong>Bellini<\/strong><\/a>\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-bel-canto\">bel canto<\/a><\/strong> opera Norma conducted by Tullio Serafin, but her 1960 version, again with Serafin at the helm, is packed with oodles more drama. <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/maria-callas-soprano\">Callas<\/a><\/strong> aside, the dream supporting cast, including Christa Ludwig, Franco Corelli and Nicola Zaccaria, makes this a crucial addition to any library.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00KTQD7ZA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8046714--bellini-norma\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/bellini-norma\/734532401\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Maria Callas sings &quot;Casta Diva&quot; (Bellini: Norma, Act 1)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/s-TwMfgaDC8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-32-shostakovich-preludes-amp-fugues\">34. Shostakovich: Preludes &amp; Fugues<\/h3><p><em>Alexander Melnikov (piano) (2010). Harmonia Mundi HMC 902019\/20<\/em><\/p><p>This is a remarkable album (A BBC Music Magazine Award winner in 2011) which rescued a <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/dmitri-shostakovich\">Shostakovich<\/a><\/strong> work previously more respected than loved, in part due to the turgid style of a celebrated recording by Tatiana Nikolayeva. Melnikov reveals a kaleidoscope of colours and moods, as well as brilliantly demonstrating its dramatic cohesiveness. An exhilarating experience.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00354XVKO\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7986293--shostakovich-preludes-fugues-for-piano-24-op-87\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/shostakovich-24-preludes-fugues\/368043679\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"24 Preludes &amp; Fugues, Op. 87: Prelude no.1 in C major. Moderato\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/E8z0T2X18Ho?list=OLAK5uy_lUQBV-5en0FvJY014QaZ2spHExcZkhmA0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-31-mahler-das-lied-von-der-erde\">33. Mahler: <em>Das Lied von der Erde<\/em><\/h3><p><em><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-was-kathleen-ferrier\">Kathleen Ferrier<\/a><\/strong> (contralto), Julius Patzak (tenor); Vienna Philharmonic\/Bruno Walter (1952). Decca 466 5762<\/em><\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T183741.042.jpg\" alt=\"Mahler Das Lied von der Erde Kathleen Ferrier Bruno Walter\" class=\"wp-image-213957\"\/><figcaption class=\"wp-element-caption\">Mahler Das Lied von der Erde Kathleen Ferrier Bruno Walter<\/figcaption><\/figure><p>Bruno Walter, who conducted the premiere of Das Lied von der Erde in 1911 and knew first-hand the depths to which the composer had sunk at the time, described the work as \u2018the most personal utterance among <a href=\"https:\/\/www.classical-music.com\/features\/composers\/gustav-mahler\"><strong>Mahler<\/strong><\/a>\u2019s creations\u2019. Here, 41 years later, the same conductor performs the composer\u2019s six-movement masterpiece with tenor Julius Patzak and contralto Kathleen Ferrier, Walter\u2019s friend and prot\u00e9g\u00e9e who, at 39, had been diagnosed with cancer. The sense of pathos is almost unbearable.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00004XQ8E\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7923745--kathleen-ferrier-sings-mahler\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/mahler-das-lied-von-der-erde-3-r%C3%BCckert-lieder\/1452510165\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-the-best-classical-recordings-of-all-time-21-to-30\">32. Debussy: <em>Pell\u00e9as et M\u00e9lisande<\/em><\/h3><p><em>Jacques Jansen, Ir\u00e8ne Joachin et al\/Roger D\u00e9sormi\u00e8re (1941). Cantus 500268<\/em><\/p><p>This 1941 recording captures the elusive nuances and mystery of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/claude-debussy\"><strong>Debussy<\/strong><\/a>\u2019s symbolist masterpiece <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/introduction-debussys-pelleas-et-melisande\">Pell\u00e9as et M\u00e9lisande<\/a><\/strong> <\/em>like no other. The trio of singers in lead roles \u2013 Ir\u00e8ne Joachim as M\u00e9lisande, Jacques Jansen as Pell\u00e9as and Henri Etcheverry as Golaud \u2013 had all performed the opera many times together under the direction of Roger D\u00e9sormi\u00e8re.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2018\/08\/71taIySmjWL._SS500_-8097630.jpg\" alt=\"Debussy: Pell\u00e9as et M\u00e9lisande Jacques Jansen, Ir\u00e8ne Joachin et al\/Roger D\u00e9sormi\u00e8re\" class=\"wp-image-110675\"\/><figcaption class=\"wp-element-caption\">Debussy: Pell\u00e9as et M\u00e9lisande Jacques Jansen, Ir\u00e8ne Joachin et al\/Roger D\u00e9sormi\u00e8re<\/figcaption><\/figure><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0001B0UE4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7943153--debussy-pelleas-et-melisande-etc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-29-elgar-violin-concerto\">31. Elgar: Violin Concerto<\/h3><p><em>Yehudi Menuhin (<strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/violin-guide\">violin<\/a><\/strong>); LSO\/Edward Elgar (1932). EMI 566 9792<\/em><\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T193218.370.jpg\" alt=\"Elgar Violin Concerto Yehudi Menuhin\" class=\"wp-image-213973\"\/><figcaption class=\"wp-element-caption\">Elgar Violin Concerto Yehudi Menuhin<\/figcaption><\/figure><p>A 74-year-old <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edward-elgar\">Edward Elgar<\/a><\/strong> joins teenage violinist <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/memories-menuhin\">Yehudi Menuhin<\/a><\/strong> at the recently opened Abbey Road studio \u2013 a passing of the musical baton from one generation to the next if ever there was one, and a very moving one at that. Elgar\u2019s reading is an aptly broad, reflective one, while Menuhin\u2019s playing still astonishes for its technical ease and maturity of insight.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000023Z0Z\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7931492--elgar-violin-concerto-enigma-variations\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/elgar-violin-concerto-enigma-variations\/696770005\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Elgar Conducts His Violin Concerto (1932) Menuhin\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/1NaXRBrpjZ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"30-21\">Best recordings of all time: 30 to 21<\/h2><h3 class=\"wp-block-heading\" id=\"h-28-chopin-etudes-opp-10-amp-25\">30. Chopin: Etudes Opp 10 &amp; 25<\/h3><p><em>Maurizio Pollini (piano) (1972). Deutsche Grammophon 413 7942<\/em><\/p><p>Chopin\u2019s Etudes present considerable challenges to the pianist, but Maurizio Pollini\u2019s masterly 1972 recording ensures the listener isn\u2019t remotely aware of them. And there are few pianists that can manage that. There\u2019s something refreshingly straightforward about his playing too \u2013 he presents all the magical ebb and flow without getting over-emotional. The perfect performance.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000YY66DC\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7924044--chopin-etudes\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/chopin-%C3%A9tudes\/1440734550\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from iTunes<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-27-mozart-the-magic-flute\">29. Mozart: <em>The Magic Flute<\/em><\/h3><p><em>Nicolai Gedda, Gundula Janowitz etc; Philharmonia\/Otto Klemperer (1964). EMI 966 7932<\/em><\/p><p>The cast of Otto Klemperer\u2019s 1964 recording of <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-mozart-magic-flute\">Mozart's <em>The Magic Flute<\/em><\/a><\/strong> reads almost like a who\u2019s who of the opera world of the time. The brilliant Nicolai Gedda and Gundula Janowitz lead the way as Tamino and Pamina along with the likes of Lucia Popp, Gottlob Frick, Elisabeth Schwarzkopf, Christa Ludwig and Walter Berry. The result is a <em>Flute<\/em> full of joy and wisdom, with characters who are both unearthly yet recognisably human.<\/p><ul><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7982240--mozart-die-zauberflote-k620\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/mozart-die-zauberfl%C3%B6te\/691932164\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-26-allegri-miserere\">28. Allegri: Miserere<\/h3><p><em>Alison Stamp (soprano); Tallis Scholars\/Peter Phillips (1980). Gimell GIMSE 401<\/em><\/p><p>The 1980 recording of <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-recordings-allegri-s-miserere\">Allegri's <em>Miserere<\/em><\/a><\/strong><em> <\/em>that not only made the Tallis Scholars a household name, but effectively led the way to today\u2019s great wave of exceptional mixed-voice choirs. Alison Stamp is faultless in the exceptionally testing soprano solo \u2013 top Cs and all \u2013 while, with the choir and solo quartet placed some distance apart, the perfect acoustic of Merton College chapel is captured to perfection by Gimell. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Allegri: Miserere | Peter Phillips &amp; Tallis Scholars\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/06NsfHIXBYc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000B865AA\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7936000--allegri-miserere\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/allegri-miserere-palestrina-missa-papae-marcelli-mundy\/1499208305\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-25-handel-messiah\">27. Handel: <em>Messiah<\/em><\/h3><p><em>Judith Nelson, Emma Kirkby etc; Academy of Ancient Music\/Christopher Hogwood (1980). L\u2019Oiseau Lyre 430 4882<\/em><\/p><p>Stodge no more. In Christopher Hogwood\u2019s hands, Handel's legendary <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/handel-messiah\">Messiah<\/a><\/strong><\/em>\u2004was no longer a ponderous and portentous work, but something tightly sprung and which demanded your attention. The period instrument specialist was spring-cleaning well-loved pieces even as his pioneering contemporary Roger Norrington had barely launched the London Classical Players. <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-handel-s-messiah\"><strong>The best recordings of Handel's <em>Messiah<\/em><\/strong><\/a><\/li><\/ul><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000004CXU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7931933--handel-messiah\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/handel-messiah-remastered-2014\/1452293464\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-24-r-strauss-der-rosenkavalier\">26. R Strauss: <em>Der Rosenkavalier<\/em><\/h3><p><em>Elisabeth Schwarzkopf, Christa Ludwig et al; Philharmonia\/Herbert von Karajan (1956). EMI 966 8242<\/em><\/p><p>In 1956, a dream cast assembled for a recording of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-strauss\"><strong>Strauss<\/strong><\/a>\u2019s operatic masterpiece that, today, remains unbettered. The Philharmonia is on sparkling form and Elisabeth Schwarzkopf gives the performance of her life. Karajan\u2019s passion for the music leaps from the speakers, with producer Walter Legge\u2019s warm stereo recording giving the whole a beautiful sheen.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B073WR66XZ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7982247--strauss-r-der-rosenkavalier\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/richard-strauss-der-rosenkavalier\/1293724292\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Der Rosenkavalier, Op. 59, Act II: &quot;Wo war ich schon einmal und war so selig?&quot; (Octavian, Sophie)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/Ts7M9AY1nBI?list=PLKq64tL0GeMEoZB1Le01MtkNQsqrBa75L\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-23-mozart-horn-concertos\">25. Mozart: Horn Concertos<\/h3><p><em>Dennis Brain (horn); Philharmonia\/Herbert von Karajan (1953). EMI 965 9362<\/em><\/p><p>With this disc, <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/dennis-brain-the-british-virtuoso-who-brought-the-french-horn-to-prominence-as-a-solo-instrument\">Dennis Brain<\/a><\/strong> rewrote the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-history-of-the-french-horn\">French horn<\/a><\/strong> rulebook. No one before had performed Mozart\u2019s concertos with such effortless grace, such variety of dynamic and phrasing and such affable banter between soloist and orchestra. When Brain died in a car crash aged 36 three years later, he left a gap that many say has never been filled.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"495\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2018\/08\/DENNIS_BRAIN_MOZARTHORNCONCERTOS-534385-5a780f3.jpg\" alt=\"Mozart: Horn Concertos Dennis Brain (horn); Philharmonia\/Herbert von Karajan\" class=\"wp-image-110663\"\/><figcaption class=\"wp-element-caption\">Mozart: Horn Concertos Dennis Brain (horn); Philharmonia\/Herbert von Karajan<\/figcaption><\/figure><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000024393\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7931481--mozart-horn-concertos-nos-1-4-etc\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/mozart-horn-concertos\/693375920\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-22-reich-music-for-18-musicians\">24. Reich: Music for 18 Musicians<\/h3><p><em>Steve Reich; Musicians (1978). ECM 821 4172<\/em><\/p><p>All of Steve Reich\u2019s experiments came together in this tour de force of ultra-disciplined bliss. The structure is tightly logical as ever: human breaths (voices, wind) measure against heartbeats (mallets) and longer wave forms. You can feel the sheer force of the composer driving this performance of almost superhuman finesse; every note glistens in a perfectly balanced, glowing recording.<\/p><p>We named Steve Reich as one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/the-best-living-composers\">best living composers<\/a><\/strong>.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"626\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2018\/08\/blog-0783880001370982608-3d0b314.jpg\" alt=\"Steve Reich Music for 18 Musicians\" class=\"wp-image-110662\"\/><figcaption class=\"wp-element-caption\">Steve Reich Music for 18 Musicians<\/figcaption><\/figure><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000026258\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7963259--reich-music-for-18-musicians\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/reich-music-for-18-musicians\/1452312720\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Steve Reich - Music for 18 Musicians (1978) \u25ba Pulses\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3ou9J844io0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-the-best-classical-recordings-of-all-time-21-to-30\">23. Britten: <em>Peter Grimes<\/em><\/h3><p><em>Peter Pears (Grimes) et al; Royal Opera House\/Benjamin Britten (1958). Decca 467 6822<\/em><\/p><p>This was the first complete recording of a full-scale Britten opera, based on a superb stage production of <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/peter-grimes-britten\">Peter Grimes<\/a><\/strong><\/em> and vividly recorded in a ground-breaking production. Taking full advantage of new stereo technology, members of the cast moved around the stage in dramatic fashion, giving the recording a sense of being \u2018live\u2019. More than any other opera recording, this helped launched the fortunes of Britten\u2019s operas and remains one of the most exemplary ever made.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000059ZIE\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7949419--britten-peter-grimes\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/britten-peter-grimes\/1452467948\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-the-best-classical-recordings-of-all-time-31-to-40\">22. Mozart: Complete Piano Concertos<\/h3><p><em>Daniel Barenboim (piano); English Chamber Orchestra (1967-74) EMI 572 9302<\/em><\/p><p>In the 1960s, while still in his twenties, <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/daniel-barenboim\">Daniel Barenboim<\/a><\/strong> joined forces with the English Chamber Orchestra to record a groundbreaking set of the complete Mozart Piano Concertos, conducting from the keyboard.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/mozart-piano-concertos-best-recordings\">The best recordings of Mozart's Piano Concertos<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/10-mozart-works-you-might-not-know\">10 Mozart works you might not know<\/a><\/strong><\/li><\/ul><p>Later, he recorded them again with the Berlin Philharmonic, but the English Chamber Orchestra version still has the edge for its bite and beauty, operatic mellifluousness offset by apparently boundless energy and an atmosphere of inspired and intimate music-making from start to finish.<\/p><p>Barenboim brings us Mozart in all his many guises, from enfant terrible to founding father and, ultimately, avatar in the term\u2019s original sense.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B01GQWSWFU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7965316--mozart-piano-concertos-nos-9-20-21-23-27\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/mozart-the-complete-piano-concertos-remastered\/693844771\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-the-best-classical-recordings-of-all-time-31-to-40\">21. Chopin: Sonata No. 3 etc<\/h3><p><em>Martha Argerich (piano) (1965) EMI 556 8052<\/em><\/p><p>\u2018Argerich plays <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/frederic-chopin\">Chopin<\/a><\/strong>\u2019 is the emphasis on a recording where the interpreter sometimes comes before the composer, but this brilliant disc deserves its legendary appellation.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-chopin\">The best works by Chopin<\/a><\/strong><\/li><\/ul><p>Only 24 when she was captured playing at Abbey Road, shortly after winning the 1965 Warsaw Chopin competition and shortly before she signed to Deutsche Grammophon (hence it taking EMI almost 35 years to allow it to appear), <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/martha-argerich-2\">Martha Argerich<\/a><\/strong> performs with such white-hot intensity that it scarcely feels like a studio recording.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/the-best-recordings-of-pianist-martha-argerich\">Martha Argerich: her best recordings<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/Xmvb80dNFaw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Her volcanic energy can leave you scrambling to keep up, but the Third Sonata is breathtaking in its spontaneity, and the Mazurkas are richly imbued with Polish spirit.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B002KL3G1C\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7984797--argerich-plays-chopin\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/martha-argerich-chopin\/1452240797\">Stream on Apple <\/a><a href=\"https:\/\/music.apple.com\/gb\/album\/martha-argerich-chopin\/1452240797\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Music<\/a><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"20-11\">The best classical recordings of all time: 20 to 11<\/h2><h3 class=\"wp-block-heading\" id=\"h-18-rachmaninov-piano-concerto-no-4-ravel-piano-concerto\">20. Rachmaninov: Piano Concerto No. 4; Ravel: Piano Concerto<\/h3><p><em>Arturo Benedetti Michelangeli (piano); Philharmonia\/Ettore Gracis (1957) EMI 567 2382<\/em><\/p><p>Reclusive Italian virtuoso pianist Arturo Benedetti Michelangeli, one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">greatest pianists of all time<\/a><\/strong>, remained a notoriously reluctant recording artist, feeling unable to commit his performances to disc for fear that they would not match his self-imposed high standards. Yet there were a few occasions on which he managed to overcome such qualms.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/seven-best-works-rachmaninov\">The best works by Rachmaninov<\/a><\/strong><\/li><\/ul><p>The most notable took place in March 1957 at No. 1 Studio in Abbey Road where, after giving a successful performance of the then rarely-heard <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\">Rachmaninov<\/a> <\/strong>Fourth Piano Concerto at the Royal Festival Hall, Michelangeli readily agreed to record the work for EMI alongside the <a href=\"https:\/\/www.classical-music.com\/features\/composers\/maurice-ravel\"><strong>Ravel<\/strong><\/a> Piano Concerto.<\/p><p>The results were inspired. In the Rachmaninov, the heroic virtuosity of Michelangeli\u2019s playing banished any doubts that this composition was a poor shadow of its predecessors, while the cool demeanour and exquisite subtlety of the Ravel slow movement remains peerless.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00003ZKRJ\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8001841--haydn-rachmaninov-ravel-piano-concertos\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/haydn-rachmaninov-ravel-piano-concertos\/693164292\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-17-monteverdi-vespers-of-1610\">19. Monteverdi: Vespers of 1610<\/h3><p><em>Monteverdi Choir, English Baroque Soloists\/John Eliot Gardiner (1989) Archiv 429 5652<\/em><\/p><p><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/who-is-sir-john-eliot-gardiner\">John Eliot Gardiner<\/a><\/strong> and the <a href=\"https:\/\/www.classical-music.com\/features\/artists\/what-is-the-monteverdi-choir\"><strong>Monteverdi<\/strong> <strong>Choir<\/strong><\/a> have had a long and special relationship with <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/claudio-monteverdi\">Monteverdi<\/a><\/strong>'s Vespers of 1610 going all the way back to their groundbreaking recording of the mid-1970s.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/five-essential-works-monteverdi\">Best works by Monteverdi<\/a><\/strong><\/li><\/ul><p>When they recorded the work again in 1989 they travelled to St Mark\u2019s, Venice \u2013 Monteverdi\u2019s spiritual home \u2013 where the glorious acoustics and intricate architecture provided a sumptuous stage for the performers.<\/p><p>Their approach is high-octane \u2013 dramatic, sensual and highly inflected \u2013 and in their balance between theatrical excitement and glittering grandeur they capture the very essence of Venetian flamboyance. One of the most thrillingly atmospheric recordings of Baroque choral music ever made.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B01MZCPWTW\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7924617--monteverdi-vespro-della-beata-vergine-1610\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/monteverdi-vespers-of-the-blessed-virgin\/1452153781\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-16-hildegard-von-bingen-a-feather-on-the-breath-of-god\">18. Hildegard von Bingen: <em>A Feather on the Breath of God<\/em><\/h3><p><em>Emma Kirkby (soprano); Gothic Voices \/ Christopher Page (1981) Hyperion<\/em><\/p><p>This was the 1981 disc, from Christopher Page\u2019s pioneering Gothic Voices group and the incomparably pure-voiced Emma Kirkby, that launched interest in the medieval visionary and composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/music-hildegard-von-bingen\">Hildegard von Bingen<\/a><\/strong>. It remains the Hyperion label\u2019s best-selling recording and helped generate a stream of <strong><a href=\"https:\/\/www.classical-music.com\/articles\/medieval-music-guide\">medieval music<\/a><\/strong> recordings in the following decade.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-medieval-composers\"><strong>Best medieval composers<\/strong><\/a><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/medieval-musical-instruments\">Ten medieval musical instruments<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T182845.063.jpg\" alt=\"Hildegard von Bingen Feather on the Breath of God Gothic Voices Emma Kirkby\" class=\"wp-image-213955\"\/><figcaption class=\"wp-element-caption\">Hildegard von Bingen Feather on the Breath of God Gothic Voices Emma Kirkby<\/figcaption><\/figure><p>While later groups made a feature of the ecstatic, rhythmically fluid nature of the music, Gothic Voices chose to perform the hymns and sequences with great simplicity, alternating a single voice with unison voices over drones.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B003XWFLPG\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7929442--abbess-hildegard-of-bingen-a-feather-on-the-breath-of-god\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/hildegard-of-bingen-a-feather-on-the-breath-of-god\/577460490\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\">17. Vik\u00edngur \u00d3lafsson: Bach Prelude and Fughetta in G; Organ Sonata No. 4, etc<\/h3><p><em>V\u00edkingur \u00d3lafsson (piano) (2018)<\/em>. <em>DG 483 5022\u00a0<\/em><\/p><p>Our reviewer Michael Church found this album of Bach keyboard works by Icelandic pianist V\u00edkingur \u00d3lafsson to be little short of revelatory. 'Intermingling celebrated transcriptions with some of Bach\u2019s preludes, fugues, inventions, sinfonias, partita movements and with the A minor Variations BWV 989 which form the structural heart of this performance, \u00d3lafsson creates a ravishing musical sequence. <\/p><p>'Every track has its own allure, and many reflect a virtuosity which is never flaunted; he treats the preludes and fugues as though they had been conceived as tone-poems or \u00e9tudes: his fleet, slightly d\u00e9tach\u00e9 account of the C minor prelude from Book I of the 48 is a miracle of delicate control, and his account of the Fugue in A minor BWV 904 has austere grandeur.'<\/p><h3 class=\"wp-block-heading\" id=\"h-15-beethoven-complete-piano-sonatas\">16. Beethoven: Complete Piano Sonatas<\/h3><p><em>Artur Schnabel (piano) (1932-8) EMI 763 7652<\/em><\/p><p>Artur Schnabel was the first pianist to record the complete Beethoven Sonatas, undertaking the mammoth project for the Beethoven Society in the early 1930s. Today he has innumerable competitors in an overcrowded market, yet his interpretations have never been supplanted. It\u2019s hard to imagine a more magnificent mingling of power and humility, of mystical reflection and ready wit or of structural awareness and spontaneous statement.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/five-best-recordings-beethovens-sonata-cycles\">The best recordings of Beethoven's piano sonatas<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Beethoven Piano Sonata No. 8 in C minor &quot;Pathetique&quot; Op. 13 - Schnabel\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/aOCMskjSfm0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>There are cleaner performances around, but few that offer quite the same feeling of absolute unity between composer and performer. Schnabel could trace his musical heritage back to <a href=\"https:\/\/www.classical-music.com\/features\/composers\/czerny-carl\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Carl Czerny<\/strong><\/a> and thence Beethoven himself \u2013 this is as close to the Beethovenian horse\u2019s mouth as we can get.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0007ACVE6\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7926997--great-pianists-schnabel\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/beethoven-piano-sonatas-nos-17-18-and-21\/192438217\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-14-art-of-the-prima-donna\">15. Art of the Prima Donna<\/h3><p><em>Joan Sutherland (soprano); Chorus &amp; Orchestra of the Royal Opera House\/Francesco Molinari-Pradelli (1960) Decca 478 3071<\/em><\/p><p>This ambitious set of 16 arias associated with past <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-coloratura\">coloratura<\/a><\/strong> legends came out in 1960 at the beginning of <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/joan-sutherland-1926-2010\">Joan Sutherland<\/a><\/strong>\u2019s career as an international recording star. Her incomparable technique, stylistic virtuosity and full-bodied tone were captured at their peak, without any trace of subsequent mannerisms.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/dame-joan-sutherlands-best-operatic-roles\">Joan Sutherland's best operatic roles<\/a><\/strong><\/li><\/ul><p>Although Maria Callas may have started the bel canto revival, here and in subsequent recordings, Sutherland laid almost the entire history of vocal music before our delighted ears.<\/p><p>Her dazzling presentation of \u2018Let the Bright Seraphim\u2019 from Handel\u2019s <em>Samson<\/em> alone played a huge role in demonstrating the artistic and commercial viability of reviving vocal rarities from the past, immeasurably enriching the recorded repertory. <\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00602VG8C\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8002196--joan-sutherland-art-of-the-prima-donna-deluxe-edition\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/the-art-of-the-prima-donna-joan-sutherland\/1452571178\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-13-janacek-katya-kabanova\">14. Jan\u00e1\u010dek: <em>K\u00e1tya Kabanov\u00e1<\/em><\/h3><p><em>Elisabeth S\u00f6derstr\u00f6m etc; Vienna Philharmonic\/Charles Mackerras (1977) Decca 475 7518<\/em><\/p><p>Released in 1977, in the years when Decca was at the height of its powers as an independent label, this recording opened up new dimensions in Jan\u00e1\u010dek performance, and its success launched <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/sir-charles-mackerras-1925-2010\">Charles Mackerras<\/a><\/strong>\u2019s complete cycle of the operas that was to follow.<\/p><p>Having applied his superb musicological skills to produce a definitive score of <em>K\u00e1tya Kabanov\u00e1<\/em> from the composer\u2019s near-illegible manuscript and multiple drafts, Mackerras then conducted this most moving of operas with consummate artistry.<\/p><p>Fabulous, surging Vienna Philharmonic playing, Elisabeth S\u00f6derstr\u00f6m\u2019s poignant performance in the title role, and matchless Decca sound all combined to produce one of the truly classic opera recordings.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000E6EGYG\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7944037--jana-ek-kata-kabanova\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/jan%C3%A1cek-k%C3%A1ta-kabanov%C3%A1\/1452222135\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from iTunes<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-12-beethoven-the-late-string-quartets\">13. Beethoven: The Late String Quartets<\/h3><p><em>Busch Quartet (1930s) EMI 509 6552<\/em><\/p><p>It\u2019s nearly 80 years since the Busch Quartet made their legendary recordings of Beethoven\u2019s Late <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/string-quartet\">String Quartets<\/a><\/strong>, and it\u2019s frequently stated that they have never been bettered.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-string-quartet-ensembles-ever\">The best string quartet ensembles of all time<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-string-quartets-about-life-and-death\">Six of the best string quartets about life and death<\/a><\/strong><\/li><\/ul><p>With justification: there\u2019s an extraordinary lack of self-advertisement in the playing, a sense of complete immersion in the composer\u2019s intentions that is totally compelling.<\/p><p>These aren\u2019t \u2018interpretations\u2019 as such, or even \u2018performances\u2019 in the modern sense \u2013 more acts of communion mediated by the amazingly self-effacing artists doing the playing. The sound is 1930s mono, but potently communicative.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0011X9S3K\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7961983--beethoven-the-late-string-quartets\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/beethoven-the-late-string-quartets\/693814754\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-11-js-bach-cello-suites\">12. JS Bach: Cello Suites<\/h3><p><em>Pablo Casals (cello) (1936-9) EMI 965 9212<\/em><\/p><p>It was a chance discovery in a Catalan junkshop that ultimately led to the making of one of the 20th century\u2019s truly great recordings. When the 13-year-old Pablo Casals came across the dusty scores of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\">Bach<\/a><\/strong>'s Cello Suites he described his find as \u2018the great revelation of my life\u2019.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Pau Casals: Bach Cello Solo Nr.1, BWV 1007 (8.1954)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/KX1YtvFZOj0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>But only after living and breathing them for almost half a century, did he then feel ready to set them down in the recording studios in London and Paris between 1936 and 1939. It\u2019s the thrill of an uncharted musical odyssey that sets these performances apart.<\/p><p>Their greatness is difficult to describe but easy to hear \u2013 technical brilliance, eloquence, glowing tone, dancing rhythms and complete identification with Bach\u2019s masterpiece make analysis redundant.<\/p><p>We included Bach's Cello Suites in our round-up of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-cello-music\">best cello music of all time<\/a><\/strong>.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B005DTE7X4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8001828--bach-j-s-cello-suites-nos-1-6-bwv1007-1012\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/bach-cello-suites\/693721269\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-10-gershwin-porgy-and-bess\">11. Gershwin: <em>Porgy and Bess<\/em><\/h3><p><em>Willard White, Cynthia Haymon etc; Glyndebourne Chorus, LPO\/Simon Rattle (1988) EMI 234 4302<\/em><\/p><p> Glyndebourne\u2019s production of <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/porgy-and-bess-gershwins-opera\">Porgy and Bess<\/a><\/strong><\/em> in 1986 confirmed the work\u2019s status not merely as <a href=\"https:\/\/www.classical-music.com\/features\/composers\/george-gershwin\"><strong>Gershwin<\/strong><\/a>\u2019s masterpiece, but as one of the great operas. Two years later, EMI revived the production, turning Abbey Road into Catfish Row.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T171916.999.jpg\" alt=\"Gershwin Porgy and Bess Rattle\" class=\"wp-image-213935\"\/><figcaption class=\"wp-element-caption\">Gershwin Porgy and Bess Rattle<\/figcaption><\/figure><p>The resulting discs recreate the heady, hard-hitting atmosphere, with not a weak moment of playing or singing thanks to an ideal blend of careful preparation and spontaneity.<\/p><p><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/simon-rattle\">Simon Rattle<\/a><\/strong> paces events perfectly, and every character is entirely convincing vocally and dramatically \u2013 and don\u2019t even try to resist the tears as Willard White\u2019s ever-hopeful Porgy heads on his way at the end.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B01MQCX1I1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7924943--gershwin-porgy-and-bess\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/gershwin-porgy-bess\/697684732\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"10-2\">The best classical recordings of all time: 10 to 2<\/h2><h3 class=\"wp-block-heading\" id=\"h-9-tchaikovsky-symphonies-nos-4-6\">10. Tchaikovsky: Symphonies Nos 4-6<\/h3><p><em>Leningrad Symphony Orchestra \/ Yevgeny Mravinsky (1960) DG<\/em> <em>E4197452<\/em><\/p><p>At the height of the Cold War, the Leningrad Philharmonic Orchestra under its legendary principal conductor Evgeny Mravinsky visited Britain in September 1960, giving sensational concerts in Edinburgh and London which drew ecstatic responses from both press and public. <\/p><p>Initially released on three separate stereo LPs, these <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/pyotr-ilyich-tchaikovsky\">Tchaikovsky<\/a><\/strong> performances convey a highly-strung raw energy that remains undimmed up to the present day.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Tchaikovsky - Symphony No. 5 (Mravinsky)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/qZ2eBSWpXE4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Since this virtuoso orchestra was then poorly represented in Western record catalogues, Deutsche Grammophon\u2019s engineers astutely seized the opportunity to capture their playing in far superior sound to anything that could be produced by their Soviet counterparts. Among the most notable sessions taped in Wembley Town Hall was Mravinsky\u2019s blazingly urgent account of Tchaikovsky\u2019s Fourth Symphony.<\/p><p>Ever the perfectionist, the conductor was so pleased with the quality of this recording that two months later he and the orchestra agreed to record the last two <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-symphony\">symphonies<\/a><\/strong> for DG, this time in Vienna\u2019s Musikverein. Initially released on three separate stereo LPs, these Tchaikovsky performances convey a highly-strung raw energy that remains undimmed up to the present day. The Finale of No. 5, delivered at a manically swift pace, is one of this set's high points, guaranteed to take your breath away.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/tchaikovsky-pathetique-symphony\">Tchaikovsky's Symphony No. 6 brings his life to a close<\/a><\/strong><\/li><\/ul><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000E0W24S\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7943411--tchaikovsky-symphonies-nos-4-6\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/tchaikovsky-symphonies-nos-4-5-6-pathetique\/1452205579\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-8-ravel-berlioz-sheherazade-nuits-d-ete\">9. Ravel: <em>Sh\u00e9h\u00e9razade<\/em> \/ Berlioz: <em>Nuits d'\u00e9t\u00e9<\/em><\/h3><p><em>Orchestre de la Suisse Romande \/ Ernest Ansermet (1963) Decca<\/em><\/p><p>Escapism is what Ravel\u2019s <em>Sh\u00e9h\u00e9razade<\/em> and <a href=\"https:\/\/www.classical-music.com\/features\/composers\/hector-berlioz\"><strong>Berlioz<\/strong><\/a>\u2019s <em>Nuits d\u2019\u00e9t\u00e9<\/em> have in common. R\u00e9gine Crespin knew that, which is why her performance of these two song cycles practically seems to exist out of time and space.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/east-inspired-music-scheherazade\">How the East inspired classical music, from the fictional heroine of Scheherazade to the sounds and sights of India<\/a><\/strong><\/li><\/ul><p>Does the nitty-gritty of the text suffer, as some Crespin heretics have asserted? Not when the French soprano is so gloriously idiomatic in the shape of the phrasing, the sensual ebb and flow of the verses \u2013 whether Tristan Klingsor\u2019s perfumed poems for Ravel, or Th\u00e9ophile Gautier\u2019s more allusive text for Berlioz \u2013 and able to float a\u00a0Wagner-sized voice down to a seductive whisper or up to a gloriously full-throated cry of ecstasy, sounding utterly in the moment all the while.<\/p><p>The Orchestre de la Suisse Romande, under Ernest Ansermet, take things slowly and headily, finding plenty of detail along the way, particularly in the Ravel.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T170856.591.jpg\" alt=\"Berlioz Ravel R\u00e9gine Crespin\" class=\"wp-image-213928\"\/><figcaption class=\"wp-element-caption\">Berlioz Ravel R\u00e9gine Crespin<\/figcaption><\/figure><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00AJUVLTK\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/berlioz-les-nuits-d%C3%A9t%C3%A9-ravel-sh%C3%A9h%C3%A9razade-c\/1452184999\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\">8. Mahler: Symphony 3<\/h3><p><em>Gerhild Romberger (mezzo-soprano); Augsburger Domsingknaben; Bavarian Radio Womens' choir; Bavarian Radio Symphony Orchestra\/Bernard Haitink\u00a0(2018) BR Klassik BRK 900149<\/em><\/p><p>At the age of 89, the legendary Dutch conductor <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/bernard-haitink\">Bernard Haitink<\/a><\/strong> took home the <strong><a href=\"https:\/\/www.classical-music.com\/news\/bernard-haitinks-mahler-3-wins-recording-year\">2018 BBC Music Magazine Recording of the Year<\/a><\/strong> with this magnificent reading of Mahler's vast, panoramic Third Symphony with the Bavarian Radio Symphony Orchestra. Haitink had already lived with the work for over half a century (his first recording, with the Concertgebouw, dates back to 1966), and his immense storehouse of Mahlerian wisdom shones throigh in this radiant performance.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/nine-unmissable-recordings-bernard-haitink\">Bernard Haitink: nine unmissable recordings<\/a><\/strong><\/li><\/ul><p>'A perfect beauty of a performance, natural sound matching natural evolution and every solo perfectly intoned; too often we forget that the Bavarian orchestra is up there with the best in Vienna, Berlin and Amsterdam,' noted our <strong><a href=\"https:\/\/www.classical-music.com\/reviews\/orchestral\/gerhild-romberger-and-bavarian-radio-symphony-orchestra-perform-mahlers-symphony-no-3\">review<\/a><\/strong>.\u00a0<\/p><h3 class=\"wp-block-heading\" id=\"h-7-wagner-tristan-und-isolde\">7. Wagner: <em>Tristan und Isolde<\/em><\/h3><p><em>Ludwig Suthaus (Tristan), <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/greatest-norwegian-sopranos-of-all-time\">Kirsten Flagstad<\/a><\/strong> (Isolde), Blanche Thebom (Brangaene), Josef Greindl (Konig Marke), <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/dietrich-fischer-dieskau\">Dietrich Fischer-Dieskau<\/a><\/strong> (Kurwenal) et al<\/em>; <em>Philharmonia Orchestra, Chorus of the Royal Opera House Covent Garden, Wilhelm Furtw\u00e4ngler (1952) Documents 223061<\/em><\/p><p>This superlative recording, made in London in 1952 and never out of the catalogue, was the first complete one of Wagner's <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-tristan-und-isolde\">Tristan und Isolde<\/a><\/strong><\/em>, and contains several lengthy passages from the love duet in Act II and Tristan\u2019s delirium in Act III that many lovers of the work had never heard before.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-productions-wagners-tristan-und-isolde\">The best productions of Wagner's <em>Tristan und Isolde<\/em><\/a><\/strong><\/li><\/ul><p>With the greatest Isolde of her time, Kirsten Flagstad, radiant despite being 57, and a Tristan, Ludwig Suthaus, whom Wilhelm Furtw\u00e4ngler inspired to extraordinary heights, the two leads have never been equalled. The Philharmonia Orchestra is at its absolute peak, too; and, working in long takes, the result is that the unique intensity and continuity of this score is caught as it has never been again.<\/p><p>Furtw\u00e4ngler, who had notoriously loathed recording, was converted overnight to the process when he heard the test pressings \u2013 and said that he had never before realised what a supreme work\u00a0<em>Tristan<\/em>\u00a0is.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0001E8C14\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7925419--wagner-tristan-und-isolde\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/wagner-tristan-und-isolde\/699639479\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-6-elgar-cello-concerto\">6. Elgar: Cello Concerto<\/h3><p><em>Jacqueline du Pr\u00e9 (cello); London Symphony Orchestra \/ Sir John Barbirolli (1965) Warner Classics 2564607600<\/em><\/p><p>Some say it\u2019s the red-hot personality, others that it\u2019s the du Pr\u00e9-Barenboim love story, still others that the tragic emotions evoked in the music foreshadow the tragedy that later befell the performer. Whether there\u2019s a rational explanation or not,\u00a0<strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/jacqueline-du-pre\">Jacqueline du Pr\u00e9<\/a><\/strong>\u2019s recording of the\u00a0Elgar\u00a0Cello Concerto has a magic that has made it legendary.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-elgar-cello-concerto\">The best recordings of Elgar's Cello Concerto<\/a><\/strong><\/li><\/ul><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B010OVTNES\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8019857--elgar-cello-concerto-sea-pictures-cockaigne-overture\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/elgar-cello-concerto-op-85-sea-pictures-op-37\/1539025329\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Elgar - Cello Concerto, Delius - Cello Concerto (recording of the Century: Jacqueline Du Pr\u00e9)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/qcABXRl-IvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-5-puccini-tosca\">5. Puccini: <em>Tosca<\/em><\/h3><p><em>Maria Callas, Giuseppe di Stefano, Tito Gobbi, Franco Calabrese; Orchestra and Chorus of La Scala Milan \/ Victor de Sabata (1953) Warner Classics 2564634103<\/em><\/p><p>It was the legendary recording producer Walter Legge who brought the 29-year-old Maria Callas to the EMI stable in 1953, thereafter recording with her between two and four operas each year until the end of the decade. She was already a rising international star and an experienced performer of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giacomo-puccini\">Puccini<\/a><\/strong>'s <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/puccinis-tosca-guide\">Tosca<\/a><\/strong><\/em>: she had first sung the role in Athens in 1942 when just 18.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-best-recordings-of-puccinis-tosca\">The best recordings of Puccini's <em>Tosca<\/em><\/a><\/strong><\/li><\/ul><p>The set marked her first collaboration with the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-baritones\">baritone<\/a><\/strong> Tito Gobbi, who himself sang the role of Scarpia on stage more than 800 times, though he and Callas did not perform the opera together live until 1964 at Covent Garden; a single performance of the same production the following year would mark Callas\u2019s last appearance on the operatic stage.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Maria Callas sings Puccini: Tosca - 'Vissi d'Arte' at Covent Garden 1964\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/Nk5KrlxePzI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>But in 1953 she is caught at her peak, her voice perfectly under control and the characteristic insights she brought to its tiniest details fully developed. Giuseppe di Stefano, too \u2013 another artist who would suffer a premature vocal decline \u2013 had recently sung Cavaradossi with Callas in Mexico City, and his voice here is at its most lyrically graceful and refulgent.<\/p><p>The conductor, Victor de Sabata, is both under-recorded (this\u00a0<em>Tosca<\/em>\u00a0is his only studio opera set) and to a degree under-valued. But his career in the concert hall and especially as Toscanini\u2019s successor at La Scala (where this recording was made) was of the first order, and his combination of fire and clarity make this the most exciting Tosca on disc. Opera sets rarely get absolutely everything right; this one does.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00KTQD7ZK\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8046693--puccini-tosca\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/puccini-tosca-1953-de-sabata-callas-remastered\/890319579\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-4-js-bach-goldberg-variations\">4. JS Bach: Goldberg Variations<\/h3><p><em>Glenn Gould (piano) (1955) Glenn Gould Anniversary Edition 88725411822<\/em><\/p><p>Given this is now such a historic landmark, it seems strange to recall that executives at Columbia had misgivings about Glenn Gould recording Bach's Goldberg Variations. <\/p><p>Just months earlier the director of Columbia\u2019s Masterworks Division, David Oppenheim, had attended the 22-year-old pianist\u2019s New York debut on 11 January 1955, when Gould had played a typically eclectic programme of\u00a0<a href=\"https:\/\/www.classical-music.com\/features\/composers\/orlando-gibbons\"><strong>Orlando Gibbons<\/strong><\/a>,\u00a0Alban Berg\u00a0and\u00a0Beethoven. Oppenheim was so impressed by Gould\u2019s \u2018mesmerising\u2019 performance that he contacted his manager, Walter Homburger, who cannily negotiated a contract in which Gould had artistic freedom of choice what to record.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-best-recordings-of-js-bachs-goldberg-variations\">The best recordings of JS Bach's Goldberg Variations<\/a><\/strong><\/li><\/ul><p>Gould then proposed to record not any of the works he had played at his New York debut, but an epic set of variations which even the Bach scholar, Albert Schweitzer, had said was \u2018impossible to take to at a first hearing\u2019. Columbia executives gently tried to dissuade him. Such was Gould\u2019s enthusiasm for the\u00a0<em>Goldbergs<\/em>, though, which he had loved since his teens that Columbia relented. Sessions were arranged for one week in Columbia\u2019s East 30th Street studio.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Glenn Gould - The Goldberg Variations (Johann Sebastian Bach)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/eZCSOdi19jQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Even in June weather Gould arrived in winter clothing, armed with several towels, two large bottles of spring water, five different bottles of pills and his own low chair. First warming his hands in a basin of hot water, he proceeded to record a performance of often unprecedented speed yet precision, all the contrapuntal details presented with miraculous clarity. Gould\u2019s international career was launched, and\u00a0Bach\u2019s\u00a0music was brought to life for a wide audience.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0085MK2M6\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8023229--glenn-gould-plays-bach-goldberg-variations-bwv-988\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/bach-goldberg-variations-bwv-988-the-1955-1981-recordings\/594521223\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-3-britten-war-requiem\"><strong>3. Britten: War Requiem<\/strong><\/h3><p><em>Benjamin Britten (spoken word), Dietrich Fischer-Dieskau (baritone), Galina Vishnevskaya (spoken word and soprano), John Culshaw (spoken word), Melos Ensemble of London, Peter Pears (tenor and spoken word), Bach Choir, London Symphopny Orchestra and Chorus \/ Benjamin Britten (1962) Decca Originals 4757511<\/em><\/p><p>\u2018I thought Mozart and Verdi had said it all: I was wrong.\u2019 So spoke the usually sceptical Ernst Roth, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Benjamin Britten<\/a><\/strong>\u2019s publisher, after the momentous 1962 premiere of the composer's War Requiem at the consecration of Coventry Cathedral. You can read more about the extraordinary story of how Britten came to compose and premiere this masterful work in our <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/britten-war-requiem-3\">story of Britten's War Requiem<\/a><\/strong>.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000E6EGXM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7944034--britten-war-requiem-op-66\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/britten-war-requiem-2023-remastered-version\/1708394694\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-2-beethoven-symphonies-nos-5-amp-7\"><strong>2. Beethoven: Symphonies Nos 5 &amp; 7<\/strong><\/h3><p><em>Vienna Philharmonic Orchestra \/ Carlos Kleiber (1975-76) DG Originals 4474002<\/em><\/p><p>The reclusive Carlos Kleiber \u2013 voted the most inspiring <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-does-a-conductor-do\">conductor<\/a><\/strong> of all time in a poll of eminent current practitioners in BBC Music\u2019s April 2011 issue \u2013 was a rare visitor to the recording studio. But his LP of Beethoven\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-5\">Fifth Symphony<\/a><\/strong> with the Vienna Philharmonic, issued in 1975, was recognised as a classic.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-conductors-all-time\">The 20 greatest conductors of all time<\/a><\/strong><\/li><\/ul><p>The same team\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-7\">Seventh Symphony<\/a><\/strong>, which followed the next year, was of similar distinction. And the pairing of Kleiber\u2019s interpretations of these two masterpieces on one recording has become an essential recommendation for any collection. These are performances which seem to present a Beethoven \u2018for the ages\u2019, a distillation of a long interpretative tradition, without concern for historical accuracy in text or performance practice.<\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-07T142527.363.jpg\" alt=\"Beethoven symphonies 5 &amp; 7 Vienna Philharmonic Carlos Kleiber\" class=\"wp-image-213906\"\/><figcaption class=\"wp-element-caption\">Beethoven symphonies 5 &amp; 7 Vienna Philharmonic Carlos Kleiber<\/figcaption><\/figure><p>The sense of something monumental is enhanced by the imposing Vienna Musikverein acoustic. But that doesn\u2019t blur Kleiber\u2019s superfine attention to detail, with perfectly balanced textures and subtly graded transitions, clearly obtained through lengthy and painstaking rehearsal. And the 1970s Vienna Phiharmonic was a band capable of an equally detailed response.<\/p><p>What Kleiber also succeeded in communicating to the players, though, is what conductor Susanna M\u00e4lkki describes as his \u2018incredible energy\u2019. The Fifth Symphony moves in an unerring line from its famous opening, crackling with excitement, to its celebratory ending. And the Seventh, with all its repeated rhythmic units, generates so much momentum that the thrilling acceleration Kleiber whips up in the final bars almost seems the only possible outcome.<\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000001GPX\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7924176--beethoven-symphonies-nos-5-7\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/beethoven-symphonies-nos-5-7\/1644892939\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"greatest\"><strong>1. Wagner: <em>Der Ring des Nibelung<\/em><\/strong><\/h3><p><em>Birgit Nilsson (Br\u00fcnnhilde), Hans Hotter (Wotan), R\u00e9gine Crespin (Sieglinde), James King (Siegmund), Christa Ludwig (Fricka), Gottlob Frick (Hunding) et al; Wiener Philharmoniker, Sir Georg Solti (1958-65) Decca 4786748<\/em><\/p><p>\u2018Very nice,\u2019 sneered a rival producer, hearing that Decca were embarking on <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/what-does-wagners-ring-cycle-mean\">Wagner's Ring Cycle<\/a><\/strong>. \u2018But of course you\u2019ll never sell any.\u2019 To him it was just an obscure, prestige project. But at a stroke \u2013 Donner\u2019s awesome hammerstroke in <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-das-rheingold\"><em>Das<\/em> <em>Rheingold<\/em><\/a><\/strong>, to be precise, the loudest sound then recorded \u2013 Decca\u2019s new venture was to galvanise classical recording, and usher in a new era of recording excellence.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-wagner\">The best recordings of Wagner music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-09T111852.004.jpg\" alt=\"Wagner Ring Cycle Solti\" class=\"wp-image-214069\"\/><figcaption class=\"wp-element-caption\">Wagner Ring Cycle Solti<\/figcaption><\/figure><p>In the 1950s records evolved from brief, clumsy 78s to LPs, with wide-frequency recording, half-hour sides \u2013 and stereo sound. Decca\u2019s Vienna-based recording team, headed by John Culshaw, began to exploit these innovations to demonstrate that LP could carry major works, not just adequately but triumphantly.\u00a0<em>Rheingold<\/em>\u00a0(1956) proved that recordings needn\u2019t be fragmentary substitutes for stage performance, but could generate their own legitimate dramatic life \u2013 and popular appeal. Rheingold not only sold, it soared into the pop charts.<\/p><h4 class=\"wp-block-heading\">Georg Solti insisted on an atmosphere of live performance <\/h4><p><em>Rheingold<\/em>\u2019s stereo techniques, developed throughout\u00a0<em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagner-siegfried\">Siegfried<\/a><\/strong><\/em>\u00a0(1962),\u00a0<em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-gotterdammerung\">G\u00f6tterd\u00e4mmerung<\/a><\/strong><\/em>\u00a0(1964) and\u00a0<em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/wagner-valkyries-guide\">Walk\u00fcre<\/a><\/strong><\/em>\u00a0(1965), defined a soundstage around which the singers moved as if in a real production. To maintain this sense of live performance, conductor Georg Solti insisted they sing longer takes, often without scores. <\/p><p>Decca\u2019s earlier attempts to record the\u00a0<em>Ring<\/em>\u00a0at Bayreuth, notably Joseph Keilberth\u2019s cycle, sounded relatively stage-bound \u2013 fine for aficionados but unlikely to make new converts. To raise the imaginative temperature, Culshaw\u2019s team introduced acoustics and sound-effects \u2013 not randomly, like many imitators, but sounds that might feature in live performance, idealised to create the \u2018invisible stage\u2019 of Wagner\u2019s soaring imagination.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Wagner: Das Rheingold, WWV 86A - Vorspiel (Remastered 2022)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/EucdXGHAwXM?list=PLs1oeJCZ4VmCSVMu91rW4ZGfzO_blE9PP\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>These would have been pointless, though, without a correspondingly awesome performance. This, with the magnificent playing of the Vienna Philharmonic, Solti certainly provided. Arguments still rage about his interpretation, compared especially with the more flowing, homogeneous Wilhelm Furtw\u00e4ngler manner; but there\u2019s no doubt about Solti\u2019s dynamism and towering sense of scale. He illuminates\u00a0<a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\"><strong>Wagner<\/strong><\/a>\u2019s imagery, especially the\u00a0<em>Ring<\/em>\u2019s crucial natural forces, with vivid power, yet there\u2019s no want of warmth and tenderness, or clarity in the elaborate textures of motifs.<\/p><h4 class=\"wp-block-heading\">Solti's legendary cast is still unrivalled to this day<\/h4><p>No less outstanding, of course, is his cast, still unrivalled \u2013 an amazing Wagner ensemble spanning three eras, from Kirsten Flagstad and Set Svanholm to Hans Hotter, Birgit Nilsson and a host of younger voices like Eberhard Waechter, James King, Helga Dernesch and Gywneth Jones. <\/p><p>Nilsson\u2019s Br\u00fcnnhilde is steely and untiring yet full of passionate femininity. Her father Wotan, sturdily sung by George London in\u00a0<em>Rheingold<\/em>, matures in\u00a0<em>Siegfried<\/em>\u00a0and\u00a0<em>Walk\u00fcre<\/em>\u00a0into Hans Hotter\u2019s tormented, world-weary divinity \u2013 probably the finest and most nuanced on any recording, though by\u00a0<em>Walk\u00fcre<\/em>\u00a0his voice had aged considerably. Wolfgang Windgassen\u2019s Siegfried is captured late, but still youthful. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Siegfried Funeral Music - G\u00f6tterd\u00e4mmerung - Solti - VPO\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/nkOiKy6sXfM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Gustav Neidlinger\u2019s Alberich and Gottlob Frick\u2019s soot-voiced Hagen remain benchmarks, unmatched for Satanic nobility, as do Christa Ludwig\u2019s Fricka and Waltraute. Most controversial casting is probably Gerhard Stolze\u2019s rasping Mime (struck by polio during\u00a0<em>Siegfried<\/em>) but the force of his performance is undeniable. Dietrich Fischer-Dieskau\u2019s unusually heroic Gunther and Joan Sutherland\u2019s striking if badly articulated Woodbird add extra star quality.<\/p><h4 class=\"wp-block-heading\">'It hasn\u2019t been surpassed; it may never be'<\/h4><p>Documented in books and television, Decca\u2019s\u00a0<em>Ring<\/em>\u00a0raised the status of recording generally. Other versions have their virtues, but there\u2019s little doubt that Solti and Culshaw opened the gates for the 40-plus recorded\u00a0<em>Rings<\/em>\u00a0we now enjoy. Most authorities agree that it\u2019s still a great place to start. The sound has survived half a century well, though the present CD transfer isn\u2019t ideal; a much-praised SACD edition appeared only in Japan. <\/p><p>Individually, the operas are scarcely less impressive, although\u00a0<em>Walk\u00fcre<\/em>, beset by problems and disputes, is the least good. But even Solti\u2019s detractors have to admit the awesome stature of\u00a0<em>G\u00f6tterd\u00e4mmerung<\/em>, in which performance and recording unite with seamless strength to evoke the power of cosmic, cathartic tragedy. It hasn\u2019t been surpassed; it may never be.\u00a0<em>Michael Scott Rohan<\/em><\/p><ul><li><a href=\"https:\/\/www.amazon.co.uk\/dp\/B0000042H4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Amazon<\/strong><\/a><\/li><li><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/7956035--wagner-the-golden-ring\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Buy from Presto Classical<\/strong><\/a><\/li><li><a href=\"https:\/\/music.apple.com\/gb\/album\/wagner-der-ring-des-nibelungen\/1440775500\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>Stream on Apple Music<\/strong><\/a><\/li><\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Wednesday, 09 October 2024 at 10:42 AM Each month at BBC Music Magazine we receive hundreds of recordings, and hundreds of thousands have been made since the advent of recorded sound. But which are the very greatest recordings: those legendary moments of musical lightning-in-a-bottle that no collection should be without? We asked the [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48111,"template":"","categories":[1],"acf":{"readingTimeMinutes":"32"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/these-are-the-50-greatest-recordings-of-all-time-how-many-are-in-your-collection.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Wednesday, 09 October 2024 at 10:42 AM Each month at BBC Music Magazine we receive hundreds of recordings, and hundreds of thousands have been made since the advent of recorded sound. But which are the very greatest recordings: those legendary moments of musical lightning-in-a-bottle that no collection should be without? We asked the&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48110"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48111"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}