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In\u00a01995, Seattle Opera experienced a minor crisis when patrons found its production of Georges Bizet<\/a><\/strong>\u2019s opera Carmen<\/strong><\/a><\/em> too risqu\u00e9. The Seattle Times<\/em> published a series of impassioned letters to the editor that seem to anticipate modern social media fury. <\/p> \u2018This\u00a0Carmen<\/em>\u00a0exudes violence and vulgarity,\u2019 wrote one reader. \u2018I would be ashamed to take my mother, and afraid to take my child.\u2019 Another reader fumed: \u2018Tasteful? I should say not! It was repulsive! Let\u2019s keep everything in its place, and leave the operas the way the composers intended.\u2019<\/p> Critics defended the production, which director Keith Warner set in 1950s Spain. But when Seattle Opera staged Bizet\u2019s opera again earlier this year, visitors to its website were met with a warning label of sorts: a PG-13 rating, which in the US system of movie ratings signifies that \u2018some material may be inappropriate for children under 13\u2019. The stated reasons for the rating included a sexually explicit staging, violence against women, and cigarette smoking.<\/p>