{"id":48134,"date":"2024-10-12T11:21:59","date_gmt":"2024-10-12T09:21:59","guid":{"rendered":"http:\/\/50373e5e-e3ae-49c8-bd8c-07b46ec3c721"},"modified":"2024-10-12T13:07:14","modified_gmt":"2024-10-12T11:07:14","slug":"ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty\/","title":{"rendered":"Ralph Vaughan Williams: folk music, the English countryside, and moments of transcendent beauty"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Saturday, 12 October 2024 at 09:21 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Here&#8217;s our introduction to the great British composer Ralph Vaughan Williams (1872\u20131958). Master of a particular sort of pastoral atmosphere, Vaughan Williams often harnessed English <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-folk-music\">folk music<\/a><\/strong> into his often transcendentally beautiful compositions.<\/p><p>Unquestionably one of the most significant and influential <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-english-composers\">English composers<\/a><\/strong> of the 20th century, if not of all time, Vaughan Williams&#8217;s unique blend of traditional English folk music, pastoral landscapes, and modern orchestral techniques created a captivating musical language that was entirely his own. <\/p><p>Both deeply rooted in the sounds of the English countryside, yet also innovative and forward-looking (composers including <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-sibelius\">Sibelius<\/a><\/strong> and Ravel were an influence), Vaughan Williams&#8217;s evocative music played a huge role in the major <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/was-1910-19-the-best-decade-for-english-music\/\">revival of British music<\/a><\/strong> that took place in the early decades of the 20th century.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"English Folk Song Suite - Ralph Vaughan Williams\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/IcimP7pcd6o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-who-is-vaughan-williams\">Who was Ralph Vaughan Williams?<\/h2><p>Although Ralph Vaughan Williams is one <strong><a href=\"https:\/\/www.classical-music.com\/composers\/best-english-composers\/\">England&#8217;s best composers<\/a><\/strong> he was certainly no childhood prodigy. \u2018It would be hard,\u2019 his composer friend <strong><a href=\"https:\/\/www.classical-music.com\/composers\/george-butterworth\/\">George Butterworth<\/a><\/strong> commented, \u2018to name any other first-rate composer who had \u201cfound himself\u201d with such apparent difficulty.\u2019 Vaughan Williams was nearly 30 when the song <em>Linden Lea<\/em> brought him his first taste of recognition, and 38 when <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-vaughan-williamss-symphony-no-1-sea-symphony\/\"><em>A Sea Symphony<\/em><\/a><\/strong> (the first of nine he wrote) had its premiere. <\/p><h2 class=\"wp-block-heading\" id=\"h-when-was-vaughan-williams-born\">When was Vaughan Williams born?<\/h2><p>Vaughan Williams was born on 12 October 1872 in Gloucestershire, England. He started learning the piano when he was five and composed his first piece a few months later. The violin soon followed and music played a big part in his life from then on, particularly when he was at Charterhouse School. <\/p><p>Here he organised concerts and carried on composing and conducting his own music. The Royal College of Music followed but, despite his evident love of music and composing, it would be a number of years before he became confident in his &#8216;composing voice&#8217;. <\/p><h2 class=\"wp-block-heading\" id=\"h-why-did-he-struggle-to-find-his-voice-and-inspiration\">An early struggle to find his voice<\/h2><p>Vaughan Williams\u2019s late development can easily look like musical dim-wittedness. Fellow British composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Benjamin Britten<\/a><\/strong> waspishly accused the <em>Five Mystical Songs<\/em> of \u2018technical incompetence\u2019, and VW\u2019s extended period of academic training (three Cambridge degrees, two spells at the Royal College of Music &#8211; one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-are-the-best-music-colleges-and-conservatoires-in-the-world\/\">best music colleges and conservatoires in the world<\/a><\/strong> &#8211; and study with both <strong><a href=\"https:\/\/www.classical-music.com\/composers\/max-bruch\/\">Bruch<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/composers\/maurice-ravel\/\">Ravel<\/a><\/strong>) points at a certain insecurity in the early years about his ability as a composer.<\/p><p>Deeper reasons, however, underlie Vaughan Williams\u2019s slow ascent to artistic maturity. Chief among them was his stubborn determination not to allow the potent influence of the great Austro-Germanic masters to dominate his music. \u2018What matters,\u2019 he said, \u2018is to be true to oneself\u2019, not a third-rank imitation of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/johannes-brahms\/\">Brahms<\/a><\/strong> or <strong><a href=\"https:\/\/www.classical-music.com\/composers\/felix-mendelssohn\/\">Mendelssohn<\/a><\/strong>.<\/p><p>The key to the distinctiveness Vaughan Williams was looking for was folk-song. <em>Bushes and Briars<\/em> was the first song he collected (from an Essex labourer named Mr Potiphar) and it hit him like a revelation.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Bushes and Briars, English Folksong\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/JI7stpBYjr0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>Here was a direct connection to the essence of the nation\u2019s musical spirit: it gave Vaughan Williams a new language to talk in, and it could be the basis of a truly English type of classical music. Folk-song, he said later, \u2018freed us from foreign influences which weighed on us, which we could not get rid of.\u2019 <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/best-pieces-music-inspired-american-folk-tunes\">The best pieces of music inspired by American folk tunes<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/english-folk-songs\">English folk songs: ten of the best<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"h-what-are-vaughan-williams-best-works\">What are Vaughan Williams&#8217; best works?<\/h2><p>There is a direct line of influence between this moment of Damascene insight and two works which have become emblematic of Vaughan Williams\u2019s output, the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/vaughan-williamss-fantasia-on-a-theme-of-thomas-tallis\/\"><em>Fantasia on a Theme by Thomas Tallis<\/em><\/a><\/strong> and<em> <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/four-of-the-best-recordings-of-vaughan-williamss-the-lark-ascending\/\">The Lark Ascending<\/a><\/strong><\/em>, compositions held by many listeners to be quintessentially English. The Thomas Tallis fantasia is based on a hymn tune by the Elizabethan composer, its quasi-mystical resonances refracted across the centuries by Vaughan William\u2019s use of three separate string groupings.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Vaughan Williams ~ The Lark Ascending\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/ZR2JlDnT2l8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p><em>The Lark Ascending<\/em>, a rapturous 15-minute \u2018romance\u2019 for <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/violin-facts-and-invention\/\">violin<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-instruments-make-up-an-orchestra\/\">orchestra<\/a><\/strong>, is even more redolent of England, specifically the English countryside. Folk-song is not directly quoted by Vaughan Williams (it rarely was), and yet its influence in terms of atmosphere and the shaping of <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong> is constantly apparent. <\/p><ul><li><strong>We named <em>The Lark Ascending<\/em> one the <a href=\"https:\/\/www.classical-music.com\/features\/works\/best-violin-music\/\">best pieces of violin music ever<\/a><\/strong><\/li><\/ul><p> The immense popularity of <em>The Lark<\/em> has, however, encouraged the assumption that many or most of Vaughan Williams\u2019s compositions are in some way \u2018pastoral\u2019, and similarly placid in temperament. Vaughan William&#8217;s himself unwittingly contributed to this misconception by labelling his <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-vaughan-williamss-symphony-no-3-pastoral-symphony\/\">Third Symphony \u2018Pastoral<\/a><\/strong>\u2019, and composer Peter Warlock duly castigated the work as \u2018like a cow looking over a gate\u2019. (He wasn&#8217;t the only one: American composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/aaron-copland\">Aaron Copland<\/a><\/strong> weighed inapparently got in on the fun as well by comparing the serene Fifth Symphony to \u201cstaring at a cow for 45 minutes\u201d.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-vaughan-williamss-pastoral-symphony\/\">The best recordings of Vaughan Williams&#8217;s Pastoral Symphony<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/composers\/nine-unusual-facts-about-ralph-vaughan-williams\/\">Nine unusual facts about Ralph Vaughan Williams<\/a><\/strong><\/li><\/ul><p>Warlock was wrong. The Third Symphony is undoubtedly a restrained composition, but also sad, unsettled, and not at all idyllic like <em>The Lark Ascending<\/em>. The <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-symphony\/\">symphony<\/a><\/strong> was born of <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-was-impact-world-war-one-music\/\">World War I<\/a><\/strong>, during which Vaughan Williams served as an ambulance orderly, ferrying wounded soldiers back from the front line for medical treatment. The \u2018Pastoral\u2019 was, he said, \u2018really war-time music\u2026 it\u2019s not really lambkins frisking at all\u2026\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Vaughan Williams: Symphony No. 3 \u201cA Pastoral Symphony\u201d (Haitink, London Philharmonic Orchestra)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/bAi65Fmbn0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-how-did-the-politics-of-the-1930s-and-world-war-ii-affect-his-music\">The Thirties and Forties: savagery, bleakness&#8230; and moments of hope<\/h2><p>Any lingering doubts about Vaughan Williams being a one-trick pony were dispelled by the savagery and bleakness of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-vaughan-williamss-symphony-no-4\/\">Fourth Symphony<\/a><\/strong> that came in 1935, in the composer\u2019s early 60s. Premonitions of this lurch in stylistic temper were present in <em>Job: A Masque for Dancing<\/em> written in 1930, but the grimness of the Fourth was unprecedented. \u2018I don\u2019t know whether I like it,\u2019 the composer himself commented, \u2018but it was what I meant.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Ralph Vaughan Williams: Symphony No. 4\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/QMG70e0Usn0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p>There have been various theories about the genesis of this seemingly uncharacteristic music: it was Vaughan Williams\u2019s response to the worsening situation in Europe, a memorial to the recently deceased <strong><a href=\"https:\/\/www.classical-music.com\/composers\/gustav-holst\/\">Holst<\/a><\/strong>, an angry reaction to his wife\u2019s crippling arthritis and his own recent medical problems. Asked what the symphony was actually about, Vaughan Williams allegedly replied \u2018It is about F minor\u2019.<\/p><p>The next two symphonies were also masterpieces. The <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-vaughan-williamss-symphony-no-5\/\">Fifth Symphony<\/a><\/strong>, completed in 1943 when VW was 70, reflected the grimness and foreboding of WWII in passages of deep unease, before casting a hopeful gaze towards the future in its closing pages. For Adrian Boult, the symphony showed \u2018what we must work for when this madness is over.\u2019 <\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/what-happened-to-classical-musicians-during-world-war-2\/\">What happened to classical musicians during World War 2?<\/a><\/strong><\/li><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/world-war-ii-most-popular-songs\/\">What were the most popular songs during World War II?<\/a><\/strong><\/li><\/ul><p>The \u2018madness\u2019 itself shrieks manically from the opening pages of the Sixth, and haunts its frightening <em>Moderato<\/em> movement, the raving<strong> <a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-scherzo\/\"><em>Scherzo<\/em><\/a><\/strong>, and the drained, desolate <em>Epilogue<\/em>, all hope apparently vanished.<\/p><p>Vaughan Williams continued writing music for another decade, completing three more symphonies and <em>The Pilgrim\u2019s Progress<\/em>.<\/p><h2 class=\"wp-block-heading\" id=\"h-what-songs-did-vaughan-williams-write\">What songs did Vaughan Williams write?<\/h2><p>Vaughan Williams also wrote choral music: he was not conventionally religious, yet some of his most moving vocal compositions (especially the visionary <em>Sancta Civitas<\/em> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/vaughan-williams-dona-nobis-pacem\/\"><em>Dona Nobis Pacem<\/em><\/a><\/strong>) draw heavily on the English Christian tradition and reflect its humanitarian principles.<\/p><p>He was also a songwriter of stature, the two cycles <em>On Wenlock Edge<\/em> (a brooding, expressionistic sequence on poems by AE Housman) and <em>Five Mystical Songs<\/em> being worthy of attention. Nor should the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-concerto\">concertos<\/a><\/strong> be overlooked: he wrote four (for <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/violin-guide\">violin<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/who-invented-the-piano\/\">piano<\/a><\/strong>, oboe and bass tuba), as well as suites and concertante works for viola, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/cello\">cello<\/a><\/strong> and harmonica.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Ralphs Vaughan Williams - On Wenlock Edge\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/nCJfWuqxN9A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\" id=\"h-did-vaughan-williams-marry\">Did Vaughan Williams marry?<\/h2><p>Yes &#8211; twice. His first wife was Adeline Fisher, whom he met while a student at Cambridge University. Her father was a friend of Vaughan Williams&#8217; family, and the two were married in 1897. During the 1920s, Adeline developed arthritis, and the couple left their London home, with its many stairs, for a more manageable house in Dorking, Surrey.<\/p><p>In 1938, while still married to Adeline, Vaughan Williams met <strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Ursula_Vaughan_Williams\" target=\"_blank\" rel=\"noreferrer noopener\">Ursula Wood<\/a><\/strong> (1911\u20132007), the wife of an army officer.<sup id=\"cite_ref-68\" class=\"reference\"\/> Ursula was a poet, and had approached Vaughan Williams with an idea for a ballet. Although both were married (and although he was around 40 years older than her), they quickly fell in love, and had a secret love affair for more than a decade.<\/p><p><sup id=\"cite_ref-on_69-0\" class=\"reference\"\/>Ursula in fact helped the composer to care for Adeline as her arthritis advanced. The two women became close friends, and it&#8217;s not known whether Adeline was aware of her husband&#8217;s intimacy with Ursula. What is certain is that Vaughan Williams never stopped loving and caring for Adeline.<\/p><p>Adeline died in 1951, and Vaughan Williams married Ursula in 1953.<\/p><h2 class=\"wp-block-heading\" id=\"h-when-did-vaughan-williams-die\">When did Vaughan Williams die?<\/h2><p>When Vaughan Williams died in 1958 at the age of 85, the <em>Musical Times<\/em> obituary noted that \u2018in his music he expressed the essential spirit of England as perhaps no other composer has ever done before\u2019. The England Vaughan Williams represented was not one of \u2018lambkins frisking\u2019, but one where rugged optimism and an unflinching commitment to human decency were defining characteristics.<\/p><p><em>Terry Blain<\/em><\/p><p><strong>Read more<a href=\"https:\/\/www.classical-music.com\/tag\/vaughan-williams-reviews\/\"> reviews of Vaughan Williams latest recordings<\/a><\/strong><\/p><div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/12-of-the-best-classical-english-songs\/\">12 of the best classical English songs<\/a><\/strong><\/li><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/1918-2018-20-works-defined-century\">1918-2018: 20 works that defined a century<\/a><\/strong><\/li><\/ul><\/div><\/div> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Saturday, 12 October 2024 at 09:21 AM Here&#8217;s our introduction to the great British composer Ralph Vaughan Williams (1872\u20131958). Master of a particular sort of pastoral atmosphere, Vaughan Williams often harnessed English folk music into his often transcendentally beautiful compositions. Unquestionably one of the most significant and influential English composers of the 20th [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48135,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/ralph-vaughan-williams-folk-music-the-english-countryside-and-moments-of-transcendent-beauty.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Saturday, 12 October 2024 at 09:21 AM Here&#8217;s our introduction to the great British composer Ralph Vaughan Williams (1872\u20131958). Master of a particular sort of pastoral atmosphere, Vaughan Williams often harnessed English folk music into his often transcendentally beautiful compositions. Unquestionably one of the most significant and influential English composers of the 20th&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48134"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48135"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}