{"id":48138,"date":"2024-10-14T15:12:21","date_gmt":"2024-10-14T13:12:21","guid":{"rendered":"http:\/\/2f68fea0-4cd1-47fe-8e9f-90482f07006d"},"modified":"2024-10-14T16:07:18","modified_gmt":"2024-10-14T14:07:18","slug":"how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever\/","title":{"rendered":"How the golden age of rail travel transformed American classical music forever"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Monday, 14 October 2024 at 13:12 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>After the freezing morning of 10 May 1869, a crowd gathered at Utah\u2019s Promontory Summit to watch as a golden spike was pounded into an unfinished railroad track. Within moments, a telegraph was sent from one side of the country to the other announcing the completion of North America\u2019s first transcontinental railroad. It set off the first coast-to-coast celebration, and at New York City\u2019s Trinity Church, a choir chanted the Te Deum, \u2018imparting thankful harmonies\u2019, in the words of mayor A. Oakey Hall.<\/p><p>Completed four years after the Civil War, the new rail link enabled the flow of people and commerce to the West Coast, with a trip that had once taken as long as six months cut down to a week. The impact was huge, and with the 150th anniversary this year marked by a wealth of museum exhibits and performances, it\u2019s clear that classical music in the US was forever transformed by the golden age of train travel.<\/p><p>Key to the railroad\u2019s construction were immigrant labourers \u2013 mostly from Ireland and China \u2013 who worked amid avalanches, disease, clashes with Native Americans and searing summer heat. \u2018Not that many people know how hard it was to build, and how many perished while building this,\u2019 says Zhou Tian, a Chinese-American composer whose new orchestral work<em> Transcend <\/em>pays tribute to these workers. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Zhou Tian &quot;Transcend&quot; performed by the Reno Phil\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/g5PRQCHkGqg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>The piece, which includes <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melodies<\/a><\/strong> in the style of the folk tunes that the Chinese labourers sang, will be performed by 14 US orchestras this year. Tian adds: \u2018As significant and magnificent as the structure was, it was at the core a human story.\u2019<\/p><h2 class=\"wp-block-heading\">Between 1865 and 1900, some 4,000 opera houses were built<\/h2><p>As the Transcontinental Railroad opened up the American West, dusty frontier towns with little more than a jail and a saloon aspired to display their growing wealth and ambition. Naturally, this meant culture. Between 1865 and 1900, some 4,000 opera houses were built, from the Corinne Opera House, in Corinne, Utah (1870) to the Downs Opera House in Evanston, Wyoming (1885). <\/p><p>\u2018As soon as the railroad came to town, or even before its routes were finalised, town fathers, newspaper editors, culture-hungry women and ordinary citizens campaigned for an opera house on Main Street,\u2019 writes Ann Satterthwaite in <em>Local Glories: Opera Houses on Main Street, Where Art and Community Meet<\/em>.\u00a0<\/p><p>Naturally, the term \u2018opera\u2019 should be loosely applied to the frontier opera houses. Most presented an assortment of musical revues, <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-operetta\">operettas<\/a><\/strong>, magic acts, \u2018horse operas\u2019 and minstrel shows, often staged by resident stock theatre companies. Still, the word \u2018opera\u2019 had a magic to it. With the construction of theatres, the number of singers and troupes traversing the country exploded.\u00a0<\/p><h2 class=\"wp-block-heading\">\u2018Music sounds on the prairie &#8211; and dies away far over the plains\u2019 <\/h2><p>One of the railroad\u2019s earliest passengers was the Norwegian violinist Ole Bull, who in February 1870 rode the newly opened Union Pacific Railroad to San Francisco, pleased to avoid the onerous trip across the Isthmus of Panama, where he had previously contracted yellow fever. Though there are few published details about Bull\u2019s journey, contemporaneous accounts suggest that music was sometimes performed on the trains themselves. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Vintage Railroad Videos\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/EQzXCoQRbas?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Some of the early 1870s Pullman cars were even equipped with organs, and the evenings brought \u2018musicales\u2019 by travelling theatre troupes. \u2018Music sounds on the prairie and dies away far over the plains,\u2019 wrote Henry Williams in <em>The Pacific Tourist<\/em>. \u2018Merry-making and jokes, conversation and reading pass the time until 10 o\u2019clock, when we retire.\u2019<\/p><h2 class=\"wp-block-heading\">Opera companies also caught the touring bug<\/h2><p>Among the first symphony orchestras to hit the rails were two of the original &#8216;<strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/big-five-orchestras\">Big Five<\/a><\/strong>&#8216;: the New York Philharmonic, which ventured to Detroit and Kansas City in 1882, and the Boston Symphony Orchestra, which gave annual concerts in Chicago between 1886 and 1893. Opera companies also caught the touring bug. New York\u2019s Metropolitan Opera embarked on its first west coast tour in 1900, in five weeks travelling to Los Angeles, San Francisco, Denver, Lincoln, Kansas City and Minneapolis.<\/p><p>The conductor Walter Damrosch established the Damrosch Opera Company in 1894, specialising in German opera and travelling to 27 cities on one tour. Oscar Hammerstein I (grandfather of the famous lyricist) created the short-lived Manhattan Opera Company in 1906, which also enjoyed a busy touring schedule.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-german-composers\">Bach to Zimmer: The best German composers of all time<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\">&#8216;Musicians played rollicking poker games in the dining car&#8217;<\/h2><p>The Met\u2019s tours were for decades central to the company\u2019s lore, rooted in the maxim that \u2018everything but the opera house must go\u2019. Crates of scenery and costumes were trucked to rail yards as soon as the curtain closed on the spring season. For the 1900 tour, 220\u00a0people travelled in 16 Pullman cars; musicians amused themselves with rollicking poker games in the dining car. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Inside the old Metropolitan Opera House, beautifully dressed patrons 1938\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/kGEkzi2bch0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Once, before leaving for San Francisco in 1906, the great <strong><a href=\"https:\/\/www.classical-music.com\/articles\/enrico-caruso\">Enrico Caruso<\/a><\/strong> bought a revolver and ammunition to protect himself from the \u2018bandits and assassins\u2019 he expected to encounter in that city. The Italian tenor unnerved fellow passengers by conducting target practice out the windows of the speeding train.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/enrico-caruso-arrested\">Caruso arrested for &#8216;annoying women&#8217; at Central Park Zoo<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\">Train travel and the great divas<\/h2><p>The era also saw the arrival of over-the-top star perks. Divas like Adelina Patti, Nellie Melba and Lillian Nordica travelled in private coaches hooked onto the caboose position (at the end) of a train. Patti had an opulent, $65,000 car with her name in gilt lettering on its side. <\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/1920s-divas\">Divas behaving badly: how the Roaring Twenties&#8217;s opera stars kept themselves in the limelight<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-image size-full\"><figcaption class=\"wp-element-caption\">Italian soprano Adelina Patti with other opera singers and service crew at the back of a Pullman car. Pic: Theodore C. Marceau\/Library of Congress\/Corbis\/VCG via Getty Images &#8211; Theodore C. Marceau\/Library of Congress\/Corbis\/VCG via Getty Images<\/figcaption><\/figure><p>\u2018The diva travelled for years in luxurious seclusion, though hardly in total solitude,\u2019 writes Quaintance Eaton in <em>Opera Caravan<\/em>. \u2018Indeed, she required an entourage of a dozen or so, all of whose fares constituted an obligation of the management \u2013 including a personal chef.\u2019 <\/p><p>When Patti\u2019s car pulled into Omaha, she opened the blinds to show off her sumptuous quarters. \u2018The curtains are of heavy damask silk,\u2019 noted a local reporter. \u2018The walls and ceiling of gilded leather tapestry, the lamps of rolled gold. A grand piano of carved wood cost $2,500.\u2019<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The American Railroads in 1897 - Vintage Footage\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/tRO3Kxy5NG4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>There were mishaps and hardships, too. Musicians had to cope with dirty, coal-burning locomotives and tight quarters; reports of illness were common. The 1906 tour to California was dramatically cut short by the San Francisco earthquake and fires, which destroyed much of the city. After giving two performances, the company fled town largely unharmed, but its sets and costumes were destroyed.<\/p><h2 class=\"wp-block-heading\">His private train had a bedroom, kitchen and dining room <\/h2><p>Pianist Ignacy Jan Paderewski travelled in comparable luxury when, in 1891, he began the first of his nearly-annual tours to some 80 North American cities. His private train had a bedroom, kitchen, dining room and a salon with a Steinway, enabling him to practise along the way. <\/p><p>There were separate cars for his retinue (including chef, valet, masseur, porters and piano technician) and journalists. By contrast, when the New York Philharmonic travelled to the Midwest in 1910, the 100-member orchestra squeezed into three cars \u2013 two coaches for the musicians and one baggage car.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Passenger Train, 1954\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/nRVEOZphmDQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Railroads, meanwhile, continued their westward push. Between 1850 and 1910, railroad mileage had increased from 9,021 miles to 240,293 miles. By 1900 there were four additional transcontinental lines, built with assistance from federal government land grants. <\/p><h2 class=\"wp-block-heading\">Cheyenne, WY, Kearney, NE: Opera in the outposts<\/h2><p>Each day, many of these lines were moving performers. They stopped in outposts like Cheyenne, Wyoming. In the early 1880s, a group of prominent townspeople, tired of their ramshackle opera house above a livery stable, raised funds to build a magnificent 1,000-seat theatre containing a 52-foot-wide chandelier. <\/p><p>The opening night, featuring Audran\u2019s comic opera <em>Les noces d\u2019Olivette<\/em>, was a city-wide celebration. The <em>Cheyenne Daily Leader<\/em> reported the venue was, \u2018A lasting proof to all comers of the intelligence and refinement of this little city of less than 4,000 people\u2019.<\/p><p>The 1880s marked Wyoming\u2019s opera house era, as travelling performers put on one or two nights not only in Cheyenne but also in Laramie, Evanston and other railroad towns. Fires broke out in the Cheyenne house in 1888 and 1902, the latter of which ended its life as a performance venue. The building was eventually torn down in 1960, in a tragically familiar pattern across post-war America.<\/p><p>Not to be outdone by larger cities, Kearney, Nebraska, also situated along the Union Pacific line, built the grand 1,200-seat Kearney Opera House in 1891. At its opening a local newspaper described the five-story building as \u2018the most imposing structure in Nebraska outside Lincoln and Omaha\u2019 and a symbol of \u2018Kearney\u2019s beauty and Kearney\u2019s manhood\u2019. <\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"A Day in Kearney, Nebraska\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6j942Vbokdo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p>Audiences in Victorian finery came from nearby towns to sit in its plush boxes and see performers such as John Philip Sousa and Harry Houdini. Kearney\u2019s heyday as an agriculture and light industry centre faded after <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-happened-to-classical-musicians-during-world-war-2\">World War II<\/a><\/strong> and the opera house was demolished in 1954.<\/p><h2 class=\"wp-block-heading\">Colorado&#8217;s Silver Circuit<\/h2><p>Almost concurrent with Nebraska, Colorado experienced a theatre boom built on touring circuits. The entrepreneur Peter McCourt established the Silver Circuit in 1889, with 13 stops including Aspen, Colorado Springs, Greeley, Grand Junction, Leadville and Trinidad, plus junctions in Utah and Wyoming.<\/p><p>McCourt\u2019s associates in New York contracted troupes and booked tours on the circuit, the costs shared among the theatres. To this day, Aspen\u2019s Wheeler Opera House, established in 1889 and restored in the 1980s, hosts prominent touring acts and Aspen Music Festival productions.<\/p><h2 class=\"wp-block-heading\">The end of a golden age<\/h2><p>By the early 1920s, when Hollywood movies were vying with live performances and radio was entering the living room, the era of railroad tours had peaked. Automobiles enabled travel to bigger cities with lavish new cinemas. \u2018This plethora of new entertainment opportunities,\u2019 writes Satterthwaite, \u2018spelled the end of live, often high-quality theatre and entertainment in opera houses, especially in small towns\u2019. <\/p><p>The decline of railroads accelerated after World War II, with the growth of air travel and the Interstate Highway System. Yet in April 1950, Arturo Toscanini and the NBC Symphony left New York\u2019s Pennsylvania Station on a special 13-car train that would take them across the continent on a six-week tour, spanning 21 concerts in 20 states. <\/p><figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1100\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/10\/Untitled-design-2024-10-14T140013.987.jpg\" alt=\"Arturo Toscanini and New York Met conductor Wilfred Pelletier waving on trains\" class=\"wp-image-214270\"\/><figcaption class=\"wp-element-caption\">Conductors Arturo Toscanini and Wilfred Pelletier (New York Met) waving as they cross paths. (Photo by Joseph Scherschel\/The LIFE Picture Collection\/Getty Images) &#8211; Joseph Scherschel\/The LIFE Picture Collection\/Getty Images<\/figcaption><\/figure><h6 class=\"wp-block-heading\">&#8216;Toscanini&#8217;s carriage held a bathtub, library and dining room&#8217;<\/h6><p>It was partly an elaborate publicity stunt by NBC, and admiring news reports portrayed the Italian maestro visiting a New Orleans jazz club and riding a ski lift in Sun Valley, Idaho. As Joseph Horowitz writes in <em>Understanding Toscanini<\/em>, the conductor held court in a car \u2018equipped with a bathtub, panelled library and dining room\u2019. If this was a last hurrah for transcontinental train tours, it was evidently a glamorous one.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Arturo Toscanini - Wagner: Ride of the Valkyries\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/gJ3GvutirCQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h2 class=\"wp-block-heading\">The 1970s and the jet-set conductor<\/h2><p>The 1960s was a decade of railroad company mergers and bankruptcies, and in 1971 nearly all long-distance passenger traffic was assumed by Amtrak, an agency that has since become a routine target of conservative politicians. Jet-set conductors, meanwhile, became a reality of the classical music business, and artist managers have learned to navigate the wilds of lost airline luggage and mishandled instruments.\u00a0<\/p><p>Still, musicians haven\u2019t entirely given up on US rail travel. In 2017, composer Philip Glass told <em>BBC Music Magazine<\/em> about a cross-country trip he had recently taken on Amtrak. \u2018Of course, the train was falling apart,\u2019 he said. \u2018But the country isn\u2019t falling apart. <\/p><p>&#8216;It\u2019s a vast and beautiful country we have. I ended up in Los Angeles six days later. It wasn\u2019t the most comfortable trip. We\u2019ve downgraded Amtrak. On the other hand, it was a wonderful experience.\u2019\u00a0 \u00a0<\/p><p><em>This article first appeared in the March 2019 issue of BBC Music Magazine<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 14 October 2024 at 13:12 PM After the freezing morning of 10 May 1869, a crowd gathered at Utah\u2019s Promontory Summit to watch as a golden spike was pounded into an unfinished railroad track. Within moments, a telegraph was sent from one side of the country to the other announcing the completion [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48139,"template":"","categories":[1],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/how-the-golden-age-of-rail-travel-transformed-american-classical-music-forever.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Monday, 14 October 2024 at 13:12 PM After the freezing morning of 10 May 1869, a crowd gathered at Utah\u2019s Promontory Summit to watch as a golden spike was pounded into an unfinished railroad track. Within moments, a telegraph was sent from one side of the country to the other announcing the completion&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48138"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48139"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}